LG QNED80A6A (IPS) vs LG NANO81A / NANO80A

When it comes to image dynamics and brightness, the QNED80A firmly stands its ground. It is not a “bright beast” – during our measurements, peak luminance oscillated between 350-400 nits. To put it plainly: these values won't allow HDR formats to fully spread their wings. So, do not expect that the glare of the sun or car headlights in films will blind you. However, this television has a powerful ace up its sleeve that salvages the overall picture impression – and that is the colours. LG's engineers have employed an advanced filtration system (technically most likely based on PFS phosphor, marketed as QNED/NanoCell), which does a fantastic job. Thanks to this, despite average brightness, the screen is capable of generating exceptionally saturated and pure hues. Our instruments showed coverage of the wide DCI-P3 cinema colour palette at a level of 93-94%. This is a result that outclasses most standard LCD televisions. In practice, this means that when watching 4K HDR content, the picture – although not very bright – is very plastic, vivid, and delights the eye with its depth of colours.

If you are counting on HDR in the NANO81A to bring tears to your eyes, I must disappoint you. This television is simply too dark to truly show what this format is all about. With a brightness of only 250 nits, HDR exists here mainly on paper. In practice, during viewing, it is very difficult to distinguish whether we are watching high dynamic range content or regular SDR – it simply lacks that ‘punch’ of light in the bright parts of the image. However, to give credit where it’s due, we do have a glimmer of hope here – and quite a clear one at that. It concerns the colour gamut coverage. Here, the NanoCell filter shows that it is not just marketing nonsense. Our measurements indicated that the coverage of the DCI-P3 space is around 88%. This is a really solid result that places this model significantly higher than typical budget options based on standard white LEDs without any filters. Of course, it still falls short of the level of quantum dot (QLED) TVs or advanced panels with PFS filters, but for this price point, the colours are surprisingly saturated and vibrant. It's just a shame that this low brightness prevents them from fully ‘spreading their wings’ with the Nano filter.

Here, regardless of whether you encounter the VA or IPS version, the situation is identical. LG engineers once again served us their vision of a "gaming look," which unfortunately has little to do with accuracy. When switched to console mode, the white balance automatically drifts towards very cold regions. The image is dominated by the colour blue, which makes it seem artificially sharpened, and the white is so aggressive that it appears burnt out. This creates an effect we associate with vibrant shop modes – everything is meant to shine and scream "I am digital." While some may appreciate this, we must say plainly: the image is not accurate. If you care about naturalness, we suggest you immediately check the settings and change the colour temperature to a warmer one.

For every film fan, the natural choice in LG televisions is the Filmmaker Mode. Its aim is to display images as the director intended – without unnecessary "enhancements". Unfortunately, in the case of our test unit NANO81A, the factory settings left something to be desired. The main issue turned out to be the white balance. Measurements showed a distinct deficiency of blue colour, which in practice meant that many scenes had a slightly yellowish, even "yellowed" tint. The white was not perfectly pure, which detracted from the freshness of the image. Additionally, brightness management was also not ideal – the factory-set gamma was too low. The picture often appeared oversaturated, as if overly lifted from the shadows, which caused it to lose naturalness and depth. Fortunately, LG, even in this relatively low price category, does not block access to advanced settings. The calibration possibilities of this model are enormous, which is a big plus for those who enjoy "digging" in the menu. We decided to approach the topic in our own way and see how much we could squeeze out of this panel with professional calibration.

After professional calibration, the QNED80A in the IPS version has changed unrecognisably, especially with "ordinary" content (SDR). We managed to eliminate the greenish tint and calm down the overly bright gamma. In classic television or older games, colour errors (DeltaE) have dropped below the threshold of perception (value < 2). The picture is now coherent, natural, and truly pleasing to the eye. The situation is somewhat more complicated in HDR mode. Although the colours are now in place, the television has a problem with perfectly controlling the brightness (EOTF curve). Due to the limitations of edge lighting and the rather meagre adjustment options provided by LG in this respect, the television's software at times "does what it wants," just to mask the imperfections of black and contrast. However, this is not a cause for concern – despite these technical limitations, the picture after calibration is a class better than what you saw out of the box.

After calibration, the NANO81A is a completely different television. What LG offers in terms of image enhancement tools even in such an affordable model deserves a big plus. We managed to completely eliminate that annoying yellowing of whites and make the colours natural, vibrant, and simply "true". In SDR content (that is, regular television, YouTube, or older films), the picture now looks worlds better – it is clear, well-balanced, and no longer strains the eyes with strange hues. It is clear that this panel has significant potential, which is simply wasted by poor presets out of the box. However, we do have one serious reservation that calibration cannot fully overcome – it concerns brightness management in HDR mode. LG's algorithm in this model is constructed very conservatively. The television intentionally dims the HDR picture to avoid overexposing the already weak blacks of the IPS panel. The programmers faced a choice: either to provide more light and accept that the blacks would become light grey or to reduce the brightness to maintain any contrast. They chose the latter. Nevertheless, after our adjustments, watching anything on the NANO81 is significantly better.

It often happens that cheap 4K TVs mercilessly expose the flaws of low-resolution materials. Here, it is different. The QNED80A is great equipment for watching content that is not perfect. The processor does a good job of upscaling the image, making even older recordings look quite decent on a 4K screen – they are consistent and free of digital noise. Interestingly, there is a gradation reduction feature available in the settings. It is very effective in combating the so-called banding in low bitrate materials. Of course, it should be approached with some caution. Due to the lower processing power of the chip (compared to the premium series), turning on this option can sometimes result in unwanted artifacts or blurriness. Despite this risk, we encourage experimentation, as in many cases this feature can save a poor-quality viewing experience.

It often happens that cheap 4K panels mercilessly bring to light all the "dirt" and imperfections of lower-resolution content. However, with the LG NANO81A, the situation is quite different. This is truly a solid performer when it comes to handling content that is far from ideal. The built-in processor does a great job with upscaling. Even older recordings look quite decent on this screen – the image is coherent, cleaned of digital noise, and simply pleasant to the eye. A significant advantage is the gradation reduction feature that you will find in the settings. It is extraordinarily effective in combating colour banding, which is a lifesaver when watching materials with a low bitrate, for instance, from some streaming services or older files from the web. However, it is worth maintaining a certain level of caution. Since we are dealing with a less powerful chip than in LG's top models, setting this option too aggressively may sometimes result in minor artefacts or slight blurring of details. Despite this risk, I definitely encourage experimenting with this feature - in many cases, it can save the viewing experience and make low-quality material fully watchable.

In terms of motion reproduction, the QNED80A unfortunately has a tough time. The television is based on a display with a refresh rate of 60Hz, which is quite a disappointment for the QNED series in 2025. If you are looking for perfect sharpness during dynamic football matches, you may feel somewhat unsatisfied. A solution in this situation is the TruMotion system. It allows for artificial frame generation, which smooths out the image in films and series. In the menu, you will find a De-Judder slider – we recommend setting it to a value of 2, 3, or 4. This is the "golden mean" that improves fluidity without turning the film into a soap opera.

When it comes to motion fluidity, the NANO81A unfortunately has a hard time. The television is based on a panel with a refresh rate of 60 Hz. If you are looking for perfect sharpness in dynamic football matches or fast action games, you may feel a bit disappointed. With such a low native refresh rate, fast objects on the screen will always be a little blurred.

In the gaming section, we won't be pulling the wool over your eyes – the QNED80A is not e-sports equipment. The lack of 120Hz signal support is a fact that must be accepted. However, LG's engineers have done everything possible to maximise the potential of this 60Hz panel, providing gamers with a set of desirable features. First and foremost, the television supports VRR (in the range of 48-60Hz) and ALLM. This means that the image is smooth, not choppy, and the television automatically switches to low-latency mode as soon as we pick up the controller. Accessing these options is incredibly simple thanks to the dedicated system overlay – Game Dashboard. It’s also worth appreciating the support for the HGiG format. This is a nod to owners of modern consoles. Although the screen does not support gaming Dolby Vision, HGiG ensures that the television 'understands' how to display games in HDR. As a result, we avoid the problem of blown-out clouds, which is unfortunately a plague on cheaper LCD televisions.

NANO81A is unfortunately not hardware designed for e-sports. The lack of support for a 120 Hz signal is a fact that users planning to purchase this model simply have to come to terms with. Nevertheless, LG's engineers have made an effort to maximise the potential of this 60 Hz panel, offering a set of features that genuinely enhance the gaming experience. Firstly, the television supports VRR technology (within the range of 48-60 Hz) and ALLM. As a result, the image remains stable and does not "tear", and the device automatically switches to low-latency mode as soon as it detects a signal from a console. Managing these settings is extremely simple thanks to a dedicated system overlay, which allows for quick viewing of parameters without leaving the game. A very significant advantage is the support for the HGiG format. This solution is crucial for owners of modern consoles because it enables the television to correctly "understand" the intentions of game developers regarding HDR tone mapping. In practice, this helps avoid the effect of "blown-out" bright spots, such as clouds or light sources, which is unfortunately a common issue in budget LCD televisions.