LG OLED G4 vs Samsung The Frame 2025 (LS03F)

LG G4 guarantees an incredibly vivid HDR effect, placing the television among the very best. The equipment of the highest model in the producer's 2024 portfolio with the second generation of micro-lens technology (MLA) has achieved a maximum brightness level of 1474 nits in real scenes. The only area where the product from the Korean manufacturer may lag behind LCD televisions with Mini LED backlighting is during the full-screen scenes featuring a lot of white. If we disregard the latter type of scene, the average result would be even higher. It is also worth mentioning scenes with very fine details, where each one shines at full intensity, which is not as evident in non-OLED televisions. The combination of such brightness and wide coverage of the DCI-P3 palette makes HDR materials more engaging than ever before.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks impressive on paper. But as we know, laboratory tests are one thing, and real film scenes are quite another. When watching HDR materials in natural conditions, The Frame 2025 maintains very good results. In most film scenes, the peak brightness remained at around 550–650 nits. This is a sufficient value to feel the difference between standard picture quality and that of HDR – bright highlights, reflections on water, or moonlight are presented clearly and spectacularly.

It is also worth remembering that the LS03F is a QLED television, which translates into solid colour saturation. The coverage of the DCI-P3 colour space reaches about 92%, allowing for vibrant, intense colours in HDR content. This is not the level of top premium models, but for a lifestyle screen, the result truly deserves recognition.

The best factory mode in terms of colour reproduction was "Filmmaker". This was the one we used during our tests. Let's check how its characteristics looked before the calibration process. Looking closely at the white balance first, we can notice a significant dominance of red and green. As a result, the image had a warm yellowish hue. Such characteristics are typically observed in "Cinema", "Filmmaker" or similarly named modes. The effect of this colour balance was clearly visible in both SDR and HDR content, which after switching from "Standard" mode appeared distinctly yellow. Now, let's move on to two graphs that are responsible for the brightness characteristics and consequently the contrast of the image. The first one (Gamma), representing materials with a standard colour palette, performed decently. For most of the time, midtones and bright whites were reproduced very accurately; however, it noticeably lost the darkest details, which merged into a black blob. Conversely, HDR materials, represented by the EOTF curve graph, exhibited a significant drop in contrast due to a strong boost in brightness. The colours themselves also posed a problem, as can be seen on the "ColorChecker" graph, since they were noticeably under-saturated.

When it comes to image quality straight out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were issues. We noticed clear deviations in white balance in both HD and 4K HDR content. The image was heavily skewed towards red and blue, giving the screen a characteristic pinkish tint. This effect was most noticeable in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. At such moments, the screen clearly took on pink tones, which is also visible in the attached comparison photo. As for the brightness characteristics – it wasn’t as bad as one might expect with such colour inaccuracies. The analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically ruin the viewing experience.

The manufacturer has implemented extensive support for the calibration process in its LG televisions for many years. We therefore used 2- and 20-point greyscale adjustments, as well as an advanced CMS (Colour Management System), and got to work. As you can see, thanks to the procedure carried out, each parameter has significantly improved. The use of tools allowed for the achievement of extremely beneficial effects, which include: studio colour reproduction, recovery of details in dark areas of the image, appropriate brightness characteristics, and suitable colour saturation. This brings us as close as possible to the reference image, which is what the film director saw on the preview monitor. It is worth noting that the LG G4 televisions alone allow for even deeper intervention in image quality thanks to the ability to calibrate with 3D LUTs. However, this is a solution recommended only for post-production or graphic studios.

After calibration, the movie mode has gained a completely new quality. The issue of the pink tint, which had been clearly visible before, especially in bright scenes, has been effectively eliminated. Colours now look much more natural, and the white balance no longer dominates the rest of the image. It is no longer the same exaggerated "box picture" – everything now has coherence and a cinematic character. Additionally, the tendency of the television to slightly brighten scenes, previously visible in the EOTF curve analysis, has been partially corrected. Of course, this is within the limits of what the design allows without local dimming – one cannot speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one might expect from a mode called Filmmaker.

The tested television did not perform particularly well with materials rich in tonal transitions, as a result of which we could observe a strong posterisation effect. However, there is a partial remedy for this issue. The manufacturer has equipped the LG G4 with a smoothing system called "Gentle Gradation," which we can apply at three levels: Low, Medium, and High. Each of these options guarantees quite a high effectiveness of smoothing on light colours, although it is low on darker ones. We recommend primarily using the first one, as the other two interfere with the director's intentions by removing film grain.

When watching lower-quality materials, the efficiency of the television during upscaling is extremely important. The image from the tested television is sharp and clear. However, one should pay attention to the jagged edges of fine details and minor issues around characters, such as the creation of halo effects, which occurs due to the sharpening imposed by LG G4 even when the lowest value on the slider, that is 0, is set. It is worth noting that this represents a certain change compared to the LG G3, which did not impose such strong image sharpening, even when the appropriate slider was set to position 0.

LS03F has been equipped with the NQ4 processor, which is responsible for improving image quality – particularly in lower quality materials. In practice, this works surprisingly well, especially when it comes to older content and recordings with lower resolution. Activating the "noise reduction" function yields noticeable effects. The TV effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear advancement – previously, this function often smoothed everything too much, including details that it shouldn't remove. In this year's model, smoothing still occurs, but in a much more acceptable manner. Textures of materials, skin, and fabric details are no longer subdued as strongly as before – the image retains more naturalness. However, this does not change the fact that film grain is still removed by the TV, which may not appeal to everyone. On the other hand, it is no longer as aggressive an intervention as in previous models. It is also worth mentioning that the LS03F may struggle with very weak signals – for example, from VHS tape recordings or low-resolution video. In such cases, we noticed slight clipping of the image at the edges – so-called overscan. This can lead to a situation where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

The maximum refresh rate that we can set on the LG G4 is 144 Hz. Naturally, this is only possible when the LG G4 is connected to a very powerful PC. Otherwise, we will operate at a maximum refresh rate of 120 Hz, which is recommended if we primarily want to watch sports or content with high motion dynamics. For those requiring high image fluidity, the manufacturer has implemented a multi-level motion smoother called "TrueMotion". This has been divided into two separate sliders that adjust the sharpness of moving images (De-Blur) and judder (De-Judder). Both sliders can be set in the range from 0 to 10, with each level affecting the degree of smoothness, allowing everyone to find their golden mean.

The LG OLED G4 panel features an average response time of 0.78 ms (as directly derived from our measurements), enabling an incredibly clear image, unattainable by LCD televisions, which can have response times of several milliseconds. This is perfectly illustrated by the images from the "UFO Test", which show no trailing blur behind the object. Moreover, the LG OLED G4 test revealed that the television offers the ability to precisely adjust the motion smoothing function, allowing users to select the ideal level of image interpolation. We particularly appreciated this during fast-paced actions in video games, where the LG G4 performed exceptionally well, minimising any blurring. Thanks to OLED technology, this model eliminates so-called ghosting, ensuring that the image remains sharp even in the most dynamic sporting or cinematic scenes.

The new feature in The Frame for 2025 is a display with a refresh rate of 144 Hz. Yes – in a television that is mainly associated with displaying works of art, you can now not only watch Van Gogh but also comfortably play on a console or follow dynamic sports events. This is a definite step towards greater versatility. In the case of Samsung films, as usual in models with a display rate of 120 Hz and above, it allows you to adjust motion smoothness according to your preferences. You can set a more cinematic reproduction while maintaining frame rate or opt for full motion smoothing. The range of options is broad, allowing you to tailor the effect to your own taste – whether the viewing experience is meant to resemble classic cinema or a show on a modern theatre screen.

*this part of the test refers to the LS03FAU model in sizes 55 and 65 inches, which is equipped with a 144Hz panel, while sizes 43 and 50 inches have 60Hz displays, and thus perform much worse in terms of motion smoothness.

The LG G4 television supports all the features that make up the HDMI 2.1 standard. During testing, each of them activated without the slightest problem, which allows us to consider the television as designed for gaming. Their functionality will surely be appreciated by both console users and those connecting the LG G4 to a computer. It is also worth mentioning the correct implementation of the HGIG (HDR Gaming Interest Group) mode, which ensures that games mastered to brightness levels exceeding the maximum luminance of the LG G4 will correctly map tones, and the game's visuals will remain true to the original.

A nice touch is the existence of a special GameBar, which we can call up at any moment to check game parameters, but most importantly, to change them quickly. More importantly, enabling VRR technology does not degrade contrast, which is very common in televisions that feature local dimming or Mini LED backlighting. Of course, this is thanks to the OLED panel itself, characterised by pixel self-emission. As a matter of editorial obligation, we will only mention a slight grey flicker, which is somewhat normal after enabling VRR.

In summary, the LG G4, like practically all OLED televisions, is an ideal product for all kinds of games and online competitions. With fully-fledged HDMI 2.1 connections with a full bandwidth of 48 Gbit, features such as VRR, ALLM, G-Sync, FreeSync, or gaming in HDR Dolby Vision will bring much joy.

As we mentioned earlier – although The Frame is likely to display images and works of art most of the time, Samsung recognised that a Van Gogh enthusiast could just as easily be an avid gamer. And it must be admitted that The Frame 2025 has almost everything needed to become a full-fledged gaming television.

On board, we find support for ALLM (Automatic Low Latency Mode) and Variable Refresh Rate (VRR) thanks to the implementation of one HDMI 2.1 port. The television handles lower resolutions at higher refresh rates effortlessly and features an advanced Game Bar – already known from other Samsung models – which allows for a quick preview and change of the most important gaming-related settings. For this, it earns extra points from us. The proprietary motion smoother Auto Motion Plus Game is also worth mentioning, which – it is worth emphasising – operates without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically invisible manner in terms of delays. The effect? Much better fluidity in games, especially those that struggle to maintain a stable 60 frames per second. This solution can realistically improve the gaming experience in more demanding titles – particularly on consoles, which do not always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already considered standard in Samsung televisions, so there is not much to particularly criticise here. However, there is a different issue entirely. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it is not there. This is a significant hindrance when configuring the console for proper HDR content display in games. It is hard to understand why such a decision was made, but one thing is certain – this should be fixed as soon as possible. We are talking about a brand that has set standards for gaming on televisions for years. If HGiG returns – and we hope it will – The Frame LS03F can confidently aspire to be called a genuine gaming television. Not just as a decoration on the wall, but as equipment that truly provides joy in gaming.