Compare: LG NANO81A / NANO80A vs TCL C7L

LG NANO81A is essentially a continuation of the NanoCell series, which has hardly changed at all over the past few years. Apart from the new operating system, refreshed remote control, and a few marketing additions, we are dealing with practically the same design we have known for years. Thanks to the nanostructure filter, the television can display better, cleaner colours than standard budget televisions, and the IPS panel guarantees really decent viewing angles. Unfortunately, for these advantages, we pay for very poor blacks and low contrast, which is immediately noticeable during night screenings. Although webOS is still one of the best systems on the market, the biggest problem with the NANO81A is its price, which we simply do not understand. In 2025, this model faces enormous competition not just from brands like TCL or Hisense, but... from LG itself. The model we previously tested, QNED80A, is equipped with local dimming technology, has a brighter panel, and offers a wider colour gamut. Interestingly, at the time of writing this review, the technically superior QNED80A is often much cheaper than the NANO81A. In this situation, the existence of the NanoCell model makes no sense – unless your priority is solely wide viewing angles, but in our opinion, the price you have to pay for that (at the cost of tragic blacks and higher expenditure) is simply too high.

The TCL C7L is an incredibly successful Mini-LED television and a fully deserved successor to the hit model C7K. The list of advantages of this device is truly extensive. At the top is the extremely high brightness of the panel. Thanks to this, the television handles brightly lit living rooms without any problems, offering a fantastic and dynamic image in HDR format. Huge applause is also due for the use of the new Super QLED coating – after professional calibration, the colours can be not only natural but also incredibly saturated. The best part is that the screen achieves this regardless of the scene displayed, which is often not the case with all TVs featuring RGB backlighting. The C7L is also a brilliant piece of equipment for gamers; it could even be said that it is a true "multimedia powerhouse." We get full support for consoles and PCs, refresh rates of up to 288 Hz, G-Sync, and low input lag, which doesn’t increase even when activating the demanding Dolby Vision Gaming mode. Everything is tied together by a well-optimised Google TV system, which in this generation of TCL devices operates noticeably smoother and more efficiently (at least that's the impression we got during our testing). Of course, the C7L is not a perfect device, and the manufacturer had to make certain compromises in this model. The biggest drawback of the C7L is the use of a less powerful image processor. Unfortunately, this translates to rather average digital processing and other design limitations, such as only two HDMI 2.1 ports. A more powerful chip has been reserved this year for the higher series, such as the C8L. From a business point of view, this is entirely understandable. Why? Because if TCL had included a better processor here, most people would probably not see any point in paying extra for a higher model. So even if certain compromises exist, the C7L series is once again shaping up to be one of the most cost-effective Mini-LED televisions this year. If you are looking for a versatile, extremely bright screen for movies, series, television, or gaming – literally for everything – and at the same time do not want to overpay for top series, then yes... the C7L is a brilliant choice that we can definitely recommend to you.

The NanoCell series, including the model NANO81 we tested, is based on an IPS panel. For anyone who is somewhat familiar with screen technology, this means one thing: significant problems with black levels and contrast. Our measurements are merciless in this regard. A result of 800:1 is, to put it bluntly, a tragic outcome. In practice, this means that what should appear on the screen as deep black looks like a dark grey patch at night. Watching dark films or series in a completely dark room will be downright torturous – the image will lose all its depth and appear flat. If you do decide on this model, we have one key piece of advice for you: do not watch it in complete darkness. To salvage the situation somewhat, it is best to leave a gentle light on in the room, and the ideal solution would be to install LED strips behind the television. Such backlighting will trick your eye (this is known as simultaneous contrast) and make that grey on the screen seem a little darker. Nevertheless, the start of the test for cinematic experiences looks bleak.

The TCL C7L is a Mini LED TV which, in the 65-inch model we tested, is equipped with over 1,000 local dimming zones. Combined with a proprietary VA panel (referred to by TCL CSOT as HVA 2.0), this delivers very respectable results for black levels and contrast. In most of the scenes we measured, black levels and contrast looked very good, and in the easiest shots the blacks were deep enough to even resemble those seen on OLED screens. This, of course, refers to the least demanding shots with large areas of black on screen. When more bright elements appear on screen and black no longer dominates, you can see that the TCL C7L, like most Mini LED TVs, has issues handling its local dimming zones.

This is particularly obvious on the black bars in films shot in the 2.35:1 widescreen format. A distinct halo effect, a bright glow, can appear on the black bars or around small bright objects. Contrast can then drop drastically, from lab-measured values of around 200,000:1 to about 10,000:1, which is quite noticeable in a completely dark room. It’s worth remembering that this should not be treated as a flaw of the TV but rather as a characteristic of Mini LED technology. Of course the effect becomes much less intrusive if you turn on even a small amount of diffuse light in the room, which I strongly recommend doing when watching any LCD TV.

If you are counting on HDR in the NANO81A to bring tears to your eyes, I must disappoint you. This television is simply too dark to truly show what this format is all about. With a brightness of only 250 nits, HDR exists here mainly on paper. In practice, during viewing, it is very difficult to distinguish whether we are watching high dynamic range content or regular SDR – it simply lacks that ‘punch’ of light in the bright parts of the image. However, to give credit where it’s due, we do have a glimmer of hope here – and quite a clear one at that. It concerns the colour gamut coverage. Here, the NanoCell filter shows that it is not just marketing nonsense. Our measurements indicated that the coverage of the DCI-P3 space is around 88%. This is a really solid result that places this model significantly higher than typical budget options based on standard white LEDs without any filters. Of course, it still falls short of the level of quantum dot (QLED) TVs or advanced panels with PFS filters, but for this price point, the colours are surprisingly saturated and vibrant. It's just a shame that this low brightness prevents them from fully ‘spreading their wings’ with the Nano filter.

The TCL C7L is, without doubt, an extremely bright TV. In synthetic tests using static test patterns it can reach peak brightness of around 2800 nits. That's a truly phenomenal result, given the price bracket it occupies. Unfortunately, measurements with real film scenes are not as spectacular as the white-square tests. Brightness in real HDR footage on the C7L falls to around 1200 nits. That's still very good, because the vast majority of modern films are graded to that level. However, when small, pinpoint elements appear on screen, the brightness of those details drops dramatically, even to around 400 nits, which reduces the HDR impact. The TV does this deliberately to preserve black levels and avoid excessive blooming. This is somewhat understandable, but it also shows that Mini LED technology is not completely without compromises in this respect. As for the HDR effect itself, alongside brightness the key factor is, of course, colour. Thanks to the use of new 'super' quantum dots, the colours are simply superb and among the best on the market. The TV is able to achieve very wide coverage of the BT.2020 and DCI-P3 colour gamuts, matching the best RGB Mini-LED screens with ease. Best of all, the C7L can maintain such high colour saturation regardless of the scene being displayed, which is often problematic in competing RGB Mini-LED TVs.

For every film fan, the natural choice in LG televisions is the Filmmaker Mode. Its aim is to display images as the director intended – without unnecessary "enhancements". Unfortunately, in the case of our test unit NANO81A, the factory settings left something to be desired. The main issue turned out to be the white balance. Measurements showed a distinct deficiency of blue colour, which in practice meant that many scenes had a slightly yellowish, even "yellowed" tint. The white was not perfectly pure, which detracted from the freshness of the image. Additionally, brightness management was also not ideal – the factory-set gamma was too low. The picture often appeared oversaturated, as if overly lifted from the shadows, which caused it to lose naturalness and depth. Fortunately, LG, even in this relatively low price category, does not block access to advanced settings. The calibration possibilities of this model are enormous, which is a big plus for those who enjoy "digging" in the menu. We decided to approach the topic in our own way and see how much we could squeeze out of this panel with professional calibration.

When it comes to out-of-the-box colours, what's new in TCL TVs, including the C7L model, is the addition of a picture mode called Filmmaker Mode. This is significant because such a mode was not previously available from this manufacturer. As the name suggests, this setting is meant to present the picture with the filmmaker's full intent. After our tests we can confirm that it is, without doubt, the best built-in mode on this TV if you want faithful colour reproduction straight out of the box. However, we certainly wouldn't say it's perfect. Like most devices on the market, this C7L also had some factory calibration errors. The white balance in Filmmaker mode drifted towards a slightly greenish-yellow tint, caused mainly by an excess of the green component and a noticeable shortfall in blue. Of course, this won't be a major drawback for the average viewer, but if you care about perfect whites, natural skin tones and getting the full potential out of the structure of those new "super" quantum dots, the TV really needs professional calibration.

After calibration, the NANO81A is a completely different television. What LG offers in terms of image enhancement tools even in such an affordable model deserves a big plus. We managed to completely eliminate that annoying yellowing of whites and make the colours natural, vibrant, and simply "true". In SDR content (that is, regular television, YouTube, or older films), the picture now looks worlds better – it is clear, well-balanced, and no longer strains the eyes with strange hues. It is clear that this panel has significant potential, which is simply wasted by poor presets out of the box. However, we do have one serious reservation that calibration cannot fully overcome – it concerns brightness management in HDR mode. LG's algorithm in this model is constructed very conservatively. The television intentionally dims the HDR picture to avoid overexposing the already weak blacks of the IPS panel. The programmers faced a choice: either to provide more light and accept that the blacks would become light grey or to reduce the brightness to maintain any contrast. They chose the latter. Nevertheless, after our adjustments, watching anything on the NANO81 is significantly better.

After professional calibration we managed to greatly improve the situation in the factory Filmmaker Mode. After our corrections, the errors in the ColorChecker test and across the wide colour gamut fell below the threshold of human perception, that is below a value of 3, which is a very good result. The TCL C7L definitely benefits from such a procedure in terms of colour fidelity, and it's hard to deny. Brightness management for HDR content looks a little worse after calibration, though. As I described earlier, even though we set this model up correctly, when you play real film scenes the TV can handle its brightness in a rather peculiar way. It often brightens some elements on screen contrary to the creator's intent, which is clearly visible in the EOTF traces measured from specific films. Despite this defect, or rather a specific characteristic of the television, one thing you can't fault is that after calibration the C7L was able to reproduce colours accurately.

The fluidity of tonal transitions is an element in which the NANO81A truly shines. LG proves here that it can refine image processing algorithms even in its cheaper models. During testing, we practically noted no occurrences of banding, that is, the annoying "steps" visible where one colour should transition smoothly into another. Everything appears incredibly natural and smooth. This is particularly evident in the bright scenes from the film Kingsman, where the backgrounds remain clean and free from digital artefacts. However, what is even more impressive is how the television handles the extremely difficult, dark, and misty shots in The Revenant. Where many budget panels falter and serve up ugly patches instead of smooth mist, the NANO81A holds its ground, offering very velvety transitions. The only downside is the fact that with darker shades, you will notice more of the weak blacks of this television rather than any issues with colour blending.

Another aspect worth discussing is the smoothness of tonal transitions. Here it must be honestly admitted that on the TCL C7L it simply looks good. In most scenes, and especially in the brighter shots, there are absolutely no banding issues. In native 4K HDR content the image is clean and the transitions between shades are very smooth. It looks just as good in Dolby Vision, where during our tests we did not notice any digital artefacts or ugly colour posterisation. You could, if you wanted to be picky, point to very dark scenes where a heavily compressed signal is being displayed on screen. Under those conditions the C7L can sometimes reveal minor imperfections, but in this model that is not something that really catches the eye, especially during everyday film viewing.

It often happens that cheap 4K panels mercilessly bring to light all the "dirt" and imperfections of lower-resolution content. However, with the LG NANO81A, the situation is quite different. This is truly a solid performer when it comes to handling content that is far from ideal. The built-in processor does a great job with upscaling. Even older recordings look quite decent on this screen – the image is coherent, cleaned of digital noise, and simply pleasant to the eye. A significant advantage is the gradation reduction feature that you will find in the settings. It is extraordinarily effective in combating colour banding, which is a lifesaver when watching materials with a low bitrate, for instance, from some streaming services or older files from the web. However, it is worth maintaining a certain level of caution. Since we are dealing with a less powerful chip than in LG's top models, setting this option too aggressively may sometimes result in minor artefacts or slight blurring of details. Despite this risk, I definitely encourage experimenting with this feature - in many cases, it can save the viewing experience and make low-quality material fully watchable.

This can be seen as, to some extent, the Achilles' heel of the C7L. Unfortunately, this TV uses the older MediaTek Pentonic 700 chip, which has never been famed for outstanding digital image processing. You can clearly see that in the behaviour of the progressive smoothing function, the feature responsible for reducing jagged edges and removing digital noise. It simply performs very poorly. When set to low, its effectiveness is almost non-existent. The only small plus is that the algorithm does not further spoil the picture or blur details unnecessarily. Upscaling, that is scaling lower-resolution content to 4K, performs slightly better. It is simply adequate and does not stand out against the competition. There is no denying that the C7L would benefit greatly in this regard if the manufacturer opted for the newer Pentonic 800 processor, which is now appearing in an increasing number of rival models.

When it comes to motion fluidity, the NANO81A unfortunately has a hard time. The television is based on a panel with a refresh rate of 60 Hz. If you are looking for perfect sharpness in dynamic football matches or fast action games, you may feel a bit disappointed. With such a low native refresh rate, fast objects on the screen will always be a little blurred.

The TCL C7L uses a native 4K panel with a 144 Hz refresh rate, which at lower resolutions when connected to a PC can even reach up to 288 Hz. These are, of course, very high figures and impressive on paper, but bear in mind that almost all the dynamic content you’ll watch on this TV will still run at around a maximum of 120 Hz. To rein in that motion, the TV’s menu includes a motion-smoothing system called "Motion Clarity". It offers several preset modes, including a user mode that we strongly recommend you set manually using our tried-and-tested guides on our YouTube channel. There are two key sliders available. The first, "Blur Reduction", is responsible for cutting motion blur and improving sharpness in dynamic 60-fps material, such as sports broadcasts. The second slider, "Flicker Reduction", lets you add artificial frames to films and series shot in cinematic 24 or 30 frames per second. This, of course, can completely eliminate the irritating judder that appears during camera movement.

NANO81A is unfortunately not hardware designed for e-sports. The lack of support for a 120 Hz signal is a fact that users planning to purchase this model simply have to come to terms with. Nevertheless, LG's engineers have made an effort to maximise the potential of this 60 Hz panel, offering a set of features that genuinely enhance the gaming experience. Firstly, the television supports VRR technology (within the range of 48-60 Hz) and ALLM. As a result, the image remains stable and does not "tear", and the device automatically switches to low-latency mode as soon as it detects a signal from a console. Managing these settings is extremely simple thanks to a dedicated system overlay, which allows for quick viewing of parameters without leaving the game. A very significant advantage is the support for the HGiG format. This solution is crucial for owners of modern consoles because it enables the television to correctly "understand" the intentions of game developers regarding HDR tone mapping. In practice, this helps avoid the effect of "blown-out" bright spots, such as clouds or light sources, which is unfortunately a common issue in budget LCD televisions.

When it comes to gaming, the TCL C7L is simply an outstanding TV for players. Thanks to two HDMI 2.1 ports with full 48 Gbps bandwidth, you get access to all the key features required by console owners and powerful PC rigs. There’s a well-working ALLM mode with very low input lag and VRR frame synchronisation that operates over an impressive range from 48 to 288 Hz. Importantly, unlike some rivals, TCL has properly implemented the console HDR10 HGIG profile and supports Dolby Vision in games. The package is completed by a very well designed gamer panel, the Game Bar, which even lets you edit its appearance and change the theme so it perfectly matches the style of your console.

The only thing you can, and even should, criticise is that the TV offers only two full-spec HDMI 2.1 ports, while the other two are older HDMI 2.0. That creates quite a logistical problem. Why? Because one of the fast ports also handles the return audio channel eARC. In practice this means that if you connect a soundbar or home cinema system to the TV, you’ll be left with just one free HDMI 2.1 socket. If you have two consoles at home, or a console and a powerful PC, unfortunately you’ll have to give something up or keep juggling cables at the back of the case while trying to maintain convenient control of the audio system.

In terms of response speed, the LG NANO81A performs exceptionally well. The input lag we measured is around 12 ms. This result is at a very low level, which for a gamer means one thing – the delay between moving the stick on the controller and the reaction on the screen is practically imperceptible. The television excels in fast-paced titles, where every millisecond counts, and in this regard, it does not lag behind significantly more expensive models.

It's worth taking a look at the raw numbers here, because in terms of signal latency the TCL C7L is right at the top of the market. Our measurements showed that the input lag is extremely low and for a 60 Hz signal it is only about 10 ms. When we step up and run a game at 120 Hz, the delay drops to an almost imperceptible 6 to 7 ms. More importantly, the TV maintains these figures even after enabling Dolby Vision in games.

Nano81A is truly a solid monitor for working with text. Thanks to the IPS panel and proper Chroma 4:4:4 implementation, fonts are very clear and sharp – practically everyone will be satisfied with how this screen performs as a monitor. We noticed just one minor detail that we picked up with our laboratory meticulousness: the vertical lines of dark text are slightly darker than the horizontal ones. However, this phenomenon is so minimal that we did not decide to deduct points for it. The scores only went down when it came to features typical for PC gamers – the lack of G-Sync support and high refresh rates above 60 Hz will be a significant downside for those looking for a screen for dynamic computer games.

As for gaming on PC, as I mentioned earlier, it's genuinely hassle-free. The TV handles high refresh rates without a hitch: full 4K at 144 Hz, and in Full HD it can even reach 288 Hz. On top of that, G-Sync and FreeSync work without any issues. For PC gamers, the C7L can therefore serve as an excellent, gigantic monitor.

Typical office work involving text fares a bit worse, because the panel behaves rather oddly in those circumstances. When the highest refresh modes are enabled, namely 144 Hz and 288 Hz, the readability and sharpness of dark text on a light background are rather mediocre, with fonts becoming slightly blurred and jagged. Fortunately, this can be fixed very easily by changing the display refresh rate in your graphics card settings to a steady 120 Hz. Then the text becomes perfectly sharp again, which is definitely worth remembering if you plan to use the C7L as a work screen.

This is the moment when the LG NANO81A can finally "breathe" and make up for the points lost in the categories of black levels and contrast. Thanks to the use of an IPS panel, the viewing angles here are simply very good. It is in this section that the tested model gains the most and clearly shows its advantage over competing televisions equipped with VA panels. In practice, this means that the image does not lose quality, even when viewed from a sharp angle. This makes the NANO81A a great option for those who have a wide furniture arrangement in their living room or often watch matches and films with larger groups.

Unfortunately, the strong native contrast of the HVA 2.0 panel comes at a price. It's the viewing angles, which on the C7L model are simply poor. That's all, of course, due to the use of the mentioned VA-type panel. It's an inherent characteristic of that technology and something you have to bear in mind when buying. If you sit directly in front of the screen, the picture will delight you with its depth, but just shift a few dozen degrees to the side on the sofa and the colours will immediately start to fade. By choosing this model, you accept a classic market compromise: you get deep blacks and superb contrast, but you sacrifice viewing angles.

NANO81A is a relatively dark television, so it works best in rooms where you have control over the lighting. With a brightness of around 250 nits, it is difficult to recommend it wholeheartedly for very bright, strongly sunlit living rooms – in such conditions, the picture will simply lack punch. Nevertheless, LG deserves a small plus for the screen finish. The satin panel used here does a decent job of suppressing reflections. Thanks to this, even if there is a bit of light in the room, you won’t see every detail of your surroundings reflected on the screen. So if you can slightly close the blinds, a daytime viewing is certainly possible, but this model simply wasn’t designed to "fight" full sunlight.

It’s also worth mentioning how the TCL C7L performs during everyday viewing in a sunlit living room. As we’ve already established, it’s an extremely bright TV, and it’s precisely thanks to such a huge luminance headroom (up to 2400 nits in SDR!) that it can perform brilliantly in very bright rooms, the picture simply cuts through the light entering the room without any problems. The only thing to watch out for are direct reflections on the screen. The coating used on the panel this year is noticeably glossier than the one we saw on last year’s C7K. The screen suppresses point reflections much less effectively, which, in unfavourable conditions, for example when a window is directly opposite the TV, may be fairly irritating for some users. Even so, in terms of raw brightness the C7L is simply a beast for bright living rooms.

Smart Features: WebOS

One of the biggest advantages of the NANO81A model is its "brain", which is the operating system. LG has implemented a full-fledged WebOS version for 2025 here, which in terms of fluidity and user experience is on par with the more expensive models of this brand. Applications launch smoothly, and navigating through the menu is pure pleasure – there are no annoying stutters, which often occur with budget competitors. All of this is thanks to the unique remote with a pointer function (cursor), which has undergone a visual makeover this year. The manufacturer has opted for minimalism – the new Magic remote is significantly smaller and more ergonomic than its predecessors. It fits perfectly in the hand, but this change also has a downside. The physical numeric keypad has completely disappeared from the casing. For younger users, accustomed to streaming and selecting tiles, this will be no problem at all. However, older household members, attached to entering channel numbers by heart, will have to change their long-standing habits.

Everyday Use

In terms of functions that we would call "classic", the NANO81A sticks to a tried-and-true standard. It is not a multimedia powerhouse that will surprise you with exotic additions, but in everyday television tasks, it performs flawlessly. The handling of traditional terrestrial or cable television, including even the old faithful Teletext, is correct and intuitive. Wireless communication also deserves praise. The Bluetooth module works very reliably, allowing for quick and stable connection of a game controller or wireless headphones and speakers. It is simply a television that "works" – it is stable, predictable, and does not cause unnecessary complications during daily use.

Google TV i Smart TV

The multimedia heart of the TCL C7L is, of course, the Google TV operating system, which provides access to a vast app library and all the most popular streaming platforms on the market. The Smart TV in this model runs smoothly, offering full support for useful network features such as Apple AirPlay and Chromecast. A huge and very pleasant surprise, however, is the software's overall polish. We noticed that Google's system on the new C7L runs considerably smoother and faster than on last year's TCL models. This is largely thanks to better optimisation for the launch. Unnecessary pauses and minor interface stutters known from older models seem to be a thing of the past.

Funkcje telewizyjne

As far as traditional over-the-air or cable TV is concerned, the TCL C7L does not offer many additional advanced features. It's simply a basic receiver. The manufacturer has not attempted any revolutionary solutions here, so apart from the traditional programme guide you won't find anything special. A big nod to traditional viewers is the classic remote control. Contrary to the prevailing trend for minimalism, it still features a full numeric keypad, which makes switching channels much quicker.

Many users still use their own USB drives to display movies or photos on a large screen. In this regard, the NANO81A performs quite decently – the built-in player supports a wide range of video and audio codecs, so most film libraries will work "straight out of the box". However, one must bear in mind the specifics of the WebOS system. Since it is a closed environment, we are limited to what the manufacturer has prepared for us. There is no possibility to install alternative players (like the popular VLC), so if the system player cannot handle something, not much can be done about it. During testing, we encountered a few specific limitations. Firstly, support for HEIC files is lacking. If you take photos with an iPhone and want to view them directly from a USB drive, the television simply won't see them – it's worth changing the file format to JPG on the phone immediately. We also noticed that the player has difficulties processing very large image files. Photos with a resolution of 20–28 Mpix may fail to load or cause system errors. Aside from these exceptions, everyday multimedia handling is smooth.

Finally, in the multimedia section it is worth mentioning playback from external USB drives. During our tests we did not encounter any unpleasant surprises; the built-in player handles all common video and audio formats exactly as it should. Interestingly, the TCL C7L also had no problem playing photos saved in Apple's native HEIC format. This is an extremely rare feature in manufacturers' built-in TV apps. And although Google TV of course lets you install external media player apps, in the case of the C7L the built-in tool is so well polished that installing additional software is unlikely to be necessary.

In terms of audio, the LG NANO81A pleasantly surprises compared to its higher-end sibling, the QNED80A model. Interestingly, NanoCell sounds a bit better, which is likely due to its slightly thicker casing. The greater volume allows for the extraction of any hints of low tones – the bass may not be powerful, but it is more clearly defined than in thinner constructions. However, one should not expect miracles. It is still a standard 2.0 speaker configuration with a total power of 20 W, so the overall sound characteristics remain similar to other models in this price range. The mid and high tones are adequate, making dialogues in films and news programmes clear. Although this slight improvement in the lower registers is pleasing, for true home cinema or listening to music, it is still worth considering purchasing at least a basic soundbar.

The TCL C7L simply sounds fairly good and does the job competently. In terms of sound quality itself, practically nothing has changed compared with last year's C7K model. The manufacturer still uses a Bang & Olufsen-branded speaker system in a 2.2 configuration. The only thing that can be quite irritating during viewing is that when you raise the volume to higher levels, roughly above 50% on the scale, the volume no longer corresponds to the on-screen indicator. The B&O audio system works well for everyday viewing of current affairs or series at moderate volume, but if you're looking for better sound it's worth buying at least a basic soundbar for the C7L.

LG NANO81A / NANO80A vs TCL C7L

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Smart Features: WebOS

Everyday Use

Google TV i Smart TV

Funkcje telewizyjne

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements