Hisense U7Q PRO vs Philips MLED920 / MLED910

U7Q PRO is truly a bright television. In synthetic tests, it achieved over 1500 nits, which is an outstanding result for this price range. Such brightness – at least in theory – allows for HDR content to be displayed as intended by the creators, even in more demanding scenes with strong lighting. In practice, it is often very good, but not always perfect. In bright scenes with large areas – like the test chart with intense sunlight from the movie "Pan" – the U7Q PRO makes a huge impression. It can almost dazzle with its brightness, which is definitely an advantage in the context of HDR content. Unfortunately, it doesn't always manage to maintain this when many small bright details appear on a dark background. In such moments, the local dimming algorithms choose to dim some bright elements to maintain good black levels – and the side effect is that some details simply disappear from the frame. This is a classic compromise in mini-LED televisions – and the U7Q PRO is no exception. However, with such a large number of dimming zones, one could have hoped for a slightly more mature algorithm responsible for their control. Fortunately, the overall perception of HDR content is decidedly positive. The U7Q PRO is not only bright but also colourful, thanks to the PFS LED (QLED) coating, the coverage of the DCI-P3 colour palette is at 95%, while BT.2020 is around 73%.

Philips MLED920 in our measurements in static tests even reached around 900 nits, which is really a solid result for a mid-range model. In practice, this translates to a lot of satisfaction during viewing sessions – in scenes rich in bright light, such as the first, third or fifth test slide, the screen managed to generate about 700 nits, which is sufficient to feel the true "HDR effect." However, it cannot be denied that the limited number of dimming zones and the compromises typical of mini-LEDs in more demanding scenes reveal their nature. In sequences with small light sources – like the moon or a scene from the film Sicario 2 – the television clearly prioritises maintaining deeper blacks at the expense of the brightness of these small elements. For most viewers, this is still a reasonable compromise, as the dark background looks significantly better, though it is important to be aware that the details themselves may not impress with their intensity. There is also a certain sense of dissatisfaction regarding the colours. Although the applied PFS filter (the equivalent of quantum dots known from QLEDs) does its job and the colours appear quite vivid, the coverage of the DCI-P3 palette reaches “only” 90%. In everyday viewing, this will be sufficient, but in extremely colourful productions – like the latest Disney animations – one can notice that some tones are not as vibrant as they could be in other setups.

We tested the U7Q PRO in the best possible picture mode offered by this model – Filmmaker Mode. And indeed, this mode performs the best in terms of colour reproduction. However, that doesn't mean it's perfect. In our test unit, both in SDR and HDR content, the image had a slightly cooler tone. The white balance was skewed towards blue, giving the overall impression of being a bit "colder". It may not be glaring, but it is definitely noticeable – especially on white backgrounds, which seemed slightly bluish rather than neutral. Additionally – as we mentioned earlier – the television has a tendency to slightly brighten and oversaturate the image, which is also confirmed by the gamma and EOTF graphs. All this together means that without calibration, the image can appear somewhat unnatural – too cool, with slightly exaggerated dynamics. Therefore, we decided to carry out our own calibration – and you can see its effects and graphs below.

Like every Philips television we tested, we primarily assessed the MLED920 in Filmmaker mode – this is meant to be the "most honest" mode, designed for films and to faithfully convey the intentions of the creators. Indeed, in terms of colour reproduction, it performs the best among all the modes available on the television, but it is not without flaws. The first thing that catches the eye is the white balance. The image has a slight tendency towards purple-pink tones, which gives it a somewhat unnatural character. An even bigger problem, however, turned out to be what we mentioned earlier – image blooming. Just looking at the gamma or EOTF charts reveals that the line significantly deviates from the norm, dropping below a value of 1.8. In practice, this means "bleeding" of the brightest whites, where the image becomes almost milky. Fortunately, most of these issues can be corrected – the MLED920 responds well to calibration, and with a few adjustments, one can significantly improve the viewing experience.

Thanks to the calibration, we managed to tame the white balance in SDR and HDR content. In the case of SDR materials, the effect is really very good – the image becomes neutral, cohesive, and simply pleasant to take in. Everything looks as it should.

HDR performs a bit worse. Although the white balance appears correct and the image overall gains in naturalness, unfortunately, the delta E errors remain noticeable. Why? Because Hisense does not give us full control over how the television manages brightness in HDR mode with the U7Q PRO model. This is where the limitation comes into play. When we look at the EOTF curve for HDR content, we can clearly see what we mentioned earlier – at the beginning of the graph, there is a distinct drop, meaning the television darkens the smallest areas more than it should. On the other hand – the brightest elements can sometimes be overly bright. As a result, some details get lost, others are too aggressive, and overall control over brightness does not always match what we are trying to achieve during calibration.

Does the image look better after calibration? Definitely yes, in terms of colour. But when it comes to managing brightness in HDR, we have to accept that the Hisense U7Q PRO will do it in its own way.

After calibration, we managed to largely tame the white balance – to the extent that the average viewer will not be able to detect distortions in colours. The characteristic pink-purple haze that previously disrupted the naturalness of the image has also disappeared. The colour palette has been organised, and the colours appear more coherent and neutral. The gamma in SDR content post-calibration looks really good – there is no longer any mention of the previous 'bleeding' effect in bright scenes. The image has become more contrasty and devoid of that milkiness which had previously greatly harmed the viewing experience. In the case of HDR content, the improvement is also noticeable, although here it is still evident that the television is going 'its own way'. The EOTF curve cannot be fully shaped, as Philips simply does not offer the tools to allow precise control over this parameter in its settings. In many films, the television still exposes the image 'in its own way'. Despite these limitations, the calibration has delivered quite a bit of good – most of the colour distortions have been minimised, and the overall balance of the image has significantly improved. However, it must be noted that certain barriers stem from the very design of the hardware and simply cannot be overcome.

If someone happens to come across older materials where the colour banding issue occurs – Hisense has a solution for that. In the U7Q PRO, we find a function called "Smooth and Gradient Image". Set to the "Medium" level, it works really well – removing most issues with gradation while not smoothing out the entire image, like blurring in Photoshop. 😉 Film grain remains, details do not disappear – this is exactly how it should work. Well done on the implementation!

As for upscaling weaker materials, it is simply good. It is not at the level of the most expensive televisions with advanced upscaling, but older content looks good. There is minor aliasing at very low resolutions, but this is completely normal and hard to avoid. On the plus side – even with the oldest materials, there is no overscan effect, the image is neither cropped nor artificially stretched.

The manufacturer has equipped this model with several features that improve signal quality, and although we usually approach such "enhancements" with caution, here they prove to be really helpful. The key option is called "distortion reduction" – it works best at a medium level, as on one hand it effectively smooths out unwanted stair-stepping and colour banding, while on the other it does not excessively cut out details, allowing the image to still look natural.

Things are a bit worse with upscaling. Lower quality materials – such as the test video with the model – appeared soft and lacking in sharpness. Indeed, it can be partially corrected with the sharpness slider in the menu, but the effect remains far from what competitors in a similar price range offer. Philips therefore still needs to work on this element, as compared to the successful improvement of tonal transitions, the upscaling simply falls short.

“Speed” – this word came up most often during our tests of the U7Q PRO. The television is equipped with a 165 Hz panel, which is impressive in itself – especially since we are talking about a model in the mid-range price category. Of course, PC gamers will benefit the most from its full capabilities, but even with everyday viewing, it's clear that this is a fast and efficient panel. Like most modern televisions, the U7Q PRO can also enhance the fluidity of films that were originally recorded at 24 frames. In the menu, we find a slider that allows us to adjust the effect to our own preferences – from a more cinematic look, with subtle motion, to stronger smoothing with the characteristic “telenovela effect.”

The Philips MLED920 features a 144 Hz panel, which immediately suggests that we shouldn't complain about motion smoothness. And indeed – the motion blur is relatively low for a VA panel, and although slight issues can sometimes be noticed on darker backgrounds, they are not something that would stand out to most people during regular viewing.

Another significant advantage is the presence of a motion smoother called “Motion Style.” It allows you to adjust the sensation of smoothness to your own preferences – if someone prefers a more “theatrical,” almost television-like image, they can increase the sliders, whereas if they prefer to maintain the natural “jumps” of cinematic frames, it’s enough to set lower values. This way, everyone can find their golden mean.

The Hisense U7Q PRO is a television that seems almost designed with gamers in mind. It has practically everything one could expect from a gaming display: variable refresh rate (VRR), automatic low latency mode (ALLM), and as many as four HDMI 2.1b ports with full bandwidth of 48 Gb/s. Additionally, there is a clear and quite functional Game Bar, as well as a well-implemented Dolby Vision GAMING mode that works seamlessly with Xbox Series S and X consoles.

Sounds like perfection? Well, almost. Unfortunately, Hisense has still not implemented the HGiG feature, which means the system limitation of tone mapping on the television side. This means that when configuring HDR brightness on the console, we do it "by eye" or search for settings in online guides, as the display does not show the actual range of its brightness. It’s a pity – because HGiG indeed makes it easier to match the console to the television and helps avoid overexposure or overly dark scenes in HDR games.

Fortunately, the other features work very well. Input lag is low, responsiveness is excellent, and the handling of other functions is impeccable. And while not everything worked perfectly, the U7Q PRO can still be recommended to gamers without hesitation.

For gamers, the Philips MLED920 is truly a complete tool. The manufacturer has taken care of everything that is considered standard in televisions designed for consoles and PCs today. It features ALLM, so the console automatically switches the screen to game mode, alongside VRR and a refresh rate of 144 Hz, which guarantees smooth gameplay even in fast-paced titles. All key HDR formats are supported – including HGiG and Dolby Vision Gaming for Xbox – which means that regardless of what you are playing and on which console, the television will be able to extract the maximum potential from the image. The Game Bar also proves useful in daily gaming – a relatively simple implementation by Philips, but a functional panel where you can quickly check image parameters, enable VRR or adjust settings without leaving the game. It may not be as comprehensive as the competition, but it performs its task flawlessly. And finally, something that sets Philips apart from the competition – Ambilight. The three-sided LED backlighting can create a huge impression in games, especially in the evening. It's also a way to slightly 'extend' the screen and enhance the feeling of immersion. And as colourful LEDs have recently become almost a mandatory element of a gamer’s room, the MLED920 fits into this trend perfectly.