Compare: Hisense U6NQ vs TCL A300W NXTVision

Hisense U6NQ is really an interesting model from the Chinese manufacturer. It is the first MiniLED from the series for 2024 and the only one with a refresh rate of 60 Hz. Starting with the picture quality, the MiniLED backlighting combined with the VA panel does its job – the contrast is good, and watching films in the evening is a pleasure. A stable HDR effect, support for Dolby Vision and HDR10+, as well as solid colours mean that the television handles most everyday tasks well. The Vidaa system works smoothly – it is fast and intuitive, without any annoying stutters. A few popular applications, such as Spotify or Tidal, are missing, but most users will find what they need here, including the option to record programmes to a USB stick or external drive. What about motion fluidity? It's quite decent. The ability to choose between 4K at 60 Hz and Full HD at 120 Hz is a nice addition, especially if we are gaming on consoles that often do not offer perfect 4K at 120 frames. Features like VRR and ALLM further enhance the comfort of occasional gaming. However, there are some drawbacks. Issues with motion blur are noticeable in dynamic scenes, and the lack of any feature reducing this effect does not help. In terms of picture quality, this television strongly prioritises brightness, which sometimes leads to situations where black gains a slightly bluish tint in difficult conditions. In short: Hisense U6NQ is a decent choice for those looking for a television offering good picture quality and a convenient operating system. It is not equipment without compromises, but it performs really solidly for its price.

At first glance, it is clear that the TCL A300 NXTVision aims to be more than just an ordinary television. It offers an image display mode that – unlike its competitors from Korea, Samsung The Frame – is completely free. Additionally, just like its rivals, it comes with freebies. In the packaging, besides the television, we find extra frames mimicking light wood and a flat wall mount, allowing the television to actually resemble a gallery piece. In terms of everyday use, the standout feature is the Google TV system – extensive, quick, and offering access to a vast number of applications. And if we feel like stepping out of the digital museum and jumping straight into the world of gaming, the A300 can surprise us. Two HDMI 2.1 ports, 144 Hz, VRR, ALLM, and very low input lag ensure that even demanding gamers can feel at home here. Well... perhaps except for those who are sensitive to motion blur – as this remains one of the major issues with this model. There are also downsides. Although the image mode is free – and that is worth appreciating – the quality of the available graphics is clearly lacking compared to what Samsung offers in its paid ART Store. The displayed images resemble photos rather than realistic reproductions of artworks. Unfortunately, the A300 – like the rival Hisense S7NQ – performs poorly here and additionally has certain software issues. The brightness of the television itself also leaves much to be desired – it is the darkest television of the entire "frame trio," which translates to average experiences during the day and limited HDR effect. Nevertheless, the TCL A300 NXTVision is quite a reasonable alternative to Samsung The Frame or S7NQ – especially if we are looking for a cheaper solution without additional fees for access to the "gallery" mode and with an operating system that does not limit us in terms of the number of applications. However, it is essential to remember that this is a proposition with a significant amount of compromises. If we want to save a bit and do not expect top-notch picture quality, then the A300 could be a hit in the picture stakes. Otherwise, it is worth taking a look at its competition.

The tested 55-inch model is equipped with a VA panel, which provides deeper blacks compared to IPS/ADS panels. The very use of this technology makes the contrast reach quite a decent level. It is also worth highlighting that the Hisense U6NQ, as a television with MiniLED technology in this version, has 160 local dimming zones, which significantly improves picture quality in many scenes. During testing, for example, in the film Oblivion, the television demonstrated good separation of the hologram lights, and the contrast remained at a satisfactory level. Unfortunately, in more demanding materials, such as the Pioneer Kuro test pattern, a noticeable drop in quality was observed. In such scenes, the dimming zones did not operate correctly, leading to a significant decrease in contrast. Similar issues occurred in scenes from the film Sicario 2, where the blooming effect was clearly visible, suggesting the television's difficulties with precise local dimming management. Despite these shortcomings, the overall contrast level of U6NQ can be considered solid, especially in this price category. The television performs well in most standard scenes, and its capabilities in displaying blacks are better than those of models with other types of panels.

The TCL A300, also known as NXTVision, uses a VA panel, so right from the start, one could expect decent contrast. On our test charts, the television indeed showed typical results for this type of panel – in the best case, the contrast reached around 5000:1, which is not a bad result for this segment.

However, it should be noted that the model is not equipped with any local dimming technology, which unfortunately is noticeable in practice. The black levels, though quite deep at times, often lean towards navy blue or grey – especially in darker scenes. In short: for a television without local dimming, it's not bad, but it cannot be compared to models that already have this feature on board.

Hisense U6NQ offers a stable HDR effect, which is a rarity in TVs with local dimming. On most streaming platforms, in films and series recorded in 4K, the television delivers consistent performance – in every tested scene, regardless of difficulty, the brightness is around 450 nits. This is a pleasant surprise, as in many models of this class, there are notable differences – some scenes are well-lit, while others are heavily dimmed by dimming algorithms. However, the Hisense U6NQ prioritises maintaining higher brightness, which comes at the expense of black levels, as mentioned in the contrast test paragraph.

The HDR effect on the U6NQ is satisfactory, offering a noticeable "burst" of light in bright moments, although it is worth noting the previously mentioned blooming, which may be visible in more challenging scenes. In terms of colours, the television also performs decently – the coverage of the DCI-P3 palette is 89%, and BT.2020 is 71%. Although these are not results that would impress more demanding users, for beginners in the world of high-quality materials, the U6NQ serves as a solid choice. Therefore, it presents an interesting proposition as an "entry-level" television for home cinema.

When it comes to brightness, the TCL A300W is definitely the darkest television among all frame-style models, such as Samsung The Frame or Hisense CanvasTV – and unfortunately, this is immediately noticeable. In our measurements, the peak luminance reached a mere 400 nits, and on test film patterns, this value dropped to 350 nits. This is definitely too little to experience the true “magic” of bright HDR effects. As a consolation – the television is equipped with a PFS LED coating (which is something like QLED), providing very good coverage of a wide colour gamut, both DCI-P3 and BT.2020. In addition, it has full support for all popular HDR formats – HDR10, HDR10+, HLG, and Dolby Vision – which somewhat compensates for the lack of brightness and helps improve the overall perception of content in this quality.

Hisense U6NQ in Filmmaker mode offers really decent colour reproduction, although it's worth noting that differences between individual units can be noticeable. The model we tested was pleasantly surprising, especially with HD content in SDR quality. The white balance was correct here, and errors around 3–4 ΔE should be acceptable for the average viewer. The television performed slightly worse with colour reproduction in 4K HDR materials. The dominance of blue shades led to unnatural cool tones on the Colour Checker chart, giving the image a "store-bought" character. Combined with issues in brightness characteristics – gamma and EOTF curve caused some parts of the image to be too dark – the Filmmaker mode loses some of its credibility in this case. Although the factory settings of the tested unit deserve praise, especially in SDR, there were still minor shortcomings that would require correction to fully exploit the capabilities of the television.

TCL A300 offers several picture modes, but without a doubt, the best is the movie mode. Unfortunately, although it is the best option available, it is not free from errors. In both HD and HDR content, the image has a noticeably too warm hue - it leans slightly towards pink, which is particularly noticeable in scenes with snow. Instead of pure white, we get a pinkish tint that spoils the natural perception of colours.

The management of brightness is also not very good. In the case of older HD material, the image often seems too dark - which is confirmed by the inflated gamma value. Conversely, with HDR content, the effect is the opposite - the image is overly bright, which we observed in scenes from the film Pan. Such a lack of consistency also affects the accuracy of colour reproduction - a test with the ColorChecker showed that many samples clearly deviate from the reference values.

Fortunately, TCL allows for manual adjustment of settings, so we decided to check how the television would perform after our professional calibration. The effects of this adjustment are described below.

Although the factory settings of the Filmmaker mode on the Hisense U6NQ were quite good, we decided to carry out a calibration to fully assess the capabilities of this model. Only after such an adjustment can one see how the television performs under ideal conditions. In the case of SDR content, which was already at a high level, we managed to further improve the white balance. However, the most significant change came from correcting the brightness characteristics – the gamma was optimised and no longer causes excessive dimming of the image, which improves its naturalness.

For 4K HDR content, the calibration also produced positive effects. We eliminated the blue dominance issue, resulting in a more balanced and natural image. However, managing brightness in HDR materials remains a more complex matter. The EOTF curve, while having problems with dimming the image in the 10–30% brightness range in laboratory conditions, reveals other shortcomings in real scenes. The television tends to excessively brighten the smallest elements on the screen. As a result, this leads to visible halo effects around bright objects. This phenomenon, which we mentioned earlier in the context of contrast and HDR, arises from the technological limitations of the particular model and is often difficult to eliminate.

In short: although the Filmmaker mode with factory settings performed decently, calibration allowed us to extract an even better effect – minor adjustments resulted in a more balanced image, especially in HDR content. For users seeking the highest quality picture, calibration will be a beneficial step.

After our professional calibration, the TCL A300 has literally received a new lease of life. The image has stopped being too warm, and the colours finally look as they should – which was confirmed by the ColorChecker test, where the colour samples finally started to hit their marks, at least to some reasonable extent. It was also possible to partially correct the brightness management – the image is now more balanced and less "wobbly" between different types of content. Of course, certain limitations cannot be overcome – a slightly noticeable blooming effect is still present, but that is a characteristic of the technology and not something that can be eliminated even after professional settings.

Generally speaking: after calibration, the A300 performs significantly better and gains a completely new quality.

The fluidity of tonal transitions in Hisense U6NQ is at a very good level. In most scenes, there are no visible issues with colour blending, which ensures a pleasant and cohesive visual experience. However, a more discerning eye may spot slight imperfections in specific instances, such as the scene with the blue sky in Kingsman or the final scene with the red background. These subtle shortcomings are, however, small enough not to affect the image perception for most users. Overall, the television performs very well in this category.

TCL A300 NXTVision is another frame-style television that handles transitions of tones really well. It's hard to find distinct bands or sharp transitions between shades of the same colour – the overall appearance is natural and smooth.

However, it must be admitted that among the three tested models (The Frame and S7NQ), TCL performs the worst in this category. In darker and lighter scenes, slight imperfections can be noticed. Nonetheless, looking at it as a whole, for a television in this price range – it presents itself really solidly. It may not be the best of the bunch, but it maintains a very good level.

With high-quality materials, such as 4K, tonal transitions on U6NQ look really good – the colours blend nicely, and the image is coherent. Unfortunately, when we move to content in lower resolutions, the television does not offer any additional features that could improve this aspect. An example is the test with the light bulb, where it is clearly visible that the television has a problem with rendering subtle tonal transitions.

However, digital processing performs quite well. The image looks pliable, is pleasantly soft, and free from excessive banding. Moreover, thanks to the sharpness settings, it can be adjusted according to personal preferences – whether towards a softer or sharper image. Overall, although scaling lower quality materials could be better, the television handles image processing effectively.

TCL A300 handles tonal transitions in high-quality films very well, but the question arises – how does it perform with weaker material? The television is equipped with a tonal transition smoothing function, but its effectiveness can be described in one word: "random." In one scene it could work and improve the gradation, but when turned off… the effect remains the same. There is a lack of consistency and predictability.

Image scaling is also not one of A300's strong points. On the test chart, the main character actually looked better than on the raw signal, but with thin lines – such as fonts or background details – there was noticeable jaggedness and aliasing. On the positive side, the television does not crop the image and has no problems with overscan, but the overall quality of scaling is rather average.

Hisense U6NQ offers native 60 Hz refresh rate at 4K resolution, but the manufacturer has added a feature that allows the refresh rate to be increased to 120 Hz, at the cost of reducing the resolution to Full HD. This solution, which we have seen before in TCL televisions, such as the C655 or C655 PRO. This gives the user the choice – higher motion fluidity or full resolution. This is a sensible approach, especially considering that many games on next-generation consoles do not achieve full performance in 4K at 120 Hz.

As for movies, the television is equipped with a motion smoothing feature that allows you to adjust the motion characteristics to your own preferences. This allows for a more cinematic effect or increased fluidity in dynamic scenes. Overall, Hisense U6NQ offers reasonable solutions in terms of motion fluidity that should satisfy both gamers and movie enthusiasts.

The TCL A300 is equipped with a 144 Hz panel, which should immediately satisfy practically everyone – both gamers and sports fans. The motion is smooth and the image is clear even during fast-paced scenes. Additionally, the television offers motion enhancement functionality called "Motion," where we find two sliders on a 10-point scale. These allow you to adjust the effect to your own preferences – from a classic, cinematic look with visible frames to a very smooth (though somewhat unnatural) image reminiscent of soap opera effects. This way, everyone can find a setting that suits them.

Hisense U6NQ offers the option to choose between 4K at 60 Hz and Full HD with a refresh rate of 120 Hz. This solution may appeal to gamers who want to decide what is more important to them – higher resolution or smoothness. The television supports features such as ALLM and VRR, which help in achieving smoother gameplay. A nice addition is the GameBar – an easy-to-use panel that allows you to quickly change picture settings and check statistics. There is also a Dolby Vision Game mode, which operates with low input lag, which is a big plus for console enthusiasts. Unfortunately, it lacks HGiG, which could further enhance HDR quality in games. Nevertheless, the Hisense U6NQ performs quite well as a gaming television, especially for those who play occasionally and do not require the highest refresh rates in 4K. It is a solid choice for less demanding users.

TCL A300 is a television designed not only to transport us to a digital art museum but also to a full-fledged gaming world. Here, we find practically everything one could expect from gaming equipment: two full-bandwidth HDMI 2.1 ports, 144 Hz refresh rate, VRR support, and ALLM.

The proper implementation of the HGIG mode also deserves praise – something that competitor Hisense sometimes struggles with. The television easily handles lower resolutions (e.g., Full HD) while maintaining high refresh rates, which older console or PC owners will appreciate.

In addition, there is an attractive and clear GameBar that facilitates quick access to settings for gamers. The A300 is really well-prepared for top-level gaming – it's just a shame that issues with smearing slightly tarnish its overall image as a gaming device.

The television Hisense U6NQ offers a very low input lag of 14 ms, making it a good choice for gamers, especially those who prefer fast-paced titles. It is also worth noting that the Dolby Vision mode in games works really well here. This is a pleasant surprise, as on many other televisions this HDR mode performs only averagely.

In terms of input lag, the TCL A300 performs really well. Values below 10 ms at a refresh rate of 120 Hz are something many gamers dream of – such low lag is practically unnoticeable, both during everyday gaming and in more demanding e-sports titles. One might criticise the result of 23 ms in Dolby Vision mode at 60 frames, but it is still a sufficiently low value that it's hard to have serious objections. In this category, the A300 really excels.

As a screen for working with a computer, Hisense U6NQ performs quite well. The fonts are sufficiently clear, making it adequate for everyday writing or browsing the internet.

When it comes to gaming, the television supports G-Sync, but only at 4K resolution at 60 Hz. Unfortunately, if anyone was hoping for 120 Hz fluidity in 1080p with G-Sync enabled, they may be disappointed – this television does not offer that. It's somewhat unfortunate, as it could have been a decent solution for gamers who prefer smoothness over resolution.

If we plan to use the TCL A300 as a monitor for a computer, we may be pleasantly surprised. The television performs really well in this role. It is equipped with a 144 Hz panel, supports G-Sync, and, as we have already mentioned, offers very low input lag, so gaming on it with a connected PC is a pure pleasure.

Working with text is also possible, though with some limitations. The TCL A300 has slight issues displaying dark fonts and thin lines – this stems from the subpixel structure, which in everyday use can be somewhat bothersome, although it looks better in photos than in reality.

The television supports chroma 4:4:4, but only up to 120 Hz. Therefore, we have indicated that this feature is available, but with a limitation – if we care about perfectly readable fonts, it is advisable to stick to a refresh rate of 120 Hz. At 144 Hz, the sharpness of the text may suffer slightly.

The viewing angles on the Hisense U6NQ are average, which is typical for VA panels. Thanks to this technology, we gain better contrast and deeper blacks, but at the cost of image visibility at wider angles. It's a classic compromise – in televisions with IPS panels, the situation is reversed, where viewing angles are wider, but contrast and blacks suffer in quality.

The viewing angles on the TCL A300 NXTVision are – let's be honest – mediocre. The television is equipped with a VA panel, which inherently has rather limited angles and unfortunately this is evident here. The video below speaks for itself – even a slight deviation from the axis results in a noticeable drop in contrast and colour saturation. It's a shame that this is yet another frame-style television that has done absolutely nothing about it. After all, we don't always have the opportunity to sit perfectly straight on – especially if the device is also intended to serve a decorative function in the living room.

Hisense U6NQ performs well in bright rooms thanks to the satin finish on the panel, which effectively suppresses reflections. The average brightness on SDR content, such as standard television, is 488 cd/m², which is more than sufficient for comfortable viewing even under slightly challenging lighting conditions.

The TCL A300 NXTVision is equipped with a matte panel very similar to the one found in one of its Chinese competitors – the Hisense S7NQ model. Such a surface handles reflections fairly well, although it must be said that it performs worse than Samsung's The Frame, which offers a significantly higher level in this regard. As is often the case with matte displays, blacks lose their depth during the day and appear more gray than black – and this is no different here. Unfortunately, the fact that the A300 is the darkest television of the three tested does not help either. As a result, it has a real problem standing out in brightly lit rooms.

The Vidaa system, on which the Hisense U6NQ operates, is probably one of its stronger points. It is quick, runs smoothly, and most importantly – it doesn’t suffer from any stuttering that can be irritating in other televisions. It’s great that voice search is available in Polish, which makes operation significantly easier. There are plenty of apps here, but unfortunately, there is a lack of music apps such as Spotify or Tidal. It’s a shame because a television is not just for films and series – some would probably happily use it for listening to music as well.

Among the additional features, we have the option to record television programmes onto a USB drive or external hard disk. There is also AirPlay and Miracast, so it’s easy to stream images from a smartphone. The built-in Bluetooth is also useful, allowing you to connect headphones, a mouse, or a keyboard. The only thing that is really missing here is the PiP (picture-in-picture) feature. If it were added, the television would be complete in terms of functionality. Nonetheless, the Hisense U6NQ offers a lot and is more than sufficient for most users.

The TCL A300 is a television styled to resemble a painting, which can successfully masquerade as a work of art during everyday use, hanging on the wall. It is equipped with a special image display mode, additional frames in a light wood tone, and a flat wall mount that allows the television to be hung like a true picture – flush against the wall.

A significant advantage of the image mode is that it is completely free. We have access to dozens of works from which we can choose the one to be displayed in standby mode – instead of a black screen, the picture we selected remains on the wall. The quality of the graphic reproductions is decent, but it must be admitted that it clearly falls short of that from the Samsung ART Store. Although access to images there is paid, the quality of the scans is significantly better – you can see the texture of the paint, the canvas, and the details. In the TCL A300, it resembles high-quality photographs more than realistic reproductions of artworks. Additionally, the implementation of the image mode in the system leaves much to be desired. For example – if we set the brightness in image mode to 10%, that same value automatically transfers to the normal viewing mode, where we could comfortably set the brightness to 50% or even 100%. This works in the opposite direction too – when we set the brightness to 100% in normal mode, switching to gallery mode displays the images with that same maximum brightness, shining too intensely and losing the entire effect of a “picture on the wall.” These are minor but annoying errors that can ruin the experience of what was intended to be visually subtle and elegant.

Moving on to more classic features – the A300 runs on the Google TV system, which currently offers by far the largest selection of applications (the full list available below). The well-functioning voice assistant with support for the Polish language is also a major plus. As standard – as in most TCL televisions – the USB recording function or picture-in-picture (PiP) mode is missing.

The built-in media player in Hisense U6NQ should satisfy most users. It supports Polish characters and allows for easy editing of displayed subtitles, which is a big plus. Unfortunately, it lacks support for the AV1 codec, which may be an issue for those looking to play newer video formats. However, for less demanding users, the features of the player will be fully adequate.

The built-in player in the TCL A300 works as it should – most popular video and photo files play without any issues. There is a lack of support for the HEIC format from Apple (which is quite common in many televisions), but most users still use AirPlay, so this shouldn't be a major problem. If someone is not satisfied with the default player, the Google TV system offers considerable options – it's easy to install an alternative app that better suits our tastes. Nevertheless, it must be acknowledged that the factory solution is entirely sufficient for everyday use.

Hisense U6NQ is equipped with a standard set of speakers with a power of 20 W, which is a typical solution in this class of televisions. The sound is adequate but does not stand out in any particular way. However, it is worth noting the support for all popular audio codecs, including DTS and Dolby Atmos. This allows us to easily connect a home cinema system or soundbar, achieving significantly better sound experiences than from the built-in speakers.

When it comes to sound, the TCL A300W – like its competitors – plays quite... flat, after all, we are talking about a super flat television. For everyday watching of news or series, this level is entirely sufficient, but during film screenings, we may clearly miss depth and space. On the plus side, it is worth noting that the television supports both Dolby Atmos and the increasingly rare DTS:X – which offers more options when connecting an external audio system. It is also worth mentioning that the A300 PRO model has been equipped with a dedicated, flat soundbar. And not just any soundbar – it performs better than most of the televisions we have tested.

Hisense U6NQ vs TCL A300W NXTVision

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound