Compare: Hisense S7NQ CanvasTV vs Samsung The Frame 2026 (LS03H)

The Hisense S7NQ Canvas TV is a very interesting proposition, especially for those looking for something in the style of a picture-television but do not want to spend a fortune. At first glance, it stands out primarily because the gallery mode featuring works of art is completely free – there is no subscription to pay, as is the case with Samsung's The Frame. Moreover, in the box, we immediately get a light brown frame, which will be an additional bonus and saving for many people. Although it is essentially a TV for displaying art, surprisingly, it also performs quite well in other applications. The 144 Hz panel, full HDMI 2.1, support for VRR and ALLM – all this makes gaming on consoles quite possible and quite enjoyable. The Vidaa system operates smoothly, and we find all the most important apps and features here, such as AirPlay, USB recording, or screen mirroring from a phone. However, there are also things that fall a bit short. Above all – the images themselves. Compared to The Frame by Samsung, here they simply look more digital. It lacks the depth, texture of paint, and subtle details that really impress with the competitor. Although at first glance we are dealing with a similar matte panel, in practice, it performs significantly worse at suppressing reflections. Colours and blacks fade much quicker, especially in a bright room. This could also be the effect of lower brightness – Hisense is simply darker than its Korean rival. On top of that, there are minor software issues – for example, the inability to display external subtitles despite configuration options, or the not entirely effective image smoothing feature for lower quality materials. In short: the S7NQ is a good TV in the form of a "picture," which can be a great alternative for those who do not mind the lower quality of displayed works but appreciate the lack of subscription fees, an additional frame included in the package, and full functionality of a typical television. It is not an ideal product, but a reasonable compromise for Samsung's The Frame.

Samsung The Frame 2026 is still a TV aimed at a fairly specific type of buyer. If your main priority is having a screen that looks good in your interior, hangs almost flush against the wall, and doesn’t simply turn into a large black rectangle when switched off, there are very few TVs on the market that execute this idea quite as well. The matte screen, interchangeable bezels, external One Connect box, and extensive Art Mode allow The Frame to genuinely become part of the room rather than just another TV sitting in the living room. And that’s exactly where we see its biggest appeal.

Importantly, though, that doesn’t mean design is all you’re getting. The Frame performs really well in bright rooms. Its matte coating is very effective at reducing reflections, brightness reaching around 650 nits is enough for comfortable daytime viewing, and the wide colour gamut means colourful content, animation, and brighter HDR scenes can look very impressive. On top of that, there’s 144Hz support at 4K and, for the first time, up to 240Hz at Full HD. VRR, ALLM, FreeSync, G-Sync, HGiG, low input lag, and an extensive Game Bar make The Frame a much more capable gaming TV than its “artistic” character might suggest.

The biggest compromises become apparent when you look at it as a TV primarily intended for home cinema. The Frame has no local dimming, so blacks become noticeably raised in dark scenes, and this is where the difference compared with good Mini LED and OLED TVs is most obvious. HDR therefore looks best with bright and colourful content, while evening movie sessions in a dark room are definitely not its strongest suit. There is also noticeable motion blur and only one full-bandwidth HDMI 2.1 port on the One Connect box, which may be frustrating for some users, especially gamers.

The Frame 2026, then, isn’t a TV for someone looking for the absolute best picture quality in its price range. There are models that offer deeper blacks or a more impactful HDR experience. But if the TV is meant to become part of a well-designed living room, is often used during the day, displays artwork, and at the same time needs to perform well with a wide variety of content, The Frame still makes a lot of sense. Samsung has barely changed its formula here, but it’s easy to see why — the “picture on the wall” concept is still executed extremely well. Owners of the previous model have little reason to upgrade, but for new buyers looking for this particular combination of design and TV functionality, it remains one of the most interesting options on the market.

The Hisense S7NQ CanvasTV is a television equipped with a VA panel, which in itself provides decent contrast. This is confirmed by our test charts – an average score of around 4000:1. It's not a stunning value, but for this class of device – quite decent. Perhaps the result would have been significantly better if the television had been equipped with local dimming technology, however, unfortunately, this model lacks it. As a result, blacks in a completely darkened room resemble shades of navy or grey rather than pitch black. This situation causes a slightly noticeable clouding effect. Generally, it's okay, but without much enthusiasm.

Samsung The Frame 2026 uses a VA panel but has no local dimming. That means the TV cannot dim selected parts of the screen. The backlight therefore works quite evenly across the whole panel. The VA panel itself gives an advantage over IPS or ADS screens. Blacks are noticeably better, and the picture doesn't look quite as washed out when watching in the evening. That said, in terms of contrast The Frame performs fairly averagely. This is most evident in dark scenes. If a bright object appears on a black background, the TV cannot dim the area around it. Blacks then take on a more navy cast and the image loses depth. The same applies to films with black bars. In a darkened room it's fairly easy to see that the bars are not truly black. In simpler, brighter scenes the issue is much less noticeable. So during regular TV, sport or daytime viewing, contrast is unlikely to be a major problem. It looks worse during evening viewing sessions, especially if you've previously used an OLED or a good Mini-LED. The difference in black levels to The Frame's disadvantage then becomes very obvious.

When it comes to the brightness of the television and how it handles bright elements while watching films, it is simply average – similar to the case with contrast. The average brightness level of the Hisense S7NQ is around 500 nits. This is a value that allows one to feel the beginnings of true HDR, but it is definitely too little to speak of remarkable effects. However, the television should be praised for its colour gamut coverage – films look very colourful and vibrant. Thanks to the use of PFS LED (QLED) coating, the device is capable of covering over 90% of the DCI-P3 colour palette and over 72% of the wider BT.2020 palette. For a television of this class – these are really very good results.

The Frame 2026 is a genuinely bright TV. Its peak brightness reaches around 650 nits and, importantly, it maintains similar levels regardless of the type of scene being displayed. It doesn’t really matter whether we’re watching a very bright full-screen image or just a small highlight occupying part of the screen. The backlight remains powerful, allowing bright parts of the image to stand out clearly.

This gives The Frame a solid foundation for HDR. Bright highlights can look impactful, and the picture doesn’t appear flat or overly dim. Unfortunately, there is a compromise. Without local dimming, the TV cannot darken the black areas surrounding very bright objects.

This is clearly visible in scenes 2 and 4 of our test procedure. Bright elements look impressive, but at the same time, the blacks around them become noticeably raised. As a result, the image loses some of its depth, especially when watching in a dark room. This is why The Frame performs best with HDR in bright and moderately bright scenes, where its high brightness works to its advantage. In darker scenes, the situation is quite the opposite.

Colours

The Frame also performs well when it comes to colour reproduction. As a QLED TV, it can display a wide colour gamut and produce rich, saturated colours. DCI-P3 coverage reaches around 94%, while BT.2020 comes in at around 72%. These are good results, and you can see the difference in actual content.

Colours look vivid without appearing washed out, particularly in bright and colourful scenes. Animations and other content with plenty of saturated colours can look really good on The Frame. With this type of material, the TV shows one of its stronger sides.

Let's now check how the Hisense S7NQ CanvasTV performs in colour reproduction in the best factory mode, which is Filmmaker. Right from the start, it is clear that it is decidedly better than in dynamic or standard modes, but there are still a few things to nitpick. Regarding image quality from an HD signal, the colours are slightly inaccurate – there is a dominance of cooler shades of blue and a lack of red. This makes the image appear somewhat too cool.

A similar effect can also be observed with 4K content, but there it is much more noticeable. The excessive exposure of blue tones and the lack of red result in the image appearing distinctly cold. However, the biggest problem with this television is not the colours themselves but the way brightness is managed. The tested unit slightly boosted brightness compared to the reference value. While this results in better visibility of details, it comes at the cost of significantly brightened blacks – causing the entire image to seem more "flat".

A similar phenomenon was noticed in the 4K signal – the slightly elevated curve at the beginning of the EOTF chart shows that the television has a tendency to overexpose certain scenes. Fortunately, this effect can be improved with professional calibration, which we will discuss in the next point.

For assessing the factory colour output we chose the Filmmaker Mode. If you’re encountering it for the first time, it’s a mode designed to reproduce a film or series as faithfully as possible. The TV then switches off most of the extra picture enhancement features, and the colours and luminance characteristics are intended to be as close as possible to what the creators of the material intended. And it must be admitted that The Frame 2026 performs really well in this respect straight out of the box. The biggest deviation is visible in the white balance. As brightness increases the blue starts to drop out and green increases slightly. As a result the picture shifts toward warmer tones. White is therefore not perfectly neutral, and in some scenes you can notice a slightly warmer cast.

The luminance response for both the gamma and EOTF curves looks good. Across most of the range they stay fairly close to the target, although in the darkest parts of the picture there is a larger deviation. In practice some details emerging from black may therefore be rendered a little more strongly. However, this is not an error that stands out during normal viewing. Overall Filmmaker Mode is a good starting point here. However the picture is a little too warm by default and not all hues land exactly where they should.

The results we achieved after calibrating the Hisense S7NQ are really very good. Thanks to the calibration, we managed to eliminate the excessive exposure of blue tones and deficiencies in red with HD signal. A similar, albeit slightly weaker effect was also achieved with 4K HDR content. Managing brightness in HD material has also been improved – the television no longer has issues with brightening the image "across the board."

However, there are things that cannot be bypassed. The characteristic of the EOTF curve has practically not changed, and the lack of local dimming means that the smallest elements on the screen will always be slightly overexposed. One simply has to come to terms with this when choosing a television with a similar type of backlighting. Despite this, the final effect is very good and should fully satisfy the vast majority of users.

After calibration we mainly managed to remove that warmer tint and better even out the white balance. We also smoothed the brightness response a little, which made the picture more neutral and predictable. There are, however, things calibration won't fix here. It's mainly the black behaviour, which stems from the backlight design and the lack of local dimming. In some scenes blacks will therefore still be slightly lifted and you simply have to accept that. It's more a characteristic of this model than something that can be fixed with the settings. HDR is also a limitation. Samsung doesn't allow full freedom when working with the widest colour gamut, so not all colours can be reproduced perfectly. In normal viewing it's probably hard to notice, but it's worth being aware of.

The fluidity of tonal transitions is one of those categories that even less advanced users can notice. If someone doesn't understand what it means — we're explaining it now. It concerns whether the colours blend smoothly into one another or if their "gluing" is visible in the form of distinct bands. Good tonal transitions are those that are natural and smooth, without large jumps in colour.

The Hisense S7NQ performs very well in this category, although it must be admitted that it fares slightly worse than Samsung The Frame. In very bright scenes, slight imperfections can be noticed, but you really need a keen eye to catch them. Overall, as with most "frame" style televisions, it still performs excellently.

Gradation in The Frame 2026 comes across well, though not perfectly. In bright tonal transitions you can notice slight issues and occasional mild banding. These are not faults that seriously disturb normal viewing, but they can be picked up on our test images and in more demanding scenes. We would rate the bright tonal gradation at roughly 7.5 to 8 out of 10.

Interestingly, gradation in the darker parts of the image looks noticeably better. Here the transitions are very smooth and it's hard to find clear signs of posterization. This is the opposite of many LCD TVs, where the near-black region often causes bigger problems. In photos of dark scenes you can, however, see some unevenness in the image. These do not stem from the gradation itself but from panel uniformity and the operation of the backlight. Unfortunately, in that respect our sample of The Frame was not perfect, so in very dark shots you could spot brighter and darker patches of backlight.

Equally important is how the television handles tonal transitions on a poor signal – for example, in older films, television, or on YouTube. Unfortunately, despite the presence of the "Smooth and Gradient Picture" feature, which was supposedly meant to improve this aspect, its performance is truly poor. It's barely noticeable that it has any real impact on the visibility of colour transitions.

The image scaling is also lacking. Yes, it can be observed that the television tries to "enhance" the quality, but the end result is far from ideal. The image often appears slightly jagged, which is particularly noticeable in the example of tree branches in the background. Additionally, the Hisense S7NQ has a clear tendency to crop the image at lower resolutions, causing subtitles in news items or finer details in the image to be missed.

As with many of Samsung’s newer TVs, this one also uses the NQ4 AI processor, only the older, second-generation version. And you have to admit it handles digital image processing quite well. Lower-resolution material is sharpened effectively, and after upscaling to 4K it still looks natural. The TV can also somewhat "tidy up" weaker sources, like older recordings or lower-quality broadcasts. That doesn't, of course, mean it will suddenly turn poor footage into 4K, but at closer viewing distances the difference compared with simpler models with weaker processors is easy to spot. Edges are clearer, and fine details don't get lost as much to signal compression.

Samsung also offers a few additional image-enhancing features, but as usual it's best to use them sparingly. At stronger settings, noise reduction can very effectively reduce posterization, but it also noticeably interferes with the image. The picture then simply starts to look very artificial, for example by heavily smoothing characters' faces. So it makes the most sense with really poor sources when various types of noise are seriously distracting.

When it comes to motion fluidity, the television performs remarkably well. Although the S7NQ was designed primarily for displaying static elements – such as images – the manufacturer has implemented a 144 Hz refresh rate matrix. As a result, sports and games look really good on it.

For materials that are not recorded at a high frame rate, the manufacturer has provided two features that allow you to adjust the picture to your own preferences. "Motion blur reduction" and "judder reduction" operate on a 10-point scale, allowing you to choose between a more cinematic image – with characteristic frame jumps – and a smooth effect reminiscent of a "soap opera". How to set this up? That’s a personal matter – we leave the decision to you.

Samsung again used a panel with a maximum refresh rate of 144 Hz. Refresh rates up to 120 Hz primarily offer greater possibilities with material that contains a lot of motion. The TV can use additional motion-smoothing systems that can improve fluidity in sports and other fast-moving content. However, a high refresh rate alone does not solve everything. The Frame still uses a VA panel, which has a fairly slow response time, and consequently fairly pronounced motion blur. With rapidly moving objects, especially on a dark background, trails are easy to notice. There is also a slight doubling of edges, which can be visible even when additional motion-enhancement systems are switched off. We saw similar behaviour in last year's The Frame 2025, and it's a shame Samsung hasn't addressed this issue. The 144 Hz itself provides a good foundation, but the panel's response time still limits this TV.

Although the S7NQ is a "picture" type television, it can indeed be used for gaming. Really. Here you can find almost everything (except for the HGiG mode) that a modern gaming television needs. The 144 Hz panel and two full-fledged HDMI 2.1 ports allow for the hassle-free connection of two consoles, such as the PlayStation 5 or Xbox Series X/S.

The television supports Automatic Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), with no stuttering or issues. It also handles displaying high frame rates at lower resolutions without any trouble. Hisense deserves praise for a very attractive Game Bar – it displays all available picture options, and additionally, we have the ability to enlarge the minimap or turn on the crosshair (because sometimes someone might actually want to "aim" 😉).

The only missing element – as we mentioned earlier – is the lack of a proper implementation of the HGiG mode. It is specifically responsible for automatically adjusting the picture in games as the creators intended. It's a shame, because that’s the only thing preventing the Hisense S7NQ from being a full-fledged gaming "beast".

In terms of gaming features, The Frame is practically on a par with Samsung’s top televisions. When a console is connected the TV automatically switches to Game Mode thanks to ALLM, so we do not have to change settings manually each time. There is also VRR, which matches the screen refresh rate to the number of frames produced by the console or PC. This helps avoid the characteristic screen tearing when frame rates drop. The Frame of course supports 4K at 120 Hz, so you can take advantage of the capabilities of the PlayStation 5 or Xbox Series X in games that offer higher frame rates. HGiG also works correctly. With HDR properly configured on the console, the TV does not try to brighten the picture further on its own, so bright effects in games are displayed as they should be. Samsung also includes a Game Bar. It is a handy menu you can bring up without leaving the game. There you can check VRR operation and the current frame rate, and quickly change the most important gaming-related settings. With a PC the possibilities are even greater, because the aforementioned Full HD mode lets you increase the refresh rate up to 240 Hz. There is essentially one feature missing that Samsung has already got us used to, namely Dolby Vision Gaming. Xbox owners will notice this most, as that console can use Dolby Vision in games. There is one more thing worth mentioning specific to this model. Its One Connect module has only one HDMI 2.1 port, so you must plug the console or PC into that port if you want to use 4K at 120 Hz. Fortunately Samsung did not combine this port with eARC. The soundbar can therefore be connected separately (3) and you still have a full HDMI 2.1 available for the console.

Input lag in the Hisense S7NQ is decent, though it cannot be said to be extraordinary – especially by the standards of 2024/25. Values around 30–20 ms may not be very high and the average player is unlikely to notice it, but those who spend a lot of time gaming may experience a slight discomfort.

The situation is definitely better when playing in Dolby Vision mode – then the latency is lower and the gameplay feels more pleasant. The problem is that there are still few games supporting this mode, and they are mainly available on the Xbox console.

People who feared that the additional One Connect module might cause greater delay between our action on the gamepad and what happens on the screen can sleep soundly. The input lag we measured is just as low as in other Samsung TVs.

At 60 Hz it is around 15 ms, and after switching to 120 Hz it falls to around 8 ms. These are very good results, so the delay is hard to notice in practice even in fast-paced games. The One Connect module itself does not introduce any noticeable issue.

When it comes to working with a computer, the S7NQ Canvas TV performs really well. Gaming on it is seamless thanks to the presence of a 144 Hz panel and support for G-Sync with Nvidia cards. Input lag – as we mentioned earlier – is good, though not exceptional.

And what about work? It’s doable. The television has a correct implementation of chroma 4:4:4, so fonts look quite clear. You might nitpick about some minor issues with the thinnest letters on a dark background, but let's be honest – rarely does anyone sit a metre away from a 55-inch screen reading small text.

In this category you could jokingly say that the new The Frame gives with one hand and takes away with the other. If you look solely at PC gaming, it performs really well. You have 144 Hz at 4K or even 240 Hz in Full HD, plus support for G-Sync and FreeSync and very low input lag. The Frame can easily serve as a large gaming monitor and it's hard to find major complaints.

On the other hand, we had the impression that font readability in the new model has worsened slightly. When you look at text from very close up, you can notice additional halos at the lower edges of characters caused by the action of individual sub-pixels. This gives a slight impression of blurred text. Of course this is mainly an issue for people who would actually want to use The Frame as a monitor on a desk, for example for working with text. At a typical viewing distance the problem is practically impossible to notice. And let's be honest, it's hard to imagine anyone putting a 55- or 65-inch The Frame on their desk.

The viewing angles here are typical for a VA panel. The S7NQ loses quite a bit when viewed at around a 45-degree angle – the colours fade, and the brightness clearly drops. It’s a pity, because after all, this is a television that is meant to display works of art – it would be nice to be able to look at them from different places in the room, not just straight on.

Viewing angles are not a strong point of this model. Compared with LCD TVs with IPS panels, and even more so with OLEDs, the picture loses quality fairly quickly when viewed at an angle.

The Hisense S7NQ Canvas TV is equipped with a matte display, which quite effectively suppresses reflections – very similar to its Chinese rival, the TCL A300 NXTVision. Unfortunately, both designs fall short in this category compared to Samsung's The Frame, which offers a significantly better anti-reflective coating. In the case of the Chinese models, including the S7NQ, colours fade quite noticeably under light, and black performs poorly in such conditions. The brightness of the television reaches around 500 nits – a fairly decent value for a matte screen, but still lower than that of the aforementioned The Frame. Generally, if someone prefers matte displays, well... it looks like it looks – Samsung simply did it better.

The Frame is, by design, a television that will often be used in a bright living room, and its matt finish suits that very well. The screen effectively diffuses reflections, so a window or a lit lamp don't turn into a clear mirror. In that respect it's really good and it's one of this model's stronger points. The matt coating does, however, have its downside. Strong light falling directly on the screen scatters over a larger area and slightly raises the black level. So during the day blacks don't look as "deep" as at night, especially when the room is very bright. But we think that's a fair compromise. On the plus side, The Frame's high brightness helps. The TV has enough power that the picture doesn't wash out and remains clearly visible during the day. Overall, then, it's a good TV for a bright living room, particularly if reflections bother you more.

As the Hisense S7NQ is a television designed for a specific purpose, we will start the description a bit differently – from the most important aspect of such models, which is the display of artworks. Like all "art" televisions, it features a special mount, allowing the screen to be installed completely flat. The biggest advantage compared to the Korean Samsung The Frame is the fact that, despite the lesser availability of images in gallery mode, all of them are completely free – there is no need to pay any subscription fees. An additional bonus included with the S7NQ is the light brown frame. This is quite a plus, especially if someone was planning to choose that colour anyway – it can save a bit of money on both the frame and the subscription.

However, when it comes to the quality of the displayed images, unfortunately, it is evident that the Samsung The Frame performs significantly better in this regard. In the S7NQ, the images look more digital, while in The Frame, the Art Store mode offers real scans of artworks, where you can even see the texture of the paint or the brush strokes of the artist. And once again, we return to an old truth – for better quality, you simply have to pay.

Fortunately, the S7NQ is not just an “art piece,” but also a regular television – and it performs really well in that role. Like most Hisense models with the VIDAA system, it has many basic functions such as USB recording, screen mirroring, and AirPlay support. As for applications – the most popular streaming services are present here, and you can find their full list below.

Operating System: Tizen

Samsung The Frame 2026 runs on the familiar Tizen operating system, so when it comes to Smart TV features, you get pretty much everything you would expect from a modern TV. There is a wide selection of streaming apps, AirPlay, SmartThings, and the ability to cast content from a smartphone. The system itself is fast and responsive, while the menu layout is very similar to what you’ll find on other Samsung TVs.

When it comes to traditional TV features, things are a little more basic. The Frame doesn’t really stand out in this area, focusing primarily on its online features and lifestyle-oriented functionality.

Art Mode

The key feature, of course, remains Art Mode. It allows The Frame to display artwork or your own photos when you’re not watching TV, effectively turning the screen into part of your interior. The matte screen coating plays an important role here, as it helps the displayed artwork look less like an image shown on a glowing TV screen.

Another interesting addition is the motion sensor, something you won’t normally find on other TVs. It’s worth pointing out that this is not the same thing as the ambient light sensor. The latter adjusts the screen brightness to match the conditions in the room, while the motion sensor detects whether someone is nearby. If the room is empty, the TV can automatically turn Art Mode off and then switch it back on when you return. This means the screen doesn’t have to stay on all the time.

Another feature that works particularly well with this model is One Connect. In our opinion, it makes a lot of sense on a TV like The Frame, which is designed to sit as close to the wall as possible. All the main cables are connected to a separate box, while only a single cable runs to the screen itself. It’s simply a very convenient solution.

It’s also worth mentioning that Samsung includes a dedicated wall mount in the box. That might sound obvious, but it really isn’t. With the flagship S99H, for example, which also puts a strong emphasis on flush wall mounting and blending into the interior, the appropriate wall mount has to be purchased separately. With The Frame, it’s included, so you can save yourself a bit of extra money right from the start.

*The Art Mode photo was taken on The Frame Pro 2026. It looks identical on the standard The Frame — we have to admit that we simply forgot to take a photo of it during testing. 😉

The Hisense S7NQ effortlessly plays the vast majority of popular audio, photo, and video formats. So why the relatively low rating in this category? Well – due to software issues. This is yet another Hisense television that did not allow us to open external subtitles in films. Regardless of whether we are talking about the .ass, .srt, .txt, or .sub format – the subtitles simply did not appear.

The most amusing (or rather the most frustrating) thing about all this is that in the menu, we find options to change the font colour, size, and background… The problem is that the subtitles themselves are not visible at all.

In terms of USB file playback, The Frame performs adequately. The TV easily handles the main video, photo and audio formats, so in everyday use you should not encounter many surprises. However, we again ran into problems with the HEIC format, which is common on Apple devices. Images saved in this format could not be opened correctly, which can be irritating if you often transfer photos directly from an iPhone. Apart from that, the player worked without major issues.

When it comes to sound, it presents itself... much like a television on the wall – that is to say, rather flat. Despite the use of a 2.0.2 speaker set with a total power of 36 W, we cannot speak of any exceptional sound quality here. But as is the case in most instances – buying even the simplest soundbar can radically change the situation.

On the plus side, it is worth noting the support for practically all popular Dolby and DTS codecs. This means we can easily connect the television to a home cinema system without having to fiddle with settings or sound conversion.

Despite using a 40 W speaker system in a 2.0.2 configuration — on paper somewhat better than in many conventional TVs — the sound is fairly average. What bothers us most is that it’s simply flat. As with most very slim TVs, there is a lack of bass and greater depth. Fortunately the midrange and treble are reproduced correctly. Dialogue is clear, and at normal listening levels there are no major distortions. For news or regular TV that setup is perfectly adequate. For films, music or games, however, you’ll quickly find it lacking.

That’s why we would definitely recommend adding a soundbar or external speakers to The Frame. Samsung, moreover, has an increasing number of models designed specifically for lifestyle TVs, such as the slim S800 series or speakers from the Studio or Music Frame lines, which in design match the TV itself.

Hisense S7NQ CanvasTV vs Samsung The Frame 2026 (LS03H)

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colours

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Operating System: Tizen

Art Mode

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements