Hisense E8Q vs Samsung Q6F (IPS)

Since the E8Q is a twin of the U7Q, it’s no surprise that the quality of the HDR effect is nearly identical. On paper, it looks promising – a peak brightness of 800 nits can impress in many scenes. Moments such as flashes of light in “The Meg” or shots of the sun in “Life of Pi” can indeed evoke a 'wow' effect. But the longer we watch, the more we notice the limitations. The problem arises when small, bright details need to be shown against a dark background. In such situations, the dimming algorithms try to preserve contrast but end up dimming what should shine the most. Instead of dazzling details, we get almost invisible points of light. This is typical for Mini-LEDs in this price segment and is not surprising – but it’s worth knowing that the HDR effect will not always be fully preserved. Fortunately, the colour performance offers reasons to be pleased. Coverage of the DCI-P3 colour gamut at around 94% is a very good result, and the applied layer of quantum dots (more precisely, PFS) does its job – the colours are saturated and vibrant, especially with 4K content.

The Samsung Q6F is, unfortunately, a very dark model. Its peak brightness in HDR does not exceed 250 nits, which is a value that is decidedly too low to even talk about any effect of “high dynamic range,” or HDR. In practice, it’s better to stick to content in SDR format, which simply looks more predictable on this television. Another problem is the global dimming technique – in scenes with a lot of black, the television drastically dims the entire panel to artificially improve the black levels. This causes the image to become even darker, and the brightness can drop below 100 nits. The only consolation is supposed to be the QLED technology, but even here it is average. The layer of quantum dots used is not of the highest quality, as the coverage of the DCI-P3 colour palette does not exceed 90%. As a result, the colours in HDR content may simply appear under-saturated.

Testing the Hisense E8Q in Filmmaker mode, we were hoping for a possibly neutral image close to the director's vision. Unfortunately – although it doesn't look bad on paper (the colour reproduction errors are not significant), in practice the image appears not entirely natural. The reason? An overly strong boost in blue colour and a lack of red in the white balance. The effect? Scenes look cool, and the white seems slightly bluish. Alongside the U7Q model, we also noticed a specific approach to brightness management here. The brightness mapping curve for HDR content (EOTF) shows that the television can significantly dim small, bright elements on the screen to maintain contrast – but sometimes it goes too far in this. On the other hand, larger, very bright areas can be excessively brightened, which disrupts tonal balance. This is a compromise that may not suit everyone – especially if you want an as faithful image as possible right out of the box.

We tested the television in Filmmaker mode, which showed us two completely different facets of this model. Looking at SDR content, we were genuinely shocked at how good this television looks straight out of the box. It was really difficult to find fault with anything here. Despite a slight 'muddiness' in the white balance or somewhat brightened details in the blacks (which directly stem from the design of the IPS panel), the colour errors hovered around a level of '2'. This result is not only surprisingly good but downright amazing, considering the price of this device.

On the other hand, what the Q6F displayed in terms of colours after switching to HDR mode was a very unpleasant surprise. The errors in colour reproduction and palette were so enormous that our charts literally ran out of scale. Of course, since Samsung even in such an affordable model offers very extensive calibration options, we decided to approach the issue professionally and see what could be done during calibration.

The calibration of the Movie mode yielded really good results, especially when it comes to SDR content. We managed to balance the white levels, which made the image look more natural – it appeared almost reference-quality. The colours were well-saturated, and the overall perception of the content improved significantly. Unfortunately, when we switched to HDR materials, familiar issues from the U7Q model returned. The television still likes to "do its own thing," as evident from the analysis of the brightness characteristic EOTF – despite calibration, the E8Q still dimmed fine details in the shadows, while the bright areas of the screen could be excessively boosted. In practice, this means that in darker scenes, some of the smallest details could simply disappear. Although it must be acknowledged that the entire calibration process brought a lot of good, not everything can be circumvented – even with the use of professional tools. The E8Q can impress with its picture, but in HDR content, its design limitations become apparent, and it is worth keeping this in mind.

After our calibration, the colours in SDR mode looked even better – the result is truly surprising, as colour errors at the '1' level are something generally seen in devices costing several thousand pounds. In this regard, the Q6F is really an excellent screen for everyday television, less demanding series or films. Unfortunately, our intervention in the HDR mode did not bring a noticeable improvement. The television, due to its poor blacks and low coverage of a wide colour gamut, still has significant issues with proper colour saturation, especially reds. This is an example of a device where HDR exists mainly as a label on the box – for everyday use, we definitely recommend watching content in SDR format.

In the case of older materials with lower quality, a gentle smoothing of tonal transitions often comes in handy. The Hisense E8Q, like the U7Q, features an "Smoothing and Gradient Image" function, but unfortunately – its effectiveness leaves much to be desired. The "Low" mode is almost imperceptible in operation, and the higher settings do not improve transitions but simply blur the details. The good news is that the function does not compromise film grain, meaning it does not worsen the structure of the image. On the plus side, scaling is commendable. The television is able to sensibly upscale older content to a higher resolution – without artificially accentuating contours or excessive sharpening. Although it does not match the best models in this category, it performs quite well for its class.

Q6F performs very well in upscaling lower-resolution content to native 4K. The scaling here is surprisingly good, even for such an inexpensive television from the QLED series. The only downside is the situation where we are watching very low-resolution materials, such as 576p (typical for old DVD players) – in which case the image may be slightly cropped. This is due to the fact that the television does not allow the Overscan function to be turned off, which is a typical issue with Samsung devices.

The situation is completely different when it comes to digital processing, specifically the attempt to smooth the image of unwanted artifacts. Here the television completely fails. Although there is a function in the menu called "Noise Reduction," it yields no visible results regardless of the slider setting. The only thing it manages to do is introduce undesired errors in the image. Despite its presence in the system, we definitely do not recommend using it.

Similar to the U7Q, the E8Q model is a fast television designed for dynamic content. It supports a refresh rate of 144 Hz at 4K resolution, and if, for some reason, someone is still gaming in Full HD – it can even reach 240 Hz. This is a significant advantage, especially for PC users looking for maximum smoothness. In everyday use, the television performs very well. The "Ultra Motion Smoothness" mode offers two sliders that allow you to customise the picture to your preference – whether more cinematic with the film frame preserved or highly smoothed, almost "series-like". It's good that the manufacturer provides a choice here instead of imposing one style. On sports material, live broadcasts, or in games – movement looks clean and stable. Of course, it is not at the OLED level, but for this price range, the E8Q performs really well.

The 60 Hz panel in the Samsung Q6F is standard for this price range, making it rather average for dynamic sports or gaming. However, when it comes to films, the television performs quite well thanks to the motion smoothing feature. The "Motion Reduction" option allows you to adjust the smoothness of movement to your own preferences – from maintaining a cinematic character to complete fluidity.

Hisense E8Q does not hide its gaming heritage. Even the specifications reveal that we are dealing with a television that will perform excellently as a gaming screen. Variable Refresh Rate (VRR)? It's there. Automatic switching to game mode (ALLM)? That's there too. Additionally, there is impressive refresh rate – 120 Hz in 4K or even 240 Hz in Full HD. Such a set is rare in this price segment. Everything works smoothly and without major surprises. The only missing element – similar to the U7Q – is support for HGiG. It’s a shame, as this feature facilitates adjusting the brightness curve to the capabilities of a specific television, improving visual compatibility with the intentions of HDR game creators. Without it, one has to manually fiddle with the settings, which does not always yield a satisfactory result.

We're not going to beat around the bush – the Q6F is not a television designed for gamers. Although it features additions like ALLM (automatic low latency mode) and VRR frame synchronisation for consoles, the list of advantages basically ends there. Aside from these basics, the television offers nothing more that would satisfy those who spend a lot of time in front of a console. It’s a great shame that such a useful tool as Game Bar, which allows for quick control of game parameters in Samsung's higher models, is missing here. In terms of gaming, this model is absolutely basic and is only suitable for "casual" gamers.