Hisense A6N vs Samsung The Frame 2025 (LS03F)

Direct compare

The Frame / LS03FAU

Info

Available screen sizes: 43”50”55”58”65”75”85”

Available screen sizes: 43”50”55”65”

Panel type: LCD VA

Resolution: 3840x2160

System: VIDAA

Model year: 2024

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Panel type: LCD VA

Resolution: 3840x2160

System: Tizen

Model year: 2025

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Overall rating

5.4

7.0

  • Movies and series in UHD quality

    5.8

    6.8

  • Classic TV, YouTube

    5.6

    6.5

  • Sports broadcasts (TV and apps)

    4.5

    6.4

  • Gaming on console

    6.6

    8.3

  • TV as a computer monitor

    1.0

    8.2

  • Watching in bright light

    3.8

    6.3

  • Utility functions

    6.9

    7.2

  • Apps

    7.7

    8.7

  • Sound quality

    5.5

    6.0

Advantages

  • Good native contrast

  • Support for all HDR formats - Dolby Vision, HDR 10+, etc.

  • Good for occasional gamers - ALLM, VRR, Game bar

  • Low input lag - even in Dolby Vision mode

  • Matte display excellently reduces reflections

  • Customisation options for the screen thanks to interchangeable frames + art mode

  • Free accessories in the form of a wall mount + OneConnect module

  • High native contrast

  • Decent brightness

  • High refresh rate - 120/144Hz

  • Many features for gamers - VRR, ALLM, Gamebar, proprietary motion smoother working in games

Disadvantages

No like
  • Emerging VIDAA operating system - lack of several applications

  • Poor matrix brightness

  • Not suitable for working with a PC

  • Missing HGiG mode – makes precise HDR adjustments on the console difficult.

  • No DTS support – requires additional hardware for some films on Blu-ray discs.

  • Paid picture mode

Our verdict

Hisense A6N is a simple model aimed at users seeking an affordable everyday television. Thanks to its VA panel, it offers decent contrast, which is effective for watching regular television, especially in the evening when light reflections are not a problem. The digital processing is also adequate – content from terrestrial or satellite television looks quite good for this price range. When it comes to gaming, A6N is not bad, especially for casual gamers. Low input lag and support for features such as ALLM and VRR are nice additions that ensure games run smoothly with minimal delays. The support for Dolby Vision is another plus, although with this screen brightness, it’s hard to speak of full HDR experiences. The VIDAA operating system is straightforward and works efficiently, but it has its limitations. The number of available apps is not overwhelming – popular services like Netflix and YouTube are present, but for more niche applications, one shouldn’t get their hopes up. If someone values greater versatility, this could be a drawback. Naturally, as a budget model, Hisense A6N has its downsides. The screen brightness is quite low, so in a brightly lit room, the picture may appear just washed out. The colour coverage is also not impressive – the colours are less saturated. This is most noticeable when watching high-quality HDR material (such as series or films on Netflix). For those planning to use the television as a computer monitor, this is also not the best choice – the lack of 4:4:4 chroma support makes fonts less readable. Hisense A6N is a budget television that is suitable for everyday TV viewing or occasional gaming. Its strengths, such as decent contrast and smooth system operation, may satisfy less demanding users. However, for those looking for better picture quality or more advanced features, it is worth considering other options that can offer more for a little extra money.

Samsung The Frame 2025 is a television unlike any other – and although competition has emerged for it, it still does it best. The matte panel, flush mounting with the wall, and a single thin cable thanks to the One Connect module make the device resemble a picture more than any other screen. The Art Store app continues to offer the best scans of artworks on the market (even if they are subscription-based), and with interchangeable frames, we can adapt the TV to the interior almost like a piece of furniture. As for the picture itself, since we are also talking about an ordinary television, there are no major changes, but there are also no disappointments compared to last year’s model LS03D. The Frame still offers high native contrast and solid brightness at 600 nits, which combined with the matte finish provides very comfortable daytime use. The colours are not as vibrant as in glossy screens, but against the backdrop of competitive matte constructions, they perform the best. A novelty is the 144 Hz refresh rate, although in practice, mainly PC gamers will benefit from it. Indeed, in terms of gaming features, The Frame has nearly everything: low input lag, variable refresh rate (VRR) support, automatic game mode (ALLM), Game Bar, and a unique motion smoother designed for games. Unfortunately, not everything is as perfect as it might seem. Why? Because the HGiG mode is missing, which has suddenly disappeared from the latest version of the Tizen system. Samsung really should respond to this, as for many gamers it is a key element in choosing a screen. And we fully understand that. Even though LS03F The Frame 2025 does not bring greater revolutions, it is still a unique television that, apart from its appearance, offers quite solid picture quality and extensive gaming features. It’s a pity that year after year we also receive new compromises.

TV appearance

HDMI inputs
0 x HDMI 2.0, 0 x HDMI 2.1
3 x HDMI 2.0, 1 x HDMI 2.1 (40Gbps)
Other inputs
Outputs
Toslink (Optical audio), eARC (HDMI), ARC (HDMI)
Network Interfaces
Wi-Fi 2.4GHz, Wi-Fi 5GHz, Ethernet (LAN) 100Mbps
Wi-Fi 2.4GHz, Wi-Fi 5GHz
Build quality
Average
Premium
Stand type
Legs
Legs
Stand type
stand-type-Graphite
stand-type-Changeable Frame
Stand
stand-Fixed
stand-Height Adjustment
FlatDesign
Nie
Yes
Accessories
accessories-Stand
accessories-Stand, accessories-Wall Bracket, accessories-OneConnect Box

Contrast and black detail

5.6/10

6/10

Local dimming function: No

Local dimming function: No

Contrast:

Review Hisense A6N Contrast and black detail

Result

5,250:1

Review Hisense A6N Contrast and black detail

Result

5,150:1

Review Hisense A6N Contrast and black detail

Result

4,700:1

Review Hisense A6N Contrast and black detail

Result

4,950:1

Review Hisense A6N Contrast and black detail

Result

3,500:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,800:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,750:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

14,900:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,500:1

Review Samsung The Frame 2025 (LS03F) Contrast and black detail

Result

4,300:1

Halo effect and black detail visibility:

The television is equipped with a VA panel, which offers significantly better contrast compared to IPS panels, resulting in deeper blacks and a more vivid picture. In the tested scenes, it managed to achieve an impressive contrast ratio of around 5000:1, which translates to very good detail reproduction in dark scenes. However, due to the lack of local dimming features, it should be noted that the black in some sequences may resemble more of a shade of navy blue than a perfectly deep black. This phenomenon is particularly noticeable in demanding scenes, such as in the film "The Revenant". Despite this, considering the price of the device, the television offers decent black quality that will satisfy most users.

The year 2025 promises to be quite interesting when it comes to lifestyle televisions. Why? Because Samsung has prepared two versions of the iconic model The Frame – one standard and the other with the addition of “Pro”. In this review, we take a look at the version without “Pro”, which – as we shall see shortly – is quite significant. The standard model LS03F lacks any local dimming technology, unlike its more expensive sibling. This is important because it affects not only the overall picture quality but, primarily, how this television handles black levels.

The VA panel used in The Frame 2025 has a high native contrast – and this obviously works to its advantage. In the tested film scenes, details in the dark areas of the image were well visible, nothing blended together, and there was no formation of a uniform black/white blob. For the average viewer, this will be more than sufficient. But of course, not everything is perfect. The absence of local dimming means that the black levels on this television are not perfectly deep – they resemble dark navy rather than tar. Additionally, in our tested unit, we noticed slight blooming in the right part of the screen, but this could simply be the “quirk of the specimen” rather than a rule. Theoretically, one could try to improve the perception of black by backlighting the screen – for example, with an LED strip – but in the case of The Frame, this is rather impossible, as this television is meant to sit flush against the wall like a picture. So to achieve a better black visible to our eyes, we are forced to watch the LS03F with the lights on. That’s the charm of this technology.

HDR effect quality

4.2/10

6/10

Supported formats
HDR10, HDR10+, Dolby Vision, HLG
HDR10, HDR10+, HLG
Color gamut coverage
DCI P3: 82.3%, Bt.2020: 61.0%
DCI P3: 91.5%, Bt.2020: 72.2%

Luminance measurements in HDR:

Review Hisense A6N Brightness measurement

Result

200 nit

Review Hisense A6N Brightness measurement

Result

210 nit

Review Hisense A6N Brightness measurement

Result

252 nit

Review Hisense A6N Brightness measurement

Result

245 nit

Review Hisense A6N Brightness measurement

Result

276 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

642 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

589 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

574 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

584 nit

Review Samsung The Frame 2025 (LS03F) Brightness measurement

Result

631 nit

Scene from the movie “Pan” (about 2800 nits)

Scene from the movie “Billy Lynn” (about 1100 nits)

Static HDR10

Dynamic: Dolby Vision

Dynamic: HDR10+

HDR luminance chart:

Samsung The Frame 2025 (LS03F)

Luminancja HDR

Luminance of RGB colors

Hisense A6N

Luminancja HDR

Luminance of RGB colors

The quality of the HDR effect on A6N unfortunately does not impress. The peak brightness of 250 nits does not allow for spectacular effects, and HDR appears rather dull, resembling more of a regular SDR. This state of affairs will not satisfy more demanding users who wish to enjoy high-quality film materials. Additionally, the coverage of the colour palette is also not very impressive – a DCI-P3 level of 82% is an average result that does not fully allow one to enjoy vibrant colours in HDR materials.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks impressive on paper. But as we know, laboratory tests are one thing, and real film scenes are quite another. When watching HDR materials in natural conditions, The Frame 2025 maintains very good results. In most film scenes, the peak brightness remained at around 550–650 nits. This is a sufficient value to feel the difference between standard picture quality and that of HDR – bright highlights, reflections on water, or moonlight are presented clearly and spectacularly.

It is also worth remembering that the LS03F is a QLED television, which translates into solid colour saturation. The coverage of the DCI-P3 colour space reaches about 92%, allowing for vibrant, intense colours in HDR content. This is not the level of top premium models, but for a lifestyle screen, the result truly deserves recognition.

Factory color reproduction

1.9/10

7.1/10

Factory Mode

After calibration

Factory Mode

After calibration

In the category of colour reproduction, the model Hisense A6N in Filmmaker Mode leaves much to be desired. Although the name of the mode suggests that we should expect faithful reproduction of cinematic colours, the reality is different – the television has significant issues with image quality. The problem with white balance is particularly noticeable, both for HD and 4K materials, which is heavily disrupted by the dominance of blue. This results in artificial, cold tones, which can clearly be seen in the comparison photo below. The Colour Checker test further confirms these errors, which are exacerbated by low colour gamut coverage.

The gamma brightness characteristic shows a serious problem in maintaining a level of 2.4 – the graph is significantly below the reference value, which leads to excessive image brightness and washed-out blacks. The EOTF curve for 4K materials also indicates brightness issues – at the beginning, there is a significant spike, which results from the television's excessive brightness, negatively impacting image quality. Such image characteristics do not allow one to fully enjoy watching films and require manual correction.

When it comes to image quality straight out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were issues. We noticed clear deviations in white balance in both HD and 4K HDR content. The image was heavily skewed towards red and blue, giving the screen a characteristic pinkish tint. This effect was most noticeable in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. At such moments, the screen clearly took on pink tones, which is also visible in the attached comparison photo. As for the brightness characteristics – it wasn’t as bad as one might expect with such colour inaccuracies. The analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically ruin the viewing experience.

Color reproduction after calibration

5.7/10

8/10

Hisense A6N offers options and tools in its settings to adjust many image parameters that we have utilized. When it comes to white balance, we managed to eliminate the excess blue colour – this effect is clearly visible in the comparison photo below, where the boy in the image seemingly "comes to life". A significant improvement can also be noticed in the gamma brightness characteristics – the television no longer has serious issues with excessively brightening the entire image. Unfortunately, the same cannot be said for 4K content, where the EOTF curve could not be fully corrected due to the exceptionally low brightness of this model. For HDR materials, we apply dynamic tone mapping, which allows for the recovery of many details despite the boosting of mid-tones in the image. For this television, this provides more benefits than drawbacks. The errors that are still visible in the colour palette test and Colour Checker for 4K materials stem from the low colour gamut coverage and are difficult to eliminate due to the characteristics of the television. Nevertheless, the tonal quality of the image is significantly better, which is why we recommend calibrating the factory settings, which are far from ideal.

After calibration, the movie mode has gained a completely new quality. The issue of the pink tint, which had been clearly visible before, especially in bright scenes, has been effectively eliminated. Colours now look much more natural, and the white balance no longer dominates the rest of the image. It is no longer the same exaggerated "box picture" – everything now has coherence and a cinematic character. Additionally, the tendency of the television to slightly brighten scenes, previously visible in the EOTF curve analysis, has been partially corrected. Of course, this is within the limits of what the design allows without local dimming – one cannot speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one might expect from a mode called Filmmaker.

Smoothness of tonal transitions

9.1/10

9/10

The smoothness of tonal transitions is one of the strongest points of this television. Hisense A6N performs very well with the smoothness of tonal transitions; the gradients in the image look natural and without significant disruptions. The television does not have major issues in this regard – although slight unevenness can be noticed in bright and dark scenes, it is not prominent enough to interfere with content viewing. The smoothness of tonal transitions in Hisense A6N is undoubtedly one of its greatest advantages.

In terms of the smoothness of tonal transitions, the LS03F maintains a high standard – just like last year’s models. The television did not encounter any issues when testing more challenging film scenes, where noticeable transitions between shades of colour can easily occur. The colour gradation is very good here – both in the lighter and darker areas of the image. We did not observe the typical banding effect or other disturbances that could be distracting while watching films. If we were to nitpick, in the most demanding scenes – with subtle transitions and delicate gradients – minor imperfections can be detected. But only if one approaches the screen very closely and begins to analyse the image from a distance not intended by the manufacturer.

Image scaling and smoothness of tonal transitions

5/10

6.7/10

Image without overscan on the SD signal
OK
No
Smooth transition function
No
OK

Smooth transition function

Image without overscan on the SD signal

Let's check how A6N performs with low-quality materials. When it comes to smoothing tonal transitions, the lack of posterisation reduction or smoothing of tonal transitions in low-quality materials such as television or DVD can be noticeable for more demanding viewers. In terms of digital processing, the model is presented correctly, and the branches are devoid of characteristic jaggedness – the image is very plastic and soft, which may appeal to those who prefer this style of image.

LS03F has been equipped with the NQ4 processor, which is responsible for improving image quality – particularly in lower quality materials. In practice, this works surprisingly well, especially when it comes to older content and recordings with lower resolution. Activating the "noise reduction" function yields noticeable effects. The TV effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear advancement – previously, this function often smoothed everything too much, including details that it shouldn't remove. In this year's model, smoothing still occurs, but in a much more acceptable manner. Textures of materials, skin, and fabric details are no longer subdued as strongly as before – the image retains more naturalness. However, this does not change the fact that film grain is still removed by the TV, which may not appeal to everyone. On the other hand, it is no longer as aggressive an intervention as in previous models. It is also worth mentioning that the LS03F may struggle with very weak signals – for example, from VHS tape recordings or low-resolution video. In such cases, we noticed slight clipping of the image at the edges – so-called overscan. This can lead to a situation where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

Blur and motion smoothness

3.9/10

6.9/10

Maximum refresh rate of the panel
60Hz
144Hz
Film motion smoothing option
OK
OK
Blur reduction option
No
OK
BFI function 60Hz
Nie
Yes, 60Hz (image flickers)
BFI function 120Hz
Nie
Nie
Brightness drop with BFI
-%
43%

Blur (native resolution, maximum refresh rate):

Blur (BFI function enabled):

Image flickers in this mode

The 60 Hz panel in the Hisense A6N will likely satisfy those who enjoy watching films, as the television offers an "ultra motion smoother," allowing us to adjust the motion smoothness – either more choppy or more fluid, cinematic. When it comes to motion blur, it performs rather average – noticeable blur is evident, especially on dark backgrounds, which is quite a typical feature in this range of televisions.

The new feature in The Frame for 2025 is a display with a refresh rate of 144 Hz. Yes – in a television that is mainly associated with displaying works of art, you can now not only watch Van Gogh but also comfortably play on a console or follow dynamic sports events. This is a definite step towards greater versatility. In the case of Samsung films, as usual in models with a display rate of 120 Hz and above, it allows you to adjust motion smoothness according to your preferences. You can set a more cinematic reproduction while maintaining frame rate or opt for full motion smoothing. The range of options is broad, allowing you to tailor the effect to your own taste – whether the viewing experience is meant to resemble classic cinema or a show on a modern theatre screen.

*this part of the test refers to the LS03FAU model in sizes 55 and 65 inches, which is equipped with a 144Hz panel, while sizes 43 and 50 inches have 60Hz displays, and thus perform much worse in terms of motion smoothness.

Console compatibility and gaming features

5.3/10

8.1/10

  • ALLM
    Yes
    Yes
  • VRR
    Yes
    Yes
  • VRR range
    48 - 60Hz
    48 - 144Hz
  • Dolby Vision Game Mode
    Yes
    No
  • Correct implementation of HGIG
    No
    No
  • 1080p@120Hz
    No
    Yes
  • 1440p@120Hz
    No
    Yes
  • 4K@120Hz
    No
    Yes
  • Game bar
    Yes
    Yes

Hisense A6N is a television that is likely to appeal to casual gamers, primarily due to its 60 Hz panel, which may not satisfy more demanding users. Nevertheless, it offers several features that can enhance the gaming experience. The television supports functions such as ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), and Dolby Vision, which allows for better picture quality and smoother motion in games that support these technologies. Moreover, the low input lag ensures quick reactions in gameplay, which is crucial, especially in dynamic productions. With these features, although the television is not an ideal choice for demanding gamers, it provides solid support for those who appreciate comfortable gaming without complicated settings. It is an ideal solution for individuals who want to enjoy gaming without high hardware requirements while also having access to modern technologies that enhance gameplay quality.

As we mentioned earlier – although The Frame is likely to display images and works of art most of the time, Samsung recognised that a Van Gogh enthusiast could just as easily be an avid gamer. And it must be admitted that The Frame 2025 has almost everything needed to become a full-fledged gaming television.

On board, we find support for ALLM (Automatic Low Latency Mode) and Variable Refresh Rate (VRR) thanks to the implementation of one HDMI 2.1 port. The television handles lower resolutions at higher refresh rates effortlessly and features an advanced Game Bar – already known from other Samsung models – which allows for a quick preview and change of the most important gaming-related settings. For this, it earns extra points from us. The proprietary motion smoother Auto Motion Plus Game is also worth mentioning, which – it is worth emphasising – operates without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically invisible manner in terms of delays. The effect? Much better fluidity in games, especially those that struggle to maintain a stable 60 frames per second. This solution can realistically improve the gaming experience in more demanding titles – particularly on consoles, which do not always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already considered standard in Samsung televisions, so there is not much to particularly criticise here. However, there is a different issue entirely. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it is not there. This is a significant hindrance when configuring the console for proper HDR content display in games. It is hard to understand why such a decision was made, but one thing is certain – this should be fixed as soon as possible. We are talking about a brand that has set standards for gaming on televisions for years. If HGiG returns – and we hope it will – The Frame LS03F can confidently aspire to be called a genuine gaming television. Not just as a decoration on the wall, but as equipment that truly provides joy in gaming.

Input lag

9.9/10

10/10

SDR

1080p60
14 ms
13 ms
1080p120
8 ms
2160p60
14 ms
13 ms
2160p120
8 ms

HDR

2160p60
12 ms
13 ms
2160p120
8 ms
4320p60

Dolby Vision

2160p60 DV
13 ms
2160p120 DV

Hisense A6N achieves an impressive input lag score of 12-14 ms, which is an excellent result. The implementation of Dolby Vision also deserves praise, as it can often be problematic and unplayable with other brands; however, here it operates smoothly and without noticeable delays, which is a significant plus for fans of dynamic games.

In terms of input lag, Samsung maintains a high level – and a very high one at that. The LS03F, like most of this year's models from the brand, achieves a score of 8 ms for 4K content, which is practically a reference value. This result allows for gaming even in the most dynamic titles without delays and with full responsiveness. Well done!

Compatibility with PC

1/10

8.2/10

Chroma 444 (maximum resolution and refresh rate)
No
Yes
Font clarity
Poor
Good
Readability of dark text and shapes
Poor
Average
Input lag in PC mode (4K, maximum refresh rate)
12ms
8ms
Matrix subpixel arrangement
BGR
Max refresh rate
60Hz
144Hz
G-Sync
No
Yes

The Hisense A6N television unfortunately is not suitable for use with a computer. The lack of support for chroma 4:4:4 means that fonts are completely blurry and unreadable, which makes using the television as a monitor very difficult. This definitely rules out this model as an option for those looking for a television to work with a PC.

The collaboration of The Frame 2025 with a computer is not a significant problem. Let's start with gaming, as this is where this model demonstrates its strengths – support for 144 Hz signal, low input lag, and compatibility with G-Sync technology (for NVIDIA cards) make it hard not to regard it as a fully-fledged gaming monitor. It is one of the more interesting "PC gaming" televisions available on the market in this category.

When it comes to everyday work, the situation looks equally good. The Frame handles chroma 4:4:4 without any issues, resulting in good font readability and overall user comfort. We only noticed minor problems with dimming very thin lines and dark details on a light background – this effect may occur especially when working with small interface elements. However, in practice, with a 55-inch diagonal screen and standard office working distance, it will be difficult to realistically notice this problem. Nonetheless, it is worth keeping this in mind if the television is to serve as a monitor not only for entertainment but also for precise work with graphics or text.

Viewing angles

3.4/10

3.5/10

Brightness drop at an angle of 45 degrees
73%
70%

Unfortunately, the viewing angles on the Hisense A6N model are poor, which is typical for VA panels. When viewing from a greater angle, the image quickly loses quality – colours fade, and contrast decreases significantly. The best visual experience is obtained when sitting directly in front of the television, as even a slight shift to the side results in a deterioration of colour reproduction and contrast. This limitation can be significant in larger rooms where viewers are positioned at various angles to the screen.

As could be expected from a VA panel, the viewing angles on The Frame 2025 are at best mediocre. The image loses saturation and contrast when moved off-axis. It's a pity because we are talking about a model that displays digital artworks in standby mode – and it is precisely in such moments that wide viewing angles would make the most sense, enhancing the experience of engaging with a real image rather than just its screen imitation.

Perhaps in the future, manufacturers will decide to introduce special coatings or modified versions of VA panels that improve this aspect – because for lifestyle televisions, it would have real significance not only in terms of functionality but also aesthetics.

TV efficiency during daytime

3.8/10

6.3/10

Matrix coating
Satin
Matte
Reflection suppression
Good
Very Good
Black levels during daytime
Good
Poor

Matrix brightness

Average luminance SDR

Samsung The Frame 2025 (LS03F): 596 cd/m2

Hisense A6N: 226 cd/m2

The satin matrix effectively reduces reflections, but a brightness level of 220 cd/m² is not sufficient for the television to effectively break through strong external light. In bright rooms or in the presence of a lot of daylight, the image may appear indistinct, which limits the comfort of using the television in such conditions.

One of the most characteristic elements of The Frame is its matte display – and it must be said that Samsung has really refined this aspect. From our experience, it is one of the best solutions for suppressing light reflections, especially direct ones. If screen reflections can be irritating, it will be difficult to find a better display in this budget than the matte panel used in Samsung TVs. Of course, this comes with a certain compromise. In very bright sunlight, colours may appear slightly washed out, and the image loses a bit of depth. However, it is something we consciously accept when choosing a matte screen – something for something. In practice, the colours and contrast on Samsung's matte screen are still better than on Chinese designs such as the TCL NXT Vision or Hisense Canvas TV. If effective suppression of reflections and the desire to use the television also as a "digital picture" in bright rooms is a priority, then there is hardly a better choice.

The Frame achieves around 600 nits of brightness, which combined with the matte finish allows the television to perform well in brightly lit daytime conditions. It may not be at the level of flagship models, but in everyday use – in a living room with plenty of light – it handles it without any problems.

Details about the matrix

Backlight Type
White LED
QLED
Software version during testing
T-PTMFDEUC-0090-1110.7, E2500007, BT-S
Image processor

Subpixel Structure:

Panel uniformity and thermal imaging:

Hisense A6N

Samsung The Frame 2025 (LS03F)

TV features

6.9/10

7.2/10

  • HDMI inputs
    0 x HDMI 2.0, 0 x HDMI 2.1
    3 x HDMI 2.0, 1 x HDMI 2.1 40Gbps
  • Outputs
    Toslink (Optical audio), eARC (HDMI), ARC (HDMI)
  • Network Interfaces
    Wi-Fi 2.4GHz, Wi-Fi 5GHz, Ethernet (LAN) 100Mbps
    Wi-Fi 2.4GHz, Wi-Fi 5GHz
  • TV reception
    DVB-T, DVB-T2, DVB-S, DVB-S2, DVB-C
    DVB-T, DVB-T2, DVB-S, DVB-S2, DVB-C

Classic features:

  • Recording to USB (terrestrial TV)
    No
    No
  • Recording programming
    No
    No
  • Picture in Picture (PiP)
    No
    No
  • RF remote control (no need to aim at the screen)
    Yes
    Yes
  • Backlit remote control
    No
    No
  • Teletext
    No
    Yes
  • Audio only mode
    Yes
    Yes
  • Possibility to connect Bluetooth headphones to the TV
    Yes
    Yes
  • Possibility to simultaneously use Bluetooth headphones and the TV speaker
    No
    Yes

Smart features:

  • AirPlay
    Yes
    Yes
  • Screen mirroring (Windows Miracast)
    Yes
    Yes
  • Wyszukiwanie głosowe
    Yes
    Yes
  • Voice search in native language
    Yes
    Yes
  • Ability to connect a keyboard and mouse
    Yes
    Yes

The Hisense A6N television operates on the VIDAA system, which is characterised by its fast and smooth performance, without significant stutters. There are plenty of apps available, but unfortunately, it lacks music services such as Spotify or Tidal. This may be a disappointment for users expecting a wide range of streaming services. However, the television has several features that may compensate for this – it is equipped with mirroring options and AirPlay, allowing for wireless transmission of content from other devices. Additionally, peripheral devices such as keyboards or headphones can be connected via Bluetooth, which increases the device’s functionality. Unfortunately, users of traditional television may be let down by the lack of recording features and PiP (Picture in Picture) options, limiting the possibilities for personalising content viewing.

Classic Television Features

In terms of classic features, The Frame does not stand out particularly from the competition. There are no options for recording to USB or PiP (picture-in-picture) functionality, which may be disappointing for some users. On the other hand, the television allows for simultaneous use of speakers and headphones, which can be useful – especially for older users. The EPG, or electronic programme guide, is quite readable, and despite the lack of conventional buttons on the remote, we were able to access teletext. In everyday use, the basic functions operate smoothly and without significant complaints.

Smart System – Tizen and Applications

The Frame 2025 runs on the Tizen system, which has long been regarded as one of the most refined Smart TV solutions on the market. This system is designed with the idea that devices are more than just a television – and it has been constructed with that spirit in mind. Tizen offers full integration with external devices – supporting both Apple AirPlay and Miracast. With the SmartThings app, it is possible to control not only the television but also other devices within the smart home framework. Since last year, Samsung has also been developing its own voice assistant with support for the Polish language, which significantly facilitates operation. However, the greatest strength of the Smart system in The Frame remains the Art Gallery application. Although access to it is paid (in the form of a subscription), it offers the best scans of works of art available on the market – referring to scans, not ordinary photographs. As a result, the effect of a digital painting hanging on the wall is markedly better than in any other lifestyle television.

Playing files from USB

3.9/10

9.1/10

Supported photo formats:

JPEG
Yes
Yes
HEIC
No
No
PNG
Yes
Yes
GIF
Yes
No
WebP
Yes
No
TIFF
No
No
BMP
Yes
Yes
SVG
No
No

Maximum photo resolution:

4 Mpix
Yes
Yes
6 Mpix
Yes
Yes
8 Mpix
Yes
Yes
10 Mpix
No
Yes
12 Mpix
No
Yes
16 Mpix
Yes
Yes
20 Mpix
No
Yes
24 Mpix
No
Yes
28 Mpix
No
Yes
32 Mpix
Yes
Yes

Unfortunately, a major disappointment is the lack of support for Polish characters. This poses a significant problem when playing materials with subtitles in Polish. This limitation greatly affects the viewing comfort of films from local media.

During testing, we did not notice any major issues with playing files from a USB memory stick. The television handled both video materials and photos well. Of course, there are some exceptions – for example, a lack of support for the HEIC format (used by Apple devices) – but it is difficult to consider this surprising. One positive aspect is the full support for high-resolution photos – the television displays files with a high number of megapixels without any problems, which may be particularly significant for those looking to treat The Frame as a digital frame as well. However, during testing, we noticed a limitation regarding subtitles – the television only correctly handled files in .txt format. It is worth keeping this in mind and ensuring that the downloaded subtitles for films are saved in this format; otherwise, they may simply not display.

Apps

7.7/10

8.7/10

OK
Disney_Plus
OK
Amazon_Prime_Video
OK
Player_TVN
OK
Polsat_Box_Go
OK
Canal_Plus_Online
OK
TVP_VOD
OK
Apple_TV_Plus
OK
SkyShowtime
OK
Rakuten
OK
CDA_Premium_Browser
No
Spotify
No
Tidal
OK
Netflix
OK
YouTube
OK
HBO_MAX
No
Kodi
No
Apple_music
No
Eleven_sports
No
Xbox Game Pass
No
GeForce Now!
No
Amazon Luna
OK
Boosteroid
No
Steam Link
OK
Disney_Plus
OK
Amazon_Prime_Video
OK
Player_TVN
OK
Polsat_Box_Go
OK
Canal_Plus_Online
OK
TVP_VOD
OK
Apple_TV_Plus
OK
SkyShowtime
OK
Rakuten
OK
CDA_Premium_Browser
OK
Spotify
No
Tidal
OK
Netflix
OK
YouTube
OK
HBO_MAX
No
Kodi
OK
Apple_music
No
Eleven_sports
OK
Xbox Game Pass
OK
GeForce Now!
OK
Amazon Luna
OK
Boosteroid
No
Steam Link

Sound

5.5/10

6/10

  • Maximum volume
    -
    -
  • Dolby Digital Plus 7.1
    Yes
    Yes
  • Dolby True HD 7.1
    Yes
    No
  • Dolby Atmos in Dolby Digital Plus (JOC)
    Yes
    Yes
  • Dolby Atmos in Dolby True HD
    Yes
    No
  • DTS:X in DTS-HD MA
    Yes
    No
  • DTS-HD Master Audio
    Yes
    No

The sound in Hisense A6N can be described as rather flat, average - typical for budget televisions. However, when connecting an external audio system, users will not be disappointed, as the television supports most popular audio formats, including DTS and Dolby, which allows for significantly better audio experiences.

For such a slim television, the sound is quite good. It is full, sufficient for everyday viewing, but without much excitement – typical for flat constructions. There is little bass, although at times it can be heard. The speakers in a 2.0.2 arrangement have a total power of 40 W (in the 55+ inch version). Unfortunately, the television does not support the DTS format, so for films with that sound, one has to rely on external equipment, such as a home cinema. A soundbar can be connected, and thanks to the Q-Symphony feature, the television plays along with it. Samsung also offers visually matched models for The Frame like S700D or S800D, but they are sold separately. (This shouldn’t surprise anyone😉).