XIAOMI S Mini 2026 (55"-75") 60Hz vs SONY BRAVIA 3 II (XR35M2)

When it comes to HDR, the Xiaomi S Mini 2026 performs really well, especially given the segment this model sits in. The TV can reach around 1000 nits of brightness without much difficulty, so in bright scenes it can deliver a very pronounced HDR effect. The sun, highlights or very brightly lit parts of the picture can be intensely bright and at times really hit you with their intensity. It’s a bit different in dark scenes, though. Very small light sources surrounded by black are rendered at much lower brightness, so they lack the pinpoint intensity seen on the best TVs. That’s not unusual for a Mini LED. The local dimming algorithm reduces the backlight in those cases to preserve as deep a black as possible, which in such scenes matters more than a few extra nits.

HDR colours

Colour reproduction also fares well. Xiaomi markets the S Mini 2026 as a QLED TV, although the solution used here is in practice based on a PFS phosphor. What matters is the result, and that is pretty good. Measured DCI-P3 gamut coverage was around 94%, while in the much wider BT.2020 colour space it was about 74%. That means the TV can show most of the colours used in HDR movies with suitably high saturation. Its limitations are most noticeable with very intense shades of green, where the colour range begins to run out.

The Bravia 3 II isn't exactly a TV that tries to impress with brightness. In our measurements it reached around 450 nits, so it's well short of the brightest models on the market. That doesn't mean HDR is just a paper feature here. Compared with standard SDR material, the brightest parts of the image can already punch through noticeably, and highlights, light sources and stronger exposures have a bit more energy and stand out better from the rest of the scene. You can see this best in simpler shots where the screen contains lots of bright elements. Then the Bravia 3 II can give a taste of a higher-dynamic-range picture. The problem only starts with more demanding content, where much greater brightness headroom is needed. There the TV quickly shows its limits and instead of bold, spectacular HDR we’re left with a merely competent picture.

Colours

The Bravia 3 II uses a QLED panel, although technically it doesn't employ a traditional quantum-dot layer. Instead Sony has used a PFS phosphor-based solution, which performs a very similar role: it allows for more saturated reds and greens, and thus reproduces a much wider colour gamut. In our measurements coverage of the DCI-P3 gamut was about 94%, and of the very wide BT.2020 around 74.4%. Those are good results for this class of hardware, which means the Bravia 3 II has no problem showing suitably saturated colours in HDR material. Colours don't look washed out, and the more intense hues can look really attractive.

We tested the Xiaomi S Mini 2026 (55–75 inch models) in Film mode, which compared with the other presets offered the most accurate colours. That did not mean the image was correctly set up straight away. In our unit the white balance was noticeably shifted toward warmer tones. There was too little blue and too much red, giving whites and greys a slightly warm cast. The TV also tended to brighten darker parts of the image too much. This was due to the gamma, which instead of staying around 2.4 fell in places to about 2.0. That made shadow detail more visible, but the image lost some depth. So the factory settings weren't bad, but they still needed some adjustment to reproduce the picture accurately.

In Professional mode the Bravia 3 II delivers a fairly good level of colour reproduction straight out of the box. In SDR the most noticeable issue is a slightly low gamma, which makes the midtones a little brighter. The white balance isn't perfect either; as brightness increases a bit of blue and red drops away, so whites can sometimes appear a touch warmer with a faint greenish tint. These aren't mistakes that immediately jump out when watching a film. Average error values hover around 3, so the factory setup can be considered quite good. The situation in HDR is similar. Here too there's a slight lack of blue, so the picture is marginally warmer than the reference, but the difference isn't large enough to be distracting during normal viewing.

Surprisingly, the Xiaomi S Mini 2026 responds quite well to calibration. After our adjustments we were able to noticeably improve the white balance and the picture stopped leaning toward overly warm tones. In SDR material the result is really good, with the TV able to reproduce such content very accurately and hard to fault for colour reproduction. We made similar adjustments in HDR, although not everything could be corrected there. Colours look better than on the factory settings, but the TV still tends to display the picture a little brighter than it should. You can see this from the EOTF curve, which sits above the reference. In practice this means some HDR scenes are brighter than the creators intended. It's a quirk of this TV and we can't do anything about it.

After calibration you can get a lot out of SDR material. The white balance was set almost perfectly, gamma practically matches the reference value, and average colour errors fell from around 3 to about 1. That’s already the level at which differences from the reference image are very hard to spot in practice. The Bravia 3 II therefore shows that despite its place in Sony’s range it has quite a bit of potential for precise picture tuning. Improvement is also visible in HDR, although here you can’t avoid all the limitations of the TV itself. Once the colours are evened out it’s easier to notice that the EOTF curve in film material runs slightly below the reference value in places, meaning the Bravia 3 II gently darkens parts of the image. That isn’t ideal from a reference point of view, but in this particular TV it also has an advantage. With no local dimming and average black levels this behaviour slightly reduces the visibility of the backlight in darker scenes and helps preserve a stronger sense of contrast. You could say Sony is partly masking the limitations of the panel this way, rather than trying at all costs to stick to the reference brightness.

The MT5896 processor handles digital image processing in the Xiaomi S Mini 2026. Unfortunately, in this respect the TV is fairly average. Low-resolution content isn't upscaled very well, and its limitations become obvious on a large screen. The picture looks quite digital, and the TV can't pull out many extra details. You also can't turn off overscan for low-resolution content. The handling of posterisation smoothing is even worse. On the smaller models there's not even a separate setting to reduce the visible banding between similar shades. So if those imperfections are already present in the source material, Xiaomi effectively doesn't mask them.

Bravia 3 II is Sony's first TV to use the new MediaTek Pentonic 800 chip, and you can see a few changes in the image processing. Starting with the basics: the upscaling itself is decent. The TV can sensibly upscale lower-resolution material and doesn't have a strong tendency to over‑emphasise jagged edges or other source imperfections. With regular broadcast TV or lower-quality streaming material the picture therefore remains quite attractive.

We have more reservations about the digital image processing. In this model Sony has replaced the well-known "Smooth Gradation" function with a new setting called "Digital Noise Reduction". Its job is basically the same: to smooth out ugly tonal transitions and artifacts caused by heavy compression. Unfortunately, this function performs noticeably worse than before. At the "Large" setting (the only one that had any visible effect) the TV can smooth away too many image elements at once, which causes film grain to disappear and object textures or even skin to start looking unnatural. Worse still, the effect is not particularly stable. When there's more motion in a scene, the function's effect noticeably weakens and at times it looks as if the TV stops intervening in the image altogether. So for everyday viewing we wouldn't recommend using it at a high level. It can help on static shots, but the trade-off is often too much loss of detail.

The smaller variants of the Xiaomi S Mini 2026 use a 60 Hz panel, and that's their biggest limitation when it comes to motion. For films and TV series this isn't yet a major problem, because the TV has a classic motion interpolator for 24/30 fps material. So you can reduce the characteristic judder and adjust motion to your own preferences. Sports and other 50/60 Hz material fare worse, because there’s no additional feature to improve smoothness. In such content we’re therefore limited by the panel itself.

In terms of motion blur the TV performs fairly typically for a VA panel. The most trailing is visible behind objects moving against a dark background, while in brighter scenes the effect is noticeably smaller. It’s not at a level that completely ruins the perception of motion, but in dynamic scenes you can see that the panel isn’t one of the fastest.

Motion handling is definitely one of the Bravia 3 II's strongest points. The TV uses a 120 Hz VA panel, a solution that by nature, despite the high refresh rate, doesn't always cope well with motion blur. Sony has, however, managed that issue very well here. Fast-moving objects remain sharp, and the characteristic motion trails and blur are reduced to a very low level, if not to zero. It's one of the least motion-blur-prone LCD TVs we've had the chance to test. Interestingly, in this respect the Bravia 3 II can even outperform the much more expensive flagship True RGB series, the Bravia 9 II.

In the larger sizes the Xiaomi S Mini 2026 becomes a far more interesting option for gamers. The panel runs natively at up to 144 Hz, so when you connect a PC you can use the high refresh rate even at 4K. At lower resolutions the TV can go even further, reaching up to 288 Hz. It also offers ALLM, automatic switching to Game Mode, and a Game Bar that keeps the most important settings within easy reach. Of course, the TV has two full-bandwidth HDMI 2.1 ports. So in terms of smoothness the difference compared with the 55–75 inch versions is substantial and particularly easy to notice when using a PC or console. However, not everything works perfectly. As with the smaller variants, we have reservations about the HGiG implementation. The HDR setup screens on the PS5 and Xbox don't precisely reflect the TV's actual capabilities, so if you set the console according to those prompts the brightest parts of the image can be blown out and lose some detail.

The Sony Bravia 3 II is a very good TV for gamers, although not everything has been solved the way we’d like. The biggest change concerns the connectors. For the first time in a Sony TV we get four full HDMI 2.1 ports with 48 Gb/s bandwidth, thanks to the new MediaTek Pentonic 800 chipset. That removes one of the problems that has hung over this manufacturer’s TVs for years. You can connect several devices at once and on each input use the device’s full capabilities, including VRR and ALLM. There’s also a simple Game Bar that lets you check the key signal parameters and change a few useful settings, such as black level, when you want to improve visibility in darker parts of a game.

There are, however, two limitations worth knowing. The first is the lack of support for 1440p at 120 Hz. That won’t be an issue for everyone, but people using that resolution on a console or PC—for example to get higher frame rates in certain games—will have to choose 1080p. We have more reservations about HGiG support. Sony doesn’t let you disable tone mapping on the Bravia 3 II, so the TV keeps processing HDR even when you’d prefer to leave that task to the console. It’s easiest to spot during HDR setup—the checkerboard test pattern doesn’t disappear at the point where it should based on the TV’s actual capabilities. That doesn’t mean HDR in games will look bad. You just need to set up a little differently and, rather than relying on the pattern, manually set the peak brightness to about 450 nits. So the issue can be worked around, but you should know about it before you start configuring your console.