XIAOMI A PRO 2025 vs Haier K85F

In the HDR category, the television Xiaomi A Pro performs, to be blunt – poorly. In ideal conditions, it offers brightness at around 250 nits. This is a weak result; however, in this price range, many competing models offer similar or lower values. Such brightness is too low to fully capture the potential of HDR content. In practice, this means that the image lacks the proper depth and intensity expected from high-quality HDR. These values are more characteristic of Standard Dynamic Range (SDR), which means the true HDR effect remains out of reach for this model, and scenes that should stand out with spectacular brightness and contrast seem flat and lacking in vibrancy. However, for its price, the television offers good coverage of the DCI-P3 colour palette at 92%, thanks to quantum dot technology (specifically PFS LED). This results in vibrant and saturated colours, which will appeal particularly to gamers and movie enthusiasts who appreciate richer hues and better colour reproduction compared to traditional televisions without this technology.

Let’s now move on to one of the hottest topics in the world of televisions, which is the quality of HDR performance. In the case of the Haier K85F model, we unfortunately have to make it clear: if you’re looking for equipment to watch content in a wide dynamic range, you should steer clear of this model. The main issue is its very low peak brightness, which during our tests barely reached 250 nits. To give you a better idea of what that means – this level is fine for watching standard SDR content, but it’s absolutely insufficient to show any real benefits of HDR. The image simply doesn’t have the "power" to generate bright, striking highlights. All of our measurements and tests on specialised test patterns confirmed this. As if that wasn’t enough, the television also struggles with colour reproduction. In this budget build, there are no technologies that broaden the colour gamut, such as quantum dot layers (marketed as "QLED"). As a result, the coverage of the DCI-P3 colour space, which is crucial for HDR content, is only around 80%. In practice, this means that the image will not only be dark but also devoid of the vibrant, saturated colours that the director wanted to show us.

The Xiaomi A Pro 2025 TV has been tested in movie mode, which offers the best colour reproduction straight out of the box. However, it’s worth noting that it is not without flaws. Analysing the white balance, one can see that the green values are in the negative. This phenomenon leads to some distortions in the shades of white, and at full white, the graph shows clear deviations. The high-contrast image results in inadequate tonal transitions in red, which negatively affects the quality of colour display. Generally, in the image below, it can be seen that the entire scenery before calibration takes on pink hues. Additionally, when analysing the gamma contrast, the graph is significantly below the value of 2.4, suggesting that the TV overly emphasises dark tones, while the brighter areas of the image may appear less pronounced. Furthermore, the EOTF curve shows a strong spike at the start, which can lead to a loss of detail in bright scenes and an unpleasant feeling of over-exaggeration. These aspects indicate the need for further calibration to achieve a more balanced colour reproduction and improve overall picture quality. Users who expect precise colour reproduction may need to take action to adjust the TV settings to achieve more realistic and natural visual results. In xiaomi tv a pro 2025, the factory colour settings in Xiaomi are average and may require calibration. After appropriate colour adjustment, the image gains a natural and vibrant colour palette, significantly closer to cinematic standards. It’s worth adding that the issue of inaccurate colour reproduction is typical for many TVs of this class, meaning it’s not a fault unique to the Xiaomi A Pro 2025 TV. For those who value perfect colour reproduction, professional calibration will be a key element that enhances overall picture quality.

Alright, how does the television handle colours straight out of the box, without any intervention from our side? The Haier K85F offers a whole range of picture modes, such as Dynamic or Eco, but for anyone wanting to watch films according to the creators' intentions, there's essentially only one that matters: Film mode. This is where we focused our tests, and unfortunately, its name has little to do with reality. The picture on factory settings is very far from what we could call cinematic fidelity and requires many adjustments. Let's start with the white balance, which has a clear deficiency of red colour. In practice, this means the entire image has a cool, bluish tint. Even worse is the issue of brightness management, that is, the gamma curves (for SDR) and EOTF (for HDR). Their graph resembles a true rollercoaster, which terribly impacts the viewing experience. This results in unnatural dimming of SDR content, causing details in the shadows to be lost, and in the case of HDR – an excessive brightening that further exacerbates the problem of clipping. Such a combination, which consists of too cool white combined with chaotic brightness and too much blue colour saturation, leads to enormous errors in colour reproduction. Our measurements on a specialist ColourChecker chart showed errors (Delta E) regularly reaching and exceeding values of 8-9. To put it simply: errors above the threshold of 3 are easily noticeable to the naked eye, so such a result means that the colours on the screen are simply heavily distorted.

Now it’s time to check how the Xiaomi A Pro 2025 TV performed after calibration. The biggest beneficiary of this process is white balance. After calibration, all previous errors were corrected in both HD and 4K content, and most errors no longer fell significantly outside the value of "2". This means a much more balanced and natural colour reproduction, which certainly affects the viewing comfort. In terms of gamma, the drop has been greatly mitigated, resulting in a more consistent tone reproduction across various scenes. However, the EOTF curve has not improved significantly due to a lack of effective control over dynamic tone mapping. This limitation means that there are still some issues with detail reproduction in bright scenes, which can affect the perception of certain materials. Nevertheless, despite these minor shortcomings, the overall shape of the picture is definitely better after calibration. The TV has gained quality, and the improved white balance along with reduced gamma issues means that users can enjoy a more realistic and pleasant visual experience. Further adjustments to the settings could improve the picture quality even more, but already the TV is demonstrating its capabilities, meeting the expectations of many users.

No good, but can anything be done about this picture? Is professional calibration able to save the situation? The answer is both yes and no. It needs to be said clearly that there are certain things we cannot overcome. The limitations of the construction itself, namely a poor panel and its narrow colour coverage, mean that you can forget about a sensible HDR effect – we won't be pulling the wool over your eyes on that. The biggest beneficiary of our adjustments is undoubtedly the SDR mode, and it is for watching such content, after calibration, that this television starts to make sense. We managed to tame the white balance in our own way. Although the television only offers basic, 2-point adjustment (rather than precise, 20-point), it's not perfect, but we successfully eliminated that unpleasant, cold "chill" in the picture. Above all, though, we noted a huge improvement in brightness management. The gamma curve, which previously resembled a rollercoaster, looks like an almost perfectly straight line after calibration. This is a sign that the television can finally display an image without artificially dimming or brightening it. The conclusion is simple: even with such a cheap television, professional setting correction can achieve a great deal and extract the maximum potential from it.

How does the Xiaomi A Pro 2025 handle tonal transitions, especially with lower quality materials? Thanks to advanced digital processing, the colour contour removal feature works surprisingly well. We recommend setting this option to "Medium" – this way, the television significantly improves the smoothness of tonal transitions while avoiding excessive smoothing of other image elements, such as film grain.

In the case of the test shot with the model and numerous branches in the background, the Xiaomi A Pro 2025 showcased its capabilities in the context of digital processing. Adding artificial sharpness to this scene made the details of the model clearer, and her hair appeared more detailed. However, delicate contours appeared around the branches in the background, which were a result of digital intervention. While this enhances the overall impression of details, excessive sharpness can make some elements of the image seem unnaturally emphasised.

Let’s move on to digital processing and image scaling, specifically how the Haier K85F handles lower resolution signals, such as from regular television. Right off the bat, we encounter an incredibly annoying and completely incomprehensible issue – the overscan is enabled by default. This means the television artificially enlarges the image, cutting off its edges on every source, even 1080p. To see the full frame, you have to dig into the screen settings each time and manually switch the format to "stretch to 16:9." It's a minor detail, but devilishly frustrating. The scaling of content to 4K resolution can be described in one word: acceptable. And that's about it. The image processor doesn't strip detail from the image, nor does it generate jagged edges or other artifacts. It simply does its job, without any bells and whistles. It’s alright, but nothing more. The most significant and noticeable shortcoming in the digital processing section is, however, the absence of a tone transition smoothing feature. This is an algorithm that could significantly reduce the annoying banding effect we mentioned earlier. Unfortunately, the manufacturer did not foresee such a solution, condemning us to watch the imperfections of the panel and low-quality material in all their glory.

Xiaomi A Pro 2025 offers a motion smoothing feature called "Motion Smoothing," which primarily works for films. It can be customised to favour either a more cinematic, film-like effect with visible frames or a smoother, theatrical image. This feature should satisfy those who intend to watch mainly films on it. However, gamers and sports fans may feel disappointed. The panel with a refresh rate of 60 Hz, typical for this price range, does not impress. Our "Ufo" test revealed some blurring. Those expecting better clarity for moving objects may be slightly let down.

The panel in the K85F model operates at a native refresh rate of 60 Hz, which sets certain expectations for image smoothness right from the start. However, we must admit that we were very positively surprised when we found two separate motion control sliders in the settings menu: one labelled "Motion Blur Reduction" and the other "De-Judder." Such generosity in this price segment is an absolute rarity, as manufacturers usually offer at most one shared option. Unfortunately, our enthusiasm faded as quickly as it appeared. It soon became clear why Haier was so "generous" – the slider responsible for reducing motion blur is simply a decoy. Sliding it makes absolutely no visible difference on the screen, so only one of the two options works.

Xiaomi A Pro 2025 offers several features useful for gamers, including Game Bar, which differs from the typical “dashboards” with interfaces found in other manufacturers. With this, users can quickly access game-related settings, which is convenient during intense gaming sessions. The TV also supports automatic low-latency mode (ALLM), meaning it automatically switches to a mode optimised for gaming, reducing signal delay. Unfortunately, it lacks support for HDMI 2.1, limiting the connection capabilities for the latest gaming consoles that may require higher bandwidth. Additionally, the TV does not support features such as VRR (variable refresh rate) or G-Sync, which are increasingly desired by gamers as they allow for smoother images and eliminate tearing. For these reasons, although Xiaomi A Pro 2025 has some features for gamers, in this price range, better options can be found that offer more advanced gaming solutions.

Let’s move on to the features for gamers, although we must point out straight away that this is more of a proposal for the "occasional" ones. The manufacturer does boast in the specifications about having HDMI 2.1 ports, which looks impressive on paper, but in reality, it’s largely a marketing ploy. What good is a modern port when the heart of the television is a panel with a refresh rate of 60 Hz? It physically cannot display a signal at 120 frames per second, even at lower resolutions, which takes away HDMI 2.1’s key advantage. What a shame. (That’s why in our tests we note this as HDMI 2.0 ports). Another odd issue is the TV's response to an attempt to calibrate HDR from the console. Changes to brightness settings result in very unnatural image behaviour, which could suggest incorrect implementation of the HGiG standard. To be honest, one shouldn’t worry too much about this, as we have repeatedly mentioned, we simply do not recommend using any HDR content on this screen. However, to counterbalance the negatives, the Haier K85F does have two big and unexpected advantages. The first is the presence of ALLM, or automatic game mode, which switches the TV to low latency mode as soon as it detects a connected console. The second, even bigger surprise, is support for VRR, or variable refresh rate. While it operates within a very modest range of 48-60 Hz, its mere presence is commendable. Thanks to this, the image in games can “tear” less, which realistically improves the gaming experience.