Compare: TCL MQLED85 / C765 vs TCL A300W NXTVision

TCL MQLED85, or model C765, is a television that can truly surprise, especially in this price range. It is one of the cheapest models featuring mini-LED technology, which is immediately evident in the picture quality. The blacks are deep, and the brightness is sufficient even in a brightly lit room. Thanks to the large number of dimming zones, watching movies in the evening is a pleasure – the blacks are really deep, and the picture in dark scenes looks clear. However, it's not perfect – in some scenes, you may notice minor issues with small bright elements, but this is really a minor detail compared to what this model offers. Google TV performs excellently here – there are plenty of apps, and using the system is simply convenient. Voice control in Polish works flawlessly, which can be particularly useful if you don't want to type movie titles using the remote. Of course, there are minor shortcomings, such as the lack of recording capabilities, but these are not things that interfere with daily use. For gamers, it is also a fantastic option. Support for HDMI 2.1, VRR and low input lag means the television handles consoles well and competes effortlessly with more expensive models from Korean or Japanese manufacturers. At this price, it's hard to find something better when it comes to smooth and responsive gameplay. During testing, we encountered a few minor software issues, but it's hard to say whether that's a serious downside. We hope that TCL will release updates, so there’s a chance this issue will be resolved quickly. TCL MQLED85/C765 is an excellent choice if we are looking for a television with good picture quality and modern features at a reasonable price. It is a model that combines affordable mini-LED technology with a convenient Google TV system, and it’s also great for gaming. Minor software shortcomings are something you can live with, especially considering what this television offers in its class.

At first glance, it’s clear that the TCL A300 NXTVision aims to be more than just an ordinary television. It offers a picture display mode that – unlike competitors from Korea, Samsung The Frame – is completely free. Additionally, just like its rivals, extras are included at no charge. In the packaging, alongside the television, we find extra frames that mimic light wood and a flat wall mount, allowing the television to truly resemble a gallery piece. When it comes to everyday use, the standout feature is the Google TV system – comprehensive, fast and offering access to a massive number of apps. And if we feel like stepping out of the digital museum and jumping straight into the gaming world, the A300 can surprise us. With two HDMI 2.1 ports, 144 Hz, VRR, ALLM, and a very low input lag, even demanding gamers can feel at home here. Well... perhaps except for those sensitive to motion blur – as this remains one of the bigger issues with this model. There are also downsides. While the picture mode is free – which is commendable – the actual quality of the available graphics falls noticeably short compared to what Samsung offers in its paid ART Store. The displayed images resemble photos rather than realistic reproductions of artworks. Unfortunately, the A300 – much like the competing Hisense S7NQ – performs poorly here and additionally has some software issues. The brightness of the television itself also leaves much to be desired – it’s the dimmest of the “framed trio,” which translates to average daytime viewing and limited HDR effect. Nevertheless, the TCL A300 NXTVision is a reasonably sensible alternative to Samsung The Frame or S7NQ – especially if we are looking for a cheaper solution without additional charges for access to the “gallery” mode and with an operating system that doesn’t limit us in any way regarding the number of apps. However, it’s important to remember that this is a proposal with a lot of compromises. If we want to save a bit and don’t expect top-notch picture quality, the A300 can hit the visual bullseye. Otherwise, it’s worth looking at its competition.

TCL MQLED85/C765 stands out due to its use of a VA panel and Mini LED backlighting, which makes a huge difference compared to traditional backlighting systems. Mini LED, with its significantly smaller diodes, allows for more precise control of the screen's backlighting, resulting in much better contrast and deeper blacks. The model with a 55-inch diagonal that we are testing has an impressive number of over 700 local dimming zones, providing exceptional precision in image display. It's worth noting, however, that the number of backlighting zones may vary depending on the screen size – for larger diagonals, the number of zones naturally increases due to the larger screen area, allowing larger sizes to achieve better results in terms of contrast and black levels. Thanks to the enormous number of zones, the TCL MQLED85/C765 achieved results comparable to OLED screens on our first test pattern from the movie "Oblivion," offering nearly reference-level contrast. But what happens when we test this model in even more demanding conditions? How will the TV perform in tougher scenarios? Overall, the TCL MQLED85/C765 performs very well with black levels, but in some cases, the local dimming algorithm is not perfect. On dark backgrounds, smaller bright elements can lose clarity and brightness, as confirmed by our latest pattern from the Pioneer Kuro test disc. Despite some imperfections in the local dimming algorithm, and thus a slight occurrence of the HALO effect (which is a bright halo around bright objects on a dark background caused by deficiencies in the screen's local dimming), the results achieved by the TCL MQLED85/C765 are impressive, especially considering its price. This TV offers contrast and black depth that can compete with models that are even twice as expensive.

TCL A300, also known as NXTVision, uses a VA panel, so from the outset, decent contrast could be expected. On our test screens, the television indeed showed typical results for this type of panel – in the best case, the contrast reached around 5000:1, which is not a bad result for this segment.

However, it should be noted that the model is not equipped with any local dimming technology, which unfortunately is evident in practice. Black, although at times quite deep, often turns into navy blue or grey – especially in darker scenes. In short: for a television without local dimming, it’s not bad, but it shouldn't be compared to models that already have such a feature on board.

The television TCL MQLED85/C765 performs well in handling HDR. In the tested movie scenes, where the screen is at 100% brightness, the model achieves impressive results around 1000 nits, providing intense and realistic rendering of HDR content. However, similar to contrast, the dimming algorithm may show some limitations. Despite a large number of Mini LED zones, the television does not always manage to "wow" the user with brightness in very challenging test scenes. For instance, in the scene from the film "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible against a dark background, the television did not reach maximum intensity. For users expecting a perfect HDR effect in such extreme cases, the TCL MQLED may come up a bit short. However, in terms of colours, the television stands out with a very high coverage of the DCI P3 colour gamut at 95%, which is an impressive result comparable to much more expensive models. TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is crucial for cinema image fans. Although this model achieves brightness over 1000 nits, the TCL MQLED85 may struggle to reflect details in very high-contrast scenes. For better HDR quality control, the C765 is equipped with dynamic tone mapping, making the image more realistic and natural depending on the content.

When it comes to brightness, the TCL A300W is definitely the dimmest TV among all frame-style models, such as Samsung The Frame or Hisense CanvasTV – and unfortunately, you can see that right away. In our measurements, peak luminance reached only around 400 nits, and on test movie screens, this value dropped to 350 nits. That’s definitely too little to feel the real "magic" of bright HDR effects. As a consolation – the TV is equipped with a PFS LED coating (which is something like QLED), which provides very good coverage of a wide colour gamut, both DCI-P3 and BT.2020. In addition, there is full support for all popular HDR formats – HDR10, HDR10+, HLG, and Dolby Vision – which somewhat compensates for the shortcomings in brightness and helps improve the overall experience of materials in this quality.

The television TCL MQLED85/C765 was tested in movie mode, which, while seeming to be the best setting from the manufacturer, is not without its flaws. The colour reproduction in HD/SDR mode MQLED85 shows certain shortcomings. In the analysis of white balance, there is a significant lack of blue colour, which can affect the overall image quality, particularly in bright scenes where blue shades are crucial for natural representation. The overall image may then appear too warm. As for gamma contrast, the graph shows that there is a large jump above the reference line of level 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to loss of detail in blacks. Then for most of the time, the values are below this line, which can lead to loss of detail in the brighter parts of the image. Such a distribution may negatively impact the perceived image quality, especially when watching regular TV in HD quality.

In the case of the 4K HDR image quality of the TCL MQLED85/C765 television, there is a noticeable excess of red colour in the analysis of white balance. This excess can significantly impact the viewer's experience, leading to several notable effects. First and foremost, an excessive amount of red can make other colours, such as green or blue, appear muted or unnatural. This distortion of colour balance can result in an overall impression of "oversaturation," which detracts from the image's naturalness and authenticity. In terms of contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in the bright areas of the image. However, the exception is the start of the graph, where the EOTF line is below the reference, which may lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in the context of image settings, so it is worth considering adjusting the settings to achieve better results.

TCL A300 offers several picture modes, but without a doubt, the movie mode performs the best. Unfortunately, even though it is the best option available, it is not free from errors. Both in HD and HDR content, the image has a noticeably too warm hue – it has a slight pink tint, which is particularly noticeable in snowy scenes. Instead of pure white, we get a pinkish coating that spoils the natural perception of colours.

The management of brightness is also lacking. In the case of older HD materials, the image often seems too dark – confirmed by an elevated gamma value. Conversely, with HDR content, the effect is the opposite – the image is overly bright, as we observed in scenes from the film Pan. Such a lack of consistency also affects colour accuracy – a test with a ColorChecker showed that many samples clearly deviate from reference values.

Fortunately, TCL allows for manual adjustment of settings, so we decided to check how the television would perform after our professional calibration. The effects of this adjustment are described below.

After professional calibration of the television TCL MQLED85/C765, its colour properties in film mode have significantly improved, resulting in much more satisfying visual experiences. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears to be much better harmonised. Users can now enjoy natural colour reproduction, which is crucial for achieving an authentic experience while watching films. It is worth noting that in HDR content, there may be minor colour reproduction errors at the end of the graph, but these are significantly smaller than before calibration. As a result, characters and landscapes become more realistic, enhancing the depth of immersion in the story.

Regarding contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, which means better visibility of details in dark scenes. However, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also shows fewer errors, although some issues with reproducing mid-tones may still be noticeable. The EOTF curve measured on real film scenes still shows a significant brightness boost, so the image may appear more intense but artificially brightened. This is a typical problem for TCL brand televisions, which may appeal to untrained viewers but can frustrate those more familiar with an ideal image.

What benefits does professional calibration bring to film enthusiasts? Thanks to it, viewing becomes even more realistic and immersive, allowing every scene to be experienced fully, preserving details and natural colours.

After our professional calibration, the TCL A300 has literally been given a new lease on life. The image has stopped being too warm, and the colours finally look as they should – as confirmed by the ColorChecker test, where the colour samples finally started hitting their marks, at least to some reasonable degree. It was also possible to partially correct the brightness management – the image is now more balanced and less "wobbly" between different types of content. Of course, certain limitations can't be bypassed – a slightly visible blooming effect still occurs, but that's a characteristic of the technology, not something that can be eliminated even after professional settings.

Generally: after calibration, the A300 looks significantly better and gains a whole new quality.

The fluidity of tonal transitions in the TCL MQLED85/C765 television is decent, although noticeable issues arise in both bright and dark test scenes. Particularly evident are the colour joins in the scene from the film "The Green Knight", where the red colour of the water transitions to black. Despite these imperfections, the overall gradient quality is acceptable and does not overly detract from the visual experience. The television handles most scenes well, offering satisfactory tonal transitions, contributing to an overall satisfying visual experience that won't spoil our cinematic enjoyment.

TCL A300 NXTVision is another frame-style television that really manages well with the smoothness of tonal transitions. It's hard to find distinct bands or sharp transitions between shades of one colour – it all looks natural and smooth.

However, it's fair to say that among the three tested models (The Frame and S7NQ), TCL performs the weakest in this category. In darker and lighter scenes, you can notice slight imperfections. Nevertheless, looking at it as a whole, for a television in this range – it really presents itself solidly. It might not be the best of the bunch, but it holds a very good standard.

We will now take another look at the tonal transitions on the TCL MQLED85/C765 TV, but in the context of lower image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low", the effects are practically invisible, disappointing users who expect an improvement in image quality. On the other hand, the "high" setting yields minimal results, and worse still, it can blur important details, negatively impacting the sharpness and clarity of the displayed image. However, in the context of image scaling, the TV successfully displayed the image without overscan, meaning we do not lose any part of the view. The image looks quite decent, and details such as tree branches or the outlines of models do not show significant jaggedness, which positively affects the visual quality.

TCL A300 handles tonal transitions in high-quality films very well, but the question arises – how does it perform with weaker materials? The TV is equipped with a tonal smoothing feature; however, its effectiveness can be described in one word: “random”. In one scene, it may work and improve the gradation, but when turned off… the effect remains the same. There is a lack of consistency and predictability here.

Image scaling is also not one of A300's strong points. On the test pattern, the main character actually looked better than on the raw signal, but with thin lines – like fonts or background details – there was noticeable jaggedness and aliasing. On the plus side, the TV does not cut off the image and has no issues with overscan, but the overall quality of scaling is rather average.

TCL MQLED85/C765 is equipped with a standard refresh rate panel of 120 Hz, with the possibility of increasing it to 144 Hz when connected to a powerful computer. The television also offers a multi-level motion smoother, which is mainly aimed at users wanting to improve the fluidity of motion in films. It allows for adjusting the intensity of the effect on a scale from 0 to 10, enabling precise tailoring of the image smoothness to individual preferences. The response time of the panel is decent, but not perfect. We can observe motion blur occurring behind both dark and medium objects.

TCL A300 is equipped with a 144 Hz panel, which should instantly satisfy virtually everyone - both gamers and sports fans. Motion is fluid and the image is clear even during fast scenes. Additionally, the television offers a motion enhancement feature called "Motion," where we find two sliders on a 10-point scale. These allow you to adjust the effect to your own preferences - from a classic, filmic look with visible frames to a very smooth (though already unnatural) image reminiscent of a soap opera effect. This way, everyone can find a setting that suits them.

TCL MQLED85/C765 has achieved an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), allowing the TV to automatically switch to low latency mode, minimising response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) supported from 48 to 144 Hz eliminates stuttering and screen tearing in dynamic game scenes. Additionally, the TV supports the Dolby Vision Game Mode, which provides better image quality in games with exceptional depth of colour and contrast. TCL MQLED85/C765 also features a decent but not the best implementation of HGiG (HDR Gaming Interest Group), optimising the display of HDR games, however, in the case of TCL, it causes bright details to wash out, resulting in some elements merging into a white blob - more on this can be read in the colour reproduction section. It supports various resolutions such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing gamers to enjoy higher image quality and better fluidity. The Game Bar feature allows for easy switching between game settings and quick control of parameters, which significantly simplifies adjusting the TV to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the refresh rate synchronisation capabilities, eliminating tearing and stuttering issues, ensuring smoother and more immersive gameplay.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it the ideal choice for those looking to maximise their gaming experiences.

The TCL A300 is a television designed not only to transport us to a digital art museum but also into the full-fledged world of gaming. It offers practically everything you can expect from gaming hardware: two full-bandwidth HDMI 2.1 ports, 144 Hz refresh rate, support for VRR and ALLM.

It also deserves credit for the proper implementation of the HGIG mode – something that competing Hisense sometimes struggles with. The television handles lower resolutions (e.g., Full HD) with ease while maintaining high refresh rates, which will be appreciated by owners of older consoles or PCs.

Additionally, there's an attractive and clear GameBar that facilitates quick access to settings for gamers. The A300 is indeed well-prepared for gaming at the highest level – it’s just a shame that issues with ghosting somewhat detract from its overall appeal as a gaming device.

Latency in the TCL MQLED85 television reaches impressively low levels under any conditions. Even the most demanding gamers will surely appreciate the minimal input lag of just 8 ms at 4K 120 Hz settings with HDR. Moreover, the latency remains at the same level even when Dolby Vision HDR is enabled, which is not the case with many competing models.

In terms of input lag, the TCL A300 performs really well. Values below 10 ms at a refresh rate of 120 Hz are something many gamers dream of – such low lag is practically unnoticeable, both during everyday gaming and in more demanding esports titles. One could nitpick about the result of 23 ms in Dolby Vision mode at 60 frames, but it's still low enough that serious objections are hard to come by. In this category, the A300 truly excels.

TCL MQLED85 works well as a computer monitor. Thanks to its support for chroma 4:4:4, the text on the screen is sharp and readable, which is essential for people working with text documents or spreadsheets. One of the biggest advantages of this model is its exceptionally low input lag in "PC" mode, which is just 8 ms. This is a reference-level result that ensures smoothness and responsiveness, crucial for both gamers and those involved in video editing. However, it's worth noting that there is a slight issue related to font display on dark backgrounds. Upon zooming in on the tested font picture, it can be seen that horizontal lines are darker compared to vertical ones. This means that the sub-pixels in the TV may not fully illuminate in such cases, which can affect the quality of displayed text. Nonetheless, the overall performance of TCL MQLED85 as a computer monitor is very good and will certainly meet the expectations of many users.

If we plan to use the TCL A300 as a computer monitor, we may be pleasantly surprised. The television performs really well in this role. It is equipped with a 144 Hz panel, supports G-Sync, and, as we mentioned, offers very low input lag, so gaming on it with a connected PC is pure enjoyment.

Working with text is also possible, although with some limitations. The TCL A300 has slight issues displaying dark fonts and thin lines – this is due to the construction of the subpixels, which in everyday use can be a bit annoying, even though it looks better in photos than in reality.

The television supports chroma 4:4:4, but only up to 120 Hz. Therefore, we noted that this feature is available, but with a limitation – if we care about perfectly readable fonts, it's worth sticking with the refresh rate of 120 Hz. At 144 Hz, the clarity of the text may suffer somewhat.

The viewing angles on the TCL MQLED85 television are not its strong suit. The use of a VA panel causes the image to lose a significant amount of brightness when viewed at an angle. Changing the viewer's position, especially in a larger group setting, can make colours appear less saturated, and contrast may be less distinct. For this reason, it's recommended to sit directly in front of the screen to fully enjoy the picture quality. Although the television offers excellent colour reproduction from a direct view, the loss of brightness and detail at an angle can be problematic for those who plan to use the television in a larger room or from various locations.

The viewing angles on the TCL A300 NXTVision are, let’s be honest, average. The TV is equipped with a VA panel, which inherently has quite limited angles, and unfortunately, this is evident here. The video below speaks for itself – even a slight deviation from the centre results in a noticeable drop in contrast and colour saturation. It’s a shame that this is yet another frame-style TV that has done absolutely nothing about it. After all, we don't always have the option to sit perfectly straight on – especially if the device is also meant to serve a decorative function in the living room.

MQLED85 performs reasonably well in daylight conditions, and it's worth noting the satin finish of the panel. While it doesn't excel at reducing reflections, it offers decent performance in various lighting conditions. An average brightness level above 600 nits is an impressive result, allowing for comfortable viewing even in well-lit rooms. As a result, the television performs well both during the day and during evening movie screenings, providing satisfactory picture quality.

The TCL A300 NXTVision is equipped with a matte panel very similar to the one found in one of its Chinese competitors – the Hisense S7NQ. This type of surface does quite well in reducing reflections, although it must be admitted that it performs worse than Samsung's The Frame, which offers a significantly higher level in this regard. As is usually the case with matte displays, blacks during the day lose depth and appear more grey than black – and this is no different here. Unfortunately, the fact that the A300 is the darkest TV of the three tested doesn’t help either. This gives it a real problem in breaking through in heavily sunlit rooms.

TCL MQLED85 TV offers many features that enhance user comfort, with the central point of its functionality being the Google TV system. This modern interface allows for easy content browsing, as well as access to apps available in the Google Play store. Users can take advantage of voice search in Polish, which greatly simplifies navigation and allows for quick finding of interesting shows, movies, or apps. It's also worth noting that Google TV is currently the only system on the market that does not restrict Polish users' access to apps, offering the greatest availability among all available platforms. However, in the context of traditional TV watching, this television has its limitations. It does not offer a recording function, which may be a significant downside for those who would like to save their favorite programs. Additionally, the lack of Picture-in-Picture (PIP) option limits the ability to simultaneously track multiple video sources. On the other hand, the TV features a "MultiVision" function, which allows for screen splitting between the TV and a mobile device. This way, users can use apps on their phone while still watching a TV program. This solution will certainly appeal to those who enjoy multitasking and want to watch TV while also engaging with social media or browsing the internet on their smartphone. Despite some limitations, the TCL MQLED85 TV presents itself as a solid option for users who value modernity and functionality.

TCL A300 is a television styled as a painting, which in everyday use can successfully pretend to be a work of art hanging on the wall. It is equipped with a special image display mode, additional frames in a light wood tone, and a flat wall mount that allows you to hang the television like a real painting – without any gap from the wall.

A significant advantage of the image mode is that it is completely free. We have access to several dozen works from which we can choose one to be displayed while in standby – instead of a black screen, the image we selected remains on the wall. The quality of graphic reproduction is okay, but it must be admitted that it clearly falls short of that from Samsung's ART Store. Although access to images there is paid, the quality of the scans is significantly better – you can see the texture of the paint, canvas, and details. In the TCL A300, it resembles high-quality photos rather than realistic reproductions of artworks. Additionally, the implementation of the image mode in the system leaves a lot to be desired. For example – if we set the brightness to 10% in image mode, that same value automatically transfers to the regular viewing mode, where we could easily set the brightness to 50% or even 100%. It also works the other way around – when we set the brightness to 100% in regular mode, after switching to gallery mode, the images are displayed with the same maximum brightness, shining too intensely and losing the whole effect of a “picture on the wall.” These are minor but irritating errors that can spoil the experience of what was supposed to be visually subtle and elegant.

Moving on to more classic functions – the A300 runs on the Google TV system, which currently offers by far the largest selection of applications (full list available below). The responsive voice assistant with support for the Polish language also deserves a big plus. As standard – as with most TCL televisions – the USB recording function or picture-in-picture (PiP) mode was missing.

Thanks to the built-in player, the television is able to play most file formats found on external storage, making it a versatile tool for consuming multimedia. However, there may be some limitations in supporting certain formats, which can be bothersome for more demanding users. Fortunately, the Google TV system allows for the installation of other media players from Google Play, which helps eliminate compatibility issues. This gives users the ability to choose applications that best meet their needs, significantly increasing the functionality of the television.

The built-in player on the TCL A300 works as it should – most popular video and photo files play without any problems. It lacks support for Apple's HEIC format (which is quite common in many TVs), but most users still use AirPlay, so it shouldn't be a major issue. If someone isn't satisfied with the default player, the Google TV system offers plenty of options – you can easily install an alternative app that better suits your tastes. Nevertheless, it's worth noting that the factory solution is completely sufficient for everyday use.

The sound of the television TCL MQLED85 can be described as decent, making it sufficient for everyday watching of movies, TV shows, and gaming. The speakers branded with Onkyo offer surprisingly good audio quality, and the sound does not crackle or distort even at higher volume levels.

When it comes to sound, the TCL A300W – like its competitors – sounds quite... flat, after all, we are talking about a super slim television. For everyday watching of news or series, this level is more than sufficient, but during movie screenings, we might noticeably miss depth and space. On a positive note, it’s worth mentioning that the television supports both Dolby Atmos and the increasingly rare DTS:X – which provides more options when connecting an external audio system. It’s also worth noting that the A300 PRO model is equipped with a dedicated, flat soundbar. And it’s no ordinary soundbar – it sounds better than most of the televisions we’ve tested.

TCL MQLED85 / C765 vs TCL A300W NXTVision

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound