TCL MQLED85 / C765 vs Philips PML9009 / 9019 / 9059

The television TCL MQLED85/C765 performs well in handling HDR. In the tested movie scenes, where the screen is at 100% brightness, the model achieves impressive results around 1000 nits, providing intense and realistic rendering of HDR content. However, similar to contrast, the dimming algorithm may show some limitations. Despite a large number of Mini LED zones, the television does not always manage to "wow" the user with brightness in very challenging test scenes. For instance, in the scene from the film "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible against a dark background, the television did not reach maximum intensity. For users expecting a perfect HDR effect in such extreme cases, the TCL MQLED may come up a bit short. However, in terms of colours, the television stands out with a very high coverage of the DCI P3 colour gamut at 95%, which is an impressive result comparable to much more expensive models. TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is crucial for cinema image fans. Although this model achieves brightness over 1000 nits, the TCL MQLED85 may struggle to reflect details in very high-contrast scenes. For better HDR quality control, the C765 is equipped with dynamic tone mapping, making the image more realistic and natural depending on the content.

Philips PML9009 doesn't really operate at the highest values in HDR materials. Most effects with brightness around 550 nits won't leave us thrilled with the lighting effects, although they are quite stable, which is a plus, and a considerable difference can be felt between SDR materials. It's worth noting that we can achieve a good result only in one scenario, that is in the film "Gemini," where the flashlight as the sole light source can really shine. Why in this scene? The answer is quite simple. The scene itself doesn't have a large amount of black, and the flashlight isn't as large an object as the sun in the first and last scenes. Overall, the brightness measurement results in HDR materials aren't a solid basis for recommending this television for viewing productions that use a wide color gamut. However, it's worth mentioning that this model can cover it in a not too bad 93% degree in the case of the DCI-P3 palette.

The television TCL MQLED85/C765 was tested in movie mode, which, while seeming to be the best setting from the manufacturer, is not without its flaws. The colour reproduction in HD/SDR mode MQLED85 shows certain shortcomings. In the analysis of white balance, there is a significant lack of blue colour, which can affect the overall image quality, particularly in bright scenes where blue shades are crucial for natural representation. The overall image may then appear too warm. As for gamma contrast, the graph shows that there is a large jump above the reference line of level 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to loss of detail in blacks. Then for most of the time, the values are below this line, which can lead to loss of detail in the brighter parts of the image. Such a distribution may negatively impact the perceived image quality, especially when watching regular TV in HD quality.

In the case of the 4K HDR image quality of the TCL MQLED85/C765 television, there is a noticeable excess of red colour in the analysis of white balance. This excess can significantly impact the viewer's experience, leading to several notable effects. First and foremost, an excessive amount of red can make other colours, such as green or blue, appear muted or unnatural. This distortion of colour balance can result in an overall impression of "oversaturation," which detracts from the image's naturalness and authenticity. In terms of contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in the bright areas of the image. However, the exception is the start of the graph, where the EOTF line is below the reference, which may lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in the context of image settings, so it is worth considering adjusting the settings to achieve better results.

The best factory mode used during our tests was "Filmmaker". Here, we will examine both SDR and HDR content. The key differentiator is primarily the EOTF curve in the wide colour gamut materials and gamma in those recorded "the old way". Starting with SDR films and series and the most basic thing we can observe, which is white balance, we see a significant red colour dominance. This led to a yellow tint across the whole image, causing unnaturally looking faces and yellowed whites. This issue is also clearly visible on the "ColourChecker" palette, where all colours have shifted towards their warmer counterparts. Looking at an even more significant graph, the gamma responsible for the contrast of the image, we see considerable errors beginning right from the start. From the left, the value we measured, indicated by a combined ellipsis, clearly spiked upwards, causing complete merging of details in the darkest scenes. This state of affairs persisted up to 10% brightness on the screen, after which it dove below the reference orange line, leading to a deterioration in contrast, which, as we know, Philips PML9009 is already lacking. In HDR materials, white balance issues were very similar to those in SDR content. The discrepancy appears when checking the EOTF curve, which governs the rate of brightness increase and severely limited it, resulting in an unnaturally dark image. As for the colours themselves, there were more reasons for concern here, as the television's low luminance caused a huge disparity between the actual state and the correct one, which is perfectly visible on the error graph, often exceeding the scale.

After professional calibration of the television TCL MQLED85/C765, its colour properties in film mode have significantly improved, resulting in much more satisfying visual experiences. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears to be much better harmonised. Users can now enjoy natural colour reproduction, which is crucial for achieving an authentic experience while watching films. It is worth noting that in HDR content, there may be minor colour reproduction errors at the end of the graph, but these are significantly smaller than before calibration. As a result, characters and landscapes become more realistic, enhancing the depth of immersion in the story.

Regarding contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, which means better visibility of details in dark scenes. However, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also shows fewer errors, although some issues with reproducing mid-tones may still be noticeable. The EOTF curve measured on real film scenes still shows a significant brightness boost, so the image may appear more intense but artificially brightened. This is a typical problem for TCL brand televisions, which may appeal to untrained viewers but can frustrate those more familiar with an ideal image.

What benefits does professional calibration bring to film enthusiasts? Thanks to it, viewing becomes even more realistic and immersive, allowing every scene to be experienced fully, preserving details and natural colours.

Philips PML9009, like most leading manufacturers, has been providing advanced tools for calibration processes for years. Here we find 2-point and 20-point greyscale adjustments, as well as an advanced CMS (Color Management System). The differences resulting from calibration are evident, and even someone who doesn't pay attention to image quality (although there probably aren't many like that here) will notice the positive difference. Both SDR and HDR materials have undergone quite a transformation. The former and the latter have primarily shed the ugly yellow tint resulting from the red colour dominance in white balance. As for the SDR materials and gamma, although it is not perfectly modelled and still loses dark details, the rest of it is at more than a decent level, and minor errors will not be noticeable. The colours themselves look far better, and with low deltaE errors, they are almost reference-quality. On the other hand, HDR materials, due to the unit's low luminance, have not been optimised as we would have liked. Although the white balance has been largely normalised, a slight blue tint can still be observed here and there. Fortunately, the EOTF curve turned out to be much more accessible, allowing for practically perfect geometry. Unfortunately, due to the screen's too low brightness, the colour errors remain quite high.

We will now take another look at the tonal transitions on the TCL MQLED85/C765 TV, but in the context of lower image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low", the effects are practically invisible, disappointing users who expect an improvement in image quality. On the other hand, the "high" setting yields minimal results, and worse still, it can blur important details, negatively impacting the sharpness and clarity of the displayed image. However, in the context of image scaling, the TV successfully displayed the image without overscan, meaning we do not lose any part of the view. The image looks quite decent, and details such as tree branches or the outlines of models do not show significant jaggedness, which positively affects the visual quality.

Judging by how PML9009 Philips handled tonal transitions, the image scaling test should perform just as well. This time, we are checking the TV’s algorithms responsible for enhancing the quality of images that were recorded in lower quality. Such images can be found, for example, in various TV shows or older films. In this regard, Philips PML9009 performs quite mediocrely and drastically blurs the image. This is particularly noticeable on fine branches or the model's hair.

Let’s revisit the issue of tonal transitions, which performed remarkably well. Within the unit, we will find several levels of smoothing. Even the lowest one can effectively eliminate any jerky tonal transitions and will be suitable for the vast majority of materials. More importantly, none of the settings for this function soften the effect of film grain, which is extremely important in terms of alignment with the director's vision. However, we would like to point out that sometimes it may turn out that fine details are blurred.

TCL MQLED85/C765 is equipped with a standard refresh rate panel of 120 Hz, with the possibility of increasing it to 144 Hz when connected to a powerful computer. The television also offers a multi-level motion smoother, which is mainly aimed at users wanting to improve the fluidity of motion in films. It allows for adjusting the intensity of the effect on a scale from 0 to 10, enabling precise tailoring of the image smoothness to individual preferences. The response time of the panel is decent, but not perfect. We can observe motion blur occurring behind both dark and medium objects.

Philips PML9009 has been equipped with a panel that has a native refresh rate of 120 Hz. This is the essential minimum for watching all kinds of sports and is recommended for comfortable gaming in favourite titles on consoles or PCs. The manufacturer, for those who dislike the characteristic judder of footage recorded at 24 fps or those requiring a high degree of motion smoothness, such as when watching football matches, has prepared an effective system for improving the sharpness of moving images. In the dedicated tab, we will find a "Smoothness" slider responsible for eliminating judder and a "Motion Blur Reduction" setting that helps to increase the sharpness of dynamic elements. The function works very well and granularly, meaning each setting has a real impact on motion perception. With such a set, every user will find their sweet spot. In the picture, we present our choice, which is slight smoothing without the soap opera effect.

A matter directly related to motion is the response time of the pixels in the panel itself. The best in this regard are of course OLED panels, followed by units based on IPS and ADS screens, and lastly VA. Despite the generally good quality of the systems responsible for smoothening the image, the use of a VA panel carries consequences in the form of black smear behind fast-moving objects. Although in the tested television this should not occur frequently, it will be noticeable here and there.

TCL MQLED85/C765 has achieved an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), allowing the TV to automatically switch to low latency mode, minimising response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) supported from 48 to 144 Hz eliminates stuttering and screen tearing in dynamic game scenes. Additionally, the TV supports the Dolby Vision Game Mode, which provides better image quality in games with exceptional depth of colour and contrast. TCL MQLED85/C765 also features a decent but not the best implementation of HGiG (HDR Gaming Interest Group), optimising the display of HDR games, however, in the case of TCL, it causes bright details to wash out, resulting in some elements merging into a white blob - more on this can be read in the colour reproduction section. It supports various resolutions such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing gamers to enjoy higher image quality and better fluidity. The Game Bar feature allows for easy switching between game settings and quick control of parameters, which significantly simplifies adjusting the TV to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the refresh rate synchronisation capabilities, eliminating tearing and stuttering issues, ensuring smoother and more immersive gameplay.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it the ideal choice for those looking to maximise their gaming experiences.

Philips PML9009, equipped with HDMI 2.1 connections with full bandwidth, supports all functions dedicated to gamers. The most basic ones, such as VRR and ALLM, are a given, but G-Sync, FreeSync, or playing in HDR Dolby Vision with low input lag are not. These features activate without any problems, and during the tests conducted, they presented no obstacles. Such preparation of the television is certainly its strong point, and it can be said that it is a unit dedicated to gamers. For more advanced users, we also mention that the PML9009 is equipped with the HGIG mode, which will be particularly felt by gamers, as there are still relatively few games that support Dolby Vision. This mode primarily allows for the adjustment of HDR effects to the capabilities of the television on a special board, to prevent dimming and burning of the image.

The television additionally implements a special menu - GameBar. This allows for editing unit settings "on the fly," meaning without having to exit the game. In it, we will also find functions such as activating a crosshair or black level correction for better visibility of opponents in shadows.

In a brief summary of this paragraph, the Philips PML9009 is a unit that will undoubtedly attract gamers' attention. Thanks to its versatility, it will allow for playing any title in the highest quality without compromises. Especially since features such as VRR, ALLM, G-Sync, FreeSync, or gameplay in HDR Dolby Vision will provide an even greater immersion in the favourite title.