Compare: TCL MQLED85 / C765 vs Hisense A7NQ

TCL MQLED85, or model C765, is a television that can truly surprise, especially in this price range. It is one of the cheapest models featuring mini-LED technology, which is immediately evident in the picture quality. The blacks are deep, and the brightness is sufficient even in a brightly lit room. Thanks to the large number of dimming zones, watching movies in the evening is a pleasure – the blacks are really deep, and the picture in dark scenes looks clear. However, it's not perfect – in some scenes, you may notice minor issues with small bright elements, but this is really a minor detail compared to what this model offers. Google TV performs excellently here – there are plenty of apps, and using the system is simply convenient. Voice control in Polish works flawlessly, which can be particularly useful if you don't want to type movie titles using the remote. Of course, there are minor shortcomings, such as the lack of recording capabilities, but these are not things that interfere with daily use. For gamers, it is also a fantastic option. Support for HDMI 2.1, VRR and low input lag means the television handles consoles well and competes effortlessly with more expensive models from Korean or Japanese manufacturers. At this price, it's hard to find something better when it comes to smooth and responsive gameplay. During testing, we encountered a few minor software issues, but it's hard to say whether that's a serious downside. We hope that TCL will release updates, so there’s a chance this issue will be resolved quickly. TCL MQLED85/C765 is an excellent choice if we are looking for a television with good picture quality and modern features at a reasonable price. It is a model that combines affordable mini-LED technology with a convenient Google TV system, and it’s also great for gaming. Minor software shortcomings are something you can live with, especially considering what this television offers in its class.

The Hisense A7NQ is one of the simplest QLED TVs available on the market, primarily enticing with its very attractive price. Equipped with a VA panel, it offers solid native contrast, and the additional PFS coating (a different type of QLED) allows for vibrant colours, particularly in older SDR content. This is a TV that works well for those who use the television more occasionally but are looking for a device with useful features. The Vidaa system, which has strengthened its position in the Polish market over time, is another plus. It supports most popular streaming apps available in Poland and offers features like USB recording, which can be rare in this class of equipment. It's clear that the manufacturer listens to user feedback and strives to implement improvements, which is a nice touch. When it comes to picture quality, it is… simply average. Brightness is limited, so the TV will not be the best choice for watching 4K HDR content. However, it performs better with older materials or regular TV, where high brightness is not crucial, and colours can look really good, especially after professional calibration. Is it a good screen for gamers? The A7NQ is not a gaming monster – the 60 Hz panel and significant motion blur may deter more demanding users. However, the manufacturer has included a few features for gamers, such as VRR, ALLM, and even 120 Hz display at a lower resolution. Additionally, there is an intuitive and user-friendly Game Bar that makes adjusting settings during gameplay easier. Despite this, the TV is not without its shortcomings. One of the stranger issues we encountered was the complete disregard for Polish subtitles from USB. We hope this is a matter of updates, but at the moment it’s hard not to notice. In short, the Hisense A7NQ is a solid mid-range option. While it may not be equipment that wins every test or aspires to be the "Formula 1 of TVs," it will certainly satisfy many people – especially those looking for something simple and affordable. It's a good choice for someone who wants to enjoy content on a large screen without having to spend a fortune.

TCL MQLED85/C765 stands out due to its use of a VA panel and Mini LED backlighting, which makes a huge difference compared to traditional backlighting systems. Mini LED, with its significantly smaller diodes, allows for more precise control of the screen's backlighting, resulting in much better contrast and deeper blacks. The model with a 55-inch diagonal that we are testing has an impressive number of over 700 local dimming zones, providing exceptional precision in image display. It's worth noting, however, that the number of backlighting zones may vary depending on the screen size – for larger diagonals, the number of zones naturally increases due to the larger screen area, allowing larger sizes to achieve better results in terms of contrast and black levels. Thanks to the enormous number of zones, the TCL MQLED85/C765 achieved results comparable to OLED screens on our first test pattern from the movie "Oblivion," offering nearly reference-level contrast. But what happens when we test this model in even more demanding conditions? How will the TV perform in tougher scenarios? Overall, the TCL MQLED85/C765 performs very well with black levels, but in some cases, the local dimming algorithm is not perfect. On dark backgrounds, smaller bright elements can lose clarity and brightness, as confirmed by our latest pattern from the Pioneer Kuro test disc. Despite some imperfections in the local dimming algorithm, and thus a slight occurrence of the HALO effect (which is a bright halo around bright objects on a dark background caused by deficiencies in the screen's local dimming), the results achieved by the TCL MQLED85/C765 are impressive, especially considering its price. This TV offers contrast and black depth that can compete with models that are even twice as expensive.

Hisense A7NQ uses a VA panel, which by definition provides better contrast than IPS panels, and indeed – it’s quite good here. A contrast level of around 6500:1 gives the image a noticeable depth, and scenes like the one from Oblivion can look really good. We see decent separation of highlights from the darker areas of the image. However, there is one "but" – lack of local dimming. In this price range, that’s obviously standard, but unfortunately, it affects the quality of blacks. In some scenes, the blacks take on blue hues instead of that truly deep, inky black. It’s not dramatic, but if we're watching movies in a dark room, the differences can be more noticeable. In short, the contrast performs well for a VA panel – it’s solid. For the average user, this will be more than sufficient, especially in well-lit rooms. There are no fireworks here, but it’s a fair result for this class of equipment.

The television TCL MQLED85/C765 performs well in handling HDR. In the tested movie scenes, where the screen is at 100% brightness, the model achieves impressive results around 1000 nits, providing intense and realistic rendering of HDR content. However, similar to contrast, the dimming algorithm may show some limitations. Despite a large number of Mini LED zones, the television does not always manage to "wow" the user with brightness in very challenging test scenes. For instance, in the scene from the film "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible against a dark background, the television did not reach maximum intensity. For users expecting a perfect HDR effect in such extreme cases, the TCL MQLED may come up a bit short. However, in terms of colours, the television stands out with a very high coverage of the DCI P3 colour gamut at 95%, which is an impressive result comparable to much more expensive models. TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is crucial for cinema image fans. Although this model achieves brightness over 1000 nits, the TCL MQLED85 may struggle to reflect details in very high-contrast scenes. For better HDR quality control, the C765 is equipped with dynamic tone mapping, making the image more realistic and natural depending on the content.

We checked how the Hisense A7NQ performs with HDR, and there's no surprise here. The luminance chart showed a maximum brightness of 370 nits. The result? Exactly what one could expect – average. At around 350 nits, HDR doesn’t stand out much compared to SDR. Sure, there’s a subtle difference in more brightly lit scenes, but it’s not a show-stopping effect. In terms of wide colour gamut coverage, the result was 92% for DCI-P3 and 70.2% for BT.2020. These are decent values for a TV in this class, which uses a PFS coating – the same one that’s sometimes promoted as QLED. The colours look alright, but don’t expect something that competes with the best screens on the market. HDR on the Hisense A7NQ is more of an add-on than a "game changer". For those looking for solid image quality on a moderate budget – it’s definitely acceptable. However, if we expect full HDR capabilities, it’s worth looking at models from the higher price range.

The television TCL MQLED85/C765 was tested in movie mode, which, while seeming to be the best setting from the manufacturer, is not without its flaws. The colour reproduction in HD/SDR mode MQLED85 shows certain shortcomings. In the analysis of white balance, there is a significant lack of blue colour, which can affect the overall image quality, particularly in bright scenes where blue shades are crucial for natural representation. The overall image may then appear too warm. As for gamma contrast, the graph shows that there is a large jump above the reference line of level 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to loss of detail in blacks. Then for most of the time, the values are below this line, which can lead to loss of detail in the brighter parts of the image. Such a distribution may negatively impact the perceived image quality, especially when watching regular TV in HD quality.

In the case of the 4K HDR image quality of the TCL MQLED85/C765 television, there is a noticeable excess of red colour in the analysis of white balance. This excess can significantly impact the viewer's experience, leading to several notable effects. First and foremost, an excessive amount of red can make other colours, such as green or blue, appear muted or unnatural. This distortion of colour balance can result in an overall impression of "oversaturation," which detracts from the image's naturalness and authenticity. In terms of contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in the bright areas of the image. However, the exception is the start of the graph, where the EOTF line is below the reference, which may lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in the context of image settings, so it is worth considering adjusting the settings to achieve better results.

When testing the Hisense A7NQ in Filmmaker mode, we hoped for alignment with the manufacturer's intentions, but unfortunately, reality looks different. The main issue, as with most TVs, is the white balance. In the case of the A7NQ, we noticed a clear dominance of blue, which affected both lower-quality materials and 4K HDR content. The Color Checker test results confirm this, and the comparative images speak for themselves – the lead actress in "factory" mode looks cool and pale. It appears as though she has been stripped of life.

As for brightness characteristics, both gamma and the EOTF curve show that the image is overly bright. As a result, everything seems flat, lacking depth and contrast. This state of affairs certainly does not work in favour of the A7NQ and makes the image reception in factory mode leave much to be desired. If we expect natural colour reproduction and appropriate image depth, the A7NQ in Filmmaker mode is unlikely to impress us. It’s a TV that requires significant adjustment to bring out its potential.

After professional calibration of the television TCL MQLED85/C765, its colour properties in film mode have significantly improved, resulting in much more satisfying visual experiences. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears to be much better harmonised. Users can now enjoy natural colour reproduction, which is crucial for achieving an authentic experience while watching films. It is worth noting that in HDR content, there may be minor colour reproduction errors at the end of the graph, but these are significantly smaller than before calibration. As a result, characters and landscapes become more realistic, enhancing the depth of immersion in the story.

Regarding contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, which means better visibility of details in dark scenes. However, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also shows fewer errors, although some issues with reproducing mid-tones may still be noticeable. The EOTF curve measured on real film scenes still shows a significant brightness boost, so the image may appear more intense but artificially brightened. This is a typical problem for TCL brand televisions, which may appeal to untrained viewers but can frustrate those more familiar with an ideal image.

What benefits does professional calibration bring to film enthusiasts? Thanks to it, viewing becomes even more realistic and immersive, allowing every scene to be experienced fully, preserving details and natural colours.

Hisense A7NQ offers several tools that allow you to improve image quality, so we decided to take matters into our own hands and do some "digging" in the settings. Thanks to professional tools and measurements, we managed to correct the white balance, eliminating excessive dominance of blue in both HD and 4K content. This is a significant step forward, as in the Color Checker test, the errors in colour reproduction in lower-quality content dropped to a much more acceptable level. Unfortunately, 4K content still falls short of perfection – colour distortions are significant here and stem from the limitations of the television.

As for the gamma, we managed to set it at the correct level, which significantly reduced the excessive brightening of the image. However, the issue with the brightness characteristics in 4K content remains unresolved – the EOTF curve still shows excessive brightness across the entire screen. It's possible that a proper implementation of dynamic tone mapping could make a difference here, but as we mentioned earlier, this feature in Hisense A7NQ works rather poorly, instead of helping. Nevertheless, the calibration significantly improved the overall image perception. The director's vision is now much better represented than in the factory settings, which more demanding viewers will definitely appreciate.

The fluidity of tonal transitions in the TCL MQLED85/C765 television is decent, although noticeable issues arise in both bright and dark test scenes. Particularly evident are the colour joins in the scene from the film "The Green Knight", where the red colour of the water transitions to black. Despite these imperfections, the overall gradient quality is acceptable and does not overly detract from the visual experience. The television handles most scenes well, offering satisfactory tonal transitions, contributing to an overall satisfying visual experience that won't spoil our cinematic enjoyment.

It's one of the biggest advantages of this television. The Hisense A7NQ handles tonal transitions smoothly, even in the most demanding scenes. The colour blends are practically invisible, resulting in very smooth graduations and a naturally looking image. Of course, if we are purists and look at the screen with a "hawk eye", we may notice slight joins, especially in the darker parts of the image. However, these are subtle imperfections that most users won't even notice.

We will now take another look at the tonal transitions on the TCL MQLED85/C765 TV, but in the context of lower image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low", the effects are practically invisible, disappointing users who expect an improvement in image quality. On the other hand, the "high" setting yields minimal results, and worse still, it can blur important details, negatively impacting the sharpness and clarity of the displayed image. However, in the context of image scaling, the TV successfully displayed the image without overscan, meaning we do not lose any part of the view. The image looks quite decent, and details such as tree branches or the outlines of models do not show significant jaggedness, which positively affects the visual quality.

The Hisense A7NQ impresses with its smooth tonal transitions in 4K content, but unfortunately, we won't find any features here that improve this aspect in older, lower-quality materials. In such cases, colour transitions become more noticeable, which can slightly detract from the overall picture quality, especially in scenes with a lot of gradients.

When it comes to upscaling, the television performs surprisingly well. The image is clearly improved, though it comes with certain compromises. It can be seen that the TV adds a touch of artificial sharpness, and background elements, like branches, tend to exhibit slight "jaggies." However, these are details that will mainly catch the eye of those who pay attention to such nuances.

TCL MQLED85/C765 is equipped with a standard refresh rate panel of 120 Hz, with the possibility of increasing it to 144 Hz when connected to a powerful computer. The television also offers a multi-level motion smoother, which is mainly aimed at users wanting to improve the fluidity of motion in films. It allows for adjusting the intensity of the effect on a scale from 0 to 10, enabling precise tailoring of the image smoothness to individual preferences. The response time of the panel is decent, but not perfect. We can observe motion blur occurring behind both dark and medium objects.

The Hisense A7NQ is equipped with a 60 Hz panel, which means that dynamic scenes – for example in sports or gaming – come across as rather average here. This is standard in this class of equipment, but it's worth noting that watching more intense, fast-moving content can leave a lot to be desired. However, when it comes to movies, the TV offers a motion smoothing feature that works on a 10-point scale. The "judder reduction" option allows you to adjust the smoothness of the image to your own preferences. At the lowest setting, you get a natural film frame rate, which will appeal to cinema purists. Conversely, the maximum setting provides a very smooth, theatrical image, which may be appreciated by those who prefer a more "smeared" motion.

TCL MQLED85/C765 has achieved an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), allowing the TV to automatically switch to low latency mode, minimising response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) supported from 48 to 144 Hz eliminates stuttering and screen tearing in dynamic game scenes. Additionally, the TV supports the Dolby Vision Game Mode, which provides better image quality in games with exceptional depth of colour and contrast. TCL MQLED85/C765 also features a decent but not the best implementation of HGiG (HDR Gaming Interest Group), optimising the display of HDR games, however, in the case of TCL, it causes bright details to wash out, resulting in some elements merging into a white blob - more on this can be read in the colour reproduction section. It supports various resolutions such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing gamers to enjoy higher image quality and better fluidity. The Game Bar feature allows for easy switching between game settings and quick control of parameters, which significantly simplifies adjusting the TV to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the refresh rate synchronisation capabilities, eliminating tearing and stuttering issues, ensuring smoother and more immersive gameplay.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it the ideal choice for those looking to maximise their gaming experiences.

Hisense A7NQ is a piece of gear that may pleasantly surprise gamers, although it's not without its flaws. The fact that it has a 60 Hz panel immediately suggests that the TV is not designed for the most demanding gaming scenarios. The motion blur we mentioned earlier can also be a drawback, especially in fast-paced games.

However, there are a few things worth praising. The TV supports ALLM (Auto Low Latency Mode) and VRR (Variable Refresh Rate), which is not always standard in this price range. The biggest surprise, however, is that the A7NQ can display visuals at 120 Hz – albeit only in Full HD resolution, but it's still a significant nod to gamers. This provides the option to choose between smoothness and resolution, which is not obvious in TVs at this price.

A nice addition is the Game Bar, which is clear and practical – all the essential features are at hand without having to dig through the settings. However, it lacks support for HGiG, which could be a disappointment for gamers seeking perfect HDR in games.

Latency in the TCL MQLED85 television reaches impressively low levels under any conditions. Even the most demanding gamers will surely appreciate the minimal input lag of just 8 ms at 4K 120 Hz settings with HDR. Moreover, the latency remains at the same level even when Dolby Vision HDR is enabled, which is not the case with many competing models.

Hisense A7NQ definitely has some impressive features when it comes to input lag. It is really very low, which is immediately noticeable while gaming – both in standard game mode and with Dolby Vision enabled. Regardless of the settings, the response is instant, making game control smooth and responsive. This is a definite plus for any gamer who doesn’t want to worry about delays. Even more dynamic gameplay on this television won’t be an issue. In this category, Hisense A7NQ really stands out from the competition.

TCL MQLED85 works well as a computer monitor. Thanks to its support for chroma 4:4:4, the text on the screen is sharp and readable, which is essential for people working with text documents or spreadsheets. One of the biggest advantages of this model is its exceptionally low input lag in "PC" mode, which is just 8 ms. This is a reference-level result that ensures smoothness and responsiveness, crucial for both gamers and those involved in video editing. However, it's worth noting that there is a slight issue related to font display on dark backgrounds. Upon zooming in on the tested font picture, it can be seen that horizontal lines are darker compared to vertical ones. This means that the sub-pixels in the TV may not fully illuminate in such cases, which can affect the quality of displayed text. Nonetheless, the overall performance of TCL MQLED85 as a computer monitor is very good and will certainly meet the expectations of many users.

Hisense A7NQ does the job if we want to use it as a monitor for work. Thanks to 4:4:4 chroma support, the text is sharp and readable, regardless of the background. This is a big plus because working with documents or browsing websites on this TV is quite good. When it comes to PC gaming, the situation is less optimistic. The 60 Hz panel unfortunately doesn’t allow for smoother experiences, which may disappoint gamers looking for something more. Even the presence of G-SYNC and low input lag doesn’t change the fact that dynamic titles may look mediocre.

The viewing angles on the TCL MQLED85 television are not its strong suit. The use of a VA panel causes the image to lose a significant amount of brightness when viewed at an angle. Changing the viewer's position, especially in a larger group setting, can make colours appear less saturated, and contrast may be less distinct. For this reason, it's recommended to sit directly in front of the screen to fully enjoy the picture quality. Although the television offers excellent colour reproduction from a direct view, the loss of brightness and detail at an angle can be problematic for those who plan to use the television in a larger room or from various locations.

Hisense A7NQ doesn’t surprise in this category. The viewing angles are typical for a VA panel – which means that if we sit directly in front, everything looks fine, but just shifting a little to the side causes the picture to start losing quality. Colours become less saturated, and black starts to take on shades of grey. This is standard for VA panels, and it’s rather hard to expect anything different. So if we plan on watching TV with a larger group of people, it’s worth considering positioning the television so that everyone has a chance to sit as close to the centre of the screen as possible.

MQLED85 performs reasonably well in daylight conditions, and it's worth noting the satin finish of the panel. While it doesn't excel at reducing reflections, it offers decent performance in various lighting conditions. An average brightness level above 600 nits is an impressive result, allowing for comfortable viewing even in well-lit rooms. As a result, the television performs well both during the day and during evening movie screenings, providing satisfactory picture quality.

The Hisense A7NQ doesn't make the best impression in brightly lit rooms. The panel handles glare reduction averagely, so if there's a lot of light coming in through the windows, the screen can turn into a mirror. Additionally, a brightness level of 370 cd/m² is only suitable for moderately sunny rooms. In more demanding conditions, where the sun is directly hitting the screen, the picture starts to lose visibility and it's hard to see all the details. If we plan to use the TV mainly during the day in a brightly lit room, it's worth considering this, as in such conditions the A7NQ may not be the best choice.

TCL MQLED85 TV offers many features that enhance user comfort, with the central point of its functionality being the Google TV system. This modern interface allows for easy content browsing, as well as access to apps available in the Google Play store. Users can take advantage of voice search in Polish, which greatly simplifies navigation and allows for quick finding of interesting shows, movies, or apps. It's also worth noting that Google TV is currently the only system on the market that does not restrict Polish users' access to apps, offering the greatest availability among all available platforms. However, in the context of traditional TV watching, this television has its limitations. It does not offer a recording function, which may be a significant downside for those who would like to save their favorite programs. Additionally, the lack of Picture-in-Picture (PIP) option limits the ability to simultaneously track multiple video sources. On the other hand, the TV features a "MultiVision" function, which allows for screen splitting between the TV and a mobile device. This way, users can use apps on their phone while still watching a TV program. This solution will certainly appeal to those who enjoy multitasking and want to watch TV while also engaging with social media or browsing the internet on their smartphone. Despite some limitations, the TCL MQLED85 TV presents itself as a solid option for users who value modernity and functionality.

Hisense A7NQ runs on the Vidaa system, which may not be as extensive as those from the Korean giants, but it does what it needs to do. It's clear that Hisense is starting to understand the Australian market – the latest updates have added the most important streaming apps. You can easily find the most popular streaming applications here. Unfortunately, if someone is hoping for Tidal or Spotify, they won’t find them here – it's a bit of a shame, as that would further enhance the system. The Vidaa system itself works surprisingly well. The menu is simple, and the voice control in English is a nice touch that makes everyday use easier. There are no unnecessary complications, everything is at your fingertips and works without significant delays.

In terms of features, the TV performs well too. USB recording works thanks to the built-in tuners, and connecting additional devices via Bluetooth or USB is seamless. AirPlay and Miracast are additional bonuses – it’s easy to share content from your phone or laptop.

There is a lack of PiP (picture-in-picture) functionality, but that’s something that only those who really need it will notice. Similarly, USB recording is nice to have, but not everyone will use it.

Thanks to the built-in player, the television is able to play most file formats found on external storage, making it a versatile tool for consuming multimedia. However, there may be some limitations in supporting certain formats, which can be bothersome for more demanding users. Fortunately, the Google TV system allows for the installation of other media players from Google Play, which helps eliminate compatibility issues. This gives users the ability to choose applications that best meet their needs, significantly increasing the functionality of the television.

During testing of the USB file player, we encountered something really odd. Normally, we check if the TV handles external subtitle files so that we can comfortably watch foreign productions in Polish. Unfortunately, despite the presence of various subtitle formats on our USB drive, the TV did not display any of them. Interestingly, there was an option in the menu to change the font colour, so it seems that the feature should work. We believe this is something to be fixed in an update, but for now, the situation is just strange and somewhat concerning. As for other types of files, it's much better. The TV handles most popular audio and photo formats, so playing music or browsing holiday photos will not be a problem.

The sound of the television TCL MQLED85 can be described as decent, making it sufficient for everyday watching of movies, TV shows, and gaming. The speakers branded with Onkyo offer surprisingly good audio quality, and the sound does not crackle or distort even at higher volume levels.

The Hisense A7NQ performs like most mid-range televisions – it’s adequate, but without much excitement. The sound does its job in everyday use, but if you’re looking for strong experiences, it’s worth considering purchasing a soundbar. On the plus side, the television supports practically all popular surround sound formats, including Dolby Atmos and DTS:X. As a result, if we have the appropriate external equipment, we can enjoy a more immersive sound.

TCL MQLED85 / C765 vs Hisense A7NQ

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound