TCL C855 vs SHARP JP7765E

TCL C855 delivers a highly varied HDR effect. On one hand, the television truly shines, while on the other, it resembles a lower model with FALD backlighting. Such a state of affairs is regularly observed with this brand, so it was not a surprise for us. The first and last scene, which has large light elements, looks phenomenal, "shining" with brightness levels of 1470 and 1820 nits respectively. Such effects will certainly make many people squint, while simultaneously feeling the extraordinary dynamism of the scene itself. You can truly feel as if you were inside the movie. The situation drastically changes when small or minor elements with high luminance surrounded by black appear on the screen. The TCL C855, to avoid the halo effect, significantly reduces brightness to a level of even 240 nits, which is a disappointing outcome, causing the film to not look like it was shot in HDR. The HDR effect in TCL C855 makes watching dynamic scenes more engaging, and the viewer can feel like they are part of the action. Even with smaller elements of high luminance, the television manages to maintain details without excessive dimming. Moreover, the TCL C855 test shows that the brightness of the image is adapted to scenes with a large amount of detail, increasing viewing comfort.

So how does the brightness of the Sharp JP7 perform in the most demanding titles? Honestly, we were quite surprised at first. The TV is able to achieve over 1000 nits of brightness, which is an outstanding and rare result for a device costing just under 2000 zł (for 55 inches). Watching bright, full-screen scenes, you can get the impression that you are dealing with really good equipment. But unfortunately, we have to return to the issue we mentioned earlier, which is local dimming management. When small, bright spots appear on a dark background (like in test scenes from the films Life of Pi or Sicario 2), it’s clear how poorly the JP7 handles these zones. The TV dims them almost to the maximum, crushing the whole HDR effect, which at such moments resembles a flat SDR image (less than 200 nits). This instability means that in demanding, contrast-rich films, the image on the JP7 unfortunately loses its appeal.

As a consolation, it's worth noting that the panel has the potential to display colours well. A PFS (phosphor) filter has been employed here, which allows the coverage of the DCI-P3 colour gamut to reach a solid 94%. The manufacturer calls its product a “QLED,” even though it technologically relies mainly on the aforementioned PFS filter. Considering the recent market battles between manufacturers over what can and cannot be called QLED, we leave the issue of the correctness of this terminology to your judgement. However, it remains a fact that the potential for reproducing saturated colours in this panel is simply good.

The best factory mode for the TCL C855 is "Film," and it is on this mode that we conducted all our tests. However, like every mode predefined by the manufacturer, it had flaws that are worth correcting to achieve an image that is as close as possible to what the film producer intended. We will look at the colour characteristics in both SDR and HDR materials. Taking the former into account, we see a clear dominance of green in the white balance, which, as you might guess, gave an unpleasant greenish tint to the entire image. Examining a very important gamma chart, responsible for the contrast of the image, we see a significant deviation from the reference line marked at 2.4. From the left, we can observe a strong spike in the measured value, which at this point caused contrast exaggeration and blending of details into a dark blob. This state of affairs persisted for quite a while, up to 20% of the chart’s value, before then diving below the reference. This, in turn, meant that the image was brightened and contrast decreased significantly. The factory mode performed somewhat better in HDR materials, as the white balance looked quite good, except for the second half, where green again took over. Looking at the EOTF curve, which, unlike gamma, shows the rate of brightness increase, we see primarily two errors: the darkest scenes were too dark, and the brightest ones were overexposed. This, by the way, could be observed in the scene from the film "Pan" in the check paragraph for the TV's HDR.

When it comes to colours straight out of the box, the Sharp JP7 was tested in the Film mode, which traditionally offers the most cohesive image compared to the yellowed “Eco” mode or the glaring blue of the “Dynamic” mode. Although this is the best choice among the available settings, the results still fall short of ideal. The white balance clearly lacked red and blue components, causing many scenes to take on an unnatural, greenish hue. Another issue was the gamma – in full-screen scenes, the TV produced excessively bright images, completely robbing it of its cinematic character. All of this resulted in colour reproduction errors, especially in shades of grey, which exceeded the Delta E 10 value. To remind you: errors above 2-3 are already noticeable to the human eye, so here we are dealing with a significant distortion of reality.

In HDR mode, the situation is reversed, but not in a better way. Here, the white balance is dominated by blue, giving the image an unnatural, almost “store-like” sharpness, reminiscent of aggressive demonstration modes. Moreover, the measurements of the EOTF curve emphasise the store-like nature of the image. The graph clearly shows that the TV generates images that are significantly brighter than the standards predict, resulting in an artificially boosted and unrealistic final effect. The Sharp JP7 is evidently trying to appear stronger than it actually is, but it does so at the expense of fidelity to the original content.

TCL, just like the vast majority of manufacturers, provides advanced calibration tools in its televisions. Here we find 2- and 20-point grey scale adjustments as well as an advanced colour management system. The results, as you can see, are very good and in SDR materials we have significantly approached the reference image. We eliminated both the green tint and the gamma issue, although there is still a slight "kink" at the very beginning. It went a bit worse with HDR materials, which the television ChooseTV C855 did not allow us to model properly. We only managed to slightly adjust the EOTF curve and significantly improve the colours themselves.

We subjected the JP7 to our standard calibration procedure and honestly... the television gained a second life thanks to it, especially with SDR content (YouTube, traditional television, series, or older films). With our precise adjustments to the white balance and stabilisation of the gamma, colour errors dropped to a value of below 3. This is a level at which the human eye struggles to perceive discrepancies. In this scenario, the Sharp JP7 delivers an image with truly excellent colour accuracy, which is a significant advantage in this price range. However, the HDR content turned out to be much more problematic. Here, despite our efforts and interventions in the settings, the television simply refused to cooperate. In the JP7 menu, we won’t find any option to effectively control how brightness is managed (EOTF). Although a significant portion of the colour errors has been reduced, the image still remained unnaturally oversaturated. It’s a bit disappointing because the potential of the mini-LED backlit panel is great, but the software presents a clear barrier.

The conclusion is simple: when watching less demanding content (SDR) on the JP7, you can expect an image that is more than satisfactory, but in HDR you will have to accept a certain degree of "artificiality" that cannot be bypassed even with professional equipment.

Once again, we will look at the function of smoothing tonal transitions, but this time also image scaling. The latter is particularly important when watching materials of lower quality, such as some TV programs or older films. We will focus on the function responsible for tonal transitions. Interestingly, just like in the scenes in the previous test, it performed splendidly and smoothed out practically all the choppiness, but here it had problems. Using the menu responsible for the operation of this function, we found that none - not even the strongest - setting helped.

The image scaling in TCL C855 is characterised as one of the best we have had the opportunity to test so far. The image is sharp, but in a way that could be described as natural to our eye. Even small, fine branches do not have jagged contours, and there is no white halo around figures, which is characteristic of weaker scaling systems.

When it comes to lower quality materials and how Sharp JP7 handles them, the situation is ambiguous. Let's start with the upscaling itself – here we have no major objections. The process of scaling the image to a higher resolution is correct; the picture remains readable and clear, without the overscan effect, which means no cropped edges. Of course, it's not at the level of top models and at times you can notice slight tearing on the edges, but in this price range, the effect is fully acceptable.

However, the actual digital image processing performs much worse, as aside from the scaling, it practically doesn’t exist. In the JP7 menu, we won’t find any options that would effectively smooth out unwanted tonal transitions or reduce noise in the image. As a result, the signal hits the panel in a very raw form, which with heavily compressed materials (e.g., from YouTube) results in noticeable posterisation. Either this is a programming error or a very strange design decision, because in earlier Sharp models this function was available and, more importantly, worked with noticeable effect. Here, we are stuck with what the source delivers, without any digital support from the image processor.

The maximum refresh rate that we can set on TCL C855 is 144 Hz. Naturally, this is only possible when connecting the TCL C855 TV to a very powerful PC. Otherwise, we will operate at a maximum refresh rate of 120 Hz, which is recommended if we primarily want to watch sports or content with a high level of motion dynamics. For those who require high fluidity of image, the manufacturer has implemented a multi-level motion smoother. It has been divided into two separate sliders that adjust the sharpness of moving images (Blur Reduction) and judder (Judder Reduction). Both sliders can be set in the range of 0 to 10, with each level affecting the degree of smoothing, so everyone can find their sweet spot. We present a setting that allows for slight smoothness without the soap opera effect.

The panel of TCL C855 features a very good response time. This is especially important, as VA panels often have issues with so-called ghosting, which is the effect where a black halo can be noticed behind a fast-moving object.

The motion fluidity on the Sharp JP7 is quite average, and the reason is simple: the TV uses a 60Hz panel. This immediately makes it hard to recommend for watching sports or serious gaming, where higher refresh rates are already the standard. The only real plus is the presence of a motion smoother, which we can control in films with a slider called De-judder. Lower settings give a more raw, “cinematic” (framey) image, while higher ones add artificial fluidity. We suggest setting it somewhere in the middle of the scale, around 3-5 – this is the best compromise to avoid the soap opera effect while also getting rid of the annoying image skipping. Interestingly, in the menu, we also find a slider for "motion blur reduction," which usually indicates the presence of a 120Hz panel. However, in the case of the JP7, it doesn’t actually enhance the image and serves more as a dummy – it looks good in the settings, but technically it shouldn’t work on this panel.

The TCL C855 television is equipped with full HDMI 2.1 ports with a bandwidth of 48 Gb/s. During our tests, we confirmed the seamless operation of all functions that come with this standard. As you can see, all the checkboxes light up green, which will certainly be appreciated by gamers, both console and those using the television as a computer monitor. Additionally, the TCL C855 supports both AMD FreeSync and NVIDIA's G-Sync, which can be easily activated in the graphics card settings. Users with very powerful setups can provide a 144 Hz signal to the C855, which the television handles effortlessly. It's also worth mentioning the implementation of the HGIG mode, which, due to the shortcomings of the "Game" mode, is overly bright, making it difficult to configure properly on-screen. Fortunately, the television performs excellently with the Dolby Vision format.

The TCL C855, as one of the first manufacturers, has equipped its televisions with a special GameBar feature that allows extensive setting changes on the fly, without the need to exit the game. It includes functions such as an additional crosshair grid, black level correction, and settings for individuals with disabilities. In the photo, we see the next generation of this solution.

In summary, the TCL C855 television will be an ideal solution for those looking for a screen for any kind of electronic gaming. With all the features supporting such entertainment, it is incredibly engaging. It should also be emphasized that it has very low input lag, regardless of the selected settings, including with the Dolby Vision HDR format.

As we mentioned earlier, the 60Hz panel is not a feature that will attract gamers to the Sharp JP7. Perhaps for the casual gamer, whose console still generates most titles at 60 frames per second, there might be something interesting? When it comes to specific additions, we find here:

• ALLM mode: Automatically switches the TV to low latency game mode (input lag).

• Player menu: Which is hard to call a fully-fledged “Game Bar,” as the functionality is minimal. Aside from enabling ALLM, there’s only a dedicator for gaming which we advise against as it introduces very noticeable artifacts and spoils responsiveness.

• Dolby Vision Gaming: For Microsoft's consoles.

Unfortunately, the list of shortcomings is much longer and more painful than the positives. The biggest disappointment is the lack of support for 120Hz, even when reducing the resolution to Full HD. The presence of 120Hz would allow for performance modes to be activated in many games on the PS5 or Xbox Series X. Another shortcoming is the VRR, which means that during frame drops, we are susceptible to screen tearing. Very problematic is also the lack of proper implementation of the HGiG standard. This results in the fact that during HDR calibration in the console menu, it is very easy to "overshoot" the brightness settings. As a result, instead of clear details in the highlights, we end up with an unnaturally oversaturated image with cut-off details. The Sharp JP7 is a proposal only for those who game very occasionally.