TCL C655 / C69B (43" - 50") vs LG QNED86A / QNED85A / QNED87A

The quality of the HDR effect on the TCL C69B / C655 television is quite average. A brightness level of 350 nits, while not the worst, still does not allow for a full enjoyment of the HDR effects that require higher luminance to showcase their power. Additionally, the television, despite using a quantum dot coating (QLED), offers average coverage of the wide DCI-P3 colour gamut at 91%, which may limit its colour richness in HDR content.

Against the backdrop of contrast and black, the brightness of the QNED86A and the overall HDR effect fare much better. It's a television that can achieve around 700 nits under the best conditions, so in terms of luminance alone, there’s nothing to be ashamed of. As a result, scenes with strong lights, explosions, flashes, or bright parts of the landscape – look clear and can make an impression. Interestingly, even in tougher moments with small, contrasting elements on the screen, the television does well with backlighting and details are quite visible. The problem arises when there are many dark tones. The lack of effective local dimming means that black virtually disappears, and instead, we get a grey glow spreading across the entire screen. This kills the depth effect and causes the image to appear flat, as if it lacks cinematic character. In bright animations or family films with vibrant colours, this won't be an issue, as the colours and bright light dominate. But in horror films or productions set in darkness, these limitations are strongly felt. As a consolation, it’s worth noting that the QNED86A is essentially a QLED television with an LED PFS filter, which gives it very good coverage of wide colour gamuts. Both the DCI-P3 palette and the wider BT.2020 perform solidly here. This means that colours in HDR films are saturated, juicy, and have the right depth – even if the black itself is disappointing, the colours can save the viewing experience and make the image look appealing.

Tested in film mode, the television TCL C69B / C655 unfortunately does not meet expectations regarding colour accuracy. Although the film mode suggests better representation, it has as much in common with film as nothing at all. There are numerous errors, particularly in the white balance – for both HD and 4K HDR content – where the dominance of blue is very apparent. For the viewer, this means that the image becomes unnaturally cool, affecting the overall perception of colours and the visual impression. The colour checker confirms these errors, showing that colours shift towards cooler shades.

When it comes to brightness characteristics and related contrast, gamma is very unstable for the material, making the image potentially slightly darker. The EOTF curve for the 4K material shows some errors, with significant deviations towards the end of the graph, which negatively affects the perception of darker parts of the image.

We primarily tested the QNED86A in Filmmaker mode, which is designed to provide the most faithful picture. Unfortunately, right out of the box, there were quite a few shortcomings. The most glaring issue was the poorly calibrated white balance – there was a lack of blue, which caused the overall image to take on a slightly yellowish, and sometimes even an orange hue. An even bigger problem was the way the television manages brightness. Due to its technical limitations – that is, local dimming functioning only along the edges of the screen – the QNED86A has a tendency to oversaturate entire scenes. This is where the flattening of the image that we mentioned earlier comes from. Instead of clear depth and contrast, we get something akin to "boosted brightness," which, in the long run, can strain the eyes.

After calibration, the movie mode on the TCL C69B / C655 television improves in quality. The most significant enhancement can be seen in tonal reproduction, and the white balance presents itself much better – without major errors. We will no longer see the excessive dominance of cool shades. The gamma has also been improved, resulting in a more stable representation of brightness and contrast. However, due to limitations in the average colour palette of the television, Colour Checker tests for 4K materials did not achieve outstanding results. Despite these technological limitations, the image became more authentic, positively impacting the reception of film content.

What was saved in the QNED86A6A is undoubtedly the colours. After calibration, the white balance was set with great precision, ensuring that deviations on the Colour Checker palette mostly did not exceed the visibility threshold for the human eye. In other words – the colours finally looked natural, without strange yellow or orange tones that had previously marred the perception. Unfortunately, even the best calibration cannot overcome structural limitations. The already mentioned very modest number of local dimming zones and their unfortunate placement meant that the analysis of the EOTF curve in films still showed noticeable scene over-exposures. The image tended to flatten, lacking cinematic depth. Fortunately, this effect is not as visible in older productions or in SDR content. There, calibration really does its job and allows the QNED to be tamed so the image can be pleasing. However, the specifics of this construction – especially the contrast issues – cannot be completely bypassed.

The "Gradual Smoothing" feature works very well on the TCL C69B TV and, surprisingly, does not remove desirable effects like film grain – unlike some solutions from other manufacturers. Unfortunately, when it comes to image scaling, it looks poor. The TV artificially sharpens the image, causing the edges of objects to appear quite jagged. This situation may appeal to some users who prefer a more "hard" look to the image, but it is not an ideal solution for those who value naturalness and fluidity of details.

If someone is worried about potential "steps" when blending colours, the QNED86A has a simple solution for that. Just turn on the feature called Smooth Gradation and set it to the medium level. Then the TV really smooths out all those unwanted transitions – especially in older productions – and it does so in a way that the film grain doesn’t disappear, nor do any strange artefacts appear. In other words, you can use it without any worries.

The upscaling itself also turns out quite well. Of course, there are no miracles here – with poorer quality sources, you can notice characteristic jagged edges. Fortunately, there is a sharpness slider in the menu, and if someone prefers a more "soft" image, it can be quickly adjusted to their own taste.

Television TCL C69B / C655 in its smallest variants offers decent, though not perfect, results in terms of motion smoothness. For movies, the television features a "Flicker Reduction" function, which allows for adjustment of motion smoothness on a scale from 1 to 10. Thanks to this option, we can tailor the image appearance to either a cinematic or more theatrical preference (with less or greater speed).

QNED86A has been equipped with a 120 Hz refresh rate panel, so right from the start, it can be said to be suitable for both sports and gaming. And indeed it is – the picture looks smooth, and motion blur isn’t too much of an issue. IPS panels have always had a bit of a problem with this, and here too you can sometimes notice slight blurring, especially in very dynamic scenes, but it’s not something that ruins watching a match or a fast-paced game. For cinema and sports fans, LG has included the traditional TruMotion smoothing feature. In the menu, we have two sliders – one for movies (De-Judder), and the other for sports (De-Blur). The first adds missing frames and allows you to adjust the character of motion – from raw, cinematic to a more fluid, “theatrical” feel. The second improves sharpness during dynamic actions, so it’s worth turning it up a bit if you watch a lot of sports.

The TCL C69B / C655 TV in its smallest variants offers a range of features dedicated to gamers, such as ALLM (Automatic Low Latency Mode), VRR (Variable Refresh Rate), Dolby Vision for gamers, and Game Bar. ALLM automatically switches the TV to low latency mode, improving responsiveness and minimising delays in control. VRR allows for synchronising the screen refresh rate with the frame rate generated by the console, eliminating screen tearing and providing smoother gameplay. Dolby Vision for gamers ensures better colour and contrast representation in games that support this format, resulting in better image quality. Meanwhile, the Game Bar provides quick access to game settings and monitors key parameters such as input lag.

However, the TV has certain limitations that may affect gaming comfort. The 60 Hz panel does not allow for displaying signals with a higher refresh rate, which can impact image smoothness in dynamic games. The lack of support for G-Sync technology for PCs can also be noticeable when gaming on a computer, especially in demanding, fast-paced titles.

When it comes to gaming, the LG QNED86A6A is a complete tool. It features four HDMI 2.1 ports with a full bandwidth of 48 Gb/s, which means that whether you connect a PlayStation 5, an Xbox Series X, or a powerful PC – everything will work in full 4K at 120 Hz with support for all functions. This is a significant advantage, as some competitors still only feature two such ports, which can be troublesome when dealing with multiple devices. It also includes VRR, or variable refresh rate, which eliminates screen tearing, and ALLM, which automatically activates game mode when the console powers on. Dolby Vision Gaming is included as well, alongside proper implementation of the HGiG format, so titles that support these formats look livelier and more detailed. Additionally, there's the Game Optimizer – a kind of control centre for gamers. From this interface, you can view image parameters in real time, quickly switch modes, activate additional features, or adjust picture settings to your own preferences. The LG QNED86A6A has basically everything you would expect from a modern gaming television.