TCL C655 / C69B (43" - 50") vs LG OLED C6 (WOLED)

The quality of the HDR effect on the TCL C69B / C655 television is quite average. A brightness level of 350 nits, while not the worst, still does not allow for a full enjoyment of the HDR effects that require higher luminance to showcase their power. Additionally, the television, despite using a quantum dot coating (QLED), offers average coverage of the wide DCI-P3 colour gamut at 91%, which may limit its colour richness in HDR content.

The HDR performance of the LG C6 is really very good. LG Display’s new WOLED panel has mainly brought a significant increase in brightness. In our unit we measured around 1500 nits and, importantly, the TV can show similar values in many normal movie scenes as well. That gives HDR real punch. Bright highlights, lamps and sunlight can be genuinely intense, and most HDR movies simply look very impressive. Of course it’s still an OLED, so brightness falls in scenes with a lot of white. The fifth scene from the movie The Meg illustrates this well, where the C6 reached around 600 to 700 nits. That’s still a very good result, but it also shows the new panel hasn’t shed all the limitations typical of OLEDs.

Colours

When it comes to colours, it’s also hard to raise major objections. The C6 covers about 99% of the DCI-P3 gamut and roughly 75% of BT.2020. In practice colours are very saturated and, importantly, stable regardless of the scene. That’s worth emphasising, because not every TV behaves the same in this respect. In some RGB Mini LED models colour saturation can depend more strongly on image brightness. A wider colour gamut today is mainly offered by QD-OLED TVs and new SQD models with a new generation of quantum dots. However, the C6 still performs very strongly here and is able to produce suitably saturated colours in most movie scenes.

Tested in film mode, the television TCL C69B / C655 unfortunately does not meet expectations regarding colour accuracy. Although the film mode suggests better representation, it has as much in common with film as nothing at all. There are numerous errors, particularly in the white balance – for both HD and 4K HDR content – where the dominance of blue is very apparent. For the viewer, this means that the image becomes unnaturally cool, affecting the overall perception of colours and the visual impression. The colour checker confirms these errors, showing that colours shift towards cooler shades.

When it comes to brightness characteristics and related contrast, gamma is very unstable for the material, making the image potentially slightly darker. The EOTF curve for the 4K material shows some errors, with significant deviations towards the end of the graph, which negatively affects the perception of darker parts of the image.

Right out of the box the LG C6 is quite well set up, especially if you choose the Filmmaker mode. In SDR material the white balance is decent, although as brightness increases there is a slight lack of red. The image becomes a bit cooler, but not enough for it to be very noticeable during normal viewing. More is happening in the brightness characteristic. Gamma is a little low and instead of holding at 2.4, for a large part of the range it sits closer to 2.1–2.2. In practice the C6 slightly brightens midtones. Shadows are therefore more readable, but the image loses some depth compared with how it should look in a darkened room.

In HDR the situation is a bit more interesting. The start of the greyscale looks very good, but from about 20–30% brightness the white balance starts to drift increasingly. As brightness rises there is more red and a noticeable lack of blue. In the brightest sections the difference is already significant and also affects the reproduction of some colours. The EOTF curve itself is followed quite well through most of the range. The C6 only tends to slightly brighten the image, which we also saw in our film comparisons. The largest deviation appears around the brightest parts, where the TV starts adapting the signal to the panel's capabilities.

The factory Filmmaker setting in HDR is therefore not perfect, but overall performs well. The biggest area for improvement is the white balance, especially at high brightness.

After calibration, the movie mode on the TCL C69B / C655 television improves in quality. The most significant enhancement can be seen in tonal reproduction, and the white balance presents itself much better – without major errors. We will no longer see the excessive dominance of cool shades. The gamma has also been improved, resulting in a more stable representation of brightness and contrast. However, due to limitations in the average colour palette of the television, Colour Checker tests for 4K materials did not achieve outstanding results. Despite these technological limitations, the image became more authentic, positively impacting the reception of film content.

LG TVs have long responded very well to calibration, and the C6 is no exception. After adjustments we managed to set the white balance practically perfectly, and most colour errors fell below 3, often down to around 2. In practice this means very accurate colour reproduction in both SDR and HDR. An interesting detail only appeared with the HDR brightness response. On a classic EOTF chart everything looks almost perfect and at first glance it would be hard to find fault. Only when we measured the TV’s behaviour using filters based on real film scenes did it become clear that the C6 has a slight tendency to artificially boost image brightness.

It’s not a huge difference and many viewers may even see it as a positive, because HDR looks a bit more striking as a result. From the point of view of fidelity to the source material, however, it’s not ideal — some scenes are simply a touch brighter than the filmmaker intended. Interestingly, this is rather unusual for LG. In previous generations the brand’s TVs typically held very closely to the reference picture curve after calibration. The C6 is still very close to the standard, but that subtle brightness 'boost' can indeed be noticed in films and TV series.

The "Gradual Smoothing" feature works very well on the TCL C69B TV and, surprisingly, does not remove desirable effects like film grain – unlike some solutions from other manufacturers. Unfortunately, when it comes to image scaling, it looks poor. The TV artificially sharpens the image, causing the edges of objects to appear quite jagged. This situation may appeal to some users who prefer a more "hard" look to the image, but it is not an ideal solution for those who value naturalness and fluidity of details.

Here the LG C6 has taken a really big step forward. The TV uses the same processor found in the flagship G6, and in terms of image processing the two models are very close. That's a big plus, because in this area LG's processor this year performs excellently. The "Smooth Gradation" function works particularly well. With heavily compressed material it can effectively hide ugly tonal banding and artefacts that often appear, for example, in lower-quality streaming. It's best to leave it on the "Low" setting. Then the improvement is clear, and the TV doesn't yet start blurring fine detail. Higher levels smooth the image more aggressively, but can already remove some of the natural texture of objects on screen. Upscaling itself also performs very well. Lower-resolution content is properly sharpened, edges look clean, and the processor quite effectively reconstructs fine details. In that respect the C6 is really close to LG's best TVs and the differences compared with the G6 are small.

Television TCL C69B / C655 in its smallest variants offers decent, though not perfect, results in terms of motion smoothness. For movies, the television features a "Flicker Reduction" function, which allows for adjustment of motion smoothness on a scale from 1 to 10. Thanks to this option, we can tailor the image appearance to either a cinematic or more theatrical preference (with less or greater speed).

The LG C6 features a panel with a maximum refresh rate of 165 Hz, which is great news especially for gamers using a powerful PC. For movies, sport and consoles we’ll of course be limited to 120 Hz at most, but even then it’s hard to fault the motion clarity. As you’d expect from an OLED, the panel’s response time is near-instant. Moving objects therefore don’t leave the characteristic smearing you still see on LCD TVs. This is especially noticeable in sport and fast-paced games, where the picture remains very clean even during dynamic movement.

For movies and TV, LG has also included a motion smoothing system called TruMotion. In the user settings you’ll find two separate sliders. De-Judder is primarily for low-frame-rate material, namely movies and TV series at 24 fps. You can use it to slightly reduce the characteristic judder or increase it if you prefer a much smoother picture. De-Blur, on the other hand, is useful for higher-frame-rate content, mainly sports broadcasts and 50/60 fps TV.

The TCL C69B / C655 TV in its smallest variants offers a range of features dedicated to gamers, such as ALLM (Automatic Low Latency Mode), VRR (Variable Refresh Rate), Dolby Vision for gamers, and Game Bar. ALLM automatically switches the TV to low latency mode, improving responsiveness and minimising delays in control. VRR allows for synchronising the screen refresh rate with the frame rate generated by the console, eliminating screen tearing and providing smoother gameplay. Dolby Vision for gamers ensures better colour and contrast representation in games that support this format, resulting in better image quality. Meanwhile, the Game Bar provides quick access to game settings and monitors key parameters such as input lag.

However, the TV has certain limitations that may affect gaming comfort. The 60 Hz panel does not allow for displaying signals with a higher refresh rate, which can impact image smoothness in dynamic games. The lack of support for G-Sync technology for PCs can also be noticeable when gaming on a computer, especially in demanding, fast-paced titles.

LG has long focused heavily on gamers, and the C6 essentially lacks nothing important. The TV supports 4K at 120 Hz from consoles, and when connected to a PC it can even run at 165 Hz. On top of that there’s VRR from 40 to 165 Hz, ALLM and a properly functioning HGiG. Another big plus is support for Dolby Vision in games, so the Xbox Series X can use that format without giving up game mode. The package is rounded out by the Game Bar, which lets you quickly check key signal parameters and change settings without leaving your game. In terms of features alone, the C6 is one of those TVs it’s really hard to fault. Whether you play on PlayStation, Xbox or PC, practically everything you could expect from a modern gaming TV is available here.