Sony X90L vs Samsung The Frame 2025 (LS03F)

HDR on the Sony X90L television looks promising. The luminance chart indicated that the TV has a solid power reserve, achieving a maximum of 1000 nits in synthetic tests. But how does this perform in real-world scenarios? In scenes such as the opening of Life of Pi or the final sequence from The Meg, the TV is capable of delivering that power on HDR content, reaching around 800 nits. Unfortunately, displaying small light elements on a black background, like in the scene from Sicario 2, presents greater challenges for the X90L – here the results reach around 600 nits. Nevertheless, when looking at competitive models with mini-LED technology, the effect looks very good and can shine enough to impress us. The colour gamut coverage is also noteworthy, with a result of 96% for DCI-P3 and 76% for BT.2020, which indicates good colour reproduction in HDR content.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks solid on paper. But as we know – lab tests are one thing, and real film scenes are quite another story. When watching HDR materials in natural conditions, The Frame 2025 maintains very good results. In most film scenes, peak brightness stayed at around 550–650 nits. This is enough to feel the difference between standard picture and that in HDR quality – bright highlights, reflections on water, or moonlight look distinct and impressive.

It's also worth noting that the LS03F is a QLED television, which translates to solid colour saturation. The coverage of the DCI-P3 colour space reaches about 92%, allowing for vibrant, intense colours in HDR content. It's not at the level of top premium models, but for a lifestyle screen – the result truly deserves recognition.

The best mode on Sony televisions is the IMAX Enhanced mode. Although IMAX is mainly associated with the cinema experience, the colour reproduction out of the box is average here. In the case of lower quality materials, such as HD – regular television or YouTube – it's worth paying attention to the white balance. It suffers from a shortfall in red and excessive dominance of blue, which gives the image a pinkish hue. The brightness characteristic, or gamma, for HD content is quite acceptable, but a slight boost can cause the image to appear washed out and look as if it’s behind a light fog.

For 4K HDR content, the situation is somewhat different. The white balance shows a significant boost in blue, which makes the image unnaturally sharp and gives it an artificial feel. Such an exaggeration in colour reproduction may not appeal to everyone, especially if one prefers more realistic tones. Additionally, the EOTF curve in Sony X90L looks quite acceptable at first glance. However, at the end of the graph, there are certain fluctuations that suggest the television is trying to maintain the correct brightness to avoid overexposing larger elements.

When it comes to picture quality right out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were some issues. In both HD and 4K HDR content, we noticed clear deviations in white balance. The picture was heavily skewed towards red and blue, giving the screen a distinctive pinkish hue. This effect was most noticeable in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. In such moments, the screen clearly took on pink tones, which is also evident in the attached comparative photo. As for brightness characteristics – it wasn't as bad as one might expect given such colour inaccuracies. Analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically spoil the viewing experience.

Sony offers many tools for improving picture quality, including two extra picture modes that we decided to use during testing and apply calibration to. This solution greatly simplifies the calibration process and is very effective, provided you have the right tools. In the case of HD content, white balance was almost perfectly aligned – only one shade of grey exceeds an error value of "1", which is a great result. The same can be said for the brightness characteristic (gamma), which presents almost perfectly, with microscopic deviations of around 0.01.

For 4K HDR content, the situation is not as ideal. Although white balance has been significantly improved, it was not possible to completely eliminate the dominance of blue. Nevertheless, errors in the Colour Checker test only occasionally exceed the value of "2", which means that picture distortions are practically unnoticeable. When it comes to the EOTF curve, it's worth activating the filter in the top right corner "EOTF in Films" – the graph looks correct, but the TV struggles with illuminating very small elements, which is due to the limited number of backlight zones. Despite these minor errors, it's thanks to the calibration that the IMAX Enhanced mode in the Sony X90L makes watching movies feel like a true cinema experience.

After calibration, the movie mode gained a completely new quality. The issue of the pink tint, which was previously clearly visible, especially in bright scenes, has been effectively eliminated. Colours started to look significantly more natural, and the white balance no longer dominated the rest of the image. It was no longer the same oversaturated "picture from a box" – everything took on coherence and a cinematic character. Additionally, the tendency of the TV to slightly brighten scenes, previously visible in the EOTF curve analysis, has been partially corrected. Of course, within the limits of what the design allows without local dimming – it's difficult to speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one might expect from a mode named Filmmaker.

The Sony X90L television features a smooth tonal transition function known as Gentle Gradation, which is incredibly effective. Even at the "low" setting, the effects are satisfactory, but at the "medium" setting, it works like a dream – we recommend using this option for the best results. The image scaling on the Sony X90L is simply excellent. The image is not overly sharpened, which gives a natural effect and makes everything look cohesive. It's clear that the engineers have really put effort into this aspect, creating a solution that impresses and performs well in everyday use. This means that even when watching content like regular television or YouTube, where the image is by nature not stunning, you can enjoy a smooth, coherent, and visually pleasing experience.

LS03F is equipped with an NQ4 processor, which is responsible for improving image quality – especially in lower-quality materials. In practice, it works surprisingly well, particularly when it comes to older content and recordings with lower resolution. Activating the "noise reduction" feature delivers noticeable results. The television effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear improvement – earlier, this feature often smoothed everything too much, including details that it shouldn't have removed. In this year’s model, the smoothing still occurs, but it happens in a much more acceptable way. Textures of materials, skin, or fabric details are not as heavily muted as before – the image retains more naturalness. However, this does not change the fact that film grain is still removed by the television, which may not appeal to everyone. On the other hand, it's no longer such an aggressive intervention as in previous models. It's also worth mentioning that the LS03F may struggle with very weak signals – for example, from VHS tapes or low-resolution video. In such cases, we noticed slight clipping of the image at the edges – the so-called overscan. This can lead to situations where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

Sony X90L with a 120 Hz display is an excellent choice for both gamers and film enthusiasts. The television is equipped with the Motion Flow smoothing feature, which allows for adjusting motion smoothness using two sliders: "smoothness" and "clarity". The "smoothness" slider controls the level of motion fluidity, which affects the reduction of image stuttering, while "clarity" is used to reduce blurriness and enhance motion sharpness, which is especially useful in dynamic scenes.

The new feature in The Frame for 2025 is a 144 Hz refresh rate display. Yes – in a television primarily associated with displaying works of art, you can now not only watch Van Gogh, but also comfortably play on a console or follow fast-paced sporting events. This is a significant step towards greater versatility. In the case of Samsung movies, as usual in models with a 120 Hz display and above, it allows you to adjust motion fluidity according to your preferences. You can set a more cinematic reproduction that maintains frame rate or opt for complete image smoothing. The range of options is broad, allowing you to tailor the effect to your tastes – regardless of whether the screening is meant to look like classic cinema or a performance on a modern theatre panel.

*this part of the test refers to the model LS03FAU in sizes 55 and 65 inches, which is equipped with a 144Hz display; the sizes 43 and 50 inches have 60Hz displays, and consequently perform much worse in terms of motion fluidity.

Sony X90L is a TV that performs well in terms of compatibility with consoles and features for gamers. Its 120 Hz panel and two HDMI 2.1 ports with a bandwidth of 48 Gb/s allow for smooth playback of high-resolution games at high frame rates. Gamers can also take advantage of the ALLM feature, which automatically switches the TV to low latency mode, and VRR, which ensures smooth gameplay without frame tearing. The Game Bar is an added bonus – an intuitive tool that provides quick access to essential settings and gaming features, making it easier to control the gameplay.

Unfortunately, when it comes to HDR in games, the Sony X90L has its limitations. It lacks support for HGiG, a standard that many gamers consider crucial for accurate HDR representation in games. While the TV supports Dolby Vision, which theoretically could enhance image quality in games, the practical implementation of this feature is problematic. Dolby Vision in game mode comes with very high input lag, making gameplay less comfortable and precise movements more difficult. Additionally, Dolby Vision cannot be enabled alongside VRR. This means that despite numerous advantages, gamers seeking the perfect HDR in games may feel unsatisfied.

As we mentioned earlier – although The Frame likely displays images and artwork for most of the time, Samsung recognised that a Van Gogh fan could just as easily be an avid gamer. And it must be said that The Frame 2025 has almost everything to become a fully-fledged gaming TV.

Onboard, we find support for ALLM (Auto Low Latency Mode) and Variable Refresh Rate (VRR) thanks to the implementation of a single HDMI 2.1 port. The TV handles lower resolutions at higher refresh rates effortlessly and features an expanded Game Bar – already known from other Samsung models – which allows for quick preview and adjustment of key gaming-related settings. For this, it gets extra points from us. Noteworthy is also the proprietary motion smoother, Auto Motion Plus Game, which – and this is worth emphasising – works without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically unnoticeable way regarding delays. The result? Much better fluidity in games, especially those that struggle to maintain a stable 60 frames. This solution can genuinely improve gaming comfort in more demanding titles – particularly on consoles that don’t always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already something we consider standard in Samsung TVs, so there’s not much to specifically nitpick here. However, the problem lies elsewhere. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it’s gone. This is a significant inconvenience when configuring the console for proper HDR content display in games. It's hard to understand why such a decision was made, but one thing is certain – this needs to be fixed as soon as possible. We’re talking about a brand that has set standards for gaming on TVs for years. If HGiG returns – and we hope it does – The Frame LS03F can confidently aspire to be a proper gaming TV. Not only as a decoration on the wall, but as equipment that truly enhances the gaming experience.