Sony BRAVIA 5 (XR5) vs LG QNED93A / QNED90A

Looking at similar results in terms of black levels and contrast, we expected the same stable performance as last year's model when it comes to HDR content. Unfortunately – and this must be said plainly – there has been a regression here that is hard to miss. The paradox is that the peak brightness of the Bravia 5 can be impressive: in our synthetic tests, the TV reached around 1000 nits in HDR. Sounds great, right? The problem is that this power doesn't always have a real impact on all movie scenes. When small, pinpoint elements appear on the screen, something that in Sony's case was usually fine-tuned with surgical precision, this time it clearly falters. The algorithms try to maintain deep blacks around small objects, but the side effect is that details can be dimmed to the point of becoming barely visible. One only needs to bring up the example of the movie Sicario 2 – there, in some scenes, small light sources practically vanished as if someone had covered them with dark film.

Of course, not everything looks so dramatic. In simpler, brighter scenes, where the image is filled with more light, the Bravia 5 shows that it can shine: literally and figuratively. At those times, the TV achieves values in the range of 600–800 nits, which we saw both in synthetic tests and during movie screenings. The impression is really positive; the brightness adds dynamism, and the colours look vibrant and fresh. However, there remains a certain dissonance. We feel a slight confusion because it is evident that something has gone in the wrong direction. Technological progress – more zones, more backlight power – has not been supported by the kind of refined image management that we usually associate with Sony. Fortunately, there are elements that have not been compromised and are actually at a very high level. We are talking about colour reproduction. Thanks to the use of the PFS filter, the colour palette coverage is excellent – about 97% DCI-P3 and 75% BT.2020. These values allow for a truly wide colour reproduction, giving films a natural and cinematic character.

Although the number of local dimming zones in the LG QNED93A hasn’t directly translated to noticeably better contrast, it’s hard to deny this model one thing – it’s brighter than its predecessor. In synthetic tests, we recorded values around 1400-1500 nits, and more importantly, these results are reflected in real film scenes. In full-screen sequences flooded with whites or bright lights, the screen was able to maintain high luminance, providing a truly decent amazing HDR effect. Unfortunately, where the TV could show true class, that is in scenes requiring precision, all the magic dissipates. The dimming algorithms we mentioned earlier operate aggressively enough that small, bright objects – like distant lights, stars, or the moon – can almost completely disappear. Just look at the test scenes from the film Pan or Sicario 2 (screens 2 and 4) to see how subtle details are dimmed to the limits of their visibility. It’s a pity because a greater number of zones could theoretically translate to significantly better performance. Fortunately, there are also strong points. The QNED93A performs well in terms of colour gamut coverage, achieving around 96% of the DCI-P3 standard. As a result, colours in films look rich and full, and the image doesn’t lose intensity even in more demanding scenes. So, it can be said that the HDR in this model is solid, although the underdeveloped local dimming algorithms hinder its full potential.

Sony Bravia 5 was obviously tested in the best possible mode, which is the Movie mode. Right out of the box, it delivers the most natural colours, definitely better than anything offered by the "eco" or "dynamic" modes, which are more suited for a store display than a living room. However, the Movie mode alone does not guarantee that we can always expect cinematic picture quality. In SDR content, we had no significant complaints – the slightly warmed white balance gave the scenes a golden hue, but it was nothing that was glaring. However, a problem arose with HDR materials. Here, the colour reproduction simply looked bad. The white balance was heavily skewed – with an excess of blue and a clear lack of red. At times, it resembled the store mode of "super vivid picture," where everything is blown out and artificially boosted.

This situation made brightness management seem too aggressive as well. The EOTF graph clearly showed that the television has trouble with overexposing many scenes right out of the box. And while we know what Sony televisions are usually capable of, it was hard to remain indifferent here – that’s why we quickly decided to go for calibration.

In film mode (more specifically Filmmaker), the colour reproduction in the QNED93A was relatively accurate, although there were some reservations. In SDR content, the white balance leaned towards warmer tones, resulting in a slight yellowing across the entire screen. Gamma, on the other hand, led to a slight lightening of the image, making it look a bit less natural, especially in scenes that required precise shading (this is evident in the comparison photo). This isn't a problem that immediately stands out to every viewer, but more discerning individuals may feel that the image deviates from the intended aesthetic of the filmmakers. In HDR materials, the situation looked a bit different. The white balance here was quite good, ensuring that whites did not take on pink or unwanted green hues. However, the brightness management turned out to be an issue. An analysis of the EOTF curve revealed that at certain moments, the television could be distinctly too dark where it shouldn't be, losing some details and lowering the realism of scenes. This detracted from the HDR effects, which were theoretically meant to be the most impressive. For this reason, we decided to conduct a calibration.

After calibration, the situation changed dramatically. We managed to tune the white balance so that entire scenes began to look more natural, and the image gained coherence and elegance. In HDR, we finally got rid of that unwanted clipping effect that had previously spoiled some shots. Suddenly, it turned out that the Bravia 5 can extract much more from films than the first contact "straight out of the box" suggested. Indeed, if we look at the graphs and compare them with the standards, we can see that the beginning of the EOTF curve slightly strays beyond the reference line. However, this is not so much a calibration error as it is a natural limitation of the Mini-LED technology that cannot be bypassed. Sony, rather than clinging tightly to perfect black, prefers to prioritise the visibility of details – and in practice, it’s hard to disagree with that. We prefer to see the texture of the material on the screen rather than a pitch-black spot where all nuances disappear.

The calibration itself was really beneficial. After about an hour spent on settings, we felt that the image resembled that of the best cinema halls – of course on a home scale, but with the same sense of quality and refinement. And in such moments, we remember why we love Sony televisions: because once we fine-tune them, they reward us with a picture that captivates for long hours.

After professional calibration, the Filmmaker mode in the QNED93A has improved primarily where it matters most in everyday use. We managed to straighten the white balance and eliminate the yellowish tint in SDR content, which is what we watch most often – television, streaming services, or standard quality movies. As a result, the colours look natural and pleasant, making the overall viewing experience significantly more comfortable. In HDR mode, we also made corrections, but here the biggest issue turned out to be the EOTF curve. Although LG provides some leeway in the settings, the television still controls brightness on its own terms. It's clear that the local dimming algorithms are not fully refined and can ruin the viewing experience by dimming parts of the picture at inappropriate moments. Nevertheless, it’s worth opting for calibration of this model, especially the mode intended for everyday viewing.

Bravia 5 carries the genes of Sony, which remain intact – and thank goodness for that, because we're talking about absolutely exceptional digital image processing. It's no coincidence that for years, it's been considered that TVs from this brand set the standard for how a screen should handle lower quality materials. If someone still watches classic television, old films, or YouTube in lower resolutions, here they get equipment that can turn such content into a surprisingly enjoyable experience. On board, we find several tools worth activating. The first of these is "digital noise reduction." Set to a medium level, it works superbly – smoothing out tonal transitions that usually cause the most trouble in low-quality materials while introducing no artificial artifacts. Importantly, it also doesn't remove the cinematic character, which is the natural grain that is intentionally present in many productions. Another advantage of the Bravia 5 is the upscaling capabilities of the XR processor. The image presented after scaling is soft, yet sharp and clear. The outlines of characters are well-defined, and backgrounds maintain their texture without excessive artificial sharpening. It's hard to find a better TV for watching lower quality materials – Bravia 5 only confirms why Sony is considered the benchmark in this area.

The LG QNED93A turns out to be a very solid television for everyday use. Its image processor performs excellently with upscaling, making even older films or free-to-air television sharper and more detailed. During the screening of 'The Godfather,' it’s clearly visible how upscaling brings out additional details from the image – the characters’ faces and the texture of their clothing look significantly clearer than in the original material.

The digital image processing also deserves praise. The television is equipped with a function that reduces unwanted colour banding and screen irregularities. It works best in the 'Medium' setting – subtly smoothing tonal transitions without overly interfering with the image. This way, the natural film grain is preserved, and the screen does not appear artificially smooth. Perhaps in some scenes, slight colour banding can still be noticed, but in practice, the effect is more advantageous than with a stronger intervention from the algorithm.

Bravia 5 has a 120 Hz panel, which in itself sounds like an invitation to watch sports, fast matches or spectacular action films. However, the real magic begins when MotionFlow – Sony's proprietary motion smoother – comes into play. Thanks to this feature, we can adjust the character of the picture to our own preferences. The "smoothness" slider allows us to transition from a cinematic feel with a slight "judder" to a theatrical fluidity, where every ball in the match glides across the screen as if on a string. The higher the value, the smoother and more fluid it is; the lower it is, the more film-like and natural it becomes. In the options, we also find an additional setting that Sony calls "clarity". This is nothing more than the BFI function (which inserts black frames) aimed at improving motion sharpness. It sounds great in theory, but in practice, it must be used with caution. Why? Because all higher settings cause brightness drops of up to half, and in some cases, contour doubling also appears. So if we want to use it, we recommend setting it to the lowest level – "1" out of the available ten. That way, we gain a bit better motion sharpness without risking losing half the brightness of the picture.

LG QNED93A has been equipped with a 144 Hz panel. This is primarily a nod to gamers, but the fact that higher refresh rates are increasingly appearing in televisions can be viewed positively. In everyday viewing, 120 Hz remains key, and in this regard, the QNED93A performs well. The manufacturer also provides the option to adjust the picture thanks to the TruMotion system – the De-Judder and De-Blur sliders allow you to choose between a cinematic motion feel with visible frames and full smoothing with theatrical motion.

In the Bravia 5, there is a significant improvement compared to the X90L model from two years ago. The television offers literally everything its predecessor had, but this time the issues that could frustrate gamers have been addressed. Problems with setting the variable refresh rate (VRR) have disappeared, and there are no longer issues with configuring HDR content in HGiG mode. In short: we get a device that simply works as it should, without any hassles. So, the Bravia 5 has everything you can expect from a modern gaming TV – and it can be confidently advertised with the slogan "ready for PS5." That's something we couldn't say about the X90L model. Well done, Sony!

It's just a shame that this relatively high-priced model lacks a full set of four HDMI 2.1 ports. In everyday use, this won’t be an issue for most people, but if someone has a console, soundbar, and additional equipment connected via HDMI, at some point they'll have to choose or juggle cables.

LG QNED93A is a television that has undoubtedly been designed with gamers in mind. Right from the start, we get a complete package – all four HDMI ports operate in 2.1 standard, so whether we connect a console, a PC, or a receiver, we have full compatibility. This is important because many manufacturers still limit themselves to two ports, and here nothing stands in the way of having maximum capabilities for all the equipment. There’s also an automatic game mode (ALLM), which automatically switches the television to the appropriate settings when the console is turned on, as well as variable refresh rate (VRR). This means the image doesn’t stutter or glitch, even when the frame rate drops – whether in dynamic shooters or during races.

The 144 Hz panel gives an additional advantage in computer games. While 120 Hz is enough for consoles, the QNED93A allows PCs to push even more – every movement, every glance to the side is refreshed faster, which makes a difference especially in e-sports. The manufacturer also considered HDR in games – the television supports HGiG mode, which are guidelines intended to ensure that the lighting effects are exactly as the game developers intended. To top it off, we get Game Bar – a special information bar called up on the screen that shows parameters in real time. You can check the frame rate, active VRR functions, or input lag levels. This solution is useful not only for settings enthusiasts but for anyone who wants to quickly check what mode the television is operating in and whether everything is working as it should.