Samsung U8000F (VA) vs Blaupunkt UGC5500S

While the U8000F with its VA panel can still be praised for decent blacks, there are no such accolades when it comes to brightness—particularly in HDR scenes. The television only achieves a maximum of just under 250 nits, which is simply too low to talk about any impressive light effects. Bright elements appear washed out, and scenes that should shine look rather flat. An interesting situation occurred during our testing of a scene from the movie Sicario 2— the screen noticeably darkened, as if the television was trying to hide its limitations in displaying blacks. One might get the impression that the device artificially darkens the image to improve contrast, but in practice, the effect doesn't make much difference, apart from the fact that we see less on the screen. Additionally, there’s the issue of colours—the U8000F doesn’t support a wide colour gamut, so one shouldn’t expect vibrant, saturated hues known from better models. The HDR image here resembles a slightly brightened SDR and... maybe that’s not such a bad thing. For this model, it’s not worth expecting a cinematic experience—better to treat HDR as a modest addition.

We won’t beat around the bush here – if you’re looking for a TV strictly for cinematic HDR experiences, then you’ve come to the wrong place. Unfortunately, the Blaupunkt UGC5500S is not a machine built for such challenges. This is primarily due to its very low brightness, which we measured during our tests. A result of around 250 nits on movie screens speaks for itself. It’s simply too little to even consider any real HDR effect. To be honest, everything displayed in this format can confidently be seen as a somewhat “enhanced” SDR mode. We expected this, as practically every device in this price range falls short in this area, but we feel it’s our duty to warn you. Manufacturers love to brag about HDR compatibility on the boxes, but in reality, this format simply doesn’t exist here – it lacks the “fuel” in the form of brightness.

The situation is further complicated for Blaupunkt, as we’re dealing with a panel that has very basic coverage of the DCI-P3 colour gamut, reaching only about 80%. You won’t find any advanced coatings to expand these capabilities (like quantum dots), which means scenes that are supposed to burst with richly saturated colours appear simply underwhelming on this screen. Therefore, we have a particular piece of advice for you: don’t force HDR mode on this model. If you have the option in the streaming app settings – just turn it off. By sticking to the classic SDR mode, you’ll be sure that the TV won’t try to “enhance” something that it can’t handle hardware-wise.

Samsung U8000F has been tested by us in the best picture mode it offers out of the box – that is, Filmmaker Mode. This profile is supposed to theoretically provide a neutral, cinematic image, free of unnecessary enhancements and artificial beautifications. In the case of SDR content – mainly in HD or SD resolution – the television already presented itself surprisingly reasonably right out of the box. The only noticeable imperfection was brightness management. The gamma chart showed some deviations – slight brightening or dimming of certain tones – but in practice, this did not significantly affect the viewing experience. For a television in this segment, it performs quite well.

However, the situation in HDR mode looks significantly weaker. Although white balance was still acceptable, colour errors were very evident. In the Color Checker test, almost every sample was outside the target point, and the image itself appeared unnatural – colours were skewed, sometimes too cool, and at other times simply dull and lifeless. The main issue lies in hardware limitations – the U8000F does not support the wide colour gamut of DCI-P3, so it is physically unable to reproduce the colours that the HDR standard intends. Unfortunately, this is evident in almost every more demanding scene.

We also took a close look at how Blaupunkt handles colours in movie mode, and here the matter is, to put it simply, twofold. We must once again clearly separate what we see in the standard SDR format from what happens when HDR is switched on, as they are two completely different worlds. Let's start with the better side of the coin. If you're planning to watch traditional TV, YouTube, or older films on this television, you can count on really well-tuned colours. In our test sample, the white balance in movie mode performed exceptionally well, which honestly surprised us. Of course, to avoid being too rosy, we noticed some drawbacks. Looking at the gamma charts, we observed that the processor struggles with properly dimming the image in its brightest areas. Additionally, there is quite a strong, at times overly aggressive, red saturation, which resulted in visible errors in reproducing certain shades. Despite this, overall, the image in SDR is simply solid and watchable without a grimace on your face. Unfortunately, the magic fades when we re-enter the world of HDR. Here, Blaupunkt behaves as if we suddenly switched it to store mode, and in its worst rendition. The excess blue in the white balance is so significant that it’s glaring, ruining any realism in the scene. Furthermore, the television interprets brightness very loosely, which, upon analysing the EOTF curve, clearly showed that for most of the time, colours simply appear washed out and lacking depth. This is also perfectly evident in the colour errors that become apparent in this mode. Once again, we are left with the same conclusion: Blaupunkt in SDR mode looks significantly better and more natural than in HDR, which seems to be forcefully added without proper refinement.

Right out of the box, the U8000F offered a pretty decent picture in SDR for its price range. We managed to tweak it a bit further – we reduced a slight purple tint and improved the gamma characteristics, giving it a more natural curve. Despite these adjustments, the TV still has a tendency to overly brighten the brightest details – the gamma chart shows a clear break that cannot be fully corrected.

On the other hand, in HDR mode, it’s noticeably weaker. It's hard to talk about any significant improvement – despite attempts to fine-tune the settings, the picture still presents considerable colour errors. A Delta E exceeding 7 indicates noticeable deviations that we couldn’t effectively reduce. Unfortunately, this is a limitation of the construction itself – the U8000F simply wasn't designed for serious HDR. In daily SDR viewing, it performs quite well, but for HDR content... it’s best not to have overly high expectations.

It may sound like a joke – pulling out professional measuring equipment for a TV that costs around a thousand złoty / 250 dollars, but we wouldn’t be ourselves if we didn’t check it. The question is: does such cheap gear give us any leeway in terms of calibration? To your surprise, the answer is: yes, absolutely. In the Blaupunkt UGC5500S menu, we found surprisingly many options that allowed us to effectively work on the picture. These aren't just empty sliders; these are concrete tools that enabled us to make use of our measurement sensors and software. In SDR mode, the effects were visible to the naked eye. We successfully eliminated the problem we mentioned earlier – that excessive, almost artificial saturation of reds. We also fixed the issue with the incorrect dimming of the brightest parts of the image. After calibration, the picture in standard format became significantly more balanced and simply correct. When it comes to HDR, the situation was more complicated again. While we managed to “tame” that aggressive blue tint in the white balance, it was clear that we were fighting a bit of a losing battle. Even after changing the settings, the TV still tried to interfere with the picture in its own way, as if the electronics knew better than we did how the scene should look. To top it off, there's the hardware barrier that no slider can overcome – colours in HDR still remain undersaturated. This simply results from the quality of the panel itself; it physically cannot produce the most vivid colours. To summarise this point: if any of you ask whether it’s possible to calibrate a TV for “a grand”, we respond with complete conviction: it is possible.

When it comes to how the Samsung U8000F handles lower-quality materials, we have to admit that Samsung has made progress compared to its predecessor from last year – the DU7192 model, which theoretically occupies the same place in the lineup. This year’s model is equipped with a feature that improves the smoothness of tonal transitions, which has been implemented much better than last year. Yes, the television still uses quite strong algorithms that can distort details or remove film grain, but still – it can be confidently said that it works effectively. However, not everything has gone perfectly. The U8000F has noticeable issues with slight image stuttering when watching very old content in very low resolution. If someone plans to play their old VHS tape, they must be prepared for the image to look slightly “choppy”.

If you're hoping that the processor in this model will magically "fix" the poor quality signal from your cable TV or old movies from YouTube, we must disappoint you. The capabilities of this television end at absolutely basic upscaling, which is simply stretching the image to a higher resolution. It does this correctly in that the image is not blurry, but there is no mention of any intelligent sharpening or adding details. Worse still, Blaupunkt is completely devoid of any functions to reduce unwanted tonal transitions. If the material being viewed shows what is known as banding (ugly "steps" instead of a smooth transition of colours, e.g., in the sky), this television will display them in all their glory. Additionally, the television has a tendency to slightly crop the edges of the image. Instead of displaying 100% of what the source sends, Blaupunkt slightly zooms in on the frame, causing us to lose details that are at the very edges of the screen. In summary: in the category of digital "enhancement" of the image, Blaupunkt simply performs poorly. We receive a raw, unprocessed signal, with all its flaws.

The Samsung U8000F comes with a 60 Hz panel, so right from the start, it's clear that you can't expect miracles. It's simply the standard in this class – sufficient for everyday viewing, but without any fireworks. The TV offers one motion smoothing slider – a function called "Motion Blur Reduction", which allows us to adjust the smoothness of the image in films. Higher settings provide a more "theatrical" and smoothed effect, while lower settings maintain the original character of the film with a slight 24p effect. Interestingly, there is the "LED Clear Motion" feature, or BFI mode – which inserts black frames between the frames of the image to improve motion sharpness. However, in practice, the screen flickers significantly when this is activated, and it's best to treat this as more of an experiment rather than something that genuinely improves the gaming experience.

When it comes to motion fluidity, Blaupunkt has nothing to defend itself with. A 60 Hz panel at this price is standard, so none of us expected a perfectly sharp image in fast action scenes or during a match. However, the biggest drawback of this model is that you won’t find any digital motion smoothers in the menu. The manufacturer hasn’t given us any room for manoeuvre – nothing can be smoothed out or the image adjusted to our personal preferences. The picture is always "raw" and we receive it exactly as it is transmitted by the source. For fans of cinematic "jumping" images, this might be good, but the rest simply has to get used to the lack of any motion enhancement.

[UPDATE] We have updated our 2025 Samsung TV reviews following the release of firmware version 1131, which officially restores the essential HGiG (HDR Gaming Interest Group) support.

Samsung U8000F offers a basic set of features for gamers, which can still prove sufficient for less demanding users. Here we have an automatic gaming mode – when a game is launched on the console, the TV switches to low-latency mode by itself, significantly improving response time. We also find the VRR feature, or variable refresh rate, which operates in the range of 48 to 60 Hz. This means that both Xbox and PS5 will not produce the 'tearing' effect on the screen – as long as we stay within this range.

Unfortunately, that's about it when it comes to advantages. Add-ons like Game Bar or higher refresh rates are reserved for higher models of Samsung from the 2025 line. In theory, the TV also supports the HGiG feature, which should adjust the HDR image to the intentions of game developers. Unfortunately – despite this feature appearing in advertising brochures and store materials – its setup on the Xbox console turned out, in practice, to be... impossible.

When it comes to gaming on the Blaupunkt, we weren’t expecting miracles and indeed – the list of features isn’t very long. However, there are two interesting points worth mentioning, as they might be significant for some of you at this price. The first advantage is that the TV quite smoothly detects the connected console. Thanks to the ALLM (Auto Low Latency Mode) feature, the device knows when you start gaming and automatically switches to low latency mode. This is convenient because you don’t have to fiddle with settings every time to ensure input lag doesn’t spoil the fun. The second point is a real curiosity that surprised us. Despite it being a 60 Hz panel, the Blaupunkt can display a 120 Hz image at Full HD resolution. Sure, we lose 4K details, but for those playing more dynamic, online shooters where smoothness is more important than resolution, this is a really nice and unexpected addition in such an affordable device. Other than these two points, you won’t find anything more here. There are no advanced smoothness enhancement systems for gamers or extensive gaming menu bars. It’s a simple screen for occasional gaming.