Samsung S90D / S94D 48" (WRGB OLED) vs LG OLED C6 (WOLED)

In the tested movie scenes, the Samsung OLED 48 S90D television achieves impressive brightness results, exceeding 800 nits in the first four shots, which can be considered a very good outcome. In the case of the last shot, where a full-screen burst of sunlight is visible, the brightness drops to around 400 nits but still remains at an acceptable level. However, it is worth noting that this model in larger sizes offers higher values, exceeding the "barrier" of 1000 nits. Additionally, speaking of the DCI-P3 colour space coverage value of 97% is an excellent result, which guarantees extremely rich and realistic colour reproduction, further enhancing the picture quality. However, once again it should be remembered that the panel in the 65' variant equipped with a QD-OLED panel will be even better in this aspect. For those hesitating about the size of the S90D model, it is worth noting that larger versions of this television offer a better HDR effect, and consequently, a higher score in our tests.

The HDR performance of the LG C6 is really very good. LG Display’s new WOLED panel has mainly brought a significant increase in brightness. In our unit we measured around 1500 nits and, importantly, the TV can show similar values in many normal movie scenes as well. That gives HDR real punch. Bright highlights, lamps and sunlight can be genuinely intense, and most HDR movies simply look very impressive. Of course it’s still an OLED, so brightness falls in scenes with a lot of white. The fifth scene from the movie The Meg illustrates this well, where the C6 reached around 600 to 700 nits. That’s still a very good result, but it also shows the new panel hasn’t shed all the limitations typical of OLEDs.

Colours

When it comes to colours, it’s also hard to raise major objections. The C6 covers about 99% of the DCI-P3 gamut and roughly 75% of BT.2020. In practice colours are very saturated and, importantly, stable regardless of the scene. That’s worth emphasising, because not every TV behaves the same in this respect. In some RGB Mini LED models colour saturation can depend more strongly on image brightness. A wider colour gamut today is mainly offered by QD-OLED TVs and new SQD models with a new generation of quantum dots. However, the C6 still performs very strongly here and is able to produce suitably saturated colours in most movie scenes.

The S90D Samsung TV has been tested in Filmmaker mode, which offers good colour reproduction, although with some imperfections that may be noticeable to more demanding users. This mode may seem a bit too warm, and users who switched from Standard mode may experience a slight shock. It's worth considering that this state of affairs is caused by poor settings, such as white balance, rather than the Filmmaker mode itself. Both in SDR and HDR content, the device exhibits drops in blue, causing colours to appear warmer than they should. In practice, this means that some shades, like sky blue or skin tones, may seem less natural and take on a pinkish or yellowish tint. The Colour Checker test confirms these deviations, showing shifts towards warmer tones. In SDR content, the gamma chart indicates minor fluctuations, resulting in a slightly darker image, especially in the shadows. This may affect the clarity of details in darker scenes. Conversely, in 4K HDR materials, the EOTF curve is above the recommended line, leading to some portions of the image being too bright, which can cause clipping in the brightest areas. Overall, the Samsung S90D presents a solid image straight out of the box, but for the best results, particularly with more demanding content, additional calibration is recommended.

Right out of the box the LG C6 is quite well set up, especially if you choose the Filmmaker mode. In SDR material the white balance is decent, although as brightness increases there is a slight lack of red. The image becomes a bit cooler, but not enough for it to be very noticeable during normal viewing. More is happening in the brightness characteristic. Gamma is a little low and instead of holding at 2.4, for a large part of the range it sits closer to 2.1–2.2. In practice the C6 slightly brightens midtones. Shadows are therefore more readable, but the image loses some depth compared with how it should look in a darkened room.

In HDR the situation is a bit more interesting. The start of the greyscale looks very good, but from about 20–30% brightness the white balance starts to drift increasingly. As brightness rises there is more red and a noticeable lack of blue. In the brightest sections the difference is already significant and also affects the reproduction of some colours. The EOTF curve itself is followed quite well through most of the range. The C6 only tends to slightly brighten the image, which we also saw in our film comparisons. The largest deviation appears around the brightest parts, where the TV starts adapting the signal to the panel's capabilities.

The factory Filmmaker setting in HDR is therefore not perfect, but overall performs well. The biggest area for improvement is the white balance, especially at high brightness.

After calibration, the Samsung OLED 48 S90D in movie mode looks even better than one might have assumed. The white balance, for both HD and 4K HDR content, has been improved to near perfection. Although minor errors can still be noticed, they are so minimal that they do not significantly affect the picture quality. Colours are more balanced, which translates into a natural reproduction of details, especially in scenes requiring a precise colour palette. It’s worth noting that this model in the 48' size is equipped with a WOLED panel that has different characteristics compared to larger sizes and has a smaller coverage of a wide colour gamut, not offering as rich colours as, for example, the 65-inch version, which is equipped with a QD-OLED panel.

Contrast has also seen significant improvement. The gamma chart after calibration is much closer to the expected line, providing better balance between the bright and dark portions of the image. The EOTF curve, which showed issues with overexposed scenes before calibration, now shows better results. This effect allows for greater detail retention in bright parts of the image, particularly in HDR material.

LG TVs have long responded very well to calibration, and the C6 is no exception. After adjustments we managed to set the white balance practically perfectly, and most colour errors fell below 3, often down to around 2. In practice this means very accurate colour reproduction in both SDR and HDR. An interesting detail only appeared with the HDR brightness response. On a classic EOTF chart everything looks almost perfect and at first glance it would be hard to find fault. Only when we measured the TV’s behaviour using filters based on real film scenes did it become clear that the C6 has a slight tendency to artificially boost image brightness.

It’s not a huge difference and many viewers may even see it as a positive, because HDR looks a bit more striking as a result. From the point of view of fidelity to the source material, however, it’s not ideal — some scenes are simply a touch brighter than the filmmaker intended. Interestingly, this is rather unusual for LG. In previous generations the brand’s TVs typically held very closely to the reference picture curve after calibration. The C6 is still very close to the standard, but that subtle brightness 'boost' can indeed be noticed in films and TV series.

The Samsung OLED 48 S90D television performs exceptionally well in smoothing tonal transitions. Thanks to the technology used, the transitions between colours are more fluid and natural. It is also possible to utilise the noise reduction feature, which further smooths tonal transitions, which can be useful in some situations. However, it's worth remembering that turning on noise reduction can also lead to the smoothing of desired film grain, which may reduce the cinematic feel of the picture. For this reason, caution is advised when using this feature, as it's better to leave the natural grain that adds character and authenticity to the content being viewed.

Samsung, as always, does not disappoint, and in terms of scaling images from lower resolutions, it performs excellently. The S90D OLED 48 Samsung television effectively processes lower resolutions, as seen in the visible photo. The outline of the model is clear and correct, making it look natural and detailed. Furthermore, the branches of the trees are well reproduced, showing no significant jaggedness that could detract from the image quality. Thanks to effective scaling, even lower resolution materials look attractive on the screen, satisfying users who prefer diverse content sources such as regular antenna/cable television.

Here the LG C6 has taken a really big step forward. The TV uses the same processor found in the flagship G6, and in terms of image processing the two models are very close. That's a big plus, because in this area LG's processor this year performs excellently. The "Smooth Gradation" function works particularly well. With heavily compressed material it can effectively hide ugly tonal banding and artefacts that often appear, for example, in lower-quality streaming. It's best to leave it on the "Low" setting. Then the improvement is clear, and the TV doesn't yet start blurring fine detail. Higher levels smooth the image more aggressively, but can already remove some of the natural texture of objects on screen. Upscaling itself also performs very well. Lower-resolution content is properly sharpened, edges look clean, and the processor quite effectively reconstructs fine details. In that respect the C6 is really close to LG's best TVs and the differences compared with the G6 are small.

The S90D television is equipped with a 120 Hz panel, with the ability to "overclock" to 144 Hz with the right PC configuration, providing exceptional motion smoothness. Samsung has been offering a variety of image clarity settings on a ten-point scale for years, allowing users to customise the display to their preferences. In the UFO test, thanks to the use of an OLED panel, there's no question of any ghosting. The response time of the pixels is instantaneous and perfectly captures dynamic movements. In this aspect, OLED technology is considered one of the best on the market. The picture is extremely sharp and detailed, even during fast action, making the S90D OLED 48 Samsung television the perfect choice for gamers and sports enthusiasts.

The LG C6 features a panel with a maximum refresh rate of 165 Hz, which is great news especially for gamers using a powerful PC. For movies, sport and consoles we’ll of course be limited to 120 Hz at most, but even then it’s hard to fault the motion clarity. As you’d expect from an OLED, the panel’s response time is near-instant. Moving objects therefore don’t leave the characteristic smearing you still see on LCD TVs. This is especially noticeable in sport and fast-paced games, where the picture remains very clean even during dynamic movement.

For movies and TV, LG has also included a motion smoothing system called TruMotion. In the user settings you’ll find two separate sliders. De-Judder is primarily for low-frame-rate material, namely movies and TV series at 24 fps. You can use it to slightly reduce the characteristic judder or increase it if you prefer a much smoother picture. De-Blur, on the other hand, is useful for higher-frame-rate content, mainly sports broadcasts and 50/60 fps TV.

The Samsung OLED 48 S90D television is well-suited to the needs of gamers, offering four HDMI 2.1 ports that support features such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HGIG (HDR Gaming Interest Group). With these technologies, gamers can enjoy smoother gameplay and faster on-screen response, significantly enhancing comfort during long gaming sessions. Additionally, the Game Bar feature allows for easy adjustment of settings, such as aspect ratios, which can be particularly useful in different types of games. For PC users, the television offers an impressive refresh rate of 144Hz, and Nvidia and AMD graphics cards support G-Sync and FreeSync, further improving image smoothness. Although the lack of Dolby Vision support may be a drawback, it's worth noting that in gaming, this technology is not as widely used as in films. Nevertheless, the S90D still offers excellent features for gamers, making it a great choice for those seeking high-quality visuals and advanced gaming technologies.

LG has long focused heavily on gamers, and the C6 essentially lacks nothing important. The TV supports 4K at 120 Hz from consoles, and when connected to a PC it can even run at 165 Hz. On top of that there’s VRR from 40 to 165 Hz, ALLM and a properly functioning HGiG. Another big plus is support for Dolby Vision in games, so the Xbox Series X can use that format without giving up game mode. The package is rounded out by the Game Bar, which lets you quickly check key signal parameters and change settings without leaving your game. In terms of features alone, the C6 is one of those TVs it’s really hard to fault. Whether you play on PlayStation, Xbox or PC, practically everything you could expect from a modern gaming TV is available here.