Samsung S85D vs Philips MLED920 / MLED910

Brightness is a key parameter in televisions, and the S85D Samsung model offers a level comparable to other OLEDs from a few years ago. Though it doesn't impress in this regard, its huge advantage is a very competitive price. A peak brightness of 600 nits provides good image quality in HDR conditions, giving users a taste of cinema-like experiences in the comfort of their home. However, as with many budget OLED models, the biggest problem is very bright, full-screen scenes – in such moments, like the final shot from the movie "The Meg," the television can lose as much as half of its brightness, which is noticeable compared to more expensive OLED models. Despite this, the television offers an impressive DCI-P3 colour gamut coverage of 99%, allowing for the display of vibrant and accurate colours.

Philips MLED920 in our measurements in static tests even reached around 900 nits, which for a mid-range model is quite an impressive result. In practice, this translates to a lot of satisfaction during viewing – in scenes rich in bright light, such as the first, third, or fifth test patterns, the screen was able to generate around 700 nits, which is sufficient to feel the real "HDR effect". However, it cannot be denied that the limited number of backlight zones and the typical mini-LED compromises in dimming algorithms reveal their flaws in more demanding scenes. In sequences with small light sources – like the moon or a scene from the film Sicario 2 – the television clearly prioritises maintaining deeper blacks at the expense of the brightness of these small elements. For most viewers, this is still a reasonable compromise, as the dark background looks much better, although it should be noted that the details themselves may not dazzle with intensity. The question of colours also leaves a bit to be desired. Although the employed PFS filter (the equivalent of quantum dots known from QLEDs) does its job and the colours appear quite vibrant, the coverage of the DCI-P3 colour space reaches "only" 90%. In everyday viewing, this will be sufficient, but in extremely colourful productions – like the latest Disney animations – one can notice that some tones are not as vivid as they could be in other constructions.

The Filmmaker mode on Samsung's S85D does indeed offer the best factory settings, but it is not without flaws, particularly evident in colour reproduction. The white balance graph for HD and HDR content shows clear issues – both red and blue colours are significantly weakened, leading to a dominance of green. The result is an unnatural yellowish tint that can affect the perception of realistic scenes. The Color Checker test clearly shows that the colour samples deviate from the expected values – for HD materials, the colours tend to be overly saturated, with a marked shift towards green, which is also evident in the white balance graph. Conversely, for 4K HDR content, the colours appear too dull and lacking in depth, causing the image to lose its appeal and naturalness. This effect is particularly noticeable in delicate scenes where colour precision plays a key role, which can be disappointing for discerning viewers who expect faithful reproduction of details and colour intensity.

When it comes to brightness, the gamma graph for HD content looks quite good; however, there is a clear spike at the end, exceeding the value of 2.4. Although this is not a major issue in most scenes, in more demanding sequences it can affect the clarity of bright details. For 4K content, the EOTF curve, responsible for rendering brightness, proves to be problematic. The initial part of the graph shows a slight spike. This phenomenon can result in excessive boosting of brightness in the brightest areas of the image, leading to a loss of detail in very bright scenes.

Although Samsung S85D offers quite decent factory settings, especially in Filmmaker mode, it is worth considering manual adjustment of settings to improve some imperfections, particularly in colour reproduction.

Like every Philips TV we've tested, the MLED920 was primarily assessed in Filmmaker mode – the so-called "most honest" mode, designed for films and to faithfully convey the intentions of the creators. Indeed, in terms of colour accuracy, it performs best among all the modes available on the TV, but it is not without flaws. The first thing that stands out is the white balance. The image has a slight tendency towards purple-pink tones, giving it a somewhat unnatural character. However, an even bigger problem turned out to be what we mentioned earlier – image clipping. Just looking at the gamma or EOTF charts reveals that the line deviates significantly from the norm, dropping below a value of 1.8. In practice, this means "bleeding" of the brightest whites, where the image becomes almost milky. Fortunately, most of these issues can be corrected – the MLED920 responds to calibration, and with a few adjustments, image quality can be significantly improved.

After calibration, the Filmmaker mode on Samsung S85D really impressed. The white balance, regardless of the type of content, has improved significantly, resulting in more natural colours. The Color Checker test shows that colour reproduction errors are now minimal and rarely exceed acceptable values, which indicates precise colour reproduction. The factory colour representation left a lot to be desired, but now the situation has significantly improved – colours are natural, accurate, and look as if they have been precisely rendered according to the creators' intentions. This is a huge step forward compared to earlier generations, where colours were often distorted or too intense.

The brightness characteristics have also benefited from calibration – it's now more vivid and precise. The gamma, although reasonably good before, has become even more stable, providing a deeper, more natural image. The EOTF curve has been flattened, allowing details in dark areas to be more visible, and the contrast is better balanced. Thanks to all these improvements, the television delivers an image close to reference quality, which definitely enhances the enjoyment of watching films and HDR content.

After calibration, we managed to largely tame the white balance – to the extent that the average viewer will not be able to detect colour inaccuracies. The characteristic pink-purple glow that previously disrupted the naturalness of the image has also disappeared. The colour palette has been organised, and the colours appear more cohesive and neutral. The gamma in SDR content looks really good after calibration – there’s no sign of the earlier “bleeding” effect in bright scenes. The image has become more contrasty and free from the milky effect that previously severely affected the viewing experience. In the case of HDR content, the improvement is also noticeable, although here it is still evident that the television goes “its own way”. The EOTF curve cannot be fully adjusted, as Philips simply does not offer tools for precise control of this parameter in its settings. In many films, the television still exposes the image “in its own way”. Despite these limitations, calibration has brought a lot of good – the majority of colour inaccuracies have been minimised and the overall image balance has significantly improved. However, one must remember that certain barriers arise from the very hardware construction and simply cannot be overcome.

Samsung S85D does a great job of scaling images and smoothing tonal transitions. Like other Samsung models, the television offers three noise reduction modes: off, standard, and high. While it improves gradation well, it unfortunately also removes film grain, which many viewers desire to give the image a cinematic character. This grain often adds authenticity and a certain rawness to films that is lost once it is smoothed out. Removing the grain can make the image appear too sterile and smooth, which takes away some of the charm of the original film material. When it comes to image scaling, the Samsung S85D excels at displaying lower resolution content – the model in the photo and the branches in the background were shown correctly, without major issues with jagged edges. The only noticeable downside is the presence of overscan, which can sometimes cut off parts of the image, which may not appeal to everyone.

The manufacturer has equipped this model with several features that improve signal quality, and although we usually approach such “enhancers” with caution, here they prove to be really helpful. The key option is called “distortion reduction” – it works best at a medium level because, on one hand, it effectively smooths out unwanted steps and colour transitions, and on the other, it doesn’t excessively cut details, meaning the image still looks natural.

It’s a bit worse when it comes to upscaling. Lower quality materials – such as the test video with the model – appeared soft and lacking sharpness. Of course, it can be partially adjusted with the sharpness slider in the menu, but the result still falls short compared to what competitors offer at a similar price. Philips still needs to work on this aspect because, in light of the successful improvement of tonal transitions, the upscaling simply comes off weak.

As befits an OLED television, Samsung S85D offers excellent motion fluidity. Equipped with a 120 Hz panel and a fast response time, the TV delivers very smooth playback of dynamic scenes without visible blurring. For movie enthusiasts, there is a feature called "Picture Clarity Settings," which allows for adjusting the image smoothness to individual preferences on a 10-point scale. Motion blur reduction enhances the sharpness of fast-moving objects, while motion smoothing eliminates the "judder" effect for a smoother motion. This way, every user can set the appropriate level of clarity that best suits their taste, from a more cinematic effect to clearer, smoother movements.

Philips MLED920 features a 144 Hz panel, which immediately suggests that we shouldn’t complain about motion smoothness. And indeed – for a VA panel, the motion blur is relatively low here, and while you can sometimes notice slight issues on darker backgrounds, they’re not something that will catch the eye of most people during regular viewing.

A big plus is also the presence of a motion smoother called “Motion Style.” It allows you to adjust the smoothness to your own preferences – if someone prefers a more “theatrical,” almost television-like character of the image, they can increase the sliders, and if they want to maintain the natural “judders” of a cinematic frame, they just need to set lower values. This way, everyone can find a happy medium.

Samsung S85D OLED is an excellent choice for gamers thanks to its many modern features that make gameplay easier and more enjoyable. The TV has four full-bandwidth HDMI 2.1 ports, allowing you to connect the latest consoles without worrying about limitations in image quality or frame rates. This means support for 4K resolution at 120 Hz, which is ideal for modern titles. Additionally, the Samsung S85D has an ALLM (Auto Low Latency Mode) feature that automatically activates low latency mode when it detects a gaming device. This means you don’t have to manually switch settings – the TV takes care of ensuring fast response times, which is crucial in games where every second counts.

The VRR (Variable Refresh Rate) feature and G-Sync support are additional elements that make gameplay smoother. VRR adjusts the refresh rate to match the frame rate generated by the console or computer, eliminating screen tearing and stuttering. This is especially useful in fast-paced games where the frame rate can fluctuate. Auto Motion Plus Game is a feature that Samsung introduced with gamers in mind, and it’s worth appreciating. It makes the picture in games smoother – 30 frames per second looks like 45, and 60 Hz gains in smoothness, giving an effect close to 90 Hz. At the same time, there’s no significant increase in input lag, which remains below 25 ms, making this feature stand out compared to others available on the market. Gamers can enjoy smoother visuals without worrying about reduced responsiveness.

Samsung has also thought of something extra – the TV has a built-in Xbox Game Pass app, which means you can game in the cloud without needing a console. It’s a great solution for those who want to enjoy gaming without investing in additional hardware. All you need is an internet connection, and you have a massive library of games at your fingertips. This makes Samsung S85D an excellent choice for both casual and more advanced gamers.

For gamers, the Philips MLED920 is truly a complete tool. The manufacturer has taken care of everything that is now considered standard in televisions for consoles and PCs. It has ALLM, so the console automatically switches the screen to game mode, there’s VRR and a 144 Hz refresh rate that ensures smooth gameplay even in fast-paced titles. All key HDR formats are supported – including HGiG and Dolby Vision Gaming for Xbox – which means that regardless of what you’re playing and on which console, the television will be able to extract the maximum potential from the image. In everyday gaming, the Game Bar proves useful too – a relatively simple implementation by Philips, but a functional panel where you can quickly check image parameters, enable VRR, or adjust details without leaving the game. It’s not as elaborate as the competition, but it does its job without any complaints. And finally, something that sets Philips apart from the competition – Ambilight. The three-sided LED backlighting can make a huge impression in games, especially in the evening. It’s also a way to slightly 'expand' the screen and create a greater sense of immersion. And since coloured LEDs have recently become almost an essential element of a gamer’s room, the MLED920 fits perfectly into this trend.