SAMSUNG QN80F vs XIAOMI S Mini 2026 (55"-75") 60Hz

QN80F is quite a bright screen – in synthetic tests, it reached nearly 1000 nits, which allows for reasonable expectations of HDR content. And indeed, in many scenes, the TV can truly shine. Sequences with a lot of light – like shots from the movie Life of Pi or wide, bright surfaces in The Meg – look impressive. Brightness stays around 700 nits, which provides a solid effect, enough to feel the true "HDR magic." Unfortunately, not every scene looks this good. In content with small, bright details on a dark background, like in Sicario 2, the TV can struggle – it can significantly dim individual elements, sometimes to the point where they disappear from the image. This is a result of the limited number of dimming zones, forcing the device into compromises: either stick to inky blacks or sacrifice some detail. QN80F usually chooses the former. As a consolation, it offers quite decent coverage of a wide color palette – DCI-P3 at 93%. It's not the highest score on the market, but it's more than enough for most content on streaming platforms.

When it comes to HDR, the Xiaomi S Mini 2026 performs really well, especially given the segment this model sits in. The TV can reach around 1000 nits of brightness without much difficulty, so in bright scenes it can deliver a very pronounced HDR effect. The sun, highlights or very brightly lit parts of the picture can be intensely bright and at times really hit you with their intensity. It’s a bit different in dark scenes, though. Very small light sources surrounded by black are rendered at much lower brightness, so they lack the pinpoint intensity seen on the best TVs. That’s not unusual for a Mini LED. The local dimming algorithm reduces the backlight in those cases to preserve as deep a black as possible, which in such scenes matters more than a few extra nits.

HDR colours

Colour reproduction also fares well. Xiaomi markets the S Mini 2026 as a QLED TV, although the solution used here is in practice based on a PFS phosphor. What matters is the result, and that is pretty good. Measured DCI-P3 gamut coverage was around 94%, while in the much wider BT.2020 colour space it was about 74%. That means the TV can show most of the colours used in HDR movies with suitably high saturation. Its limitations are most noticeable with very intense shades of green, where the colour range begins to run out.

We always test TVs in the best available factory mode – for the Samsung QN80F, this is the Filmmaker mode, and indeed, it provides the settings closest to the creators' intentions. However, this doesn’t mean everything looks perfect. In SDR content, the biggest issue was an unbalanced white balance – slight deficiencies in green and a noticeable excess of red led to noticeable colour errors, and one could say the screen had a pinkish hue. This was clearly visible in the colour checker test, where colours “escaped” outside their target fields – to such an extent that a sensitive viewer's eye could catch it even without the help of a meter.

In HDR content, the white balance was much better, but another issue arose – brightness management. The EOTF curve caused an overly bright image most of the time, which affected the perception of contrast and made the screen slightly “flicker” during dynamic changes in light. We’ve already discussed this in the paragraphs about black levels and HDR. Fortunately, Samsung offers users plenty of options. The QN80F features a rich set of calibration options, including a 20-point white balance – which is why we decided to check what this TV is really capable of after a proper calibration.

We tested the Xiaomi S Mini 2026 (55–75 inch models) in Film mode, which compared with the other presets offered the most accurate colours. That did not mean the image was correctly set up straight away. In our unit the white balance was noticeably shifted toward warmer tones. There was too little blue and too much red, giving whites and greys a slightly warm cast. The TV also tended to brighten darker parts of the image too much. This was due to the gamma, which instead of staying around 2.4 fell in places to about 2.0. That made shadow detail more visible, but the image lost some depth. So the factory settings weren't bad, but they still needed some adjustment to reproduce the picture accurately.

After conducting a thorough calibration, it was possible to bring most image parameters to a really good level. The white balance in both SDR and HDR presents itself almost perfectly – the image is natural, neutral, and free from the previously noticeable redness. Colours have gained depth, and the overall visual experience has become more pleasant and cohesive. It was also possible to partially manage brightness, which in the factory version could cause issues. The EOTF chart shows that the television performs much better with brightness after calibration – there is no longer excessive dimming of certain elements. In films, it can still be noticed that the QN80F has a tendency to slightly brighten the smallest bright details – this is already a consequence of the device's construction and the limited number of dimming zones. In short: not everything can be overcome, but what was possible has been improved. After calibration, the QN80F makes a really good impression, looking simply more mature and professional.

Surprisingly, the Xiaomi S Mini 2026 responds quite well to calibration. After our adjustments we were able to noticeably improve the white balance and the picture stopped leaning toward overly warm tones. In SDR material the result is really good, with the TV able to reproduce such content very accurately and hard to fault for colour reproduction. We made similar adjustments in HDR, although not everything could be corrected there. Colours look better than on the factory settings, but the TV still tends to display the picture a little brighter than it should. You can see this from the EOTF curve, which sits above the reference. In practice this means some HDR scenes are brighter than the creators intended. It's a quirk of this TV and we can't do anything about it.

If you notice strange colour transitions or unwanted artefacts while watching lower quality materials – for example from YouTube – it's worth checking the settings and enabling the noise reduction feature. In our opinion, the best setting is at the 'medium' level – it effectively smooths out problematic colour transitions without overly blurring the entire image. However, it's important to know one thing: this option tends to remove film grain. If someone values preserving that effect (e.g., in older films), it's better to simply turn it off – regardless of the level, the grain always disappears.

Regarding resolution scaling (also known as upscaling), Samsung – as usual – performs very well in this area. The QN80F doesn't quite match the top models costing tens of thousands, but for its price class, it performs impressively. Materials of very poor quality (e.g., from SD television or older video files) are noticeably improved and look surprisingly decent. The only noticeable downside is the typical Samsung issue with overscan – which is a slight cropping of the image edges at very low resolutions, such as 576p.

The MT5896 processor handles digital image processing in the Xiaomi S Mini 2026. Unfortunately, in this respect the TV is fairly average. Low-resolution content isn't upscaled very well, and its limitations become obvious on a large screen. The picture looks quite digital, and the TV can't pull out many extra details. You also can't turn off overscan for low-resolution content. The handling of posterisation smoothing is even worse. On the smaller models there's not even a separate setting to reduce the visible banding between similar shades. So if those imperfections are already present in the source material, Xiaomi effectively doesn't mask them.

QN80F is truly a “fast” TV. The panel used offers a refresh rate of up to 144 Hz, which in practice means that the screen keeps up with the action – whether we’re watching a movie, playing games, or browsing dynamic content online. The image doesn’t stutter, isn’t overly blurred, and everything simply looks smooth and pleasing to the eye. Of course, the manufacturer hasn’t forgotten about cinema fans – in the settings, we find an option to adjust motion smoothness, allowing us to tailor the effect to our own preferences. You can leave a more “frame-y” look (for those who enjoy the classic film vibe) or crank up the smoothness to a higher level to achieve a theatrical smoothing effect. Importantly, the choice is ours. Watching movies and playing on the QN80F is just plain fun.

The smaller variants of the Xiaomi S Mini 2026 use a 60 Hz panel, and that's their biggest limitation when it comes to motion. For films and TV series this isn't yet a major problem, because the TV has a classic motion interpolator for 24/30 fps material. So you can reduce the characteristic judder and adjust motion to your own preferences. Sports and other 50/60 Hz material fare worse, because there’s no additional feature to improve smoothness. In such content we’re therefore limited by the panel itself.

In terms of motion blur the TV performs fairly typically for a VA panel. The most trailing is visible behind objects moving against a dark background, while in brighter scenes the effect is noticeably smaller. It’s not at a level that completely ruins the perception of motion, but in dynamic scenes you can see that the panel isn’t one of the fastest.

Samsung QN80F is a television that delivers on almost every front when it comes to gaming. It features a 144 Hz panel, four fully-fledged HDMI 2.1 ports, support for gamers with variable refresh rate (VRR), automatic game mode (ALLM), and even one of the best-designed gamebars on the market. The icing on the cake is the motion smoother which – uniquely in the world – works in games without significantly increasing input lag. Sounds like an almost perfect gaming TV? And indeed, it is almost that.

[UPDATE] We have updated our Samsung TV tests from the 2025 model year due to the release of firmware version 1131, which restored the crucial gaming feature HGiG.

As usual, Samsung doesn’t support Dolby Vision in games, but that’s no longer surprising. However, what is much more surprising is that... the HGIG feature has disappeared – meaning the system that allows the console (e.g., PlayStation 5 or Xbox Series X) to accurately match HDR tone mapping to the capabilities of the television. In the latest firmware update for the 2025 models, this option simply vanished. It looks more like a bug than a deliberate move, but it must be honestly noted that at the time of writing the review, the HGIG feature is simply absent.

And it’s precisely because of this one absence that the QN80F goes from being an almost perfect gaming television to a “nearly” perfect device. What a shame – because everything else indicated that Samsung could once again set the bar very high in this generation.

In the larger sizes the Xiaomi S Mini 2026 becomes a far more interesting option for gamers. The panel runs natively at up to 144 Hz, so when you connect a PC you can use the high refresh rate even at 4K. At lower resolutions the TV can go even further, reaching up to 288 Hz. It also offers ALLM, automatic switching to Game Mode, and a Game Bar that keeps the most important settings within easy reach. Of course, the TV has two full-bandwidth HDMI 2.1 ports. So in terms of smoothness the difference compared with the 55–75 inch versions is substantial and particularly easy to notice when using a PC or console. However, not everything works perfectly. As with the smaller variants, we have reservations about the HGiG implementation. The HDR setup screens on the PS5 and Xbox don't precisely reflect the TV's actual capabilities, so if you set the console according to those prompts the brightest parts of the image can be blown out and lose some detail.