Compare: SAMSUNG QN80F vs Blaupunkt UGC5500S

QN80F is the first in the history of Samsung's "eighty range" to feature Mini LED backlighting. And it does it really well. Although the number of dimming zones isn't staggering, the black levels are solid, and in combination with high brightness, it allows for a very decent picture in HDR content. Additionally, there's a 144 Hz panel that provides excellent motion fluidity, and the gaming features – VRR, ALLM, Game Motion Plus – make the QN80F an option truly designed for those gaming on consoles or PCs. The television operates quickly and responsively, and the Tizen system runs like lightning – whether you’re searching for apps or switching sources. Is there anything to nitpick? Of course, as always – there are shortcomings in the system (like USB recording), DTS support is absent, and Mini LED comes with its own limitations. But the QN80F is a fantastic everyday television – versatile, refined, and... with great price potential. Looking at the history of this series, we can expect that this "eighty" will still shake things up once it hits the first reasonable promotions. And then it could be virtually unbeatable at its price – especially if Samsung fixes the minor teething issues.

Blaupunkt UGC5500S is a textbook example of a very cheap television that has primarily two major advantages: the Google TV system and an extremely low price. It is these two elements that make it an attractive option for many people. During testing, we also found it has another great use, which is working with a computer. Thanks to exemplary font readability and good viewing angles of the IPS panel, Blaupunkt surprisingly performs well as a budget monitor. However, one must be aware that this device is typically budget-oriented, and that savings are reflected in the image quality. The panel is simply dark, making it difficult to perform well in tougher lighting conditions, not to mention creating any real HDR effect. Additionally, despite the good viewing angles, the black levels on this model leave much to be desired – in the evenings, it will tend to appear dark grey, which is a typical characteristic of the IPS technology used here. From a price perspective, this is a device that aims to compete in the market not on image quality, but rather on the amount on the receipt. Blaupunkt UGC5500S is perfectly suited as a secondary television in the home, equipment for the holiday house, or for a less important room, where the image just needs to be there, and we want to enjoy all the benefits and applications that Google TV offers.

QN80F is a representative of the Neo QLED series, meaning it is a television with Mini LED backlighting. Unlike its cheaper cousin, the QN70F model, the diodes here are placed directly behind the panel (instead of at the edges), which gives a solid advantage from the start when it comes to contrast control. In the 65-inch variant we tested, we counted 88 dimming zones – a result that may not be very impressive, but as it turned out, sufficient to achieve quite decent results.

In tests based on scenes from films such as Oblivion or The Meg, the QN80F performed well – blacks were deep, and the overall image consistency was eye-catching. However, in more demanding moments (e.g., scenes with a large number of bright details on a dark background), a halo effect appeared. This is where the limitation of the number of zones comes into play – bright elements could bleed around, and some details in dark areas became less visible. In one scene with a helicopter (The Meg), we even noticed slight brightness flickering, as if the television was trying its best to maintain visibility of the details at the expense of black depth.

However, these are not issues exclusive to this model – the halo effect or contrast drops in very complex scenes are something that most Mini LED televisions struggle with, even the more expensive ones. In its class, the QN80F still performs positively and offers noticeably better contrast than the QN70F model with edge lighting. For most users, this will be a level more than sufficient – although not perfect.

To put it bluntly: when it comes to black levels, it's just very poor. Our measurements on test patterns only confirmed what we could see with the naked eye – a result around 1000:1 is, these days, even in this price range, a disappointing outcome. In movie conditions, that "black" simply doesn't exist. To avoid being all talk, we fired up one of our favourite test scenes – the helicopter flight in "Sicario 2" (you can actually see it in the video we've linked below). Instead of inky, deep night, we got an image that is... navy blue. Everything on the screen that should be dark and mysterious actually glows a dark blue. This is the price we pay for using an IPS panel. On one hand, we get quite decent viewing angles, so if you're watching TV with the whole family from different angles, the picture doesn't lose much in saturation. On the other hand, if you're planning evening screenings with the lights off, this lack of contrast is going to sting your eyes from the very first minute.

QN80F is quite a bright screen – in synthetic tests, it reached nearly 1000 nits, which allows for reasonable expectations of HDR content. And indeed, in many scenes, the TV can truly shine. Sequences with a lot of light – like shots from the movie Life of Pi or wide, bright surfaces in The Meg – look impressive. Brightness stays around 700 nits, which provides a solid effect, enough to feel the true "HDR magic." Unfortunately, not every scene looks this good. In content with small, bright details on a dark background, like in Sicario 2, the TV can struggle – it can significantly dim individual elements, sometimes to the point where they disappear from the image. This is a result of the limited number of dimming zones, forcing the device into compromises: either stick to inky blacks or sacrifice some detail. QN80F usually chooses the former. As a consolation, it offers quite decent coverage of a wide color palette – DCI-P3 at 93%. It's not the highest score on the market, but it's more than enough for most content on streaming platforms.

We won’t beat around the bush here – if you’re looking for a TV strictly for cinematic HDR experiences, then you’ve come to the wrong place. Unfortunately, the Blaupunkt UGC5500S is not a machine built for such challenges. This is primarily due to its very low brightness, which we measured during our tests. A result of around 250 nits on movie screens speaks for itself. It’s simply too little to even consider any real HDR effect. To be honest, everything displayed in this format can confidently be seen as a somewhat “enhanced” SDR mode. We expected this, as practically every device in this price range falls short in this area, but we feel it’s our duty to warn you. Manufacturers love to brag about HDR compatibility on the boxes, but in reality, this format simply doesn’t exist here – it lacks the “fuel” in the form of brightness.

The situation is further complicated for Blaupunkt, as we’re dealing with a panel that has very basic coverage of the DCI-P3 colour gamut, reaching only about 80%. You won’t find any advanced coatings to expand these capabilities (like quantum dots), which means scenes that are supposed to burst with richly saturated colours appear simply underwhelming on this screen. Therefore, we have a particular piece of advice for you: don’t force HDR mode on this model. If you have the option in the streaming app settings – just turn it off. By sticking to the classic SDR mode, you’ll be sure that the TV won’t try to “enhance” something that it can’t handle hardware-wise.

We always test TVs in the best available factory mode – for the Samsung QN80F, this is the Filmmaker mode, and indeed, it provides the settings closest to the creators' intentions. However, this doesn’t mean everything looks perfect. In SDR content, the biggest issue was an unbalanced white balance – slight deficiencies in green and a noticeable excess of red led to noticeable colour errors, and one could say the screen had a pinkish hue. This was clearly visible in the colour checker test, where colours “escaped” outside their target fields – to such an extent that a sensitive viewer's eye could catch it even without the help of a meter.

In HDR content, the white balance was much better, but another issue arose – brightness management. The EOTF curve caused an overly bright image most of the time, which affected the perception of contrast and made the screen slightly “flicker” during dynamic changes in light. We’ve already discussed this in the paragraphs about black levels and HDR. Fortunately, Samsung offers users plenty of options. The QN80F features a rich set of calibration options, including a 20-point white balance – which is why we decided to check what this TV is really capable of after a proper calibration.

We also took a close look at how Blaupunkt handles colours in movie mode, and here the matter is, to put it simply, twofold. We must once again clearly separate what we see in the standard SDR format from what happens when HDR is switched on, as they are two completely different worlds. Let's start with the better side of the coin. If you're planning to watch traditional TV, YouTube, or older films on this television, you can count on really well-tuned colours. In our test sample, the white balance in movie mode performed exceptionally well, which honestly surprised us. Of course, to avoid being too rosy, we noticed some drawbacks. Looking at the gamma charts, we observed that the processor struggles with properly dimming the image in its brightest areas. Additionally, there is quite a strong, at times overly aggressive, red saturation, which resulted in visible errors in reproducing certain shades. Despite this, overall, the image in SDR is simply solid and watchable without a grimace on your face. Unfortunately, the magic fades when we re-enter the world of HDR. Here, Blaupunkt behaves as if we suddenly switched it to store mode, and in its worst rendition. The excess blue in the white balance is so significant that it’s glaring, ruining any realism in the scene. Furthermore, the television interprets brightness very loosely, which, upon analysing the EOTF curve, clearly showed that for most of the time, colours simply appear washed out and lacking depth. This is also perfectly evident in the colour errors that become apparent in this mode. Once again, we are left with the same conclusion: Blaupunkt in SDR mode looks significantly better and more natural than in HDR, which seems to be forcefully added without proper refinement.

After conducting a thorough calibration, it was possible to bring most image parameters to a really good level. The white balance in both SDR and HDR presents itself almost perfectly – the image is natural, neutral, and free from the previously noticeable redness. Colours have gained depth, and the overall visual experience has become more pleasant and cohesive. It was also possible to partially manage brightness, which in the factory version could cause issues. The EOTF chart shows that the television performs much better with brightness after calibration – there is no longer excessive dimming of certain elements. In films, it can still be noticed that the QN80F has a tendency to slightly brighten the smallest bright details – this is already a consequence of the device's construction and the limited number of dimming zones. In short: not everything can be overcome, but what was possible has been improved. After calibration, the QN80F makes a really good impression, looking simply more mature and professional.

It may sound like a joke – pulling out professional measuring equipment for a TV that costs around a thousand złoty / 250 dollars, but we wouldn’t be ourselves if we didn’t check it. The question is: does such cheap gear give us any leeway in terms of calibration? To your surprise, the answer is: yes, absolutely. In the Blaupunkt UGC5500S menu, we found surprisingly many options that allowed us to effectively work on the picture. These aren't just empty sliders; these are concrete tools that enabled us to make use of our measurement sensors and software. In SDR mode, the effects were visible to the naked eye. We successfully eliminated the problem we mentioned earlier – that excessive, almost artificial saturation of reds. We also fixed the issue with the incorrect dimming of the brightest parts of the image. After calibration, the picture in standard format became significantly more balanced and simply correct. When it comes to HDR, the situation was more complicated again. While we managed to “tame” that aggressive blue tint in the white balance, it was clear that we were fighting a bit of a losing battle. Even after changing the settings, the TV still tried to interfere with the picture in its own way, as if the electronics knew better than we did how the scene should look. To top it off, there's the hardware barrier that no slider can overcome – colours in HDR still remain undersaturated. This simply results from the quality of the panel itself; it physically cannot produce the most vivid colours. To summarise this point: if any of you ask whether it’s possible to calibrate a TV for “a grand”, we respond with complete conviction: it is possible.

In this regard, the QN80F really delivers. Transitions between colours are smooth, nothing tears, and there are no annoying bands in the sky or strange spots in the shadows. Movie scenes in darker tones performed particularly well – and that's where most televisions start to struggle. If you really focus, you might notice slight banding in the brightest areas, but that's really stretching it. In everyday viewing, no one should have a problem with this. To put it simply: the tonal transitions are so good that you can forget about them – and just enjoy the movie.

Looking at our test photographs, it’s really hard to pick at anything. Most of the colours in the attached images blend together almost perfectly, creating smooth gradients without noticeable "jaggies". And indeed, in most scenes where we took these shots, it looked surprisingly good. However, the problem arises when we stop analysing still frames and start simply watching the films. In motion, the situation changes dramatically. During dynamic scenes on screen, artefacts begin to pop up, which are a direct result of simply having a poor image processor here. Unfortunately, a static photo can't capture that "tearing" of colours, but you have to take our word for it: what looks clean and smooth in the photo can really stand out and simply irritate during viewing. This is where our rather low rating in this category comes from.

If you notice strange colour transitions or unwanted artefacts while watching lower quality materials – for example from YouTube – it's worth checking the settings and enabling the noise reduction feature. In our opinion, the best setting is at the 'medium' level – it effectively smooths out problematic colour transitions without overly blurring the entire image. However, it's important to know one thing: this option tends to remove film grain. If someone values preserving that effect (e.g., in older films), it's better to simply turn it off – regardless of the level, the grain always disappears.

Regarding resolution scaling (also known as upscaling), Samsung – as usual – performs very well in this area. The QN80F doesn't quite match the top models costing tens of thousands, but for its price class, it performs impressively. Materials of very poor quality (e.g., from SD television or older video files) are noticeably improved and look surprisingly decent. The only noticeable downside is the typical Samsung issue with overscan – which is a slight cropping of the image edges at very low resolutions, such as 576p.

If you're hoping that the processor in this model will magically "fix" the poor quality signal from your cable TV or old movies from YouTube, we must disappoint you. The capabilities of this television end at absolutely basic upscaling, which is simply stretching the image to a higher resolution. It does this correctly in that the image is not blurry, but there is no mention of any intelligent sharpening or adding details. Worse still, Blaupunkt is completely devoid of any functions to reduce unwanted tonal transitions. If the material being viewed shows what is known as banding (ugly "steps" instead of a smooth transition of colours, e.g., in the sky), this television will display them in all their glory. Additionally, the television has a tendency to slightly crop the edges of the image. Instead of displaying 100% of what the source sends, Blaupunkt slightly zooms in on the frame, causing us to lose details that are at the very edges of the screen. In summary: in the category of digital "enhancement" of the image, Blaupunkt simply performs poorly. We receive a raw, unprocessed signal, with all its flaws.

QN80F is truly a “fast” TV. The panel used offers a refresh rate of up to 144 Hz, which in practice means that the screen keeps up with the action – whether we’re watching a movie, playing games, or browsing dynamic content online. The image doesn’t stutter, isn’t overly blurred, and everything simply looks smooth and pleasing to the eye. Of course, the manufacturer hasn’t forgotten about cinema fans – in the settings, we find an option to adjust motion smoothness, allowing us to tailor the effect to our own preferences. You can leave a more “frame-y” look (for those who enjoy the classic film vibe) or crank up the smoothness to a higher level to achieve a theatrical smoothing effect. Importantly, the choice is ours. Watching movies and playing on the QN80F is just plain fun.

When it comes to motion fluidity, Blaupunkt has nothing to defend itself with. A 60 Hz panel at this price is standard, so none of us expected a perfectly sharp image in fast action scenes or during a match. However, the biggest drawback of this model is that you won’t find any digital motion smoothers in the menu. The manufacturer hasn’t given us any room for manoeuvre – nothing can be smoothed out or the image adjusted to our personal preferences. The picture is always "raw" and we receive it exactly as it is transmitted by the source. For fans of cinematic "jumping" images, this might be good, but the rest simply has to get used to the lack of any motion enhancement.

Samsung QN80F is a television that delivers on almost every front when it comes to gaming. It features a 144 Hz panel, four fully-fledged HDMI 2.1 ports, support for gamers with variable refresh rate (VRR), automatic game mode (ALLM), and even one of the best-designed gamebars on the market. The icing on the cake is the motion smoother which – uniquely in the world – works in games without significantly increasing input lag. Sounds like an almost perfect gaming TV? And indeed, it is almost that.

[UPDATE] We have updated our Samsung TV tests from the 2025 model year due to the release of firmware version 1131, which restored the crucial gaming feature HGiG.

As usual, Samsung doesn’t support Dolby Vision in games, but that’s no longer surprising. However, what is much more surprising is that... ~~the HGIG feature has disappeared~~ – meaning the system that allows the console (e.g., PlayStation 5 or Xbox Series X) to accurately match HDR tone mapping to the capabilities of the television. In the latest firmware update for the 2025 models, this option simply vanished. It looks more like a bug than a deliberate move, but it must be honestly noted that ~~at the time of writing the review, the HGIG feature is simply absent~~.

And it’s precisely because of this one absence that the QN80F goes from being an almost perfect gaming television to a “nearly” perfect device. What a shame – because everything else indicated that Samsung could once again set the bar very high in this generation.

When it comes to gaming on the Blaupunkt, we weren’t expecting miracles and indeed – the list of features isn’t very long. However, there are two interesting points worth mentioning, as they might be significant for some of you at this price. The first advantage is that the TV quite smoothly detects the connected console. Thanks to the ALLM (Auto Low Latency Mode) feature, the device knows when you start gaming and automatically switches to low latency mode. This is convenient because you don’t have to fiddle with settings every time to ensure input lag doesn’t spoil the fun. The second point is a real curiosity that surprised us. Despite it being a 60 Hz panel, the Blaupunkt can display a 120 Hz image at Full HD resolution. Sure, we lose 4K details, but for those playing more dynamic, online shooters where smoothness is more important than resolution, this is a really nice and unexpected addition in such an affordable device. Other than these two points, you won’t find anything more here. There are no advanced smoothness enhancement systems for gamers or extensive gaming menu bars. It’s a simple screen for occasional gaming.

The QN80F doesn't disappoint when it comes to response time. The input lag for 120 Hz content drops below 10 ms, which can be considered an almost perfect result – it's hard to expect more in this class of televisions. Gaming is smooth, responsive, and without delays that could annoy even the most sensitive players. For 60 Hz material, the lag is higher, around 19 ms, but this is a completely natural phenomenon and still falls within comfortable limits.

An important point for every gamer is, of course, input lag, which is how quickly the television responds to our movements on the controller. Here, Blaupunkt has something to boast about, although the results are quite specific. At 4K resolution, the lag is only 12 ms. That's an excellent result. With such a lag, gaming is simply phenomenal, and the response is almost instantaneous. However, it's a bit disappointing that the situation changes when switching to 1080p. Here, the input lag increases to around 30 ms. Just to be clear: that's still not a terrible result. For most people, it will be "more than acceptable," and during casual gaming, you probably won't even notice it. Nevertheless, it's a pity that such good parameters couldn't be maintained as we saw with full 4K. Nonetheless, in the overall assessment, as a budget screen for console gaming, Blaupunkt really performs admirably in this regard.

Playing on the QN80F with a computer connected is pure delight. The television works seamlessly with NVIDIA graphics cards (thanks to G-Sync support) and AMD (thanks to FreeSync Premium), and the 144 Hz refresh rate only enhances comfort during fast-paced gaming. Everything works right away, without unnecessary fiddling with settings – just as it should.

When it comes to work, it's very good as well. The readability of fonts is high, and texts look sharp and clear. With very thin horizontal lines, you might notice slight imperfections or shadows, but honestly – you have to take a good look. Unless, like us, you sometimes like to examine the screen with a magnifying glass… then you might spot something 😉.

If you're planning to connect a computer to this television, it's absolutely crucial to find and enable the PC compatibility option in the menu. Once you do this, magic happens – the implementation of Chroma 4:4:4 and font readability jump to an exemplary level. The readability of text is simply excellent here. Of course, our editorial diligence wouldn't let us pass this equipment without taking a look "under the hood." In very specific tests with thin, dark text, we noticed that the horizontal and vertical matrix masks differ slightly in brightness levels. However, we want to reassure you: this phenomenon is so subtle that, during normal use, writing emails or browsing the web, you won't be able to notice it with the naked eye. We maintain our opinion that as a monitor strictly for dynamic gaming on PC, it isn't the ideal choice (as we mentioned in the context of the 60 Hz refresh rate), but if any of you are wondering whether you can comfortably work on such a Blaupunkt – we say: yes, it absolutely can be done.

QN80F, like most TVs with a VA panel, isn't impressive in terms of viewing angles. Just tilt a bit to the side, and you'll notice a significant drop in brightness and lost colour saturation. The image loses its "depth" and "vividness", and darker scenes may appear slightly washed out. However, this is a typical characteristic of VA panels, which offer significantly better native contrast compared to IPS panels in return. In short: you win some, you lose some. If you're sitting directly in front of the screen – there won't be any issues. But when watching together in a larger group, it's worth keeping this in mind.

Here it's really very good. Whether we were sitting straight on or on the edge of the couch, the colours didn't lose their saturation. This is a big plus if you're planning to watch matches or movies with a larger group – no one will complain that the picture looks worse for them. Although IPS panels are known for their good viewing angles, in this particular model, when viewed from a sharp angle, the picture noticeably loses brightness. Interestingly, the colour saturation still remains in place, but the screen simply becomes darker. It's not something that disqualifies this television, but it's worth knowing.

QN80F is really a bright television. The average brightness in SDR material is around 550 nits, regardless of the scene, which practically means that you can comfortably watch content even in a well-lit room – and there’s no need to close the blinds every time we turn on a film. The new satin coating on the panel also deserves praise, as it handles glare much better compared to last year's QN80D. Reflections are less bothersome, and the screen maintains readability in various lighting conditions. It’s hard to nitpick here – the QN80F performs simply brilliantly during the day.

In terms of daytime performance, Blaupunkt is simply average. It all comes down to the low brightness of the panel, which – as we mentioned, hovers around 250 nits. That’s definitely too low for the screen to comfortably "cut through" the strong light coming into the living room. As a result, in bright sunlight, the image loses its clarity and appears somewhat washed out. However, there is one bright spot in this category: the satin coating of the panel. Thanks to this, we don't have to deal with the mirror effect, which often means instead of watching a movie, we're seeing our own couch reflected. The satin nicely diffuses reflections, which somewhat saves the situation. Nevertheless, we can’t cheat physics: while the coating bravely fights against reflections, the low brightness ultimately capitulates in the face of the sun's rays. If you plan to watch something in the middle of the day in a very bright room, prepare yourself for the necessity of drawing the curtains.

SmartTV QN80F: Tizen

When it comes to smart features, the QN80F has nothing to be ashamed of. On the contrary – Tizen is one of the richest operating systems in terms of functionality. We have voice search, AirPlay support, Miracast and all the major streaming platforms at our fingertips. But Samsung's real advantage reveals itself in the smart home – SmartThings. Not only can you sync light bulbs and vacuum robots, but you can also integrate devices from other manufacturers, thanks to support for the Matter standard. And suddenly it turns out that the QN80F can serve as a home command centre. There is just one "but" – Tizen is a closed system, so we might not find a few lesser-known apps. However, in practice, it still has everything that 99% of users need.

Classic TV features:

When it comes to classic features, it’s just as good – well, almost. The QN80F supports Picture-in-Picture, a rare but still useful PiP feature. We'll easily find EPG, the good old teletext (yes, it works!) and the ability to connect external devices via Bluetooth – whether it's headphones or a soundbar. Unfortunately, it lacks the option to record to USB from the built-in tuners. This is a small annoyance, especially since competitors in a similar price range are increasingly offering this feature. It may not be a must-have function, but since everything else works so well, it’s a shame it's missing that finishing touch.

In terms of Smart TV functionality, the Blaupunkt UGC5500S is a classic example of a device where the system is both its biggest asset and its greatest flaw. On one hand, we have full Google TV, which is a huge plus at this price point. We gain access to a massive library of apps and basically all the functionality we know from brands using this software. Nothing has been cut out forcefully, which is really refreshing in such an inexpensive TV. Unfortunately, it must be honestly admitted that in the case of Blaupunkt, this system operates quite clumsily. This is a typical issue with low-budget TVs running Google TV – the processor barely keeps up with the software. Navigating through the menu isn’t as smooth as we would like, and the remote can react with noticeable delays, giving the impression of being "dull." Of course, once you launch a specific app and start a movie, everything works steadily, but just browsing through the interface requires a bit of patience.

When it comes to classic TV features, Blaupunkt offers nothing extraordinary. It’s a simple device for basic tasks. The remote is a plus, featuring a traditional numeric keypad, which is just convenient for hopping through cable channels. We also have Bluetooth, so you can easily connect wireless headphones or a speaker. The TV also has a physical mini-jack headphone output. At a time when manufacturers are mass-eliminating this connection, the presence of a "jack" is a nod to those with older audio equipment or simply those who prefer classic wired headphones. It’s a small thing, but it’s appreciated.

The built-in media player in the QN80F handles most popular video formats – from classic MP4 to more demanding containers. It may not be as versatile as VLC, but for home use, it’s more than sufficient. The situation is worse with photos – here, unfortunately, it’s quite limited. Support mainly includes the JPG format, but hey, at least that’s the most important one 👌. During our tests, there was also a minor issue with subtitles. The QN80F only handled the simple text format .txt – unfortunately, other, more advanced formats (like .srt or .sub) were not recognized.

In terms of playing files from USB, Blaupunkt performs quite solidly. We tested several of the most popular formats and basically everything that matters worked without any fuss on the factory player. So you're not forced to immediately download additional software right after pulling the TV out of the box, because the equipment is simply self-sufficient ‘out of the box’. Nevertheless, taking advantage of the charms of Google TV, we still recommend installing some external software, like VLC or Kodi. The factory player is adequate, but it's in those external applications where you'll find the most configuration options, better subtitle support, or just a more convenient interface. Since the system gives you that freedom, it's worth taking advantage of it to get as much as you can out of your multimedia.

For a TV of this class, the QN80F sounds surprisingly good. It supports the Dolby Atmos format, which is worth noting as this is still not obvious in many models in this range. Unlike the thinner QN70F, here you can even feel a slight bass – all thanks to the thicker casing, which simply provides more space for the sound to "breathe". It's perfectly adequate for everyday viewing and series, and with the right settings, you could even consider listening to music without the need to connect external equipment. But – as is the case with Samsung, there is unfortunately a lack of support for the DTS:X format, so if we are using audio devices that support this format, we will first need to connect them to the amplifier and only then to the TV.

In terms of audio, Blaupunkt performs really well, especially considering it's a typical budget television. You can see, or rather hear, that the brand hasn't forgotten its roots and for such an inexpensive build, the sound is actually superb. Of course, there's a noticeable lack of bass, but overall it's loud, and surprisingly clear. What matters most to us – even at higher volumes, the sound isn't heavily distorted, which is rare and a pleasant surprise at this price point.

SAMSUNG QN80F vs Blaupunkt UGC5500S

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

SmartTV QN80F: Tizen

Classic TV features:

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements