Samsung QLED Q80D vs Samsung The Frame LS03D

In the context of HDR, the Samsung Q80D television, as expected, achieves very positive brightness results in the tested movie scenes, where the frame is filled with light, reaching values from 600 to 900 nits, allowing for a great juiciness of the image. Such results enable the user to feel the difference between HDR and SDR quality. Unfortunately, problems arise in situations where small light effects occur against a dark background. In such cases (e.g., the 4th test screen from the film Sicario 2), a noticeable drop in brightness is observed, which is caused by the large size of the dimming zones used here. This limitation, combined with the dimming algorithm, affects how the television handles small bright elements on a dark background. At that point, we may experience an undesired lack of brightness, and the HDR effect resembles that of SDR.

Samsung The Frame LS03D really does well with brightness. Results at the level of 700 nits make bright elements on the screen look impressive and detailed, whether they illuminate the entire screen or appear as tiny points of light on a dark background. In more demanding scenes, like the fourth sequence from the film Sicario 2, the blacks perform moderately, but we have already discussed this in the section on contrast. However, when it comes to brightness – this television definitely holds its own. An additional advantage is the quantum dot coating, which is QLED technology. Thanks to this, the coverage of the colour palette has been improved, although The Frame does not stand out in this regard compared to the competition.

In "Filmmaker" mode, which is the best choice right out of the box, the Samsung Q80D television shows solid colour reproduction. For SDR content, a noticeable drop at the start of the gamma curve suggests that details in dark scenes may be less clear, affecting the overall viewing experience. Regarding white balance in SDR content, while generally correct, significant drops in blue at screen coverage above 70% can result in less natural shades in both bright and dark scenes. Users may notice that some blue elements in the image may appear less vibrant, and the overall colour will have a warmer hue.

In HDR content, the EOTF curve being above the reference line for most of the time indicates that the television may struggle to accurately reproduce brightness and details in the brighter parts of the image, which can be detrimental for the viewer. It is also worth noting the significant drop at the start of this chart, indicating that the television has difficulty reproducing brightness in the darker parts of the image, as seen in the contrast and black test, where several scenes were unable to show the full capabilities of the television’s brightness. In terms of its white balance, the initially good performance on the graph is promising, but the steep decline in red, coupled with a significant increase in blue, can lead to inaccuracies in reproducing some skin tones and other key colours. This phenomenon may be noticeable to viewers in scenes where colour details are crucial.

Samsung offers several picture modes in its televisions, but without a doubt, Filmmaker Mode is the one that should provide the most natural representation of content. Unfortunately, as often happens with mass production, the differences between individual units can be quite significant, and our tested model did not escape a few issues.

In the case of SDR content, the white balance leaned heavily towards red, with a slight boost in blue. This effect was particularly noticeable in comparison photos – for example, in a photograph of a boy whose face was unnaturally flushed. The gamma, or brightness characteristic, also did not perform perfectly – the image was slightly brightened, which robbed it of depth.

In 4K HDR content, the white balance was once again dominated by red, this time combined with green. Meanwhile, blue clearly lost intensity, which could easily be seen on the Color Checker palette, where the colours began to "escape" in the wrong direction. The EOTF curve, responsible for brightness in HDR content, showed that the television tended to overly brighten the image, particularly in the darkest elements of scenes.

Overall, while it did not look terrible, it definitely required correction. Fortunately, Samsung offers extensive calibration options, which provides a chance for a significant improvement in picture quality. Therefore, we proceeded with professional calibration to unlock the full potential of this television.

The movie mode after calibration looks significantly better than the one you see right out of the box. Samsung offers an advanced range of calibration tools in its televisions. Among them are 2- and 20-point greyscale adjustment and CMS (Color Management System). Both in HDR and SDR mode, white balance has improved significantly, although there are slight errors at the end of the graph for HDR content. Contrast has also been greatly improved, and the gamma curve responsible for SDR shows better results. However, when it comes to HDR, the EOTF curve on the television appears to be at an ideal level at first glance. However, when we dig a bit deeper and enable the EOTF graph while watching films, we may notice that all the lines of the curve are above the reference line. You could even say that the television is "cheating" when playing film material. Such a situation, where the EOTF curve is above the reference line, causes the screen – although it may appear brighter, which some users might find appealing – to lose detail in the darker parts of the image. In practice, this means that in scenes with a lot of shadows or dark elements, the television is unable to accurately render the details that should be visible.

After professional calibration, the Filmmaker Mode showcases its full potential. The white balance in HD content is exemplary – errors at the level of 0.5 indicate almost perfect accuracy in colour reproduction. The image now appears natural, and the colours are exactly as they should be. In 4K HDR content, the effect is not quite as perfect, but it still maintains a really high standard. The colours are vibrant, well-saturated, and the overall image quality is impressive.

So where does the problem lie, given our praise for the colour reproduction? Unfortunately, the entire experience is disrupted by the brightness characteristics. The gamma in HD content looks decent, but in 4K HDR, it’s not as good. The EOTF curve shows that the television excessively brightens certain parts of the image, which is a result of design limitations. The lack of local dimming means that the television is unable to accurately control the differences between the brightest and darkest areas of the screen. This is a barrier that simply cannot be overcome in this model.

Nonetheless, after calibration, Samsung The Frame LS03D offers excellent colour reproduction, particularly in HD content, and the overall look is significantly better than before the settings were adjusted.

Samsung Q80D performs very well with low-quality materials. The noise reduction works on the principle of gentle gradation, making it very effective in smoothing out unwanted image disturbances. Unfortunately, this same effectiveness also causes it to blur elements that shouldn't be smoothed, such as film grain. For those who prioritise a plastic, smooth image, this can be seen as a significant advantage, especially with lower-quality content.

In terms of image scaling, Samsung Q80D stands out positively in this aspect, significantly enhancing the viewing comfort. The TV handles the conversion of lower-resolution materials, improving their quality and details. For example, in the attached image featuring a model, there are no visible artefacts or excessive fraying of branches, which demonstrates advanced image processing technology.

It's time to check how Samsung The Frame LS03D copes with older, lower-quality materials. We already know that the smoothness of tonal transitions is at a very high level, so we were curious to see how the TV would handle smoothing them out.

The noise reduction feature in the “Standard” setting does its job well – tonal transitions are noticeably smoothed out, and the image doesn’t lose too much detail. However, it’s worth noting that this effect also smooths out film grain, so its usage will be a matter of individual preference.

When it comes to image scaling, the TV performed really well too. The tested image came out solid – the model was accurately represented, with clear details. The branches in the background, although slightly frayed in places, generally look natural and do not stand out as a flaw.

The Samsung Q80D television stands out very positively in terms of motion fluidity and minimizing blur, mainly due to the 120Hz panel and above-average panel response time. Users have two options for adjusting fluidity: "Motion Smoothing," which allows for adjustments in a 10-step scale, and "Blur Reduction," particularly effective at higher refresh rates, improving the sharpness of fast-moving objects. In the UFO test, there is no blurring behind the moving object, and the image is not cloned forward, indicating the absence of an overshoot effect.

To start off, it’s worth noting that the model we tested in the 55-inch size, along with the 65, 75, and 85-inch versions, is equipped with a 120 Hz panel. Unfortunately, the 43 and 50-inch variants of this series only offer 60 Hz panels, which is worth considering when making a purchase. In terms of improving motion fluidity, the TV offers a feature called “Image Clarity.” This is a classic motion smoother that gives users the ability to adjust using two sliders:

Blur Reduction – this controls image sharpening during dynamic scenes. The higher the value, the less blurring occurs during fast camera moves or moving objects. However, setting it too aggressively can make the image look unnatural and resemble a “soap opera.”

Judder Reduction – this slider affects the smoothness of frame playback, especially in materials with lower frame rates, such as movies (24 fps). Higher settings can smooth out motion but can also lead to excessive “plasticity” of the image.

Both sliders operate on a scale from 0 to 10, allowing for precise adjustment of the effect to personal preferences. It’s a good idea to experiment with the settings to find the perfect balance between fluidity and a natural look for the image. We recommend setting them as shown in the picture.

The Samsung Q80D TV is a real gem for gamers. It is equipped with four HDMI 2.1 ports, which is a rarity, especially in this price range. This allows users to enjoy features such as ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), and 120Hz at 4K resolution. These features ensure smoothness and responsiveness of the image, which is a key aspect during dynamic gameplay. The TV also supports HGIG (HDR Gaming Interest Group), enabling optimal HDR content display in games. Additionally, it comes with a Game Bar, providing quick access to gaming settings. Users with Nvidia graphics cards will also be pleased with the implementation of G-Sync. This feature eliminates stuttering and screen tearing. The only downside is the lack of support for Dolby Vision, which may be disappointing for users looking for that HDR format. It's also worth mentioning that since 2022, thanks to the collaboration with Microsoft, Samsung TVs offer the Xbox Game Pass app, allowing for cloud gaming. This is an added bonus for gamers who want to take advantage of a wide library of games without needing a console.

The Frame LS03D in the 2024 version is equipped with four HDMI ports, but only one supports the 2.1 standard with a bandwidth of 40 Gb/s. This is important information if we plan to connect more than one device that requires a 4K@120 Hz signal – for example, two consoles or a console and a gaming PC.

In terms of features for gamers, The Frame truly has a lot to boast about. We have ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate) and HGiG. It’s worth mentioning that HGiG has been very well implemented here, which is particularly important as the television does not support Dolby Vision in games (which is only available on Xbox consoles). In this case, HGiG turns out to be a better standard for gaming.

Samsung hasn't forgotten about features that enhance the gaming experience. Game Bar is an expanded panel for gamers that allows quick adjustment of screen settings without having to dig through the television menu. We can even change the aspect ratio from 16:9 to the panoramic 21:9, which can be a significant advantage for some gamers.

However, Samsung's biggest ace up its sleeve is the Game Motion Plus feature. This is a special smoother dedicated to games that adds additional frames of animation without significantly affecting input lag. The effect is really noticeable – the image seems much smoother, which will be particularly appreciated by fans of dynamic titles.

In summary – Samsung The Frame LS03D is a television that offers a solid set of features for gamers. Although the limitation to one HDMI 2.1 port may be a downside, the rest of the solutions make gaming on this television a truly enjoyable experience.