Samsung QLED Q70D / Q74D / Q77D vs TCL P7L / P79L

The brightness that the Samsung Q70D can offer is at a rather average level, although it cannot be said that the HDR effect will not be noticeable. Any brightness above 400 nits allows for a clear distinction between SDR and HDR content. As was the case in the paragraph about contrast and black levels, we can also observe here that the first scene, featuring a bright sunny sky and a darker foreground, has the lowest luminance of those measured. The result, which can be considered very good for this price range and display class, is that one. In a scene where we see a large light source filling a significant portion of the frame, the brightness of the TV is at its highest, reaching nearly 500 nits. However, it is worth noting the rather low coverage of the wide DCI-P3 colour gamut, which sometimes results in noticeable shortcomings in the colour reproduction. Additionally, users can enjoy rich colours and high precision in rendering shades, making movie screenings a unique experience. It is also worth mentioning that the Q70D Samsung panel performs excellently in eliminating blur during dynamic action scenes, which enhances the viewing comfort of sports broadcasts or games.

The biggest limitation of the TCL P7L in HDR is simply brightness. The TV doesn't have much luminance headroom, so strong highlights, sunlight or small light sources can't clearly "pop" out of the image. As a result, even well-produced HDR material looks fairly restrained and, in terms of dynamics, is closer to good SDR than to what brighter models show. That doesn't mean the P7L completely fails at HDR; the issue is mainly a lack of sufficient backlight power. Looking at colours, the situation is a bit better. The TV covers roughly 91% of the DCI‑P3 gamut and about 68% of the wide BT.2020 space, so for its price class the colour range is quite decent. TCL markets this model as QLED, although the nature of the solution used is closer to a PFS phosphor‑based backlight than a classic quantum dot layer. What matters most to the viewer is the effect: more saturated colours are on offer.

The best factory mode in Samsung Q70D is "Filmmaker," and it was this mode that we used during all our tests. Before the calibration process, it had several flaws that effectively hindered the presentation of the director's intentions. In both SDR and HDR material, the white balance was dominated by red and green colours. As a result, there was a characteristic yellow tint on the image, which caused whites to appear yellowed and skin tones to be noticeably too warm. The reduced gamma in standard colour palette materials caused a significant drop in contrast, which was already not the highest. This led to the highlighting of details in the blacks, but also to clipping in brighter scenes. In this case, the EOTF curve proved to be much better and only brightened those scenes with quite low luminance. This was clearly visible in the section where we measured the maximum brightness of the television in HDR materials. At that time, a shot from the film "Billy Lynn" appeared unnaturally bright and lacking depth.

In Film mode the TCL P7L performs quite decently without major tweaks, especially with ordinary SDR material. The white balance is relatively even, although as brightness increases there’s a slight rise in red and blue and a bit too little green. That doesn’t create a strongly visible colour cast and most colours remain close to their reference points. The Colour Checker confirms this, with a large portion of errors falling below the level that should particularly bother during normal viewing. We have more remarks about the gamma response. In the darkest parts of the image the TV drives it noticeably above the reference, so some shadow detail may be a little too dim. The curve then settles and for much of the range it’s close to the intended targets. As a result SDR generally looks natural, but in dark scenes the P7L can lose some subtlety.

In HDR the factory setup is less precise. As brightness increases the excess blue becomes more pronounced, so the picture can look cooler than it should. The number of larger colour deviations also rises, especially in brighter colours. The EOTF curve itself is handled fairly conservatively, with the TV showing the image darker than the reference over much of the range. For such an inexpensive model, the factory Film mode settings are not bad.

Fortunately, Samsung provides a wide range of calibration tools in all its TVs, including 2- and 20-point grey scale adjustments and advanced CMS. As a result, we were able to significantly improve the quality of SDR and HDR content. The vast majority of errors have been corrected, and the image that the Samsung Q70D now delivers is definitely much closer to the reference. Higher deltaE errors in wide dynamic range content primarily result from the display's insufficient luminance.

After calibration the TCL P7L can produce a genuinely pleasant picture, especially with conventional SDR material. We managed to even out the white balance very well, and the gamma curve now tracks close to the target value of 2.4. This is also evident in the colour measurements, as most errors have fallen significantly and in everyday viewing it’s hard to notice any major inaccuracies. Films, series, YouTube and regular TV therefore look more natural, without unnecessary warmth or a cool tint. For a model at this price point the SDR result is really very good.

In HDR the situation becomes more complicated. Calibration improved the white balance and corrected some deviations, but here the panel’s limitations become increasingly apparent. The P7L has relatively limited brightness and can’t sustain appropriate luminance for more saturated colours, so some errors remain even after careful tuning. In other words, settings can improve how the TV interprets the signal, but you can’t overcome its physical capabilities. That’s why calibration is most worthwhile for SDR on this model.

The function responsible for improving gradation is named "Noise Reduction" in the menu. As we have confirmed, it is worth enabling as it has a beneficial impact on tonal transitions. More importantly, it does not negatively affect film grain or fine details, which sometimes the competition "offers" us.

The image scaling on Samsung Q70D should be rated as average. The manufacturer does not aim to artificially sharpen the image, but rather to keep it naturally softened.

In this respect the TCL P7L performs surprisingly well, especially for such an inexpensive TV. The banding reduction feature, which in many budget models does little or nothing, actually manages to improve the picture here. It doesn't remove all banding completely, but it can noticeably reduce posterisation and make trickier gradients look more natural. In this price segment that's a genuinely pleasant surprise.

The upscaling itself also looks good. Lower-resolution material is upscaled properly, without excessive sharpening or adding artificial edges around objects. Of course the P7L won't turn a very poor source into a 4K-quality picture, but for regular TV the result is simply solid. For a model at this price point there are few major complaints to make.

Samsung Q70D is the first model in the manufacturer's portfolio with a 120Hz panel. As a result, its motion smoothing features are more advanced than those in lower-tier models. In the menu, we find three functions responsible for improving fluidity. They are "Blur Reduction," "Judder Reduction," and "Clear Motion (LED)." We'll discuss the third one later. The first function enhances sharpness in motion, while the second adjusts the level of smoothing. The smoothness enhancer in Samsung Q70D works satisfactorily, and each setting makes a noticeable difference. Therefore, those who dislike the characteristic stuttering of films or who passionately watch sports will be able to achieve their preferred level of smoothness. In the image, we present a setting with slight smoothing, without the soap opera effect.

The panel used in Samsung Q70D has a fairly good response time for this type of display. Of course, it won't deliver an image as sharp as a proverbial razor, but at this price point, it is a recommended choice for all kinds of sports.

TCL P7L uses a native 60 Hz panel at 4K resolution, and that's how it should be treated in everyday use. For movies the TV mainly offers frame interpolation, so it can smooth motion and reduce noticeable judder, but it doesn't deliver the smoothness typical of true 120 Hz panels.

The tested television is equipped with four HDMI 2.1 ports. Interestingly, all of them have a bandwidth of 40 Gbps; however, during the testing process, we did not observe any negative effects associated with this situation. More importantly, Samsung Q70D supports all features stemming from the aforementioned standard. This news will surely delight all gamers, as it means that whether using a console or a PC, we can expect the highest possible comfort during gameplay. Given the standard absence of Dolby Vision HDR for this manufacturer, it is significant that the HGIG mode has been implemented correctly and there are no issues with setting up the calibration chessboard. We particularly note that Samsung is the only manufacturer to allow gaming with the smoothness enhancer switched on, without significant degradation. This means that titles running at 30 fps will be perceived like those with native 60 frames per second.

Samsung, as one of the first manufacturers, introduced the Game Bar to its televisions, which has since been consistently refined. It contains all the necessary information regarding gameplay parameters that we can change "on the fly".

In summary: Samsung Q70D will perform excellently both with consoles and with computers. All functions worked brilliantly, and there were no issues with them. The ability to enable the smoothness enhancer without significant increases in input lag is a true gamechanger.

For such an inexpensive TV, the P7L has quite a lot to offer gamers. It has ALLM, VRR and Dolby Vision in games, and TCL also includes its Game Bar, where you can quickly check key information or change some settings without leaving the game. Not everything is perfect, though, because HGiG doesn't work here as it should, but at this price point it's hard to complain much about the feature set. The most interesting part comes when you give up 4K. At that resolution the TV runs at up to 60 Hz, but at 1440p and 1080p it can already display at 120 Hz. And that's not just a spec-sheet curiosity. In fast-paced games that support that frame rate the difference in smoothness is genuinely noticeable, so if you care more about smoother motion than maximum image sharpness, that mode can make a lot of sense. Of course, that doesn't make the P7L a true 120 Hz TV. Still, it's precisely these extra modes that make the P7L perform really well for gaming.