Samsung Q60D / Q67D / Q68D vs Samsung Q6F (IPS)

Television Samsung Q60D, regardless of the tested scene, achieves brightness levels above 500 nits, which is above average for this class of devices. Such a level of brightness allows for a taste of true home cinema, with clearly visible details in bright areas of the image and well-rendered contrast dynamics, especially when watching content from streaming platforms or films played from Blu-ray. This means that movie screenings gain greater depth and realism, particularly in well-lit scenes. Despite the use of quantum dot technology (QLED), the television does not achieve outstanding results in colour reproduction. The coverage of the DCI-P3 colour space is only 90%, which may be noticeable in more demanding scenes, where the richness and saturation of colours play a key role in image quality.

Unfortunately, the Samsung Q6F is a very dark model. Its peak brightness in HDR does not exceed 250 nits, which is definitely too low to even talk about any "high dynamic range" or HDR effect. In practice, it's better to stick to content in SDR format, which simply looks more predictable on this TV. Another issue is the global dimming technique – in scenes with a lot of black, the TV drastically dims the entire screen to artificially improve the black levels. This results in the image becoming even darker, with brightness sometimes dropping below 100 nits. The only consolation is the QLED technology, but even here it's average. The applied quantum dot layer is not of the highest quality, as the coverage of the DCI-P3 colour gamut does not exceed 90%. Because of this, colours in HDR content may simply appear unsaturated.

Samsung has been offering a "Filmmaker" mode in its TVs for several years now, aimed at providing the most faithful picture settings straight from the factory, in line with the vision of filmmakers. This is certainly a big step towards cinematic quality at home, but it is worth noting that this mode is not without its issues.

For example, the white balance in both SDR and HDR modes exhibits an excessive amount of red, which makes the image too warm. As a result, the skin tones of actors and bright scenes can appear unnaturally flushed. The Colour Checker test further confirms this problem – colour samples often shift towards red hues, deviating from the neutral colour representation that would be more desirable in a professional setup.

When it comes to contrast, there is a noticeable strong drop at the beginning of the gamma graph, where values below 2.4 drop all the way down to 2.1. As a result, the image in darker scenes may appear less distinct, losing depth. In the case of HDR content, the EOTF curve (which is responsible for brightness reproduction) shows a strong spike at the beginning of the graph, which can lead to excessive brightness in the lighter parts of the image, disrupting the natural tonal balance.

We tested the television in Filmmaker mode, which showed us two completely different sides of this model. Looking at SDR content, we were honestly shocked at how good this television looks straight out of the box. It was really hard to pick on anything here. Despite a slight 'messiness' in white balance and some slightly brightened details in the blacks (which directly stems from the IPS panel construction), colour errors hovered around the '2' level. This is not only a surprisingly good result but rather phenomenal, considering the price of the device.

On the other hand, what the Q6F showed in terms of colours when switched to HDR mode was a very unpleasant surprise. The errors in colour reproduction and palette were so massive that our charts literally ran out of scale. Of course, since Samsung even in such a budget model offers very extensive calibration options, we decided to approach the issue professionally and see what could be done during calibration.

After professional calibration of the Samsung Q60D television in film mode, users can enjoy a significant improvement in image quality. Samsung televisions have always offered 2- and 20-point grayscale adjustment and an advanced CMS (Colour Management System), allowing for precise colour and shade adjustments. The white balance for both SDR and HDR has been stripped of strong peaks and tendencies towards colour drifting into red tones, significantly enhancing the naturalness of the image. Although a few larger errors can still be observed in HDR mode, the overall quality of colour reproduction has been excellently improved. Regarding contrast, although drastic changes cannot be said due to the limitations of the television's technology, the improvement is noticeable. Thanks to calibration, details in dark scenes are more visible, and the differences between light and dark elements of the image have been enhanced. This makes the overall perception of the image more satisfying, allowing viewers to enjoy greater depth and realism in the displayed content.

After our calibration, the colours in SDR mode looked even better – the result is truly surprising, as colour errors at a level of "1" are something typically seen in devices costing several thousand dollars. In this respect, the Q6F is really a great screen for everyday television, less demanding series, or movies. Unfortunately, our intervention in HDR mode did not yield a noticeable improvement. The television, due to its weak blacks and low coverage of a wide colour gamut, still has significant issues with proper colour saturation, especially reds. This is an example of a device where HDR primarily exists as a label on the box – for everyday use, we definitely recommend watching content in SDR format.

However, when it comes to processing and scaling lower quality materials, the television performs quite well. The image is rendered without overscan, which ensures full use of the available screen space. Additionally, the outlines of the model or branches of the tree are not overly jagged, resulting in a satisfactory quality of the displayed content. Although noise reduction could be more effective, the overall processing results of lower quality materials are positive and meet expectations.

Q6F handles upscaling lower resolution content to native 4K very well. The scaling is surprisingly good, even for such an inexpensive QLED model. The only downside is when watching very low-resolution materials like 576p (typical for old DVD players) – the image may appear slightly cropped. This is because the TV does not allow the option to turn off the Overscan feature, which is a common issue with Samsung devices.

The situation is completely different when it comes to digital processing, or the attempt to smooth the image of unwanted artifacts. Here, the TV completely fails. Although in the menu we find a feature called "Noise Reduction," it does not produce any noticeable results regardless of the slider setting. The only thing it seems to do is introduce undesirable errors into the image. Despite its presence in the system, we definitely do not recommend using it.

Samsung Q60D is equipped with a 60 Hz panel and a feature to enhance movie smoothness, known as "Motion Blur Reduction." This function aims to minimise motion blur and improve overall image fluidity, which will certainly appeal to users who primarily seek a television for watching movies and series. Thanks to this technology, viewers can enjoy a more fluid visual experience, even in dynamic action scenes where details are crucial. However, it is worth noting that while "Motion Blur Reduction" improves image fluidity in films, for gaming, this panel may not be the best choice due to its considerable motion blur effect, which can be seen in the photo below.

The 60 Hz panel in the Samsung Q6F is standard in this price range, making it a rather average model for dynamic sports or gaming. However, when it comes to movies, the TV performs quite well thanks to its smoothing feature. The "Motion Vibration Reduction" option allows you to adjust the motion smoothness to your own preferences – from preserving a cinematic feel to full smoothness.

Samsung Q60D has been equipped with features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group) and Game Bar, which significantly enhance the gaming experience. However, the lack of HDMI 2.1 implementation limits its capabilities, preventing the use of VRR (Variable Refresh Rate), which could further improve smoothness and image quality. Generally, for casual gamers, this TV should perform well in everyday use, providing satisfactory gaming experiences. However, if we are more demanding in terms of gaming, it is worth considering models with a higher refresh rate and HDMI 2.1, which will ensure full functionality and better support for the latest games. In such cases, investing in a more advanced TV will yield significantly better results in terms of smoothness and image quality, which is crucial for gaming enthusiasts.

We won’t beat around the bush – the Q6F is not a television designed with gamers in mind. While it does include features like ALLM (Auto Low Latency Mode) and VRR frame syncing for consoles, that's pretty much where the list of advantages ends. Beyond these basics, the television offers nothing more that could satisfy those who spend a lot of time in front of a console. It's a real shame that a useful tool like Game Bar, which allows for quick control of game parameters in higher-end Samsung models, is missing here. In terms of gaming, this is an absolutely basic model and it will only suit 'casual' gamers.