Samsung Q60D / Q67D / Q68D vs Hisense S7NQ CanvasTV

Television Samsung Q60D, regardless of the tested scene, achieves brightness levels above 500 nits, which is above average for this class of devices. Such a level of brightness allows for a taste of true home cinema, with clearly visible details in bright areas of the image and well-rendered contrast dynamics, especially when watching content from streaming platforms or films played from Blu-ray. This means that movie screenings gain greater depth and realism, particularly in well-lit scenes. Despite the use of quantum dot technology (QLED), the television does not achieve outstanding results in colour reproduction. The coverage of the DCI-P3 colour space is only 90%, which may be noticeable in more demanding scenes, where the richness and saturation of colours play a key role in image quality.

When it comes to the brightness of the television and how it handles bright elements while watching films, it's just average – similar to the contrast. The average brightness level of the Hisense S7NQ is around 500 nits. This is a value that allows you to feel the hints of true HDR, but it's definitely not enough to speak of remarkable effects. However, the television should be praised for its colour gamut coverage – films look very colourful and vibrant. Thanks to the use of a PFS LED (QLED) coating, the device is able to cover more than 90% of the DCI-P3 colour gamut and over 72% of the wider BT.2020 palette. For a television of this class – these are really very good results.

Samsung has been offering a "Filmmaker" mode in its TVs for several years now, aimed at providing the most faithful picture settings straight from the factory, in line with the vision of filmmakers. This is certainly a big step towards cinematic quality at home, but it is worth noting that this mode is not without its issues.

For example, the white balance in both SDR and HDR modes exhibits an excessive amount of red, which makes the image too warm. As a result, the skin tones of actors and bright scenes can appear unnaturally flushed. The Colour Checker test further confirms this problem – colour samples often shift towards red hues, deviating from the neutral colour representation that would be more desirable in a professional setup.

When it comes to contrast, there is a noticeable strong drop at the beginning of the gamma graph, where values below 2.4 drop all the way down to 2.1. As a result, the image in darker scenes may appear less distinct, losing depth. In the case of HDR content, the EOTF curve (which is responsible for brightness reproduction) shows a strong spike at the beginning of the graph, which can lead to excessive brightness in the lighter parts of the image, disrupting the natural tonal balance.

Let's check how the Hisense S7NQ CanvasTV performs in terms of colour reproduction in its best factory mode, which is Filmmaker. Right from the start, it’s clear that it’s definitely better than in dynamic or standard mode, but there are still a few things to nitpick. In terms of image quality from HD signals, the colours are slightly skewed – there’s a dominance of cooler blue tones and a lack of red. This makes the image seem a bit too cool.

A similar effect is noticeable in 4K content, but it’s more pronounced there. The excessive exposure of blue tones and lack of red makes the image appear distinctly cold. However, the biggest issue with this TV isn’t the colours themselves but the way brightness is managed. The unit we tested slightly increased brightness compared to the reference value. The result of this is indeed better visibility of details, but at the cost of significantly lighter blacks – which makes the entire image seem more "flat."

A similar phenomenon was observed in the 4K signal – the slightly inflated curve at the beginning of the EOTF graph indicates that the TV has a tendency to overexpose certain scenes. Fortunately, this effect can be improved through professional calibration, which we will discuss in the next point.

After professional calibration of the Samsung Q60D television in film mode, users can enjoy a significant improvement in image quality. Samsung televisions have always offered 2- and 20-point grayscale adjustment and an advanced CMS (Colour Management System), allowing for precise colour and shade adjustments. The white balance for both SDR and HDR has been stripped of strong peaks and tendencies towards colour drifting into red tones, significantly enhancing the naturalness of the image. Although a few larger errors can still be observed in HDR mode, the overall quality of colour reproduction has been excellently improved. Regarding contrast, although drastic changes cannot be said due to the limitations of the television's technology, the improvement is noticeable. Thanks to calibration, details in dark scenes are more visible, and the differences between light and dark elements of the image have been enhanced. This makes the overall perception of the image more satisfying, allowing viewers to enjoy greater depth and realism in the displayed content.

The results we achieved after calibrating the Hisense S7NQ are really very good. Thanks to the calibration, we managed to eliminate excessive blue tone exposure and deficiencies in red with HD signals. A similar, albeit slightly weaker effect was also achieved with 4K HDR content. Brightness management in HD materials has also improved – the television no longer struggles with brightening the image "overall".

However, there are things that cannot be circumvented. The character of the EOTF curve has hardly changed, and the lack of local dimming means that the smallest elements on the screen will always be slightly overexposed. You just have to come to terms with this when choosing a television with a similar type of backlighting. Nevertheless, the final effect is very good and should fully satisfy the vast majority of users.

However, when it comes to processing and scaling lower quality materials, the television performs quite well. The image is rendered without overscan, which ensures full use of the available screen space. Additionally, the outlines of the model or branches of the tree are not overly jagged, resulting in a satisfactory quality of the displayed content. Although noise reduction could be more effective, the overall processing results of lower quality materials are positive and meet expectations.

Equally important is how the television handles tonal transitions with a poorer signal – for example, in older films, on television, or on YouTube. Unfortunately, despite the presence of the “Smooth and Gradient Picture” feature, which was supposedly meant to improve this aspect, its functionality is really poor. It’s barely noticeable that it has any real impact on the visibility of colour transitions.

The image scaling is also disappointing. Yes, you can see that the television is trying to “pull up” the quality, but the end result is far from ideal. The image often appears slightly jagged, which is particularly noticeable in the example of tree branches in the background. Additionally, the Hisense S7NQ has a clear tendency to crop the image at lower resolutions, which could result in missing subtitles in the news or finer details in the image.

Samsung Q60D is equipped with a 60 Hz panel and a feature to enhance movie smoothness, known as "Motion Blur Reduction." This function aims to minimise motion blur and improve overall image fluidity, which will certainly appeal to users who primarily seek a television for watching movies and series. Thanks to this technology, viewers can enjoy a more fluid visual experience, even in dynamic action scenes where details are crucial. However, it is worth noting that while "Motion Blur Reduction" improves image fluidity in films, for gaming, this panel may not be the best choice due to its considerable motion blur effect, which can be seen in the photo below.

When it comes to motion fluidity, the television performs really well. Although the S7NQ was primarily designed for displaying static elements – such as images – the manufacturer has used a panel with a refresh rate of 144 Hz. As a result, sports or games look really good on it.

For content that is not recorded at a high frame rate, the manufacturer has provided two features that allow you to adjust the picture to your own preferences. “Motion blur reduction” and “blur” operate on a 10-point scale, enabling a choice between a more cinematic image – with characteristic frame jumps – and a smooth effect reminiscent of a “soap opera.” How to set this up? That’s a personal choice – we leave the decision to you.

Samsung Q60D has been equipped with features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group) and Game Bar, which significantly enhance the gaming experience. However, the lack of HDMI 2.1 implementation limits its capabilities, preventing the use of VRR (Variable Refresh Rate), which could further improve smoothness and image quality. Generally, for casual gamers, this TV should perform well in everyday use, providing satisfactory gaming experiences. However, if we are more demanding in terms of gaming, it is worth considering models with a higher refresh rate and HDMI 2.1, which will ensure full functionality and better support for the latest games. In such cases, investing in a more advanced TV will yield significantly better results in terms of smoothness and image quality, which is crucial for gaming enthusiasts.

Even though the S7NQ is an "image" type television, you can actually play games on it. Really. It has practically everything (except for HGiG mode) that a modern gaming television needs. The 144 Hz panel and two full HDMI 2.1 ports allow for seamless connection of two consoles, such as the PlayStation 5 or Xbox Series X/S.

The television supports Automatic Low Latency Mode (ALLM) and Variable Refresh Rate (VRR) without any stutters or issues. It also handles high frame rates at lower resolutions without any trouble. A shoutout to Hisense for the very attractive Game Bar – it displays all available image options, and additionally, we have the ability to enlarge the minimap or turn on the crosshair (because sometimes someone might actually want to "aim" 😉).

The only missing element – as we mentioned earlier – is the lack of proper implementation of HGiG mode. This is the feature responsible for automatically setting the image in games as the developers intended. It’s a shame because it's the only thing that separates the Hisense S7NQ from being a full-fledged gaming "monster".