Samsung OLED S95D vs Samsung QN900F

Samsung S95D offers excellent HDR performance, delivering consistent effects across all scenes exceeding 1500 nits, except for the fifth, where brightness drops to 800 nits. Despite this, the TV maintains a high level of picture quality. A significant advantage of QD-OLED technology is the ability to maintain high brightness even in the smallest elements on a black background, which is rare in LCD and mini LED TVs. As a result, every scene impresses with strong lighting effects, regardless of the size of the illuminated surface. Only in the brightest scenes with a large light area does brightness drop slightly, which is typical even for standard LG OLEDs. Additionally, the quantum dot coating has allowed for an unprecedented high coverage of the BT.2020 colour palette at 88%.

QN900F is a seriously bright TV – it can generate nearly 2000 nits, which is a level that remains unattainable for most models on the market. But the ability to achieve such brightness isn’t everything – it also matters whether the TV can make good use of it. And here it’s not always perfect. Our tests on cinematic scenes showed that in scenes like those from Life of Pi or The Meg, the QN900F can really shine – both literally and figuratively. In such moments, its greatest advantage, which is brightness, makes a huge impression. However, in more demanding scenes, things start to get tricky – similar to assessing contrast. When smaller, bright elements appear on the screen, the TV often struggles with the decision of whether to highlight them at the cost of black levels or perhaps maintain deep blacks but tone down the brightness. The result is situations where, for example, in the movie Sicario 2, the brightness dropped to just 200 nits, making details barely visible. The dimming algorithms could definitely be better, considering the class of this television.

On the Samsung S95D, the best colour reproduction mode is the Filmmaker mode. We conduct all our tests in this mode. Although initially, the image in this mode may seem a bit warmer to the viewer, it provides significantly more detail compared to the standard or dynamic modes, which are always oversaturated and artificial. Therefore, Filmmaker is the most closely aligned with the vision of filmmakers and ideal for watching high-quality content. It is worth noting, however, that the factory settings are not perfect, despite dealing with premium segment equipment. The image may contain certain issues that affect the overall quality of the displayed scenes. An example is the drops in red colour in the white balance, both in HD and HDR content. Colour Checker tests showed that the colours lean towards cooler tones. The image is dominated by blue hues, and the overall colour spectrum is distorted. As can be seen in the picture below, the boy from the film appears in cooler tones, making him look less natural. When it comes to brightness characteristics for HD content, it is quite accurate, although there are minor errors. The biggest issue arises when displaying 4K HDR content. The EOTF curve, which seems appropriate at first glance in test patterns, in actual film scenes shows that the TV sometimes "messes around" with the image. This results in some scenes appearing slightly brighter and others darker.

Samsung S95D offers quite decent factory colour reproduction; however, it has some shortcomings that may require calibration to fully utilise the potential of this television. The process is recommended to achieve the most natural and immersive image possible.

Testing the QN900F in Filmmaker mode, the distinct characteristics of the image quickly became apparent, despite this mode being designed to reflect the director's vision. The white balance was not perfect – the television had noticeable deficits in blue. This caused the entire scene to take on a warmer tone, as if someone had applied a subtle filter in shades of yellow and orange to the image. In films where bright shots dominate – for example, scenes in the snow or under strong daylight – this gave an impression of a slight warmth that does not always convey the director's intention. The second noticeable element was the management of brightness. The QN900F sometimes brightened the image more than necessary. It looked as if the exposure had been slightly "pushed up," which caused the scene to lose some naturalness. Shadows could be too shallow, and contrast slightly weakened. These are not disqualifying errors, but for a television in this price range, it is clear that the Filmmaker mode has not been perfected one hundred percent. This is particularly noticeable when we compare its image to what was visible after the screen calibration.

How much can the picture quality of a TV change after calibration? After calibration on the Samsung S95D, the white balance has significantly improved, eliminating all major errors, allowing for a more natural and harmonious colour representation. In the case of 4K content, there are only minor imperfections which do not affect the overall picture quality. Thanks to the calibration, viewers can now enjoy more balanced tones, which better reflect the intentions of filmmakers. The contrast has also improved, and the gamma shows even better results. This means that the differences between bright and dark parts of the image have become more pronounced, resulting in better depth and detail of scenes. As a result, shadows have gained more detail, and bright areas are no longer so overwhelming, providing a more realistic visual experience. However, it should be noted that the EOTF curve is slightly below the expected level, which may affect how the TV handles dynamic scenes. Nevertheless, after calibration, the overall picture quality has significantly improved, and viewers can now enjoy a visual experience that is more in line with the creators' intentions. The TV handles subtle tonal transitions and contrast better, making it more suitable for watching movies and high-definition programs. Ultimately, the picture after calibration is closely aligned with reference quality, making the visual experience even more satisfying.

After calibration, we managed to reduce the errors in white balance and adjust them to a level that can be considered acceptable. It's not perfect, but definitely better than the factory settings. Most colour errors now fall within the deltaE 2–3 range, so in practice, they shouldn't be noticeable during everyday viewing. The biggest improvement is evident in how the television handles brightness in SDR content. Shadows and details are no longer flattened, giving the image depth and naturalness. As for 4K HDR materials – colours themselves are no longer an issue, but one can still notice some imperfections in Mini-LED technology. The QN900F tends to excessively dim the smallest bright elements, causing them to sometimes disappear from view. However, it's worth noting that this is a much better solution than boosting the entire screen, which would ruin the contrast. This is more of a characteristic of the technology rather than a typical flaw, but it's worth keeping in mind. The effects of the calibration are really very good.

How does the television handle tonal transitions in lower quality materials? Generally speaking, the S95D performs exceptionally well. On the screen with the light bulb, there are virtually no transitions between shades of grey, making it one of the best televisions we have tested in this regard.

When it comes to digital processing, the entirety of the image — from branches to the models' characters — has been well rendered, with no jagged edges or overly visible contours. However, we must point out one issue: the image has been slightly cropped. Nevertheless, the television performs brilliantly, and details in lower quality materials are still noticeable and well-defined.

If we want to get rid of awkward tonal transitions that can be annoying, for example, while watching YouTube, we can use a feature called noise reduction. It works really effectively – it eliminates issues with colour blending when set to Standard level. However, as with most Samsung TVs, this comes with some compromises. Although we didn't notice this feature having a significant impact on the structure of objects in the image, it unfortunately reacts quite aggressively to film grain. Most people will likely appreciate this effect – the noise is simply removed – but if someone is looking for an image as close as possible to reference settings, we definitely recommend turning this option off.

When it comes to upscaling, or dealing with very low-quality content, the QN900F performs really well. On the test pattern with a model, the image looked clear, with only slight jaggedness that shouldn't bother most viewers. However, it’s worth mentioning one issue – the TV sometimes struggles with so-called overscan, which means older content may be slightly cut off. This can manifest, for example, with disappearing subtitles at the bottom of the screen.

The Samsung S95D TV, equipped with a 120 Hz refresh rate panel (and even up to 144 Hz in the appropriate PC configuration), provides excellent motion fluidity. Samsung offers a variety of image sharpness settings on a ten-point scale, allowing users to adjust the display according to their own preferences – whether the picture should be more cinematic/frame-like or more theatrical/smooth. In tests with UFO, the OLED panel shows its advantages, eliminating any blurring. The lightning-fast pixel response ensures that dynamic movements are rendered with unparalleled precision.

There’s really nothing to nitpick here – the QN900F looks great when it comes to motion. Thanks to its 165 Hz panel in 4K, you can confidently say that this TV is suited for both watching sports and gaming. The motion smoother plays a key role here. It works brilliantly – not just with sports broadcasts, where it can eliminate blurring and image judder, but also in games, where animation becomes clearer and more fluid. And of course, if someone likes to experiment with movies – they have that option as well. At lower settings, you can see a slight graininess and a filmic quality, while higher settings introduce a soap opera effect. So everyone can tailor the picture to their preferences, and the TV has the power to handle it.

The Samsung S95D television is perfectly adapted to the needs of gamers, offering four HDMI 2.1 ports that support key features such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HDR Gaming Interest Group (HGIG). The HDMI 2.1 ports do not offer the full 48Gb bandwidth, but they are still sufficient for achieving the appropriate resolution and smoothness. With these technologies, gamers can enjoy smoother and more responsive gameplay, which significantly impacts comfort and performance during intense gaming sessions. One of the biggest advantages is the Xbox app, which allows for cloud gaming without the need for a console. With it, gamers can access a wide range of titles directly on the television, enjoying high image quality and smooth gameplay. Additionally, the S95D offers a Game Bar feature that enables easy management of game settings, including quick adjustments to parameters such as changing the aspect ratio, which can be extremely useful in various games and game modes. It is also worth mentioning the support for G-Sync and FreeSync, which is a huge plus for users of Nvidia and AMD graphics cards. Despite the lack of support for Dolby Vision, the television still offers excellent features that make it an ideal choice for console gaming enthusiasts. Overall, the S95D combines modern technologies with superb image quality, creating a complete package for every gamer.

[UPDATE] We have updated our 2025 Samsung TV reviews following the release of firmware version 1131, which officially restores the essential HGiG (HDR Gaming Interest Group) support.

It's really good here. The QN900F offers a full set of features that we would expect from a top-notch gaming TV – we have VRR, ALLM, Game Bar, as well as cloud gaming apps. However, the biggest standout is its proprietary motion smoother, which also works in games and – importantly – does not add noticeable input lag. This is something we won't find in other competitors. Unfortunately, there is also something concerning. This year, Samsung has clearly messed up something with its TVs. During the testing of the QN900F before its update, it had the HGIG feature, which allowed for perfect adjustment of HDR settings for consoles. However, according to our procedures, we always update the hardware to the latest version – to give the manufacturer a chance to fix any issues. And here… it went the other way.After the update, the HGIG feature disappeared from the menu, making proper configuration of the console for HDR practically impossible. It was supposed to be complete – 165Hz, four HDMI 2.1 ports, a full gaming package… but unfortunately, it turned out to be a little mishap. What a shame.