Samsung OLED S90D / S94D (WRGB OLED) vs Philips MLED920 / MLED910

In the tested film scenes, the Samsung S90D television achieves impressive brightness results, exceeding the 1000 nit barrier in the first four shots, which can be considered a remarkable outcome. In the case of the last shot, where a full-screen flash of sunlight is visible, the brightness drops to around 500 nit, but it still remains at a very good level. Additionally, the television impresses with a DCI-P3 colour space coverage value of 98%, which guarantees extraordinarily rich and realistic colour reproduction, further enhancing the image quality. This result makes the Samsung S90D an ideal choice for those expecting high-quality images in a variety of lighting conditions.

Philips MLED920 in our measurements in static tests even reached around 900 nits, which for a mid-range model is quite an impressive result. In practice, this translates to a lot of satisfaction during viewing – in scenes rich in bright light, such as the first, third, or fifth test patterns, the screen was able to generate around 700 nits, which is sufficient to feel the real "HDR effect". However, it cannot be denied that the limited number of backlight zones and the typical mini-LED compromises in dimming algorithms reveal their flaws in more demanding scenes. In sequences with small light sources – like the moon or a scene from the film Sicario 2 – the television clearly prioritises maintaining deeper blacks at the expense of the brightness of these small elements. For most viewers, this is still a reasonable compromise, as the dark background looks much better, although it should be noted that the details themselves may not dazzle with intensity. The question of colours also leaves a bit to be desired. Although the employed PFS filter (the equivalent of quantum dots known from QLEDs) does its job and the colours appear quite vibrant, the coverage of the DCI-P3 colour space reaches "only" 90%. In everyday viewing, this will be sufficient, but in extremely colourful productions – like the latest Disney animations – one can notice that some tones are not as vivid as they could be in other constructions.

The S90D television has been tested in Filmmaker mode, which offers good colour reproduction, although with some imperfections that may be noticeable to more discerning users. This mode may seem too warm, and users who have switched from Standard mode might experience a slight shock. It’s worth noting that this state of affairs is caused by poor settings, such as in the white balance, rather than the Filmmaker mode itself. In both SDR and HDR content, the device shows drops in blue, causing colours to appear warmer than they should. In practice, this means that certain shades, such as sky blue or skin tones, may appear less natural and more tinged with pink or yellow. The Colour Checker test confirms these deviations, showing shifts towards warmer tones. In SDR content, the gamma chart indicates slight fluctuations, which may result in the image being minimally darker, especially in the shadows. This can affect the clarity of details in darker scenes. Meanwhile, in 4K HDR materials, the EOTF curve is located above the recommended line, leading to some parts of the image being displayed too brightly, which can cause clipping in the brightest areas. Overall, Samsung S90D delivers a solid picture straight out of the box, but for the best results, especially with more demanding content, additional calibration is recommended.

Like every Philips TV we've tested, the MLED920 was primarily assessed in Filmmaker mode – the so-called "most honest" mode, designed for films and to faithfully convey the intentions of the creators. Indeed, in terms of colour accuracy, it performs best among all the modes available on the TV, but it is not without flaws. The first thing that stands out is the white balance. The image has a slight tendency towards purple-pink tones, giving it a somewhat unnatural character. However, an even bigger problem turned out to be what we mentioned earlier – image clipping. Just looking at the gamma or EOTF charts reveals that the line deviates significantly from the norm, dropping below a value of 1.8. In practice, this means "bleeding" of the brightest whites, where the image becomes almost milky. Fortunately, most of these issues can be corrected – the MLED920 responds to calibration, and with a few adjustments, image quality can be significantly improved.

After calibration, the Samsung S90D TV in movie mode looks even better than one might expect. The white balance for both HD and 4K HDR content has been improved almost to perfection. Although minor errors can still be noticed, they are so minimal that they do not significantly affect the picture quality. Colours are more balanced, leading to a natural reproduction of details, especially in scenes that require a precise colour palette. It is worth noting that this model in this size is equipped with a WOLED panel, which has less coverage of a wide colour gamut and does not offer as rich colours as, for example, the 65-inch version, which is equipped with a QD-OLED panel.

The contrast has also seen a significant improvement. The gamma graph after calibration is much closer to the expected line, providing a better balance between bright and dark areas of the image. The EOTF curve, which showed problems with overexposed scenes before calibration, now demonstrates better results. This effect allows for greater detail to be preserved in the bright parts of the image, especially in HDR materials.

After calibration, we managed to largely tame the white balance – to the extent that the average viewer will not be able to detect colour inaccuracies. The characteristic pink-purple glow that previously disrupted the naturalness of the image has also disappeared. The colour palette has been organised, and the colours appear more cohesive and neutral. The gamma in SDR content looks really good after calibration – there’s no sign of the earlier “bleeding” effect in bright scenes. The image has become more contrasty and free from the milky effect that previously severely affected the viewing experience. In the case of HDR content, the improvement is also noticeable, although here it is still evident that the television goes “its own way”. The EOTF curve cannot be fully adjusted, as Philips simply does not offer tools for precise control of this parameter in its settings. In many films, the television still exposes the image “in its own way”. Despite these limitations, calibration has brought a lot of good – the majority of colour inaccuracies have been minimised and the overall image balance has significantly improved. However, one must remember that certain barriers arise from the very hardware construction and simply cannot be overcome.

Television S90D handles tonal transitions very well. Thanks to the technology used, transitions between colours are smoother and more natural. You can also use the noise reduction feature, which further smooths out tonal transitions, which can be useful in certain situations. However, it's worth remembering that turning on noise reduction can also lead to the smoothing out of desirable film grain, thereby reducing the cinematic feel of the image. For this reason, caution is advised when using this feature, as it’s better to leave the natural grain that adds character and authenticity to the content being viewed.

Samsung, as always, does not disappoint and excels in scaling images from lower resolutions. The S90D Samsung TV effectively processes lower resolutions, as seen in the visible image. The outline of the model is clear and accurate and, as a result, looks natural and detailed. Moreover, the branches of the trees are well-represented, showing no significant jaggedness that could degrade image quality. With effective scaling, even materials in lower resolution present attractively on the screen, satisfying users who prefer various sources of content such as regular antenna/cable television.

The manufacturer has equipped this model with several features that improve signal quality, and although we usually approach such “enhancers” with caution, here they prove to be really helpful. The key option is called “distortion reduction” – it works best at a medium level because, on one hand, it effectively smooths out unwanted steps and colour transitions, and on the other, it doesn’t excessively cut details, meaning the image still looks natural.

It’s a bit worse when it comes to upscaling. Lower quality materials – such as the test video with the model – appeared soft and lacking sharpness. Of course, it can be partially adjusted with the sharpness slider in the menu, but the result still falls short compared to what competitors offer at a similar price. Philips still needs to work on this aspect because, in light of the successful improvement of tonal transitions, the upscaling simply comes off weak.

Samsung S90D TV is equipped with a 120 Hz panel, with the ability to overclock to 144 Hz with the right PC configuration, providing exceptional motion smoothness. For years, Samsung has offered a variety of ten-point settings for image clarity, allowing users to adjust the display to their preferences. In the UFO test, thanks to the use of an OLED panel, there is no sign of any motion blur. The pixel response is instantaneous and perfectly captures dynamic movements. In this aspect, OLED technology is considered one of the best on the market. The image is incredibly sharp and detailed, even during fast action, making the S90D an ideal choice for gamers and sports enthusiasts.

Philips MLED920 features a 144 Hz panel, which immediately suggests that we shouldn’t complain about motion smoothness. And indeed – for a VA panel, the motion blur is relatively low here, and while you can sometimes notice slight issues on darker backgrounds, they’re not something that will catch the eye of most people during regular viewing.

A big plus is also the presence of a motion smoother called “Motion Style.” It allows you to adjust the smoothness to your own preferences – if someone prefers a more “theatrical,” almost television-like character of the image, they can increase the sliders, and if they want to maintain the natural “judders” of a cinematic frame, they just need to set lower values. This way, everyone can find a happy medium.

The Samsung S90D television is perfectly adapted to the needs of gamers, offering four HDMI 2.1 ports that support key features such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HDR Gaming Interest Group (HGIG). With these technologies, gamers can enjoy smoother and more responsive gameplay, significantly enhancing comfort and performance during intense gaming sessions. An additional advantage of the television is the special Game Bar, which allows for easy management of game settings. This functionality enables quick adjustments of parameters, such as changing the aspect ratio of the television screen, which can be useful in various games and types of gameplay. Users can easily customise their preferences, making the use of the television while gaming even more convenient and enjoyable. As for PC users, the television pleasantly surprises. When connecting a computer, the panel is able to achieve a refresh rate of 144Hz, and users of Nvidia or AMD graphics cards can enjoy features such as G-Sync and FreeSync. However, it should be noted that the television does not support Dolby Vision, which may be a downside – although it is worth considering that Dolby Vision is not as popular in the context of games as it is in films. Nevertheless, the S90D television still offers excellent features for gamers, making it a great choice for gaming enthusiasts looking for outstanding picture quality and modern technological solutions.

For gamers, the Philips MLED920 is truly a complete tool. The manufacturer has taken care of everything that is now considered standard in televisions for consoles and PCs. It has ALLM, so the console automatically switches the screen to game mode, there’s VRR and a 144 Hz refresh rate that ensures smooth gameplay even in fast-paced titles. All key HDR formats are supported – including HGiG and Dolby Vision Gaming for Xbox – which means that regardless of what you’re playing and on which console, the television will be able to extract the maximum potential from the image. In everyday gaming, the Game Bar proves useful too – a relatively simple implementation by Philips, but a functional panel where you can quickly check image parameters, enable VRR, or adjust details without leaving the game. It’s not as elaborate as the competition, but it does its job without any complaints. And finally, something that sets Philips apart from the competition – Ambilight. The three-sided LED backlighting can make a huge impression in games, especially in the evening. It’s also a way to slightly 'expand' the screen and create a greater sense of immersion. And since coloured LEDs have recently become almost an essential element of a gamer’s room, the MLED920 fits perfectly into this trend.