Samsung Neo QLED QN95D vs TCL C8L / QM8L

Samsung QN95D handles HDR exceptionally well, achieving peak brightness around 2000 nits. In tested movie scenes where the screen is fully illuminated, the TV delivers intense and realistic HDR content reproduction, significantly enhancing the quality of visual experiences. However, similar to the contrast, the dimming algorithm can sometimes exhibit limitations. Despite a significant number of Mini LED zones, the TV won’t amaze users with incredible lighting. For example, in scenes from "Life of Pi," where a bright moon appears against a dark background, and in segments of "Sicario 2," featuring intense lighting effects on a dark backdrop, the TV shows very poor performance. During such moments, the TV attempts to reduce the halo effect by dimming the image to a level reminiscent of SDR quality. This results in deep and uniform blacks, but at the cost of losing some details in bright areas. It’s a compromise aimed at maintaining the best possible black quality, although it does make the image lose some of its dynamism. Despite some flaws in the local dimming algorithm's performance, this TV deserves praise for its wide coverage of the DCI-P3 colour gamut. This is made possible by the use of a quantum dot coating, also known as QLED technology, which allows for vibrant and rich colours.

When it comes to HDR, the TCL C8L turns out to be a hellishly bright television – and I mean that literally. On a synthetic test pattern of 5%, our measuring equipment indicated a result exceeding 4500 nits. That's an almost cosmic result, considering that reference director's monitors, which we often refer to in our materials, usually operate around 4000 nits. Does this mean the C8L breaks barriers and climbs to the technological peak of Mini-LED? Not quite. Dry synthetic tests are one thing, and real film images are another. In real, varied scenes, the C8L hits around 1600 nits at its peak. That's still a very good result, ensuring a very high level of HDR dynamics, but it's clearly lower than what the manufacturer boasts in the specifications. The trouble begins with very small bursts of light – then the brightness can drastically drop to around 600 nits. The algorithm does everything it can to maintain deep blacks and minimise halo effect, but it does so at the cost of HDR impact. This is ideal evidence that laboratory test patterns rarely correlate with what we ultimately see on the screen.

Huge applause is due for colour reproduction, all thanks to the new generation of SQD (Super Quantum Dot) quantum dots. The coverage of the DCI-P3 palette reaches 97%, but the jaw-dropping measurements come from the notoriously demanding BT.2020 space. The C8L achieves an impressive 90% in this area, placing it alongside today’s top screens that feature RGB backlighting. Importantly, unlike some screens with Micro/Mini RGB backlighting, this effect is stable regardless of the scene being displayed. Of course, it’s important to remember that content mastered for such a wide gamut in films or series is still a rarity. However, the very fact that the panel has such a "reserve of colours" deserves huge admiration.

In the category of factory colour reproduction, the Samsung QN95D television has been tested in Filmmaker mode, which offers the best settings from the manufacturer. However, it is not entirely free of flaws. For HD content, there is a significant colour discrepancy, particularly in the white balance, where the red colour clearly dominates the graph. The situation improves with 4K HDR content, but there are still significant drops in blue colour reproduction. These effects can be observed in a scene from the film "Star Wars," where the main character is rendered in overly warm tones.

In terms of contrast, the gamma graph shows a large initial spike, indicating that the television effectively highlights the brighter parts of the image. However, at the end of the graph, we notice a significant drop, which may mean that details may be lost in darker tones. This shape of the gamma curve can affect how users perceive dark scenes, where some details may become too blurred or too dark, causing the image to lose clarity. It's also worth noting the curve corresponding to brightness (EOTF), which is quite correct, except for the initial drop.

Although the Samsung QN95D boasts impressive specifications and advanced technologies to earn the title of one of the best televisions on the market, it requires some improvements in colour reproduction and contrast to fully realise its potential.

We tested the TCL C8L in the best factory mode available in the TV's menu for picture fidelity. I’m of course talking about Filmmaker Mode, which was introduced into this brand’s software relatively recently (a year ago in the K series). Thanks to it, the average user can get pretty good colour reproduction straight out of the box, although it’s certainly not perfectly tuned. Looking at the factory white balance of our unit, in both SDR and HDR content, there was a clear lack of the red component, which made the picture noticeably cooler and slightly shifted towards bluish‑green hues. The issue of brightness management is also ambiguous, as we mentioned earlier. While in SDR content the linearity of the gamma parameter is really good and consistently holds the reference value of 2.4, things are much worse in HDR. Tracking the EOTF curve clearly shows the TV’s brightness is considerably boosted across the range, which can make the final image overly bright and inconsistent with the creators’ intent, and that is in a mode that by definition should avoid this. Of course, like every unit in our lab, this one was also subjected to professional calibration, and you can find the results below.

After calibration, the picture on the Samsung QN95D television achieves truly impressive results. The white balance is perfectly balanced, and error readings rarely exceed a value of 2, which means that colours are displayed very accurately. Most samples from the Color Checker test fall within an acceptable error range, confirming that the television reproduces colours excellently. The contrast has also improved significantly, and the gamma curve is more stable, leading to better visibility of details in dark and bright scenes. However, it is worth noting the EOTF (Electro-Optical Transfer Function) curve, which shows some discrepancies in film tests. Although the television performs well in most scenes, in more extreme cases, details in black can still be lost - this is due to an aggressive dimming algorithm.

Nevertheless, these minor imperfections do not diminish the overall picture quality. After calibration, the Samsung QN95D delights with its visual quality, offering an exceptional experience that will certainly please anyone looking for a top-of-the-line television.

As you can see, the results of a professional calibration of the TCL C8L are genuinely promising, thanks to the extensive adjustment tools the manufacturer made available in the menu. Most importantly, we were able to fully correct the white balance, eliminating a lack of red so the image finally stopped drifting into unwanted, cool tones. After this step, errors in the ColorChecker test fell to near-reference values, regularly sitting below a Delta E threshold of 2, which is under the level noticeable to the human eye.

Since the test patterns look so perfect, you might ask: why then the lower final score in this category? The answer lies in the brightness management discussed earlier. Although the menu includes sliders that let you precisely straighten the EOTF curve on synthetic signals, when confronted with real film material (I recommend turning the EOTF filter on when watching films), it becomes clear that the TV in most scenarios still responds to HDR metadata in its own way. As a result, the image can be a touch too bright and not in line with the creators' intent, and it was precisely for this lack of repeatability with real-world films that we had to dock the C8L a few points.

The Samsung QN95D television handles tonal transitions well, even in lower-quality materials, thanks to the noise reduction feature, which acts like a gentle gradient. This feature is incredibly effective, smoothly rendering the image and eliminating unwanted noise while significantly improving the quality of the displayed content. However, as is often the case, excessive effectiveness can lead to unintended side effects. In some materials, this feature can also blur elements that should remain sharp, such as film grain.

Despite this, the television performs well in terms of image scaling, eliminating larger jaggedness in the picture. In a scene where branches are visible, they are not overly artificially sharpened, which allows for a natural appearance, and the model does not have an artificial outline. Overall, this means that even in more challenging conditions, the film material presents itself satisfactorily on the Samsung QN95D. The only downside when watching HD/SD content (like regular terrestrial television) is that we have a slightly cropped image - this is caused by the so-called overscan, which cannot be turned off.

This year the C8 series and the higher-end models have probably received the biggest and most eagerly awaited upgrade in TCL's history, and it's to do with digital image processing. The C8L is the entry-level model in the manufacturer's line-up to be fitted with the latest flagship MediaTek Pentonic 800 chipset (shown in the menu as MT9655). It is thanks to its processing power that the feature called "Gradual Smoothing" finally works the way it should. The algorithm effectively removes unwanted posterization (ugly tonal transitions / colour banding) from the picture, doing so intelligently enough that it does not degrade the sharpness of other details.

The processor also handles upscaling lower-resolution content to 4K very well. Although judging this element can be purely academic, because the differences between today's TVs in this class are very subtle. The most important point is that TCL finally has nothing to be ashamed of compared with the competition.

The panel in Samsung QN95 performs very well in terms of motion blur and fluidity. With a refresh rate of 120 Hz and features that reduce blur and jitter, users can adjust the picture settings to their personal preferences, whether for watching films or dynamic sports broadcasts. Users have the ability to customise the motion smoothness on a 10-point scale – from a more frame-like appearance, reminiscent of traditional film, to a smooth, almost theatrical effect that works especially well in sports broadcasts.

The TCL C8L is equipped with a fast panel with a native 144 Hz refresh rate. That spec will be most appreciated by demanding PC gamers, while most users, relying on consoles or TV broadcasts, will use a steady 120 Hz. And it is at 120 Hz that the motion-processing algorithms take care of image processing for films, series and sports. In the TV's menu you'll find a "Motion Clarity" option that lets you customise the motion smoothing to your preferences. The algorithms handle both cinematic productions at 24 or 30 frames per second and fast-paced sports broadcasts at 50 or 60 frames per second, maintaining the right level of smoothness.

Samsung QN95D offers a fair bit of features that gamers will appreciate. First and foremost, the television supports Variable Refresh Rate (VRR), which allows for smoother gameplay by eliminating screen tearing issues, especially during dynamic scenes. There's also the Auto Low Latency Mode (ALLM), which automatically switches the TV to low latency mode when it detects a connected console or computer, providing more responsive control.

Additionally, the QN95D Samsung has a gaming mode that reduces input lag to a very low level, which is crucial in games where reflexes play an important role. With a high refresh rate of 120 Hz, the image is exceptionally smooth, significantly impacting the experience of dynamic action games and sports productions. The television also supports G-Sync and FreeSync technologies, which further enhance gameplay smoothness and improve user comfort. An interesting addition is the 'Game Bar' – a special menu that provides quick access to all game-related settings, allowing easy adjustment of the image and parameters to the user's preferences without the need to pause the gameplay.

Although the Samsung QN95D does not support Dolby Vision – which is quite obvious for Samsung TVs – it does offer the HGiG feature, which ensures appropriate image quality in HDR games, in line with the creators' vision.

For gamers – especially for owners of powerful PCs and multiple consoles simultaneously – the TCL C8L is a true beast. This is the first model in this manufacturer's lineup that is equipped with four full HDMI 2.1 ports with a maximum bandwidth of 48 Gbps. This is directly due to the use of the new Pentonic 800 processor, which we've mentioned before. Additionally, the TV seamlessly supports practically every gaming feature. It has an automatic game mode (ALLM) that reduces latency to minimal levels, as well as full variable refresh rate (VRR) operating in an impressive range of up to 288 Hz. It also supports standards such as G-Sync and FreeSync from Nvidia and AMD. When it comes to image display standards, there are no compromises either: the C8L offers complete support for HDR formats in gaming, including gaming Dolby Vision and the HGiG profile. We can conveniently manage all these features from a very readable gamer bar (Game Bar), which we can customise according to our own preferences. From a purely gaming perspective, the C8L really has no flaws – well, maybe apart from the previously mentioned slight ghosting. But other than that? It’s a no-nonsense machine for gamers.