Samsung Neo QLED QN95D vs Samsung QN90F / QN92F

Samsung QN95D handles HDR exceptionally well, achieving peak brightness around 2000 nits. In tested movie scenes where the screen is fully illuminated, the TV delivers intense and realistic HDR content reproduction, significantly enhancing the quality of visual experiences. However, similar to the contrast, the dimming algorithm can sometimes exhibit limitations. Despite a significant number of Mini LED zones, the TV won’t amaze users with incredible lighting. For example, in scenes from "Life of Pi," where a bright moon appears against a dark background, and in segments of "Sicario 2," featuring intense lighting effects on a dark backdrop, the TV shows very poor performance. During such moments, the TV attempts to reduce the halo effect by dimming the image to a level reminiscent of SDR quality. This results in deep and uniform blacks, but at the cost of losing some details in bright areas. It’s a compromise aimed at maintaining the best possible black quality, although it does make the image lose some of its dynamism. Despite some flaws in the local dimming algorithm's performance, this TV deserves praise for its wide coverage of the DCI-P3 colour gamut. This is made possible by the use of a quantum dot coating, also known as QLED technology, which allows for vibrant and rich colours.

Samsung QN90F can really shine with brightness. In our measurements, it reached even over 2200 nits, which directly translates to the viewing experience. In practice, this means that when a very bright scene appears in a film – for example, a sunrise in The Meg – the screen looks as if natural light is actually shining on us. This isn't just a number from a table, but a real sense of image intensity! However, the TV can't always deliver its full power. With smaller details, such as spotlights or lamps, brightness drops to 500–700 nits. This is a deliberate decision by the algorithms – by doing this, the contrast between large and small elements is better controlled, and the image doesn't lose balance. Importantly, this is still a huge improvement compared to last year's QN90D, where similar details were almost invisible, shining at just 200 nits. Here, the HDR effect is much more cohesive and credible. The only downside is the colours. The coverage of the DCI-P3 spectrum has plateaued at 91%, which can be considered a rather average result in this price range.

In the category of factory colour reproduction, the Samsung QN95D television has been tested in Filmmaker mode, which offers the best settings from the manufacturer. However, it is not entirely free of flaws. For HD content, there is a significant colour discrepancy, particularly in the white balance, where the red colour clearly dominates the graph. The situation improves with 4K HDR content, but there are still significant drops in blue colour reproduction. These effects can be observed in a scene from the film "Star Wars," where the main character is rendered in overly warm tones.

In terms of contrast, the gamma graph shows a large initial spike, indicating that the television effectively highlights the brighter parts of the image. However, at the end of the graph, we notice a significant drop, which may mean that details may be lost in darker tones. This shape of the gamma curve can affect how users perceive dark scenes, where some details may become too blurred or too dark, causing the image to lose clarity. It's also worth noting the curve corresponding to brightness (EOTF), which is quite correct, except for the initial drop.

Although the Samsung QN95D boasts impressive specifications and advanced technologies to earn the title of one of the best televisions on the market, it requires some improvements in colour reproduction and contrast to fully realise its potential.

The colour reproduction in the QN90F was tested in Filmmaker mode and, as is usually the case with Samsung TVs, this mode proves to be the best starting point straight out of the box. However, this does not mean that we are dealing with an image free of flaws. The white balance in SDR and HDR content was surprisingly good – colours didn't drift in any direction and even in its factory settings it looked solid. However, a problem arose with the gamma and EOTF curves, which determine how the TV manages brightness. Here, the QN90F significantly brightened the entire image, causing the black levels and colours to lose their intensity, and the overall effect resembled that of an applied milky filter. Fortunately, Samsung, unlike many competitors in the miniLED world, provides users with plenty of tools to control settings that we won't find in other manufacturers, such as Chinese brands. Therefore, we decided to see if we could squeeze the full potential out of the QN90F because we know that such a high series is capable of much more.

After calibration, the picture on the Samsung QN95D television achieves truly impressive results. The white balance is perfectly balanced, and error readings rarely exceed a value of 2, which means that colours are displayed very accurately. Most samples from the Color Checker test fall within an acceptable error range, confirming that the television reproduces colours excellently. The contrast has also improved significantly, and the gamma curve is more stable, leading to better visibility of details in dark and bright scenes. However, it is worth noting the EOTF (Electro-Optical Transfer Function) curve, which shows some discrepancies in film tests. Although the television performs well in most scenes, in more extreme cases, details in black can still be lost - this is due to an aggressive dimming algorithm.

Nevertheless, these minor imperfections do not diminish the overall picture quality. After calibration, the Samsung QN95D delights with its visual quality, offering an exceptional experience that will certainly please anyone looking for a top-of-the-line television.

After our adjustment of the settings, the QN90F showed what it’s really capable of – and we have to admit, it’s one of the best images we’ve seen on a miniLED screen this year. As we mentioned earlier, the white balance wasn’t a big issue even in the factory settings, but it was only after gamma calibration that we were able to get close to reference values. The same goes for HDR content, where the EOTF curve post-adjustment presents mature and consistent results. Indeed, in some films, you can notice that the smallest elements of the image are slightly brightened, and with a limited number of local dimming zones, there's still a risk of halo effect. However, it’s important to remember that such phenomena are characteristic of all miniLED TVs and it’s difficult to expect miracles even from the QN90F. The most important thing is that after calibration, the television displays an image that confidently competes with many OLED screens available on the market in terms of expressing the director's vision.

The Samsung QN95D television handles tonal transitions well, even in lower-quality materials, thanks to the noise reduction feature, which acts like a gentle gradient. This feature is incredibly effective, smoothly rendering the image and eliminating unwanted noise while significantly improving the quality of the displayed content. However, as is often the case, excessive effectiveness can lead to unintended side effects. In some materials, this feature can also blur elements that should remain sharp, such as film grain.

Despite this, the television performs well in terms of image scaling, eliminating larger jaggedness in the picture. In a scene where branches are visible, they are not overly artificially sharpened, which allows for a natural appearance, and the model does not have an artificial outline. Overall, this means that even in more challenging conditions, the film material presents itself satisfactorily on the Samsung QN95D. The only downside when watching HD/SD content (like regular terrestrial television) is that we have a slightly cropped image - this is caused by the so-called overscan, which cannot be turned off.

QN90F handles upscaling very well. Materials in lower resolutions, even SD, are enhanced to a clear and sharp image, where a lot of background detail can be seen. This is a big advantage, as the TV makes older content or everyday television look significantly better than on most budget screens. However, the issue of overscan remains, which is the cropping of the screen edges that cannot be turned off on Samsungs. This can cause some subtitles on the screen to disappear or Auntie's face from the wedding on a VHS tape to be slightly cropped. 😉

The digital image processing also performs well. In the menu, we find a feature called "noise reduction," which can smooth tonal transitions and improve the viewing of lower quality materials, such as those from YouTube. In the medium setting, the effect is most beneficial – it doesn't heavily interfere with details while simultaneously eliminating the problem of "banding" in colours. However, it's worth noting that the feature can be quite aggressive and removes natural film grain in older movies, so it's best to use it sparingly.

The panel in Samsung QN95 performs very well in terms of motion blur and fluidity. With a refresh rate of 120 Hz and features that reduce blur and jitter, users can adjust the picture settings to their personal preferences, whether for watching films or dynamic sports broadcasts. Users have the ability to customise the motion smoothness on a 10-point scale – from a more frame-like appearance, reminiscent of traditional film, to a smooth, almost theatrical effect that works especially well in sports broadcasts.

QN90F has been equipped with a panel that has a maximum refresh rate of 165 Hz, and while this advantage will mainly be appreciated by PC gamers, it’s still worth highlighting. In movies or sports broadcasts, we are limited to the classic 120 Hz, but this is not a cause for concern. In practice, the additional motion smoother is more significant here. Thanks to the "Motion Clarity" setting, we can adjust the picture to our own preferences. The blur reduction option is responsible for fluidity and ghosting in sports. Meanwhile, the "judder reduction" function improves motion fluidity in productions recorded at 24 frames, namely films and series. If we set it high, the film looks smoother and more fluid than it was actually shot. Lower values, on the other hand, preserve its cinematic "rawness" with the visible film frame.

Samsung QN95D offers a fair bit of features that gamers will appreciate. First and foremost, the television supports Variable Refresh Rate (VRR), which allows for smoother gameplay by eliminating screen tearing issues, especially during dynamic scenes. There's also the Auto Low Latency Mode (ALLM), which automatically switches the TV to low latency mode when it detects a connected console or computer, providing more responsive control.

Additionally, the QN95D Samsung has a gaming mode that reduces input lag to a very low level, which is crucial in games where reflexes play an important role. With a high refresh rate of 120 Hz, the image is exceptionally smooth, significantly impacting the experience of dynamic action games and sports productions. The television also supports G-Sync and FreeSync technologies, which further enhance gameplay smoothness and improve user comfort. An interesting addition is the 'Game Bar' – a special menu that provides quick access to all game-related settings, allowing easy adjustment of the image and parameters to the user's preferences without the need to pause the gameplay.

Although the Samsung QN95D does not support Dolby Vision – which is quite obvious for Samsung TVs – it does offer the HGiG feature, which ensures appropriate image quality in HDR games, in line with the creators' vision.

QN90F has almost everything to become the perfect TV for gamers. Things like four HDMI ports, VRR, ALLM, and a refresh rate of up to 165 Hz need no reminder. It deserves high praise for the Game Motion Plus mode, Samsung's proprietary motion smoothing for games. Thanks to this, you can add a few "artificial" frames and make the image generated from the console look smoother than it should. This is a very unique solution in the world of TVs – competing systems usually do not offer this – and that’s why Samsung has had a strong selling point among gamers for years, even despite the lack of support for the still niche Dolby Vision in games.

So why do we refer to it as an "almost" perfect screen? Unfortunately, similar to previous Samsung models, we noticed an issue with the lack of HGiG functionality. This solution allows the TV to leave tone mapping control to the console, so that games look exactly as intended by the developers. What’s worse, this feature was present before and disappeared after software updates. Instead of minor fixes, we got a step back. It's a shame, because without this lack, the QN90F could really be the ideal choice for gamers in the miniLED category.