Compare: Samsung Neo QLED QN90D / QN92D vs Sony BRAVIA 5 (XR5)

Samsung offers two top models with a 4K resolution when it comes to MiniLED technology. In this test, we took a closer look at the not so "fancy" QN95D and QN90D, which we can also find under the name QN92D. Samsung proudly calls its MiniLED televisions the NeoQLED series. Thanks to this technology, the TV offers excellent contrast and high brightness, making movie watching an experience reminiscent of true cinema. During everyday use, the Tizen system performed excellently. It is fast, intuitive, and allows seamless switching between applications. We also appreciated how well the TV handles lower quality materials – traditional TV or older films looked better than we expected, and the advanced image processing algorithms did their job. This is a TV that can really enhance the viewing experience of content that isn't always in high resolution. The solar remote was a pleasant surprise for us. Although minimalist and with a small number of buttons, it turned out to be very practical – it allowed us to control not just the TV, but also other devices, like the decoder (Canal+) or soundbar. This meant we could reduce the number of remotes on the table, which immediately improved usability. Plus, solar charging – a simple idea that eliminates the need for battery replacements and aligns with eco-friendly trends. As for the picture in different conditions, the TV performs well in both bright and dark rooms. The high brightness and numerous dimming zones handle most content, although sometimes in contrasting scenes a halo effect is noticeable. The colours, however, are vibrant and natural, and the QLED coating gives them intensity. For even better results, we decided on calibration – after which the picture looked even more detailed and natural, which only confirmed our belief that QN92/QN90 is an excellent choice. And what about motion on the screen? It is absolutely fluid. The 144 Hz panel does an excellent job with dynamic scenes – fast actions, sports, games – everything looks natural and without blurring. We particularly appreciated the Auto Motion Plus Game feature, which makes games running at 30 frames look smoother, resembling 45 frames, and at 60 Hz, motion becomes even more natural, as if operating at 90 Hz. For gamers, this is a huge plus, especially since low input lag and features like the game bar further enhance the gaming experience. This is a TV that performs well in any situation – from evening screenings to gaming marathons. QN92D is a practical, well-designed TV that offers a picture quality that's really hard to ignore. An ideal choice for those looking for something more than just a regular screen for everyday content.

Sony Bravia 5 is the continuation of the iconic X90L model, and it's clear that the manufacturer aimed to take a step forward. A greater number of backlighting zones have been implemented, which makes the contrast seem better in many scenes, with deeper blacks than its predecessor. The 120 Hz panel and MotionFlow system allow you to tailor the fluidity of the image to your own preferences – from a slight cinematic texture to crystal smooth motion in sports and games. This is a device that is unafraid of any content, because regardless of whether we're watching a match, an action film, or a concert, the image maintains clarity and character. However, the true strength of the Bravia 5 remains its XR processor. It's what makes older materials look better than they should – upscaling works like magic here, smoothing out noise, improving gradation, and providing coherence even to content of lower quality. As a result, in everyday use, the Bravia 5 can surprise, because instead of battling with signal imperfections, it extracts the maximum from them. Additionally, there's excellent colour reproduction once calibrated, as well as dynamic tone mapping with Dolby Vision mode, allowing you to enjoy details even in challenging, high-contrast scenes. However, it cannot be hidden that at several moments, the Bravia 5 has let us down significantly. Despite the greater number of zones, brightness and contrast are not always better than in the X90L – sometimes they even perform worse. This raises a sense of wasted potential, as we were hoping for a greater qualitative leap. After all, we are talking about a true MINI-LED television here. Nevertheless, the Bravia 5 remains an excellent TV for those who want to enjoy quality image above all. If you're looking for a model that can impress with smooth motion, extracts details from difficult scenes, and works wonders with older materials, the Bravia 5 will easily meet these expectations. It's a television that sometimes cannot quite match the competition in certain respects, but still defends itself with what Sony does best – cinematic imagery.

Samsung QN92D is one of the top models of NeoQLED 4K (mini LED) from the Korean manufacturer for 2024. Although it does not offer as many dimming zones as its more refined sibling Samsung QN92D, the number of 504 dimming zones in the 55-inch version is still impressive. The VA panel works well with this solution, providing excellent results in terms of contrast. The contrast in Samsung QN92D is outstanding for a non-OLED television. Even in difficult scenes, like those from the movies "Oblivion" or "Arrival," the contrast is nearly infinite and can compete with the best televisions in the OLED segment, which is quite unusual among LED-lit televisions. However, mini LED diodes have their limitations compared to organic panels, which can lead to some issues. For example, on the last test screen from Pioneer, the television has significant difficulties. This may be due to a very aggressive dimming algorithm, which sometimes causes the mini LED diodes to struggle with what to do – whether to illuminate certain elements or maintain the blacks. Despite these drawbacks, Samsung QN92D is one of the best LCD televisions in terms of contrast and blacks.

Bravia 5 is the entry-level TV in Sony's Mini-LED series for 2025, so naturally we start with the most important thing – how it performs with blacks and contrast. After all, the term "Mini-LED" today sounds almost like a magic spell. In theory, this means thousands of tiny diodes arranged in zones that are meant to work in harmony, dimming and brightening the image so that the viewer's eye perceives more depth than with a classic LCD. In practice, in the 65-inch Bravia 5, we counted around 200 backlight zones. Is that a lot? Definitely more than its predecessor, the legendary X90L model, but when you look at Chinese manufacturers who can pack in hundreds, sometimes even thousands of zones – it comes off as rather modest.

One might expect that combining a greater number of zones with the refined dimming algorithms that Sony has accustomed us to over the years would result in a qualitative leap compared to the X90L. Meanwhile – and this is where a slight disappointment arises – tests showed that the results are surprisingly similar to last year's model. Don't take this the wrong way: the contrast, for an LCD TV with local dimming, is really solid. In most scenes, bright elements are separated from dark ones with surgical precision, and the effect can be breathtaking. But when more demanding shots appear on screen – those that mercilessly test the capabilities of the backlight – it becomes clear that the hardware has its limitations.

Therefore, one could say that in terms of blacks and contrast, the Bravia 5 doesn't so much disappoint as rather fails to meet the hopes that the initial announcements ignited. We were hoping for at least a slightly better performance than its predecessor, and we got "only" good contrast. And that “only” is the key word here – because good contrast in Sony’s rendition still means a level that most competitors would be proud of.

During synthetic tests, Samsung QN92D showed its incredible capabilities in terms of brightness. The charts clearly indicate that the television can achieve an impressive 2000 nits, giving it a solid power base to compete with the best models on the market. Such a result places it at the forefront, especially in the context of displaying HDR content, where brightness plays a key role. However, what happens when we move the tests to real film scenes? In favourable conditions, such as the first scene from the movie Life of Pi or the last scene, where the image is completely flooded with light, Samsung QN92D can achieve almost laboratory results, impressing with its brightness. The situation looks different when small, bright objects appear on a dark background, as in the fourth scene from the movie Sicario. In such cases, the television doesn't perform as well – brightness drops several times, and maximum values in the best conditions are around 600 NITS. Similar to contrast, these limitations arise from the use of an aggressive local dimming algorithm. This algorithm aims to reduce the 'halo' effect around bright objects on a dark background, but often at the expense of overall brightness. As a result, while the television performs well in bright scenes, its ability to display full brightness is limited when it comes to small, vivid elements.

Looking at similar results in terms of black levels and contrast, we expected the same stable performance as last year's model when it comes to HDR content. Unfortunately – and this must be said plainly – there has been a regression here that is hard to miss. The paradox is that the peak brightness of the Bravia 5 can be impressive: in our synthetic tests, the TV reached around 1000 nits in HDR. Sounds great, right? The problem is that this power doesn't always have a real impact on all movie scenes. When small, pinpoint elements appear on the screen, something that in Sony's case was usually fine-tuned with surgical precision, this time it clearly falters. The algorithms try to maintain deep blacks around small objects, but the side effect is that details can be dimmed to the point of becoming barely visible. One only needs to bring up the example of the movie Sicario 2 – there, in some scenes, small light sources practically vanished as if someone had covered them with dark film.

Of course, not everything looks so dramatic. In simpler, brighter scenes, where the image is filled with more light, the Bravia 5 shows that it can shine: literally and figuratively. At those times, the TV achieves values in the range of 600–800 nits, which we saw both in synthetic tests and during movie screenings. The impression is really positive; the brightness adds dynamism, and the colours look vibrant and fresh. However, there remains a certain dissonance. We feel a slight confusion because it is evident that something has gone in the wrong direction. Technological progress – more zones, more backlight power – has not been supported by the kind of refined image management that we usually associate with Sony. Fortunately, there are elements that have not been compromised and are actually at a very high level. We are talking about colour reproduction. Thanks to the use of the PFS filter, the colour palette coverage is excellent – about 97% DCI-P3 and 75% BT.2020. These values allow for a truly wide colour reproduction, giving films a natural and cinematic character.

The best mode that reproduces colours best on the Samsung QN92D has consistently been the Filmmaker mode for years. While it generally offers decent colour quality, it is not free from significant issues. Let's start with the analysis of HD/SDR image quality. The biggest challenge here is the white balance – the graphs show considerable instability, with a clear dominance of red making the image too warm. This distortion causes hues to be unnaturally shifted towards warmer tones, which can negatively affect the perception of materials with natural colours. Contrast, based on the gamma chart, although not the worst, remains far from ideal, impacting the overall image quality, especially in darker scenes.

This issue also persists with 4K materials, such as series or films of higher quality. In this case, the white balance also turns out to be faulty, with noticeable deficiencies in blue and red colour, leading to tonal shifts. Tests using the Colour Checker tool confirm these problems – all colours tend to skew towards yellow shades, further distorting the natural appearance of the image. Although the Filmmaker mode is one of the best available modes for watching cinematic content, it still requires improvements, especially in terms of colour accuracy and white balance.

Sony Bravia 5 was obviously tested in the best possible mode, which is the Movie mode. Right out of the box, it delivers the most natural colours, definitely better than anything offered by the "eco" or "dynamic" modes, which are more suited for a store display than a living room. However, the Movie mode alone does not guarantee that we can always expect cinematic picture quality. In SDR content, we had no significant complaints – the slightly warmed white balance gave the scenes a golden hue, but it was nothing that was glaring. However, a problem arose with HDR materials. Here, the colour reproduction simply looked bad. The white balance was heavily skewed – with an excess of blue and a clear lack of red. At times, it resembled the store mode of "super vivid picture," where everything is blown out and artificially boosted.

This situation made brightness management seem too aggressive as well. The EOTF graph clearly showed that the television has trouble with overexposing many scenes right out of the box. And while we know what Sony televisions are usually capable of, it was hard to remain indifferent here – that’s why we quickly decided to go for calibration.

After calibration, the Filmmaker mode on the Samsung QN92D television shows significant improvement, particularly in the SDR content range. The white balance has been greatly enhanced – the previous colour misalignment and dominance of red have been eliminated, resulting in a more natural colour reproduction. In terms of brightness, although the gamma chart did not require significant adjustments, it has been stabilised, which affects the overall picture quality.

Regarding high-quality materials, the white balance has also improved in this case. However, it is worth noting the contrast. The EOTF curve, which illustrates the values in this area, appears correct at first glance. However, upon closer inspection, the television struggles to maintain appropriate contrast in film materials. The EOTF curve reveals some discrepancies, suggesting that despite the progress, there are still areas that require improvement in this aspect. The television continues to strive for excellence in contrast reproduction. A strength of this television is the saturation of colours. Skin tones are rendered very well, and although some colours may be slightly oversaturated, the overall effect looks really attractive – the colours appear rich and vibrant.

Despite some shortcomings in contrast, after calibration, the Filmmaker mode on the Samsung QN92D offers excellent image quality, with natural colour reproduction, making it a great choice for watching movies.

After calibration, the situation changed dramatically. We managed to tune the white balance so that entire scenes began to look more natural, and the image gained coherence and elegance. In HDR, we finally got rid of that unwanted clipping effect that had previously spoiled some shots. Suddenly, it turned out that the Bravia 5 can extract much more from films than the first contact "straight out of the box" suggested. Indeed, if we look at the graphs and compare them with the standards, we can see that the beginning of the EOTF curve slightly strays beyond the reference line. However, this is not so much a calibration error as it is a natural limitation of the Mini-LED technology that cannot be bypassed. Sony, rather than clinging tightly to perfect black, prefers to prioritise the visibility of details – and in practice, it’s hard to disagree with that. We prefer to see the texture of the material on the screen rather than a pitch-black spot where all nuances disappear.

The calibration itself was really beneficial. After about an hour spent on settings, we felt that the image resembled that of the best cinema halls – of course on a home scale, but with the same sense of quality and refinement. And in such moments, we remember why we love Sony televisions: because once we fine-tune them, they reward us with a picture that captivates for long hours.

The fluidity of tonal transitions on the Samsung QN92D TV is excellent, making the image look exceptionally natural, without visible disturbances. In scenes with complex colour gradations, the TV performs brilliantly, providing smooth and uniform transitions. Competing OLED TVs in a similar price range could successfully take a cue from this, as the Samsung QN92D offers quality that places it on par with models equipped with QD-OLED panels.

Tonality transitions are nothing more than the way a television handles blending colours and shades – from light to dark, from saturated to pastel. If the device struggles with this, you see characteristic "stairs" instead of smooth transitions, and the image loses its naturalness. It's those moments when instead of getting immersed in the film, we start glancing at the screen thinking, "hey, something's off here." Fortunately, in the Sony Bravia 5, such situations are practically non-existent. This is a huge advantage because nothing distracts our attention from the plot or the excitement of sports. The television performs best in bright scenes, where the colour transitions are smooth, and the blending of colours is nearly invisible. The effect is so good that sometimes it can feel like the image was painted in one brush stroke. Of course, there have been a few minor missteps. In darker scenes, certain imperfections can be noticed – slight banding or minimal gradation issues. For that reason, the Bravia 5 received a few negative points from us. Nevertheless, in the vast majority of situations, the television performs excellently and comes through this test with flying colours.

Let's check how the Samsung QN92D TV performs with tonal transitions in very poor quality materials. The noise reduction feature shows good effectiveness, improving the fluidity of tonal transitions even in difficult conditions. However, it should be noted that, similar to other Samsung TVs, the effectiveness of this feature can lead to the removal of desirable elements, such as film grain, which can sometimes affect the authenticity of the image.

When it comes to digital processing, the Samsung QN92D TV also performs excellently. During tests, the image looked very good, with the model presented in a natural and correct way. Details, such as branches in the background, were reproduced with great precision, highlighting the TV's ability to enhance the quality of low-resolution materials.

Bravia 5 carries the genes of Sony, which remain intact – and thank goodness for that, because we're talking about absolutely exceptional digital image processing. It's no coincidence that for years, it's been considered that TVs from this brand set the standard for how a screen should handle lower quality materials. If someone still watches classic television, old films, or YouTube in lower resolutions, here they get equipment that can turn such content into a surprisingly enjoyable experience. On board, we find several tools worth activating. The first of these is "digital noise reduction." Set to a medium level, it works superbly – smoothing out tonal transitions that usually cause the most trouble in low-quality materials while introducing no artificial artifacts. Importantly, it also doesn't remove the cinematic character, which is the natural grain that is intentionally present in many productions. Another advantage of the Bravia 5 is the upscaling capabilities of the XR processor. The image presented after scaling is soft, yet sharp and clear. The outlines of characters are well-defined, and backgrounds maintain their texture without excessive artificial sharpening. It's hard to find a better TV for watching lower quality materials – Bravia 5 only confirms why Sony is considered the benchmark in this area.

The Samsung QN92D television is equipped with a 144 Hz panel; however, when watching content using the smoothness feature, the maximum refresh rate is 120 Hz. As a result, both gamers and sports enthusiasts will be satisfied with the picture quality. It’s also worth mentioning the available options for image enhancement, such as the "motion blur and judder reduction" feature, which allows users to adjust smoothness to their individual preferences on a 10-point scale. Motion blur reduction increases the sharpness of fast-moving objects, while judder reduction smooths out motion, eliminating the "stutter" effect. With these advanced settings, one can achieve optimal visual experiences, making the Samsung QN92D perfect for both dynamic scenes and intense gaming.

In terms of motion blur, the television performs really well, and it’s hard to pick faults. The only note we might have is a slight overshoot effect noticeable on dark backgrounds during our test with "Ufoludkiem." Nevertheless, thanks to the advanced smoothness settings, the Samsung QN92D excels in both dynamic scenes and intense gaming.

Bravia 5 has a 120 Hz panel, which in itself sounds like an invitation to watch sports, fast matches or spectacular action films. However, the real magic begins when MotionFlow – Sony's proprietary motion smoother – comes into play. Thanks to this feature, we can adjust the character of the picture to our own preferences. The "smoothness" slider allows us to transition from a cinematic feel with a slight "judder" to a theatrical fluidity, where every ball in the match glides across the screen as if on a string. The higher the value, the smoother and more fluid it is; the lower it is, the more film-like and natural it becomes. In the options, we also find an additional setting that Sony calls "clarity". This is nothing more than the BFI function (which inserts black frames) aimed at improving motion sharpness. It sounds great in theory, but in practice, it must be used with caution. Why? Because all higher settings cause brightness drops of up to half, and in some cases, contour doubling also appears. So if we want to use it, we recommend setting it to the lowest level – "1" out of the available ten. That way, we gain a bit better motion sharpness without risking losing half the brightness of the picture.

The television Samsung QN92/QN90 is an excellent choice for avid gamers, deserving of the highest recommendations. This model offers practically all the features available on the market in terms of gaming, making gameplay even more exciting. One of the key differentiators is the 120 Hz panel, which ensures exceptional motion smoothness, crucial during dynamic action games. The television also boasts low input lag, guaranteeing instant reactions to player commands. Additionally, technologies such as VRR (Variable Refresh Rate) and ALLM (Auto Low Latency Mode) adjust the refresh rate and automatically switch the television to game mode, translating to even better gaming experiences. Another advantage is the Xbox app, which allows gaming of favourite titles directly on the television, eliminating the need for a console. This is a typical feature of Samsung televisions, making them exceptional in the gaming world.

Auto Motion Plus Game is a feature that really deserves praise for Samsung. It is a motion smoother that works wonderfully in games, creating the impression of a higher frame rate – a 30 frames per second image looks like 45, and 60 Hz becomes close to 90 Hz. Importantly, this feature does not introduce significant lag (input lag does not exceed 25 ms), so it does not negatively affect gameplay comfort, unlike many other smoothers available on the market. This allows gamers to enjoy a much smoother image without compromising responsiveness.

In the Bravia 5, there is a significant improvement compared to the X90L model from two years ago. The television offers literally everything its predecessor had, but this time the issues that could frustrate gamers have been addressed. Problems with setting the variable refresh rate (VRR) have disappeared, and there are no longer issues with configuring HDR content in HGiG mode. In short: we get a device that simply works as it should, without any hassles. So, the Bravia 5 has everything you can expect from a modern gaming TV – and it can be confidently advertised with the slogan "ready for PS5." That's something we couldn't say about the X90L model. Well done, Sony!

It's just a shame that this relatively high-priced model lacks a full set of four HDMI 2.1 ports. In everyday use, this won’t be an issue for most people, but if someone has a console, soundbar, and additional equipment connected via HDMI, at some point they'll have to choose or juggle cables.

The input lag category is crucial for gamers, and the Samsung QN90D performs exceptionally well in this aspect. Input lag values below 13 ms are impressive, meaning that the delay between pressing a button on the controller and the reaction on the screen is minimal. Such a low value allows for smooth and responsive gaming experiences, which will certainly please both casual gamers and professionals for whom every millisecond of reaction time matters. This makes the Samsung QN92D an excellent choice for those who value precision and speed in gameplay.

When it comes to input lag, the Bravia 5 deserves a round of applause. Results of around 7 ms at 120 Hz content are nothing short of phenomenal – it's hard to imagine a gamer complaining about such responsiveness. Even at 60 Hz, where the lag increases to around 15 ms, we're still talking about values that absolutely don't spoil the fun and are practically unnoticeable. Moreover, Sony has finally tamed the Dolby Vision mode. In the X90L, it was practically unplayable – the delays rose to levels of even 150 ms. Meanwhile, the input lag on the Bravia 5 remains at the same low level as with other content. This is a huge improvement and further proof that this television can truly be called "gamer-friendly."

The television stands out with its high performance, supporting chroma 4:4:4 and offering exceptionally low input lag. These features allow users to enjoy fluidity and responsiveness, making it an excellent choice for office work and everyday applications. However, one noticeable drawback is the poor visibility of horizontal lines on dark backgrounds. On the test screen, letters on the right side appear more like vertical lines, which can be frustrating for some users. Nonetheless, the television generally works well with a computer, providing comfort in carrying out daily tasks. It’s also worth mentioning in this paragraph the "Remote PC" feature; thanks to Microsoft’s collaboration with the Korean giant, we can seamlessly pair Windows PCs and use Office 360 apps.

In this category, the Bravia 5 deserves an exemplary rating. The ideal readability of fonts thanks to 4:4:4 chroma support makes working on this TV a pure pleasure. Whether we are opening Excel, browsing documents, or simply surfing the web – the text is sharp, clear, and free from that characteristic “haze” which can effectively take away the joy of use in many TVs. The letters look as they should: distinct, sharp, and readable even up close.

We also have good news for PC gamers. The Bravia 5 has no problems at all with handling 120 Hz, working with both Nvidia and AMD cards, supporting G-Sync and FreeSync Premium Pro technologies. The result is that the image is not only smooth but also free from tears or micro-cuts that can ruin the experience even in the best-optimised games. You can easily connect a powerful PC and enjoy gaming on the big screen – without compromises, without frustration, and with full comfort. The only thing we could complain about is the lack of additional modes for gamers with higher refresh rates.

In the case of TVs with VA panels, you can usually expect limited viewing angles, however Samsung QN90D surprises in this category. Thanks to the applied coating that widens the viewing angles, the TV offers really good performance, which is rarely seen in devices with this type of panels. Although VA panels are typically not the best in this regard, in this model the image remains clear and saturated even when viewed from the side, making it a great choice for larger rooms and group viewing.

Bravia 5 uses a classic VA panel, and that means one thing – the viewing angles are not one of its strong points. For those with smaller screen sizes, this won’t be a problem, as sitting directly in front, the picture looks fantastic. However, with larger sizes, especially 85 inches, the situation becomes less comfortable. It’s enough to sit slightly off-centre on the couch to notice minor imperfections: the image begins to lose saturation, contrast weakens, and black takes on unwanted greys. It’s a shame that Sony did not opt for additional coatings, which in the case of VA panels can bring their capabilities closer to IPS levels. Such solutions exist, and some competitors make use of them. Here, they are missing, so one has to reckon with the fact that Bravia 5 best showcases its strengths when viewed head-on.

The television performs well in bright rooms due to its high brightness, especially when watching standard television. A constant brightness level of 600 nits ensures excellent visibility even in intense daylight. Unfortunately, despite the use of a satin finish, handling reflections is average, which can affect viewing comfort. An additional downside is the matrix that improves viewing angles, which causes reflections of sunlight to spread vertically, potentially further reducing viewing comfort in a bright environment.

Bravia 5 is a piece of equipment that really performs well in challenging lighting conditions. Its high brightness ensures that even in the middle of the day, with the blinds wide open and sunlight streaming through the windows, the picture remains clear and sharp. There’s no feeling that we're watching a "washed-out" screen. The satin finish of the panel also plays a significant role in effectively reducing light reflections. Yes, some reflections do appear, but they are not strong enough to interfere with viewing. They are more like subtle glows that can be noticed when we consciously look for them, rather than a real problem day-to-day. Because of this, the Bravia 5 works well not just in the evening in a dimmed room, but also in bright living areas, where other TVs can falter. One could say that it's a "universally bright" model – suitable for both evening screenings and for watching news or sports in full sunlight.

The Samsung QN92D television features a modern Tizen operating system, which offers users an intuitive and visually appealing environment. Tizen ensures smooth and fast navigation through applications, significantly enhancing the comfort of using the television. With an extensive ecosystem, users can easily connect the QN92D to other devices. The television supports many features that make everyday use easier, such as controlling set-top boxes with the remote, eliminating the need for multiple remotes. With AirPlay functionality, Apple device users can effortlessly stream multimedia from their iPhone. Additionally, there is a remote PC feature that allows users to access their computer on a large screen, as well as the Office 365 application, making the QN92D an ideal solution for both work and entertainment.

Furthermore, like many Samsung televisions, the QN92D offers Ambient Mode, which allows users to customise the appearance of the television to blend in with its surroundings. Users can display a variety of images or information, turning the television into an elegant part of the interior decor, even when not in use. Speaking of decor, it’s certainly worth mentioning the device's appearance. It is really very slim, around 2cm at its thickest point, which is impressive. The metal frame definitely gives the impression of a premium device, and the stand included in the box is sturdy.

However, for those using traditional television, the QN92D may prove to be a bit disappointing, as there is no television programme recording function available in the Polish market. Nevertheless, the television offers a Picture-in-Picture (PiP) feature that allows for simultaneous viewing of two programmes at the same time. The Samsung QN92D is a television with rich functionality that caters to both gaming enthusiasts and multimedia users, and it aesthetically fits into modern interiors.

GoogleTV and SmartTV features

Sony Bravia 5 runs on Google TV, and it must be said that this is one of the best-optimised systems in this brand's offering. The interface works smoothly, with no annoying bugs or bizarre translations, and navigating the menu doesn’t feel like walking through a minefield. Admittedly, there are moments when the whole system catches a slight breath – as if it has its “weaker moments” – but these are rare enough not to spoil the overall impression. We have full AirPlay support, voice search with Google AI assistance, and the ability to download practically any app that comes to mind. The only drawback in tests turned out to be the screen mirroring function, which theoretically should work with laptops and phones, but in practice proved almost useless – there was no stable image on Windows and Android.

User features

From the perspective of classic functionality, the Bravia 5 performs solidly and practically. A big plus is the presence of two remotes – one is a slim, modern smart remote, while the other, although operating via infrared, has a classic numeric keypad. This way, we can always choose which one suits the situation better. The EPG, or electronic programme guide, is clear and allows you to programme recordings to a USB drive – a seemingly simple solution, but incredibly useful. Additionally, the TV supports connecting a variety of devices: from an amplifier or soundbar via HDMI eARC, to headphones and other wireless accessories via Bluetooth. This is a set that makes the TV not just a screen, but a well-thought-out home entertainment centre.

The built-in player in QN90D should satisfy a large portion of users. It will easily handle most popular video and audio formats. However, more demanding users may notice some shortcomings – it is not possible to play photos in HEIC format, which is popular on Apple devices, as well as several other, less common photo formats.

Bravia 5 handles multimedia playback from USB quite efficiently. In practice, nearly everything works – movies, music, photos – although of course we encountered some minor issues. Some subtitles can be troublesome, as can exotic photo formats, which were not always correctly recognised. However, this is standard in the world of televisions, and it's hard to take it too seriously. A significant advantage, though, is that thanks to Android, we are not limited to the system player. It's enough to install an external app, like VLC, and all restrictions disappear. This is the strength of this system – the manufacturer does not confine us to their ecosystem, but rather gives us the freedom of choice.

The television is equipped similarly to the QN95 with a speaker system featuring a 4.2.2 layout with a total power of 70W (the exception is the 50' variant with a 2.2 layout and the 43' with a 2.0 layout). Despite its very slim casing, the television sounds loud and clear, and the overall sound is well balanced. Points were deducted as per standard practice for every other Samsung model for the lack of support for the DTS format. It's also worth mentioning the proprietary Q-Symphony feature, which allows you to synchronise the sound of the television with a Samsung soundbar.

Bravia 5 positively surprises in terms of audio. The sound is pleasant, with a slightly noticeable bass thanks to the proprietary Bass Reflex speakers. Overall, it plays loudly, clearly, and definitely above average for a television – 40 W power in a 2.2 setup is an impressive result in this class. The placement of the speakers on the sides of the casing also plays a significant role, as it allows the sound to fill the room and creates a sense of space. However, one should not get carried away with optimism. This is still not the level of even the simplest soundbar. The Bravia 5 performs excellently in everyday use, but for those who enjoy strong sound and a cinematic effect, additional audio equipment will be a must – as is the case with nine out of ten televisions available today on the market.

Samsung Neo QLED QN90D / QN92D vs Sony BRAVIA 5 (XR5)

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

GoogleTV and SmartTV features

User features

Apps

Playing files from USB

Sound

Acoustic Measurements