Samsung DU8002 (IPS) vs TCL A300W NXTVision

The HDR effect on the DU8002 television leaves much to be desired. A brightness level of 300 nits is unable to provide a true high dynamic range experience, making the content viewed resemble more standard SDR than impressive HDR. Scenes that should dazzle with brilliance and detail appear muted and lack depth. Nevertheless, the television deserves praise for its high coverage of the DCI-P3 colour palette at 92%. This allows for vibrant and saturated colours, which may please viewers who prefer rich tones, even if the HDR effect does not fully meet expectations.

When it comes to brightness, the TCL A300W is definitely the dimmest TV among all frame-style models, such as Samsung The Frame or Hisense CanvasTV – and unfortunately, you can see that right away. In our measurements, peak luminance reached only around 400 nits, and on test movie screens, this value dropped to 350 nits. That’s definitely too little to feel the real "magic" of bright HDR effects. As a consolation – the TV is equipped with a PFS LED coating (which is something like QLED), which provides very good coverage of a wide colour gamut, both DCI-P3 and BT.2020. In addition, there is full support for all popular HDR formats – HDR10, HDR10+, HLG, and Dolby Vision – which somewhat compensates for the shortcomings in brightness and helps improve the overall experience of materials in this quality.

DU8002 offers a Filmmaker mode, which is supposed to provide authentic image reproduction in line with the creators' intentions. Unfortunately, despite its promising name, the effects are far from ideal. The white balance in this mode shows significant drops in blue colour, leading to a noticeable yellowing of the image, as seen in our comparison photo. Colour Checker tests confirm these errors. Regarding brightness, the gamma characteristic is too low compared to the reference line of 2.4, resulting in excessive screen brightness. A similar problem occurs with 4K content – the EOTF responsible for brightness in 4K materials shows significant increases above the reference line, leading to overly bright small light elements. As a result, the Filmmaker mode in DU8002 does not meet expectations and instead of providing high quality, presents an image full of tonal and colour inaccuracies.

TCL A300 offers several picture modes, but without a doubt, the movie mode performs the best. Unfortunately, even though it is the best option available, it is not free from errors. Both in HD and HDR content, the image has a noticeably too warm hue – it has a slight pink tint, which is particularly noticeable in snowy scenes. Instead of pure white, we get a pinkish coating that spoils the natural perception of colours.

The management of brightness is also lacking. In the case of older HD materials, the image often seems too dark – confirmed by an elevated gamma value. Conversely, with HDR content, the effect is the opposite – the image is overly bright, as we observed in scenes from the film Pan. Such a lack of consistency also affects colour accuracy – a test with a ColorChecker showed that many samples clearly deviate from reference values.

Fortunately, TCL allows for manual adjustment of settings, so we decided to check how the television would perform after our professional calibration. The effects of this adjustment are described below.

Samsung is one of those companies that offers advanced tools to enhance picture quality in its televisions, including a 20-point white balance adjustment. Even in the budget model DU8002, after proper adjustments, surprisingly good results can be achieved. The white balance, especially for HD content, performs really well – tests on the Colour Checker palette confirm accuracy levels of 2–1.5, which indicates the significant capabilities of this television in colour reproduction. In 4K content, although not as perfect as in lower quality material, the overall picture looks much better.

The gamma brightness has also been significantly adjusted, meaning the image is not overly brightened and appears more natural. What about the EOTF curve? At first glance, it seems fine, but upon closer inspection, especially in film tests, it's clear that the television struggles due to its low-contrast panel. And the EOTF drops below the reference line. Nevertheless, the DU8002 is an example of a budget model where investing in calibration is worthwhile. Although construction flaws, such as the type of backlighting, cannot be completely eliminated, colour accuracy is surprisingly good, especially considering its price.

After our professional calibration, the TCL A300 has literally been given a new lease on life. The image has stopped being too warm, and the colours finally look as they should – as confirmed by the ColorChecker test, where the colour samples finally started hitting their marks, at least to some reasonable degree. It was also possible to partially correct the brightness management – the image is now more balanced and less "wobbly" between different types of content. Of course, certain limitations can't be bypassed – a slightly visible blooming effect still occurs, but that's a characteristic of the technology, not something that can be eliminated even after professional settings.

Generally: after calibration, the A300 looks significantly better and gains a whole new quality.

Smoothing tonal transitions on the DU8002 television leaves mixed feelings. Although the menu has an option for smoothing tonal transitions, in practice it yields no results and can even generate unwanted side effects.

Nonetheless, the television handles upscaling, or digital image processing, exceptionally well. The test pattern with the model looked really good – the image isn't overly jagged, and the overall presentation is decent and pleasing to the eye. This is definitely good news for those planning to watch traditional television on this model.

TCL A300 handles tonal transitions in high-quality films very well, but the question arises – how does it perform with weaker materials? The TV is equipped with a tonal smoothing feature; however, its effectiveness can be described in one word: “random”. In one scene, it may work and improve the gradation, but when turned off… the effect remains the same. There is a lack of consistency and predictability here.

Image scaling is also not one of A300's strong points. On the test pattern, the main character actually looked better than on the raw signal, but with thin lines – like fonts or background details – there was noticeable jaggedness and aliasing. On the plus side, the TV does not cut off the image and has no issues with overscan, but the overall quality of scaling is rather average.

The DU8002 with a 60 Hz panel is a television that performs better for watching movies than for intense gaming. The motion smoothing feature acts as a fluid enhancer, smoothing out movement and giving scenes a more fluid appearance, which is useful for movie sessions. In the context of gaming, this model is likely only suitable for occasional entertainment.

TCL A300 is equipped with a 144 Hz panel, which should instantly satisfy virtually everyone - both gamers and sports fans. Motion is fluid and the image is clear even during fast scenes. Additionally, the television offers a motion enhancement feature called "Motion," where we find two sliders on a 10-point scale. These allow you to adjust the effect to your own preferences - from a classic, filmic look with visible frames to a very smooth (though already unnatural) image reminiscent of a soap opera effect. This way, everyone can find a setting that suits them.

DU8002 is a television that is mainly suited for casual gamers. The 60 Hz panel won't provide the highest motion fluidity, so in dynamic games, you might miss that extra smoothness of the image. On the plus side, it has ALLM and HGiG functions, which automatically adjust the picture settings for HDR games, enhancing the gaming experience. Unfortunately, the TV only comes with HDMI 2.0 ports, so we have to forget about more advanced features like VRR or support for 4K at 120 Hz. Choosing this equipment means we will have to make do without a full set of gaming features.

The TCL A300 is a television designed not only to transport us to a digital art museum but also into the full-fledged world of gaming. It offers practically everything you can expect from gaming hardware: two full-bandwidth HDMI 2.1 ports, 144 Hz refresh rate, support for VRR and ALLM.

It also deserves credit for the proper implementation of the HGIG mode – something that competing Hisense sometimes struggles with. The television handles lower resolutions (e.g., Full HD) with ease while maintaining high refresh rates, which will be appreciated by owners of older consoles or PCs.

Additionally, there's an attractive and clear GameBar that facilitates quick access to settings for gamers. The A300 is indeed well-prepared for gaming at the highest level – it’s just a shame that issues with ghosting somewhat detract from its overall appeal as a gaming device.