Samsung DU8002 (IPS) vs Hisense A7NQ

The HDR effect on the DU8002 television leaves much to be desired. A brightness level of 300 nits is unable to provide a true high dynamic range experience, making the content viewed resemble more standard SDR than impressive HDR. Scenes that should dazzle with brilliance and detail appear muted and lack depth. Nevertheless, the television deserves praise for its high coverage of the DCI-P3 colour palette at 92%. This allows for vibrant and saturated colours, which may please viewers who prefer rich tones, even if the HDR effect does not fully meet expectations.

We checked how the Hisense A7NQ performs with HDR, and there's no surprise here. The luminance chart showed a maximum brightness of 370 nits. The result? Exactly what one could expect – average. At around 350 nits, HDR doesn’t stand out much compared to SDR. Sure, there’s a subtle difference in more brightly lit scenes, but it’s not a show-stopping effect. In terms of wide colour gamut coverage, the result was 92% for DCI-P3 and 70.2% for BT.2020. These are decent values for a TV in this class, which uses a PFS coating – the same one that’s sometimes promoted as QLED. The colours look alright, but don’t expect something that competes with the best screens on the market. HDR on the Hisense A7NQ is more of an add-on than a "game changer". For those looking for solid image quality on a moderate budget – it’s definitely acceptable. However, if we expect full HDR capabilities, it’s worth looking at models from the higher price range.

DU8002 offers a Filmmaker mode, which is supposed to provide authentic image reproduction in line with the creators' intentions. Unfortunately, despite its promising name, the effects are far from ideal. The white balance in this mode shows significant drops in blue colour, leading to a noticeable yellowing of the image, as seen in our comparison photo. Colour Checker tests confirm these errors. Regarding brightness, the gamma characteristic is too low compared to the reference line of 2.4, resulting in excessive screen brightness. A similar problem occurs with 4K content – the EOTF responsible for brightness in 4K materials shows significant increases above the reference line, leading to overly bright small light elements. As a result, the Filmmaker mode in DU8002 does not meet expectations and instead of providing high quality, presents an image full of tonal and colour inaccuracies.

When testing the Hisense A7NQ in Filmmaker mode, we hoped for alignment with the manufacturer's intentions, but unfortunately, reality looks different. The main issue, as with most TVs, is the white balance. In the case of the A7NQ, we noticed a clear dominance of blue, which affected both lower-quality materials and 4K HDR content. The Color Checker test results confirm this, and the comparative images speak for themselves – the lead actress in "factory" mode looks cool and pale. It appears as though she has been stripped of life.

As for brightness characteristics, both gamma and the EOTF curve show that the image is overly bright. As a result, everything seems flat, lacking depth and contrast. This state of affairs certainly does not work in favour of the A7NQ and makes the image reception in factory mode leave much to be desired. If we expect natural colour reproduction and appropriate image depth, the A7NQ in Filmmaker mode is unlikely to impress us. It’s a TV that requires significant adjustment to bring out its potential.

Samsung is one of those companies that offers advanced tools to enhance picture quality in its televisions, including a 20-point white balance adjustment. Even in the budget model DU8002, after proper adjustments, surprisingly good results can be achieved. The white balance, especially for HD content, performs really well – tests on the Colour Checker palette confirm accuracy levels of 2–1.5, which indicates the significant capabilities of this television in colour reproduction. In 4K content, although not as perfect as in lower quality material, the overall picture looks much better.

The gamma brightness has also been significantly adjusted, meaning the image is not overly brightened and appears more natural. What about the EOTF curve? At first glance, it seems fine, but upon closer inspection, especially in film tests, it's clear that the television struggles due to its low-contrast panel. And the EOTF drops below the reference line. Nevertheless, the DU8002 is an example of a budget model where investing in calibration is worthwhile. Although construction flaws, such as the type of backlighting, cannot be completely eliminated, colour accuracy is surprisingly good, especially considering its price.

Hisense A7NQ offers several tools that allow you to improve image quality, so we decided to take matters into our own hands and do some "digging" in the settings. Thanks to professional tools and measurements, we managed to correct the white balance, eliminating excessive dominance of blue in both HD and 4K content. This is a significant step forward, as in the Color Checker test, the errors in colour reproduction in lower-quality content dropped to a much more acceptable level. Unfortunately, 4K content still falls short of perfection – colour distortions are significant here and stem from the limitations of the television.

As for the gamma, we managed to set it at the correct level, which significantly reduced the excessive brightening of the image. However, the issue with the brightness characteristics in 4K content remains unresolved – the EOTF curve still shows excessive brightness across the entire screen. It's possible that a proper implementation of dynamic tone mapping could make a difference here, but as we mentioned earlier, this feature in Hisense A7NQ works rather poorly, instead of helping. Nevertheless, the calibration significantly improved the overall image perception. The director's vision is now much better represented than in the factory settings, which more demanding viewers will definitely appreciate.

Smoothing tonal transitions on the DU8002 television leaves mixed feelings. Although the menu has an option for smoothing tonal transitions, in practice it yields no results and can even generate unwanted side effects.

Nonetheless, the television handles upscaling, or digital image processing, exceptionally well. The test pattern with the model looked really good – the image isn't overly jagged, and the overall presentation is decent and pleasing to the eye. This is definitely good news for those planning to watch traditional television on this model.

The Hisense A7NQ impresses with its smooth tonal transitions in 4K content, but unfortunately, we won't find any features here that improve this aspect in older, lower-quality materials. In such cases, colour transitions become more noticeable, which can slightly detract from the overall picture quality, especially in scenes with a lot of gradients.

When it comes to upscaling, the television performs surprisingly well. The image is clearly improved, though it comes with certain compromises. It can be seen that the TV adds a touch of artificial sharpness, and background elements, like branches, tend to exhibit slight "jaggies." However, these are details that will mainly catch the eye of those who pay attention to such nuances.

The DU8002 with a 60 Hz panel is a television that performs better for watching movies than for intense gaming. The motion smoothing feature acts as a fluid enhancer, smoothing out movement and giving scenes a more fluid appearance, which is useful for movie sessions. In the context of gaming, this model is likely only suitable for occasional entertainment.

The Hisense A7NQ is equipped with a 60 Hz panel, which means that dynamic scenes – for example in sports or gaming – come across as rather average here. This is standard in this class of equipment, but it's worth noting that watching more intense, fast-moving content can leave a lot to be desired. However, when it comes to movies, the TV offers a motion smoothing feature that works on a 10-point scale. The "judder reduction" option allows you to adjust the smoothness of the image to your own preferences. At the lowest setting, you get a natural film frame rate, which will appeal to cinema purists. Conversely, the maximum setting provides a very smooth, theatrical image, which may be appreciated by those who prefer a more "smeared" motion.

DU8002 is a television that is mainly suited for casual gamers. The 60 Hz panel won't provide the highest motion fluidity, so in dynamic games, you might miss that extra smoothness of the image. On the plus side, it has ALLM and HGiG functions, which automatically adjust the picture settings for HDR games, enhancing the gaming experience. Unfortunately, the TV only comes with HDMI 2.0 ports, so we have to forget about more advanced features like VRR or support for 4K at 120 Hz. Choosing this equipment means we will have to make do without a full set of gaming features.

Hisense A7NQ is a piece of gear that may pleasantly surprise gamers, although it's not without its flaws. The fact that it has a 60 Hz panel immediately suggests that the TV is not designed for the most demanding gaming scenarios. The motion blur we mentioned earlier can also be a drawback, especially in fast-paced games.

However, there are a few things worth praising. The TV supports ALLM (Auto Low Latency Mode) and VRR (Variable Refresh Rate), which is not always standard in this price range. The biggest surprise, however, is that the A7NQ can display visuals at 120 Hz – albeit only in Full HD resolution, but it's still a significant nod to gamers. This provides the option to choose between smoothness and resolution, which is not obvious in TVs at this price.

A nice addition is the Game Bar, which is clear and practical – all the essential features are at hand without having to dig through the settings. However, it lacks support for HGiG, which could be a disappointment for gamers seeking perfect HDR in games.