Samsung DU8002 (IPS) vs Hisense A6Q

The HDR effect on the DU8002 television leaves much to be desired. A brightness level of 300 nits is unable to provide a true high dynamic range experience, making the content viewed resemble more standard SDR than impressive HDR. Scenes that should dazzle with brilliance and detail appear muted and lack depth. Nevertheless, the television deserves praise for its high coverage of the DCI-P3 colour palette at 92%. This allows for vibrant and saturated colours, which may please viewers who prefer rich tones, even if the HDR effect does not fully meet expectations.

Unfortunately, the Hisense A6Q is hard to recommend for watching HDR content. The main issue remains the low brightness and quite modest coverage of a wide colour gamut. A measured brightness of about 300 nits simply isn't enough for HDR materials to look impressive. In practice, the image often resembles standard SDR rather than true HDR with clear differences in brightness and dynamics. Additionally, colours in such content do not appear as they should. The TV does not utilise additional filters like QLED or PFS LED, and a DCI-P3 coverage of around 80% makes some colours look just too pale. As a result, some scenes in HDR materials lose intensity and spectacle, making it hard to talk about a proper HDR experience.

DU8002 offers a Filmmaker mode, which is supposed to provide authentic image reproduction in line with the creators' intentions. Unfortunately, despite its promising name, the effects are far from ideal. The white balance in this mode shows significant drops in blue colour, leading to a noticeable yellowing of the image, as seen in our comparison photo. Colour Checker tests confirm these errors. Regarding brightness, the gamma characteristic is too low compared to the reference line of 2.4, resulting in excessive screen brightness. A similar problem occurs with 4K content – the EOTF responsible for brightness in 4K materials shows significant increases above the reference line, leading to overly bright small light elements. As a result, the Filmmaker mode in DU8002 does not meet expectations and instead of providing high quality, presents an image full of tonal and colour inaccuracies.

We conducted the tests in the best available mode, which is Filmmaker, however – as is often the case – this does not mean the image is perfect straight out of the box. In the case of Hisense A6Q, this mode clearly “swallowed” too much blue in everyday SDR content. In practice, this led to an image with yellowed whites, particularly noticeable on large, bright surfaces. This does not result from poor assumptions of the Filmmaker mode itself or from the vision of filmmakers, but from factory settings that require adjustment.
Additionally, looking at the saturation characteristics and gamma curve in SDR, as well as EOTF in HDR content, there is a slight tendency to brighten most scenes. As a result, the image often appears brighter than it should, losing a bit of its naturalness. For this reason, we decided to perform a professional calibration to restore the proper colour balance and a more accurate brightness characteristic.

Samsung is one of those companies that offers advanced tools to enhance picture quality in its televisions, including a 20-point white balance adjustment. Even in the budget model DU8002, after proper adjustments, surprisingly good results can be achieved. The white balance, especially for HD content, performs really well – tests on the Colour Checker palette confirm accuracy levels of 2–1.5, which indicates the significant capabilities of this television in colour reproduction. In 4K content, although not as perfect as in lower quality material, the overall picture looks much better.

The gamma brightness has also been significantly adjusted, meaning the image is not overly brightened and appears more natural. What about the EOTF curve? At first glance, it seems fine, but upon closer inspection, especially in film tests, it's clear that the television struggles due to its low-contrast panel. And the EOTF drops below the reference line. Nevertheless, the DU8002 is an example of a budget model where investing in calibration is worthwhile. Although construction flaws, such as the type of backlighting, cannot be completely eliminated, colour accuracy is surprisingly good, especially considering its price.

Colours after calibration on the Hisense A6Q need to be evaluated in two ways, as everything depends on the type of content. In the case of SDR materials, the effect is really quite good. In daily programs, series, and movies, it’s hard to find any serious issues with colours. The yellow tint has been effectively removed, and the television has also stopped washing out the entire image. As a result, the ColorChecker test showed errors below a Delta 2 value, which are already outstanding results, allowing for a discussion of very high picture quality in standard content. Unfortunately, the situation looks much worse for HDR materials. Yes, the white balance has been corrected and the EOTF curve has been improved, but the limitations of the panel itself remain insurmountable. The lack of support for a wide colour gamut means that the television still generates quite significant colour errors. Parts of the colours simply cannot be displayed by the screen, making them look less saturated than they should. It’s a pity because even a simple PFS or QLED filter would have resulted in a significantly better end effect. The conclusion is therefore simple – for SDR content, the A6Q after calibration works really very well, while viewing HDR content on it should still be approached with caution.

Smoothing tonal transitions on the DU8002 television leaves mixed feelings. Although the menu has an option for smoothing tonal transitions, in practice it yields no results and can even generate unwanted side effects.

Nonetheless, the television handles upscaling, or digital image processing, exceptionally well. The test pattern with the model looked really good – the image isn't overly jagged, and the overall presentation is decent and pleasing to the eye. This is definitely good news for those planning to watch traditional television on this model.

Upscaling on the Hisense A6Q works really well for a TV in this price range. Lower resolution materials are correctly “upscaled” to higher resolutions, and the image remains clear without any artificial edge sharpening or the typical "over-sharpening" found in cheap models. Unfortunately, the digital processing is significantly poorer. In practice, it’s hard to talk about any advanced artifact smoothing or masking of problematic tonal transitions. In heavily compressed films—especially those from YouTube—the TV struggles with reducing compression blocks and unwanted banding, making the material's imperfections clearly visible. The A6Q scales the image well, but when it comes to digital processing, it leaves the user alone with the source quality.

The DU8002 with a 60 Hz panel is a television that performs better for watching movies than for intense gaming. The motion smoothing feature acts as a fluid enhancer, smoothing out movement and giving scenes a more fluid appearance, which is useful for movie sessions. In the context of gaming, this model is likely only suitable for occasional entertainment.

The fluidity of motion on the Hisense A6Q is... well, quite average. It's a TV with a native refresh rate of 60 Hz in 4K, which means the movement of objects on the screen doesn't always look perfectly smooth. In dynamic scenes in films or sports, it's evident that this is not the strongest point of this model. The situation looks much better with 1080p content when connecting a console or computer, as the A6Q can then operate at up to 120 Hz. That's a big plus, especially for gamers. However, the sharpness of motion still leaves a lot to be desired, with noticeable ghosting, and the response time of the panel shows that it isn't one of the TV's strong suits.

DU8002 is a television that is mainly suited for casual gamers. The 60 Hz panel won't provide the highest motion fluidity, so in dynamic games, you might miss that extra smoothness of the image. On the plus side, it has ALLM and HGiG functions, which automatically adjust the picture settings for HDR games, enhancing the gaming experience. Unfortunately, the TV only comes with HDMI 2.0 ports, so we have to forget about more advanced features like VRR or support for 4K at 120 Hz. Choosing this equipment means we will have to make do without a full set of gaming features.

For such an inexpensive television, the Hisense A6Q really can surprise with what it offers gamers. It operates in 4K only at 60 Hz, but when the game switches to performance mode and drops to 1080p, the panel can work at even 120 Hz. In this price range, that's a big plus, as most titles on consoles don’t deliver a stable 4K at 120 frames. In practice, we are realistically gaming in 1080p, and here the A6Q provides a very enjoyable gaming experience. Additionally, it has a few features that are usually found in more expensive models: ALLM, VRR, and Dolby Vision Gaming for Xbox Series X/S. Everything is gathered in one place, in a simple and convenient Game Bar, so you don't need to dig through the entire menu. For such an affordable piece of equipment, it's really a solid setup for gamers — maybe not for the most demanding, but definitely spot on for occasional gaming.