Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Samsung S85F OLED

The luminance graph for Philips PUS8959 shows that the television can achieve around 550 nits of brightness, which can be considered a satisfactory level. Such brightness allows you to feel the effects of HDR, which stand out particularly in more demanding scenes. In the tested patterns, the television performed quite well, even in challenging sequences like those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine at the full "power" of the television but at the cost of silvery blacks, which we mentioned in the paragraph about black levels. It’s also worth praising Philips PUS8959 for its good coverage of the DCI-P3 colour palette, which is around 94.5%. This ensures that the colours are vivid and close to the creators' intentions, which further enhances the quality of HDR effects and the experience of watching high dynamic range content.

As an OLED, the Samsung S85F can shine – literally. In favourable conditions, it can generate brightness exceeding 750 nits. This is significant because most films are created with displays aiming for around 1000 nits. In practice, this means that in scenes with moderately large, bright elements, the picture can look absolutely stunning. However, it's not always so rosy. When an enormous amount of light appears on the screen – whether it's an expansive, bright background or an entire frame filled with white – the S85F must tone it down. Brightness can drop by even four times in such scenes. This limitation is well-known to anyone familiar with OLEDs in this price segment, so we don't view it as a particular fail. However, something that deserves praise is what sets this model apart from the competition – colour gamut coverage. Thanks to the QD-OLED panel, our colour meter indicated values exceeding 100% coverage of DCI-P3 and an impressive 86% for the ultra-wide BT.2020 palette. Such results are hard to find even in televisions that cost several times more.

The television Philips PUS8959 has been tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests film quality, it unfortunately falls short of perfection. The biggest issue in this mode is the white balance, both in HD and 4K content. It is characterised by a significant dominance of the red colour and drops in the green levels, resulting in unnatural colour reproduction. For example, white elements of the image have a noticeable pink hue, and the green is less intense, which diminishes the overall naturalness and colour balance. The ColorChecker test confirms these errors – it is clearly visible how the colour samples "deviate" from the proper values, which can best be observed on the sample squares that should precisely reproduce the colours. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

As for the brightness characteristics, the gamma graph resembles a roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly exposed. Conversely, at higher gamma values, the image loses contrast and becomes too dark, making the whole appear lacking in dynamism. Similar problems can be observed in the EOTF characteristics – the television is unable to accurately reproduce the brightness levels, negatively impacting the overall picture quality.

Samsung, as befits a manufacturer with ambitions, has equipped the S85F with a mode called Filmmaker. Its task is simple: to make the colours on the newly purchased television as faithful as possible to what the director intended to show us. Sounds great… but, as is often the case, a theory that sounds wonderful doesn’t always translate into perfect practice.

In the tested unit, it quickly became apparent that the image – due to an excess of blue and red – looked as if someone had gone a bit overboard with the saturation. As a result, there were quite significant colour errors, particularly in 4K content. On top of that, there was an issue with brightness – the S85F could brighten most scenes more than it should, stripping them of the intended mood.

Fortunately, Samsung televisions, including the S85F, offer an impressive number of settings for advanced calibrators. This means that we could see what this panel is really capable of when it gets into the right hands.

After calibration, the Philips PUS8959 shows a significant improvement in colour reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be regarded as an outstanding result. Additionally, the gamma, which affects brightness in lower quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

When it comes to 4K HDR materials, there is also a noticeable improvement. The white balance, although not as perfect as in HD content, no longer suffers from excessive red exposure, making the image appear more natural and harmonious. Unfortunately, regarding the EOTF characteristic, it’s difficult to speak of any significant improvement, which stems from the structural limitations of the television that prevent substantial enhancement in this aspect.

Nevertheless, overall, it looks much better after calibration, making the Philips PUS8959 one of those televisions where it's truly worth investing time in precise calibration to achieve satisfactory image quality.

Thanks to the huge number of settings in the menu, we managed to bring the S85F almost to perfection. White balance in SDR content? Literally perfect – deviations do not exceed a value of "1". So we can confidently say that in materials with not too high dynamics, we have an image that's close to reference.

In HDR content, minor issues appeared, but they don't have much significance in practice – most errors fall below the threshold of perception, which is a value of "3". We also managed to tame the S85F when it comes to brightness management – the EOTF curve, even in films, holds nearly perfect straight line. This is one of those cases where after calibration, you can comfortably forget about the settings and simply watch movies and series at the highest level.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function in the minimum position performs quite well, effectively smoothing tonal transitions without excessive impact on other elements of the image. In testing, I did not notice that the reduction negatively affected the structure of the image, such as film grain or details of objects – everything remains in its place, which is a big plus for users who value the natural look of film material.

As for digital processing, the image looks pretty good, although it features very softened contours, giving it an almost "leafy" character. This effect may evoke mixed feelings – some users will appreciate the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preference, but it must be admitted that Philips PUS8959 provides quite subtle yet effective tools for improving tonal transitions without excessive interference with the natural character of the image.

The tone transition smoothing function in the S85F works really effectively – it can completely eliminate the problem of visible banding in very poor quality material, such as from YouTube. Unfortunately, even the lowest level of this option comes with compromises. The noise reduction is so aggressive that it can smooth out film grain, which many of us consider to be an element of the cinematic atmosphere. At the “Standard” level, we didn’t notice this function removing anything significant from the image, so we can recommend this setting. On the other hand, the “High” level is a different story – it can smooth out not just noise, but also small, desirable details like, for example, the texture of objects.

When it comes to image scaling, the S85F performs very well. The material looks sharp, and the only slight imperfection is the barely noticeable aliasing of edges. And there’s the ongoing issue with Samsung televisions – overscan. This can cause some scenes to be slightly cropped, which is worth noting when watching very old content.

Philips PUS8959 TV is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for significantly smoother images, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the TV offers an additional motion smoother that allows adjustment of the frame rate according to personal preferences. The Philips PUS8959 features a 10-step adjustment for functions called "Smoothness" and "Motion Blur Reduction". The "Smoothness" function increases the number of frames through interpolation, making movement on the screen smoother, reminiscent of the so-called "soap opera effect". Meanwhile, "Motion Blur Reduction" focuses on minimising streaking and improving motion clarity, which is particularly noticeable in dynamic sequences such as action scenes or fast sports shots.

S85F is an incredibly fast television – and that’s not just empty hype. Thanks to the 120 Hz OLED panel, dynamic scenes, whether in games or while watching a live match, look just as they should – smooth, sharp, and without the feeling that something is "slipping" out of frame. The lightning-fast pixel response time, typical of OLEDs, plays a big role here. Transitions between frames are virtually instantaneous, and the image remains clear even during the fastest camera movements. A ball flying across half the field? A car speeding in a chase scene? Everything here is clear and free of the typical "trail" associated with LCDs.

This is exactly what we expect from a good OLED – zero compromises when it comes to motion smoothness. The S85F gives the impression that regardless of the pace of action, we can focus on what’s happening on the screen, rather than on the imperfections of the image.

Philips PUS8959 is a television that will surely please gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better representation of HDR effects in games. As a result, the image is more aligned with what the game developers intended to achieve.

The television also supports displaying images at 120 Hz, ensuring smoothness and dynamism, particularly important during action games and sports broadcasts. The Game Bar feature provides quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, offering good image quality and suitable smoothness during gameplay.

S85F has practically everything on board to become the dream screen for gaming. Four full HDMI 2.1 ports with a bandwidth of 48 Gb/s, support for VRR, ALLM, a super-detailed Game Bar that clearly shows all parameters – plus a gem in the form of Game Motion Plus. This motion smoother makes animation in games more enjoyable, while input lag increases slightly. It's a rare combination, and that’s a big plus for Samsung.

Perhaps Samsung will fix this in the next update – and we have high hopes for that. Because if HGiG comes back, the S85F will become nearly the perfect TV for gamers.