Compare: Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Panasonic W70A

Philips PUS8959, also known by other designations under the abbreviation PUS89 (depending on the retail network), is a model from the popular series The One. Its biggest standout feature is the Ambilight system, which continues to make a great impression. The three-sided backlighting adjusts to the image on the screen, making films, series or games literally extend beyond the edges of the TV. The One is also a good option for gamers. The 120 Hz panel and low input lag make games run smoothly, and the motion on screen is clear. We tested several dynamic titles on the console, and the TV handled them without any issues – no stuttering or delays. Additionally, support for HGiG allows for better rendering of HDR effects in games. This is a great solution if we care about matching the image with what the creators intended. The picture quality is good, particularly during the day. With a brightness level of 550 nits, The One performs well even in well-lit rooms, and Dolby Vision in HDR movies delivers vivid colours and sharp details. However, the ADS panel has its limitations – black in dark scenes more resembles a grey shade, which can be noticeable when watching in a darkened room. When we watched movies with the lights off, the lack of depth in the blacks was somewhat striking. The Titan OS operating system is something that still needs refinement. It’s fast, but the limited number of applications can be frustrating for those used to more extensive platforms like GoogleTV. In daily use of Netflix or YouTube, it works flawlessly, but if we're counting on more advanced features, the system may not meet expectations. Overall, the Philips The One is a good choice in its price range. The Ambilight system impresses and significantly enhances the viewing experience, especially in the evening. It’s also a solid option for gamers, thanks to the smooth image and low input lag. Although the black level isn't perfect, and the operating system needs improvement, the TV excels in everyday use. For fans of unique solutions like Ambilight, this is a proposal that definitely deserves attention.

The Panasonic W70A draws attention primarily because of its advanced Google TV operating system, which gives us access to a multitude of popular applications (YouTube, Netflix, Disney+, HBO Max, etc.). In terms of picture quality, the IPS panel offers wide viewing angles, so colours do not lose their intensity even when you watch a film from an angle. Gamers will also not be disappointed, as it features VRR and ALLM, along with low input lag (around 12 ms) – all of this translates to pleasant experiences during occasional gaming, despite the standard 60 Hz refresh rate.

However, it's worth noting that this is rather a basic model and has its limitations. The contrast and blacks are simply weak, which is a typical phenomenon for IPS panels, especially in dark rooms. A brightness level of around 270 cd/m² is also insufficient in heavily sunlit rooms, so the picture can seem washed out. Certain shortcomings in the software itself cannot be overlooked either. Google TV is a great foundation, but sometimes settings are scattered in surprising places, and the quality of translations leaves a lot to be desired.

It must be considered that the competition is offering more and more in a similar (or slightly higher) price range. Can the Panasonic W70A hold its own in such an environment? On one hand, it tempts with a rich app base and decent support for gamers, but on the other – the market is flooded with more polished TVs equipped with better specifications. However, if wide viewing angles and straightforward access to Google TV services are priorities, we can give it a chance. In other cases, it’s worth exploring among competitive models that often offer better blacks, higher brightness, and fewer annoying issues in the menu at a similar price.

The television Philips PUS8959 is based on an ADS panel, which offers slightly different parameters compared to the popular VA panels. In the tested screens, the contrast was around 2000:1, making the black level far from ideal. ADS panels are known for their weaker contrast compared to VA panels, which in practice means that instead of deep black, we see more navy or grey shades. However, the ADS panel is still better than the standard IPS panel, which cannot achieve such a level of contrast. Additionally, the Philips PUS8959 is not equipped with local dimming technology, which could improve these parameters. The absence of this function exacerbates the effect of shallow blacks, particularly noticeable in dark scenes, such as those in the movie "Sicario 2". Instead of intense black, the screen generates a silvery glow, which can be bothersome, especially when watching in darker conditions. All of this leads to a visual experience that lacks depth, and details in dark scenes are not as well visible as one might expect from higher-end screens. Despite the lack of local dimming, the television is equipped with what is known as Global Dimming. The television is capable of completely dimming the panel to achieve higher contrast, but at the cost of details that may blend together, for example, lights in the test screen from the movie Oblivion. It’s worth noting that the model we received for testing has quite noticeable blobs resulting from uneven backlighting, although this isn't a dealbreaker; one should consider when purchasing that we might receive a similar piece.

The Panasonic W70A is equipped with an IPS panel, which unfortunately is not the best choice if we care about deep blacks and high contrast. Additionally, the lack of local dimming means that instead of pitch-black areas on the screen, we see rather silvery and navy-blue patches. This was particularly noticeable in our tests on demanding screens with dark scenes. The contrast value, which hovers around 1000:1, is far from satisfactory – especially if we plan to watch movies in a darkened room. Scenes that should mesmerise with the depth of darkness instead look flat and lose their atmosphere.

The luminance graph for Philips PUS8959 shows that the television can achieve around 550 nits of brightness, which can be considered a satisfactory level. Such brightness allows you to feel the effects of HDR, which stand out particularly in more demanding scenes. In the tested patterns, the television performed quite well, even in challenging sequences like those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine at the full "power" of the television but at the cost of silvery blacks, which we mentioned in the paragraph about black levels. It’s also worth praising Philips PUS8959 for its good coverage of the DCI-P3 colour palette, which is around 94.5%. This ensures that the colours are vivid and close to the creators' intentions, which further enhances the quality of HDR effects and the experience of watching high dynamic range content.

HDR on the Panasonic W70A unfortunately does not impress. A brightness level of 250–300 nits is simply too low to feel the true magic of cinematic effects in dynamic, bright scenes. Images that should “explode” with light appear rather flat, and fine details in bright areas often get lost in the average luminance of the panel. On the plus side, the HDR effect is at least stable. The TV does not suffer from excessive brightening nor lose details with sudden scene changes. Everything is predictable and calm, though unfortunately lacking in impact. Another issue is the colour gamut coverage. The W70A is not equipped with an additional layer of quantum dots (often known as QLED), which is why the colours appear rather average. There is a lack of depth in reds, saturation in greens, and precision in reproducing subtle shades.

The television Philips PUS8959 has been tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests film quality, it unfortunately falls short of perfection. The biggest issue in this mode is the white balance, both in HD and 4K content. It is characterised by a significant dominance of the red colour and drops in the green levels, resulting in unnatural colour reproduction. For example, white elements of the image have a noticeable pink hue, and the green is less intense, which diminishes the overall naturalness and colour balance. The ColorChecker test confirms these errors – it is clearly visible how the colour samples "deviate" from the proper values, which can best be observed on the sample squares that should precisely reproduce the colours. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

As for the brightness characteristics, the gamma graph resembles a roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly exposed. Conversely, at higher gamma values, the image loses contrast and becomes too dark, making the whole appear lacking in dynamism. Similar problems can be observed in the EOTF characteristics – the television is unable to accurately reproduce the brightness levels, negatively impacting the overall picture quality.

The Panasonic W70A was tested in movie mode, which theoretically should guarantee the most natural image reproduction. Unfortunately, as is often the case with budget televisions, reality turned out to be far from ideal.

In HD (SDR) content, the white balance was significantly disrupted by an excess of red and a noticeable drop in blue tones. The result? The image had a distinctly warm, almost yellowish glow, which is clearly visible in the comparison photo. In the case of 4K HDR materials, the situation reversed. Here, the image became excessively cold and bluish, causing scenes to lose their naturalness and depth. The differences are visible even to the naked eye, especially in the bright areas of the image. The Colour Checker palette test confirmed our observations. Most colour samples did not hit their intended points, 'drifting' towards warmer shades in SDR and cooler ones in HDR. In terms of brightness characteristics, both gamma and the EOTF curve showed significant issues. The image tended to excessively brighten certain areas, disrupting the balance and leading to a loss of detail in both darker and brighter regions.

In summary – the factory colour reproduction settings in the Panasonic W70A leave much to be desired. The image is far from neutral, and errors in white balance and gamma mean that solid calibration is needed to extract the full potential from this television.

After calibration, the Philips PUS8959 shows a significant improvement in colour reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be regarded as an outstanding result. Additionally, the gamma, which affects brightness in lower quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

When it comes to 4K HDR materials, there is also a noticeable improvement. The white balance, although not as perfect as in HD content, no longer suffers from excessive red exposure, making the image appear more natural and harmonious. Unfortunately, regarding the EOTF characteristic, it’s difficult to speak of any significant improvement, which stems from the structural limitations of the television that prevent substantial enhancement in this aspect.

Nevertheless, overall, it looks much better after calibration, making the Philips PUS8959 one of those televisions where it's truly worth investing time in precise calibration to achieve satisfactory image quality.

Panasonic W70A, despite its limitations, gave us plenty of room to manoeuvre during calibration. Thanks to well-developed tools, we were able to achieve a much better white balance in both HD (SDR) and 4K HDR content. The issues with excessive red in SDR and overly cool images in HDR have disappeared. The gamma brightness characteristics have also been improved, now maintaining stability and not leading to excessive brightening or loss of detail in darker areas.

So where is the problem? Unfortunately, there are barriers that even professional calibration cannot overcome. Poor coverage of a wide colour gamut means the television cannot fully convey colours in HDR materials. There is a lack of saturation, and subtle colour transitions still appear somewhat “flattened.” Another limitation is the brightness management due to the IPS panel used. In a comparison photograph with an actress's face in colourful clothing, it is clearly visible how some shades are distinctly muted, and colours lose their depth and vibrancy.

Calibration has extracted from the W70A as much as it could. The image is now much more natural, and the factory setting errors have been effectively corrected. Unfortunately, the hardware limitations in the form of poor colour gamut coverage and an average panel mean that even after calibration, we are unable to achieve spectacular effects, especially in HDR content.

The gradation on the Philips PUS8959 television looks very good, offering smooth tonal transitions in most scenes. Occasionally, minor issues can be detected, especially in transitions between certain colours, where subtle inconsistencies are noticeable. However, these imperfections are subtle enough that they do not significantly impact the overall viewing experience and can be considered completely acceptable. In everyday use, the television provides good enough gradation quality to satisfy even more demanding users, maintaining the naturalness of the image and a lack of glaring tonal distortions.

In terms of the smoothness of tonal transitions, the Panasonic W70A performs really well. The transitions between colours are smooth, without any noticeable and annoying "banding" or sudden jumps in hue. Even more demanding scenes, where subtle gradients dominate, look surprisingly good. Of course, a trained eye will notice some imperfections, especially in the brighter areas of the screen, where slight colour banding can be observed. However, this is not something that significantly affects the viewing experience and will be practically unnoticeable for most users.

Unfortunately, what detracts from the overall effect is the unevenness of the backlighting of the panel, which is quite noticeable and can distract from the quality of the tonal transitions themselves. This is particularly evident on uniform backgrounds, where the differences in brightness between various areas of the screen become more pronounced.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function in the minimum position performs quite well, effectively smoothing tonal transitions without excessive impact on other elements of the image. In testing, I did not notice that the reduction negatively affected the structure of the image, such as film grain or details of objects – everything remains in its place, which is a big plus for users who value the natural look of film material.

As for digital processing, the image looks pretty good, although it features very softened contours, giving it an almost "leafy" character. This effect may evoke mixed feelings – some users will appreciate the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preference, but it must be admitted that Philips PUS8959 provides quite subtle yet effective tools for improving tonal transitions without excessive interference with the natural character of the image.

We checked how the Panasonic W70A handles upscaling content that is lower quality than 4K, and I must admit that the TV performs quite decently in this regard. The feature responsible for smoothing tonal transitions is called "Zeroing Counter." The optimal setting turned out to be the Average option, which effectively smooths out colour gradation issues while not ruining the film grain. This is the setting we recommend for most users, as it provides a balance between enhancing the smoothness of transitions and maintaining the naturalness of the image.

When it comes to image scaling, the Panasonic W70A performed really well. The test chart with the model looked positive – details in her clothing were well reproduced, and the contours of her face maintained sharpness. In the background, we noticed a slight "jagginess" on thin branches, but these are details that only a very attentive eye will catch. However, it's worth noting a certain quirk of this model – the TV has a tendency to overscan, meaning it slightly crops the edges of the image. It’s not a very intense phenomenon, and for most users, it will be practically unnoticeable, but if we care about perfectly framing the shot, it's worth keeping this in mind.

Philips PUS8959 TV is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for significantly smoother images, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the TV offers an additional motion smoother that allows adjustment of the frame rate according to personal preferences. The Philips PUS8959 features a 10-step adjustment for functions called "Smoothness" and "Motion Blur Reduction". The "Smoothness" function increases the number of frames through interpolation, making movement on the screen smoother, reminiscent of the so-called "soap opera effect". Meanwhile, "Motion Blur Reduction" focuses on minimising streaking and improving motion clarity, which is particularly noticeable in dynamic sequences such as action scenes or fast sports shots.

The Panasonic W70A is equipped with a 60 Hz panel, which immediately suggests that the TV is best suited for watching movies, series, or everyday television content. In more dynamic scenes, such as sports broadcasts or games, the limitations of the panel become more noticeable. However, it is worth noting the presence of a motion smoother called “Effect”, which offers three levels of adjustment – low, medium, and high.

Each setting allows you to adjust the smoothness of motion to your own preferences, minimizing the motion blur effect and improving the clarity of dynamic shots. In practice, the Medium setting seems to be the most universal – it offers better smoothness without the excessive “soap opera effect” that can look artificial in feature films. The High setting may work well for sports broadcasts, but in movies, it can disrupt the natural character of motion.

Philips PUS8959 is a television that will surely please gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better representation of HDR effects in games. As a result, the image is more aligned with what the game developers intended to achieve.

The television also supports displaying images at 120 Hz, ensuring smoothness and dynamism, particularly important during action games and sports broadcasts. The Game Bar feature provides quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, offering good image quality and suitable smoothness during gameplay.

The Panasonic W70A is a TV that is likely to suit casual gamers more than hardcore players. The 60 Hz refresh rate doesn't fully utilise the potential of next-gen consoles, especially in dynamic titles. The lack of HDMI 2.1 slightly limits its capabilities, but fortunately, it includes features like ALLM, which automatically switches to game mode, and VRR, which helps minimise screen tearing. It's also worth noting the support for Dolby Vision in games and HGiG, making HDR more predictable and looking solid. It's a pity, though, that it lacks Game Bar. This feature is now standard in many TVs and provides quick access to the most important settings for gamers. The W70A performs well for gaming, but it does have its limitations. It will do fine with more laid-back titles, but more demanding gamers may feel unsatisfied.

Philips PUS8959 TV offers impressive results in terms of input lag, making it a great choice for gamers. For 120 Hz content, the lag is less than 6 ms, which is an absolutely excellent result and allows for immediate response in games, especially in dynamic titles. For 60 Hz content, the input lag is 15 ms, which is also an outstanding result and ensures comfortable gameplay in most cases.

Unfortunately, the Dolby Vision mode does not perform as well, as the input lag increases to 31 ms. While such a result may be acceptable for less dynamic content, for demanding gamers it may prove insufficient, impacting precision and reaction speed. Nonetheless, in standard modes, Philips PUS8959 still offers remarkable performance, making it a competitive choice in the TV market for gamers.

In terms of signal delay, the Panasonic W70A performs really well. With a score of 12 ms, it's a value that is practically below the threshold where noticeable lag can be mentioned. Playing on this TV is responsive, and character movements or reactions in games are immediate. Interestingly, even in Dolby Vision mode, which often poses issues with input lag, the TV handled it very well. This is a pleasant surprise, as many manufacturers struggle with this, and HDR often increases the lag to a level that becomes noticeable during fast-paced games.

Philips PUS8959 works excellently as a monitor for use with a PC. With support for chroma 4:4:4, it provides full colour clarity, which is crucial for text work – fonts are sharp and readable, regardless of the background they are on. This makes using office applications, browsing the internet, and graphic editing comfortable and precise.

Additionally, the low input lag provided by the television ensures smooth and responsive operation, which is important both during everyday tasks and in more dynamic applications, such as gaming or multimedia editing. Philips PUS8959 is an excellent choice for users looking for a television that also functions as a PC monitor, offering high image quality and user comfort.

The Panasonic W70A handles itself quite well as a work monitor. Thanks to its IPS panel and 4:4:4 chroma support, the text is clear, sharp, and readable. Even small fonts look good, without any blurring or jagged edges. For office work, web browsing, or document writing, this television is really suitable.

Gaming on PC is a bit of a different story. The 60 Hz panel means that more dynamic titles don’t look as smooth as they could on a higher refresh rate screen. The lack of G-Sync or FreeSync support doesn’t help either, so screen tearing may occur.

Philips PUS8959, equipped with an ADS panel, offers quite decent viewing angles, definitely better than those found in VA panels. The image retains its quality even when viewing from a wider angle – colours are vivid, and contrast does not deteriorate as much as in VA panel televisions. Because of this, watching the television from different spots in the room still allows for enjoyment of well-saturated colours and overall image quality, which makes Philips PUS8959 perfect for larger rooms and during shared viewing with family or friends.

For a TV with an IPS panel, the viewing angles on the Panasonic W70A are really impressive. The image maintains decent quality even when viewed at a wider angle. Colours don't significantly lose saturation, and details remain well visible. Of course, everything comes at a cost. In this case, it's the weaker blacks, which become even more washed out when viewed at an angle. However, this is a standard compromise with IPS panels and is hard to consider surprising.

Philips PUS8959 features a satin finish on the panel that effectively dampens light reflections, which is beneficial when using the television in bright daytime conditions. However, such a finish causes blacks to take on shades of grey during the day, losing their depth and intensity, which impacts the perception of the image in darker scenes.

A brightness level of 562 cd/m² allows for comfortable television use during the day, even in well-lit rooms. The image is bright enough to cut through daylight, and the reduction of reflections ensures decent visibility of content, making Philips PUS8959 a good choice for rooms where the lighting level cannot always be controlled.

The Panasonic W70A is fitted with a satin matrix that average manages to reduce reflections of light. Glare isn't overly bothersome, but in bright rooms, especially in direct sunlight, it can be noticeable. The main issue, however, is the brightness at a level of 270 cd/m². It's simply too little to comfortably watch television in full sun. The image becomes washed out, and darker scenes lose detail and depth.

Philips PUS8959 is equipped with a three-sided Ambilight system – a flagship patent of this brand, which has been enjoyed by a dedicated group of fans for years. Ambilight is based on dynamic lighting of the wall behind the television, adapting to the content displayed on the screen, significantly enhancing the viewing experience, especially in a darkened room. This effect is unique and adds a certain kind of "magic" to watching, making many users choose Philips specifically for this feature.

When it comes to the operating system, Philips PUS8959 uses Titan OS – a system that is still in the early stages of development. There are visible growing pains, especially since Philips has moved away from Android in most of its models. Titan OS has a limited number of available applications. This is frustrating for those accustomed to a broader ecosystem like GoogleTV. Additionally, the television does not have AirPlay functionality, which limits its compatibility with Apple devices and may be a drawback for users looking for a flexible way to stream content.

The user features of Philips PUS8959 are a mix of pros and cons. The remote control that comes with the television is quite annoying – it requires aiming directly at the screen, which can be inconvenient. On the other hand, the voice function works without the need to aim, but it only supports English. On the plus side, the remote is backlit, making it easier to use in the dark. The television lacks PiP (Picture-in-Picture) functionality and the ability to record programs, which is a significant omission. However, the television is equipped with Bluetooth, allowing users to connect headphones or a keyboard, which can be useful – especially given the limited number of available applications, which may encourage the use of the built-in web browser.

Panasonic W70A runs on the Google TV system and it's fair to say that this is one of its strong points. There are really a lot of applications – all the popular streaming services, YouTube, and even less known platforms. The system runs smoothly, and navigating through the menu is intuitive and hassle-free. The remote has a built-in microphone, so you can use voice search in Polish. This is a significant convenience, especially when you need to quickly find a movie or an application. Additionally, there's Bluetooth, which allows you to connect headphones or other wireless devices. However, there are some shortcomings. There's no AirPlay here, which could be a problem for users of Apple equipment. There's also a lack of USB recording options and picture-in-picture (PIP) functionality.

Panasonic W70A makes up for this with the functionality of Google TV and its straightforward operation. It has everything you need for using a Smart TV, but if someone is counting on more advanced options related to traditional television, they may feel slightly underwhelmed.

Although the Titan OS system on the Philips PUS8959 TV is still in its early stages, it deserves praise for supporting Polish subtitles embedded in films, which is a significant convenience for users dealing with external files. If we want to play a film from a connected USB device, the TV will do this without any major issues, providing a comfortable viewing experience without the need for additional subtitle configuration.

As for photos, the TV should have no major difficulties playing them. It supports most popular formats, although there is a lack of support for less common standards, such as HEIC used in Apple devices. This means that some photos, especially from newer Apple devices, may require prior conversion to a more standard format in order to be played on the Philips screen.

The built-in media player in the Panasonic W70A unfortunately has its limitations. Firstly, it doesn't support Polish subtitles, which can be a significant issue for many people. Additionally, there are difficulties with playing certain file formats, which sometimes results in an error message or a lack of sound.

Fortunately, thanks to the Google TV system, it's easy to install alternative media players that can handle these shortcomings. In the Google Play Store, we can find several reliable apps that support both Polish subtitles and less popular video formats.

The sound on the Philips PUS8959 unfortunately leaves a lot to be desired. While you can hear low frequencies in the playback, the bass is very weak, which results in overall unsatisfactory sound quality. The television performs averagely, especially when compared to more advanced sound systems available on the market.

Despite the average quality of the speakers, the television supports all essential audio codecs, which may please users utilizing external home theatre systems. Thanks to compatibility with various audio formats, the Philips PUS8959 can offer a good audio experience when connected to the right external speakers or amplifier, providing a fuller, more cinematic sound.

The sound on the Panasonic W70A is surprisingly decent for a TV in this class. It's quite well balanced, and the low tones are subtly noticeable, which adds some depth when watching movies or listening to music. Dialogue is clear, and the overall sound quality is clean and pleasant. Of course, don't expect a cinematic experience or powerful bass – it’s still a standard audio system in a TV, and the physical limitations of its slim design take their toll.

Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Panasonic W70A

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound