Philips PML9009 / 9019 / 9059 vs Sony X90L

Philips PML9009 doesn't really operate at the highest values in HDR materials. Most effects with brightness around 550 nits won't leave us thrilled with the lighting effects, although they are quite stable, which is a plus, and a considerable difference can be felt between SDR materials. It's worth noting that we can achieve a good result only in one scenario, that is in the film "Gemini," where the flashlight as the sole light source can really shine. Why in this scene? The answer is quite simple. The scene itself doesn't have a large amount of black, and the flashlight isn't as large an object as the sun in the first and last scenes. Overall, the brightness measurement results in HDR materials aren't a solid basis for recommending this television for viewing productions that use a wide color gamut. However, it's worth mentioning that this model can cover it in a not too bad 93% degree in the case of the DCI-P3 palette.

HDR on the Sony X90L television looks promising. The luminance chart indicated that the TV has a solid power reserve, achieving a maximum of 1000 nits in synthetic tests. But how does this perform in real-world scenarios? In scenes such as the opening of Life of Pi or the final sequence from The Meg, the TV is capable of delivering that power on HDR content, reaching around 800 nits. Unfortunately, displaying small light elements on a black background, like in the scene from Sicario 2, presents greater challenges for the X90L – here the results reach around 600 nits. Nevertheless, when looking at competitive models with mini-LED technology, the effect looks very good and can shine enough to impress us. The colour gamut coverage is also noteworthy, with a result of 96% for DCI-P3 and 76% for BT.2020, which indicates good colour reproduction in HDR content.

The best factory mode used during our tests was "Filmmaker". Here, we will examine both SDR and HDR content. The key differentiator is primarily the EOTF curve in the wide colour gamut materials and gamma in those recorded "the old way". Starting with SDR films and series and the most basic thing we can observe, which is white balance, we see a significant red colour dominance. This led to a yellow tint across the whole image, causing unnaturally looking faces and yellowed whites. This issue is also clearly visible on the "ColourChecker" palette, where all colours have shifted towards their warmer counterparts. Looking at an even more significant graph, the gamma responsible for the contrast of the image, we see considerable errors beginning right from the start. From the left, the value we measured, indicated by a combined ellipsis, clearly spiked upwards, causing complete merging of details in the darkest scenes. This state of affairs persisted up to 10% brightness on the screen, after which it dove below the reference orange line, leading to a deterioration in contrast, which, as we know, Philips PML9009 is already lacking. In HDR materials, white balance issues were very similar to those in SDR content. The discrepancy appears when checking the EOTF curve, which governs the rate of brightness increase and severely limited it, resulting in an unnaturally dark image. As for the colours themselves, there were more reasons for concern here, as the television's low luminance caused a huge disparity between the actual state and the correct one, which is perfectly visible on the error graph, often exceeding the scale.

The best mode on Sony televisions is the IMAX Enhanced mode. Although IMAX is mainly associated with the cinema experience, the colour reproduction out of the box is average here. In the case of lower quality materials, such as HD – regular television or YouTube – it's worth paying attention to the white balance. It suffers from a shortfall in red and excessive dominance of blue, which gives the image a pinkish hue. The brightness characteristic, or gamma, for HD content is quite acceptable, but a slight boost can cause the image to appear washed out and look as if it’s behind a light fog.

For 4K HDR content, the situation is somewhat different. The white balance shows a significant boost in blue, which makes the image unnaturally sharp and gives it an artificial feel. Such an exaggeration in colour reproduction may not appeal to everyone, especially if one prefers more realistic tones. Additionally, the EOTF curve in Sony X90L looks quite acceptable at first glance. However, at the end of the graph, there are certain fluctuations that suggest the television is trying to maintain the correct brightness to avoid overexposing larger elements.

Philips PML9009, like most leading manufacturers, has been providing advanced tools for calibration processes for years. Here we find 2-point and 20-point greyscale adjustments, as well as an advanced CMS (Color Management System). The differences resulting from calibration are evident, and even someone who doesn't pay attention to image quality (although there probably aren't many like that here) will notice the positive difference. Both SDR and HDR materials have undergone quite a transformation. The former and the latter have primarily shed the ugly yellow tint resulting from the red colour dominance in white balance. As for the SDR materials and gamma, although it is not perfectly modelled and still loses dark details, the rest of it is at more than a decent level, and minor errors will not be noticeable. The colours themselves look far better, and with low deltaE errors, they are almost reference-quality. On the other hand, HDR materials, due to the unit's low luminance, have not been optimised as we would have liked. Although the white balance has been largely normalised, a slight blue tint can still be observed here and there. Fortunately, the EOTF curve turned out to be much more accessible, allowing for practically perfect geometry. Unfortunately, due to the screen's too low brightness, the colour errors remain quite high.

Sony offers many tools for improving picture quality, including two extra picture modes that we decided to use during testing and apply calibration to. This solution greatly simplifies the calibration process and is very effective, provided you have the right tools. In the case of HD content, white balance was almost perfectly aligned – only one shade of grey exceeds an error value of "1", which is a great result. The same can be said for the brightness characteristic (gamma), which presents almost perfectly, with microscopic deviations of around 0.01.

For 4K HDR content, the situation is not as ideal. Although white balance has been significantly improved, it was not possible to completely eliminate the dominance of blue. Nevertheless, errors in the Colour Checker test only occasionally exceed the value of "2", which means that picture distortions are practically unnoticeable. When it comes to the EOTF curve, it's worth activating the filter in the top right corner "EOTF in Films" – the graph looks correct, but the TV struggles with illuminating very small elements, which is due to the limited number of backlight zones. Despite these minor errors, it's thanks to the calibration that the IMAX Enhanced mode in the Sony X90L makes watching movies feel like a true cinema experience.

Judging by how PML9009 Philips handled tonal transitions, the image scaling test should perform just as well. This time, we are checking the TV’s algorithms responsible for enhancing the quality of images that were recorded in lower quality. Such images can be found, for example, in various TV shows or older films. In this regard, Philips PML9009 performs quite mediocrely and drastically blurs the image. This is particularly noticeable on fine branches or the model's hair.

Let’s revisit the issue of tonal transitions, which performed remarkably well. Within the unit, we will find several levels of smoothing. Even the lowest one can effectively eliminate any jerky tonal transitions and will be suitable for the vast majority of materials. More importantly, none of the settings for this function soften the effect of film grain, which is extremely important in terms of alignment with the director's vision. However, we would like to point out that sometimes it may turn out that fine details are blurred.

The Sony X90L television features a smooth tonal transition function known as Gentle Gradation, which is incredibly effective. Even at the "low" setting, the effects are satisfactory, but at the "medium" setting, it works like a dream – we recommend using this option for the best results. The image scaling on the Sony X90L is simply excellent. The image is not overly sharpened, which gives a natural effect and makes everything look cohesive. It's clear that the engineers have really put effort into this aspect, creating a solution that impresses and performs well in everyday use. This means that even when watching content like regular television or YouTube, where the image is by nature not stunning, you can enjoy a smooth, coherent, and visually pleasing experience.

Philips PML9009 has been equipped with a panel that has a native refresh rate of 120 Hz. This is the essential minimum for watching all kinds of sports and is recommended for comfortable gaming in favourite titles on consoles or PCs. The manufacturer, for those who dislike the characteristic judder of footage recorded at 24 fps or those requiring a high degree of motion smoothness, such as when watching football matches, has prepared an effective system for improving the sharpness of moving images. In the dedicated tab, we will find a "Smoothness" slider responsible for eliminating judder and a "Motion Blur Reduction" setting that helps to increase the sharpness of dynamic elements. The function works very well and granularly, meaning each setting has a real impact on motion perception. With such a set, every user will find their sweet spot. In the picture, we present our choice, which is slight smoothing without the soap opera effect.

A matter directly related to motion is the response time of the pixels in the panel itself. The best in this regard are of course OLED panels, followed by units based on IPS and ADS screens, and lastly VA. Despite the generally good quality of the systems responsible for smoothening the image, the use of a VA panel carries consequences in the form of black smear behind fast-moving objects. Although in the tested television this should not occur frequently, it will be noticeable here and there.

Sony X90L with a 120 Hz display is an excellent choice for both gamers and film enthusiasts. The television is equipped with the Motion Flow smoothing feature, which allows for adjusting motion smoothness using two sliders: "smoothness" and "clarity". The "smoothness" slider controls the level of motion fluidity, which affects the reduction of image stuttering, while "clarity" is used to reduce blurriness and enhance motion sharpness, which is especially useful in dynamic scenes.

Philips PML9009, equipped with HDMI 2.1 connections with full bandwidth, supports all functions dedicated to gamers. The most basic ones, such as VRR and ALLM, are a given, but G-Sync, FreeSync, or playing in HDR Dolby Vision with low input lag are not. These features activate without any problems, and during the tests conducted, they presented no obstacles. Such preparation of the television is certainly its strong point, and it can be said that it is a unit dedicated to gamers. For more advanced users, we also mention that the PML9009 is equipped with the HGIG mode, which will be particularly felt by gamers, as there are still relatively few games that support Dolby Vision. This mode primarily allows for the adjustment of HDR effects to the capabilities of the television on a special board, to prevent dimming and burning of the image.

The television additionally implements a special menu - GameBar. This allows for editing unit settings "on the fly," meaning without having to exit the game. In it, we will also find functions such as activating a crosshair or black level correction for better visibility of opponents in shadows.

In a brief summary of this paragraph, the Philips PML9009 is a unit that will undoubtedly attract gamers' attention. Thanks to its versatility, it will allow for playing any title in the highest quality without compromises. Especially since features such as VRR, ALLM, G-Sync, FreeSync, or gameplay in HDR Dolby Vision will provide an even greater immersion in the favourite title.

Sony X90L is a TV that performs well in terms of compatibility with consoles and features for gamers. Its 120 Hz panel and two HDMI 2.1 ports with a bandwidth of 48 Gb/s allow for smooth playback of high-resolution games at high frame rates. Gamers can also take advantage of the ALLM feature, which automatically switches the TV to low latency mode, and VRR, which ensures smooth gameplay without frame tearing. The Game Bar is an added bonus – an intuitive tool that provides quick access to essential settings and gaming features, making it easier to control the gameplay.

Unfortunately, when it comes to HDR in games, the Sony X90L has its limitations. It lacks support for HGiG, a standard that many gamers consider crucial for accurate HDR representation in games. While the TV supports Dolby Vision, which theoretically could enhance image quality in games, the practical implementation of this feature is problematic. Dolby Vision in game mode comes with very high input lag, making gameplay less comfortable and precise movements more difficult. Additionally, Dolby Vision cannot be enabled alongside VRR. This means that despite numerous advantages, gamers seeking the perfect HDR in games may feel unsatisfied.