Philips PML9009 / 9019 / 9059 vs Hisense U8NQ

Philips PML9009 doesn't really operate at the highest values in HDR materials. Most effects with brightness around 550 nits won't leave us thrilled with the lighting effects, although they are quite stable, which is a plus, and a considerable difference can be felt between SDR materials. It's worth noting that we can achieve a good result only in one scenario, that is in the film "Gemini," where the flashlight as the sole light source can really shine. Why in this scene? The answer is quite simple. The scene itself doesn't have a large amount of black, and the flashlight isn't as large an object as the sun in the first and last scenes. Overall, the brightness measurement results in HDR materials aren't a solid basis for recommending this television for viewing productions that use a wide color gamut. However, it's worth mentioning that this model can cover it in a not too bad 93% degree in the case of the DCI-P3 palette.

Hisense U8NQ demonstrates its capabilities in HDR, achieving a luminance score on the chart exceeding 2000 nits. In the first, third, and fifth scenes where the screen is covered in light, the television showcased very high brightness, which is impressive and allows you to enjoy the full effect of HDR. Unfortunately, in the second and fourth scenes, such as those from the film "Sicario 2," the television encounters issues maintaining brightness, resulting in disappointing scores around 250 nits. Although the large number of dimming zones should theoretically help, the algorithm responsible for their control does not always work perfectly—bright, small elements like the moon or helicopter lights are too dimmed, which takes away from the typical HDR effect. Instead of blinding brilliance, we receive a more subdued light that does not convey the full potential of HDR. Nevertheless, the television deserves commendation for its very good coverage of the DCI-P3 colour gamut at 97%. This makes colours vibrant, and most movie scenes look really good, significantly enhancing the viewing quality.

The best factory mode used during our tests was "Filmmaker". Here, we will examine both SDR and HDR content. The key differentiator is primarily the EOTF curve in the wide colour gamut materials and gamma in those recorded "the old way". Starting with SDR films and series and the most basic thing we can observe, which is white balance, we see a significant red colour dominance. This led to a yellow tint across the whole image, causing unnaturally looking faces and yellowed whites. This issue is also clearly visible on the "ColourChecker" palette, where all colours have shifted towards their warmer counterparts. Looking at an even more significant graph, the gamma responsible for the contrast of the image, we see considerable errors beginning right from the start. From the left, the value we measured, indicated by a combined ellipsis, clearly spiked upwards, causing complete merging of details in the darkest scenes. This state of affairs persisted up to 10% brightness on the screen, after which it dove below the reference orange line, leading to a deterioration in contrast, which, as we know, Philips PML9009 is already lacking. In HDR materials, white balance issues were very similar to those in SDR content. The discrepancy appears when checking the EOTF curve, which governs the rate of brightness increase and severely limited it, resulting in an unnaturally dark image. As for the colours themselves, there were more reasons for concern here, as the television's low luminance caused a huge disparity between the actual state and the correct one, which is perfectly visible on the error graph, often exceeding the scale.

The Filmmaker mode on the Hisense U8NQ television can be described as the most accurate mode present in this model. Despite its accuracy, it has significant errors in reproducing the reference image, which we will describe now. In the case of HD content, the white balance shows a distinct dominance of red, causing the image to appear overly pinkish and warm. In the comparison photo below, you can see how this effect impacts the presentation of content. The brightness characteristic also leaves much to be desired—a too low gamma causes the screen to be excessively brightened, and blacks appear washed out, making the overall image seem cooler than it should be.

For 4K HDR content, the problem is the opposite—the white balance shows too much dominance of blue, making the image take on an artificial quality and seem unnaturally sharp. All these deviations for both HD and 4K HDR content can be confirmed using the Colour Checker test, which clearly shows how the colours deviate from the correct patterns.

Philips PML9009, like most leading manufacturers, has been providing advanced tools for calibration processes for years. Here we find 2-point and 20-point greyscale adjustments, as well as an advanced CMS (Color Management System). The differences resulting from calibration are evident, and even someone who doesn't pay attention to image quality (although there probably aren't many like that here) will notice the positive difference. Both SDR and HDR materials have undergone quite a transformation. The former and the latter have primarily shed the ugly yellow tint resulting from the red colour dominance in white balance. As for the SDR materials and gamma, although it is not perfectly modelled and still loses dark details, the rest of it is at more than a decent level, and minor errors will not be noticeable. The colours themselves look far better, and with low deltaE errors, they are almost reference-quality. On the other hand, HDR materials, due to the unit's low luminance, have not been optimised as we would have liked. Although the white balance has been largely normalised, a slight blue tint can still be observed here and there. Fortunately, the EOTF curve turned out to be much more accessible, allowing for practically perfect geometry. Unfortunately, due to the screen's too low brightness, the colour errors remain quite high.

The white balance for both 4K and HD content has been heavily adjusted, significantly improving the image quality. While some errors are still visible, they are not large enough to greatly affect the perception of the image. A notable improvement can also be seen in the gamma brightness characteristic — the image is no longer excessively bright, resulting in more natural blacks and better contrast.

However, like with many other Hisense models, there are noticeable issues with the EOTF curve, which is responsible for managing brightness in high-quality materials. Although it may seem correct at first glance, when the filter is applied to the "EOTF in films" chart, it is evident that the TV is somewhat "playing around" with 4K content. It is clear that the EOTF curve is significantly below the reference level, leading to an overall dimming of the image compared to the reference. We noticed this effect in previously tested scenes from the films "Pan" and "Billy Lynn." While it is not a serious issue, it is worth paying attention to. It could be significant for those seeking a display with the most faithful image reproduction. Despite this error, the image will be more enjoyable for most. Colours are represented better, and the overall image quality is significantly improved.

Judging by how PML9009 Philips handled tonal transitions, the image scaling test should perform just as well. This time, we are checking the TV’s algorithms responsible for enhancing the quality of images that were recorded in lower quality. Such images can be found, for example, in various TV shows or older films. In this regard, Philips PML9009 performs quite mediocrely and drastically blurs the image. This is particularly noticeable on fine branches or the model's hair.

Let’s revisit the issue of tonal transitions, which performed remarkably well. Within the unit, we will find several levels of smoothing. Even the lowest one can effectively eliminate any jerky tonal transitions and will be suitable for the vast majority of materials. More importantly, none of the settings for this function soften the effect of film grain, which is extremely important in terms of alignment with the director's vision. However, we would like to point out that sometimes it may turn out that fine details are blurred.

In the context of smoothing tonal transitions, the Hisense U8NQ unfortunately struggles. The "Smooth and Gradient Picture" feature does not yield noticeable effects — there is no improvement in any setting, which is disappointing, especially in demanding scenes with a lot of subtle tonal transitions.

As for the digital processing, or so-called upscaling, the scene with the model is rendered correctly — her outline is clear, without significant cropping. Similarly, thin lines, like tree branches, have slight jaggedness, but the overall image looks plastically and softly, providing a good impression. Unfortunately, there is also an issue with so-called overscan, which results in cropping of the image at the edges. This can be annoying when watching content such as news, where the bottom information bars may be partially invisible.

Philips PML9009 has been equipped with a panel that has a native refresh rate of 120 Hz. This is the essential minimum for watching all kinds of sports and is recommended for comfortable gaming in favourite titles on consoles or PCs. The manufacturer, for those who dislike the characteristic judder of footage recorded at 24 fps or those requiring a high degree of motion smoothness, such as when watching football matches, has prepared an effective system for improving the sharpness of moving images. In the dedicated tab, we will find a "Smoothness" slider responsible for eliminating judder and a "Motion Blur Reduction" setting that helps to increase the sharpness of dynamic elements. The function works very well and granularly, meaning each setting has a real impact on motion perception. With such a set, every user will find their sweet spot. In the picture, we present our choice, which is slight smoothing without the soap opera effect.

A matter directly related to motion is the response time of the pixels in the panel itself. The best in this regard are of course OLED panels, followed by units based on IPS and ADS screens, and lastly VA. Despite the generally good quality of the systems responsible for smoothening the image, the use of a VA panel carries consequences in the form of black smear behind fast-moving objects. Although in the tested television this should not occur frequently, it will be noticeable here and there.

Hisense U8NQ is equipped with a 144 Hz panel, making it an excellent choice for both sports and gaming. The TV will also satisfy movie fans, as it features a built-in "Ultra Motion Smoothness" enhancer that allows users to control the smoothness of the image — you can choose whether you prefer a more "framey" picture or a smoother, cinematic effect. This provides great flexibility in adjusting the motion quality to individual viewer preferences.

Philips PML9009, equipped with HDMI 2.1 connections with full bandwidth, supports all functions dedicated to gamers. The most basic ones, such as VRR and ALLM, are a given, but G-Sync, FreeSync, or playing in HDR Dolby Vision with low input lag are not. These features activate without any problems, and during the tests conducted, they presented no obstacles. Such preparation of the television is certainly its strong point, and it can be said that it is a unit dedicated to gamers. For more advanced users, we also mention that the PML9009 is equipped with the HGIG mode, which will be particularly felt by gamers, as there are still relatively few games that support Dolby Vision. This mode primarily allows for the adjustment of HDR effects to the capabilities of the television on a special board, to prevent dimming and burning of the image.

The television additionally implements a special menu - GameBar. This allows for editing unit settings "on the fly," meaning without having to exit the game. In it, we will also find functions such as activating a crosshair or black level correction for better visibility of opponents in shadows.

In a brief summary of this paragraph, the Philips PML9009 is a unit that will undoubtedly attract gamers' attention. Thanks to its versatility, it will allow for playing any title in the highest quality without compromises. Especially since features such as VRR, ALLM, G-Sync, FreeSync, or gameplay in HDR Dolby Vision will provide an even greater immersion in the favourite title.

Hisense U8NQ offers everything a player might need for comfortable gameplay. The television supports a refresh rate of 144 Hz, ensuring an incredibly smooth image, especially in dynamic action games. The VRR (variable refresh rate) feature allows the image to adjust to variable frames per second, eliminating stuttering and tearing, translating to exceptionally smooth gaming. Additionally, the television is equipped with the ALLM (auto low latency mode) feature, which automatically switches the TV to game mode, minimising input lag. This means players can enjoy responsive gameplay without needing to manually adjust settings.

Hisense U8NQ also supports Dolby Vision, which is important for gamers who value high image quality, high contrast, and deep colours in games that support this format. The television also features a "Game Bar" — a function that allows quick access to essential settings during gameplay, significantly enhancing user convenience.

However, it is worth noting that despite its rich set of features, the Hisense U8NQ does not offer support for the HGiG standard, which is a popular HDR format in gaming. This may be disappointing for players expecting optimal detail reproduction in HDR scenes. Nonetheless, the other features of the television make the Hisense U8NQ a solid choice for console gaming enthusiasts, offering fluidity, high contrast, and user convenience.