Philips PML8709 vs Xiaomi S Pro 2026

Looking at the contrast results, we expected that the algorithms responsible for the zones in the Philips PML8709 would be at least decent. However, what we encountered during testing is difficult to explain. The average brightness we managed to achieve was just 350 nits, which is definitely too low to fully enjoy HDR effects. In practice, the TV barely stands out compared to an average SDR. The situation becomes even more surprising in test scenes, such as the second one from the movie Life of Pi or Sicario 2. Small light elements achieve just 120 nits there, making them practically imperceptible. Such a level of brightness is completely below modern HDR standards and significantly diminishes the experience of watching high-quality content. The only bright spot in this category is the very good coverage of wide color gamuts – DCI-P3 at 97% and BT.2020 at 83%. This ensures that colors are saturated and well-reproduced, which can somewhat improve the overall experience of watching HDR materials. However, the lack of adequate brightness means that even this cannot save the Philips PML8709 in this category.

When it comes to HDR quality, the Xiaomi S Pro 2026 is undoubtedly a very bright television. On our synthetic measurement patterns, we were able to achieve peak brightness of around 1400 nits. This result is not only very good but quite spectacular, considering the price of this model. However, as we always say, our editorial team values measurements and the viewing experience of content that people watch on a daily basis – from movies to series. So let’s analyse how Xiaomi performs with film material. The result is, unfortunately, quite mixed. When very bright scenes appear on screen, the S Pro 2026 truly shows its full capabilities and can achieve a real 800-1000 nits on bright elements. Moreover, even smaller objects can "burn" the eyes – in scenes from the movie Sicario 2, small metallic parts of the helicopter were really vivid. The problem is – and here the story comes full circle, returning to our contrast assessment – that in such scenes, we can’t count on absolutely cinematic black. In our opinion, this compromise is too significant; the high visibility of details in bright sections should not come at the expense of such a substantial drop in blacks. And even though the HDR effect can create a stunning impression here, it’s important to remember that when very challenging, mixed scenes appear on screen, we may feel a slight disappointment. Precisely the one we mentioned in the previous paragraph regarding issues with dimming in HDR mode. As a consolation, it’s worth adding that the S Pro 2026 is equipped with an additional PFS filter (similar in function to a QLED layer), which effectively broadens the colour gamut coverage. As a result, measurements showed DCI-P3 coverage reaching 94%. This gives us confidence that in most colourful scenes, the image will look rich and properly saturated.

Though theoretically the Filmmaker mode in the Philips PML8709 should provide natural colour reproduction, in reality it resembles a store mode more. In the white balance, both for HD and 4K content, there is a clear dominance of blue. This causes the image to appear washed out and cold, which is particularly noticeable in the comparative image below.

The brightness characteristics also leave much to be desired. Both gamma and the EOTF curve exhibit excessive screen brightness. As a result, there is a loss of detail in both the brighter and darker areas of the image, further diminishing its credibility and naturalness. Bright elements appear unnaturally flat and little varied.

These significant issues with white balance and brightness characteristics lead to noticeable errors in colour reproduction, which can easily be seen in films as well as the Colour Checker test. The colours are inaccurate, affecting the overall image quality and visual experience. The factory settings require significant improvement in order to fully enjoy the potential of this television.

Of course, all our measurements were conducted in "Film" mode, which is typically the best and most faithful choice we get straight after taking the TV out of the box. And to put it bluntly: while this is the best mode, it is still very far from perfect. Above all, the TV has a clear tendency to give the picture a cool, blueish tint – this is due to poorly set colour balance. Additionally, there is the issue of how the S Pro 2026 manages its brightness straight out of the box, which results in an over-saturated image. These two flaws contribute to really significant colourimetric errors (Delta E). In HDR content, they could double exceed our expected error scale of "10" (i.e. reaching values close to 20). Just to remind you – the threshold of perceivable error by the human eye is a Delta E value of around 3. Results at the level of 20 mean that the image significantly deviates from what the director intended.

Philips offers advanced image calibration tools in its televisions, which we decided to fully utilise. The results? Although we managed to improve many aspects, it wasn't without difficulties. White balance was one of the biggest challenges – despite our efforts, it could be called fighting against windmills. We were able to significantly correct it, so the picture now looks much better than in the factory settings, but it is still far from perfect. Especially in some scenes, a subtle dominance of blue is visible, although not as intense as before. We achieved a significant improvement in brightness characteristics – gamma now appears much more stable. The EOTF curve looks correct at first glance, however, when analysing movie content, it is evident that the television has trouble maintaining the proper characteristics. The algorithms are "struggling", trying to adjust brightness, which may be due to the limited number of dimming zones that do not always handle more complex scenes well. Overall, the picture after calibration looks much more pleasing to the eye – colors are more natural, and colour reproduction errors have been minimised. Although it is still not perfect, the Philips PML8709 now presents itself much better than in the factory settings.

So how does the S Pro 2026 perform after our calibration process? We must admit that after calibration, the TV becomes a really enjoyable device for watching everyday content. As you can see in the charts, in HD (SDR) material, both white balance and gamma values have been brought to nearly perfection. Most importantly, colourimetric errors have become practically invisible to the human eye. In this scenario, the S Pro 2026 is simply a great TV that, after professional calibration, can provide a lot of joy from viewing. However, it is worth noting clearly – our efforts did little to help in 4K HDR mode. Despite the calibration, the TV still interprets the image quite strongly in its "own way," which is clearly evident in the measurement of the EOTF curve (brightness tracking). It's a bit of a shame because it shows that the problem lies not with the panel itself, but with the software. Poorly refined image management algorithms in HDR content can, unfortunately, rule this TV out for many more discerning users.

The distortion reduction feature in the Philips PML8709 smooths tonal transitions, but its effectiveness leaves much to be desired. We recommend setting this option to "Medium" - at this level, the effect is noticeable but not excessive. Unfortunately, compared to other Philips models, the smoothing effect is less effective, meaning that certain tonal transitions may still appear somewhat uneven. An additional drawback is that this feature also smooths other details, such as the textures of materials like shirts, which can affect image sharpness.

As for image scaling, the television performs very well. The image appears smooth and free of noticeable "jaggies". This effect may appeal to many users, although some might prefer a more vivid look. Fortunately, the television allows for adjustment of the sharpness parameter, enabling us to tailor the image to individual preferences.

Let's start with the issue we raised in the previous paragraph: can a TV even fix the problem of terrible tonal transitions in dark scenes? Theoretically yes – in the menu, we find a feature with the promising name "Colour Contour Removal." Well, "theoretically." Unfortunately, in practice, this setting – regardless of which of the three power levels is chosen – yielded absolutely no real results. So we are dealing with a feature that practically only exists in the menu. Moving on to the quality of upscaling (scaling from a lower resolution to 4K), unfortunately, we have more bad news for you. The S Pro 2026 handles this task very poorly. Interestingly, the phenomenon of "overscan" (slight image cropping) is not a major issue here. The problem is that the TV simply shows a very raw, unprocessed image. Its attempt to boost the signal to a higher resolution looks simply dull and lacks any "intelligent" enhancement. There's no denying it – the entire digital image processing is the true Achilles' heel of this model.

Philips PML8709 is one of the few models with mini-LED technology on the market, offering a refresh rate of 60 Hz. While it’s not a panel for the most demanding gamers, it should satisfy those who mainly watch movies. The TV is equipped with a “Motion Style” feature, which is a motion smoother that allows you to adjust the fluidity of motion according to your preferences – from a more “plastic” look to a cinematic aesthetic with clearly visible frames.

On paper, the specifications of the S Pro 2026 look impressive. The television is equipped with a native 144 Hz panel, capable of displaying images at up to 288 Hz in a dedicated gaming mode. These are incredible results, but what we were most interested in, in the context of everyday use, was how the TV handles motion blur and how the picture looks at 120 Hz. After all, this is the frequency used today by consoles such as the PlayStation 5, Xbox Series X/S, and it is desirable for sports fans. Generally, the panel "holds up". The matrix is quick enough to meet these challenges, and objects displayed at a native smoothness of 120 Hz are rendered correctly. When it comes to software, the TV is equipped with motion smoothing technology, but with a key caveat – it only works for input signals up to 60 Hz. This means it's mainly suitable for traditional TV, movies, and series. With it, we can adjust the smoothness of the picture to our own preferences – ranging from a very smooth, "theatrical" approach, to setting the slider at "zero" and maintaining a fully cinematic character.

Philips PML8709 is a television aimed more at casual gamers, mainly due to the 60 Hz panel, which won’t meet the expectations of the most demanding users. However, for those who appreciate gaming at a more moderate pace, this model may prove sufficient.

The television offers several gamer-friendly features, such as ALLM (automatic switching to game mode) and VRR (variable refresh rate), which help in providing smoother image display without annoying stutters. Furthermore, in terms of HDR, we find the implementation of HGiG, which adjusts the HDR effect to the specifics of games, ensuring a more natural image in appropriately optimised titles. Unfortunately, there is no support for Dolby Vision mode, which may be noticeable in games that utilise this format.

A nice addition is the presence of a basic "Game Bar," which allows for quick previewing and modification of the most important settings related to gaming. It’s a simple but useful touch, especially for those who frequently change their configuration between different types of gameplay. Despite some limitations, the Philips PML8709 offers a solid set of features for less demanding gamers.

For gamers, the Xiaomi S Pro 2026 is on paper an almost perfect proposition. It has been equipped with two HDMI 2.1 ports, which allow us to unlock (although these options are somewhat hidden in the menu) the full suite of features: ALLM, VRR, and, crucially, the ability to operate in 4K at 144 Hz. This last feature should particularly please owners of powerful PCs. The TV also has something resembling a gamer panel – and while it’s hard to call it a full-fledged "Gamebar," it does its job by displaying key information. It’s just a shame that in its default form, it covers a relatively large part of the screen.

The biggest problem we have with this model, however, concerns how the S Pro 2026 handles games in HDR mode. To put it bluntly: it doesn’t handle it well. Due to the poorly implemented HGiG feature (the HDR tone mapping standard for games), during the initial HDR calibration on the console, it’s very easy to "blow out" the image. If someone is unaware of this software flaw and follows the on-screen instructions, they will simply set the picture incorrectly, with burnt-out details in bright areas. Another significant issue is the Dolby Vision mode for games. While it works, it generates such a high input lag that it becomes noticeable in dynamic titles. (You can check all our lag measurements in the paragraph below). In summary: Generally, this is a really very good screen for gamers, but with one small caveat. We would rather avoid HDR mode on it – unless we decide to manually set the brightness slider on the console "by eye," completely ignoring the tips from the console's pictogram.