Philips OLED809/819 vs Samsung The Frame 2025 (LS03F)

Philips OLED 809 delivers a more than satisfactory HDR effect. The television is capable of generating luminance exceeding 900 nits in almost every scene, and sometimes even over 1000. This result allows for a full experience of materials with a wide tonal range. The only moment when Philips OLED 809 cannot generate higher brightness is in a scene from the film "The Meg," which features a large amount of bright white across much of the screen. However, it cannot be said that this is a weak result, as it represents a significant improvement over its predecessor. Overall, such values for OLED panels produced by LG Display, which do not have MLA technology, are very, very good. Combined with high coverage of the DCI-P3 colour gamut, they allow for an HDR experience in a remarkable dimension. Philips OLED 809 test indicated that this television supports popular HDR formats such as Dolby Vision and HDR10+.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks solid on paper. But as we know – lab tests are one thing, and real film scenes are quite another story. When watching HDR materials in natural conditions, The Frame 2025 maintains very good results. In most film scenes, peak brightness stayed at around 550–650 nits. This is enough to feel the difference between standard picture and that in HDR quality – bright highlights, reflections on water, or moonlight look distinct and impressive.

It's also worth noting that the LS03F is a QLED television, which translates to solid colour saturation. The coverage of the DCI-P3 colour space reaches about 92%, allowing for vibrant, intense colours in HDR content. It's not at the level of top premium models, but for a lifestyle screen – the result truly deserves recognition.

The best factory mode in which we conducted all our tests was "Filmmaker", which is now quite standard in televisions from this manufacturer. However, let's take a look at its characteristics before we start the calibration process. The first aspect we will examine is white balance, as despite being inconspicuous, it determines whether the image will be free from any tints. The graph clearly shows that in both SDR and HDR content, two colours dominated: red and green, which caused a strong yellow tint that was pervasive throughout the image. This is perfectly visible on the "ColourChecker" palette, where all colours shifted towards their warmer counterparts. The second thing we will scrutinise are, in our opinion, the two most important graphs in the context of image quality assessment: gamma and the EOTF curve. Both are intended to maintain appropriate brightness and contrast. The first describes the level of brightness in SDR materials, while the second depicts the rate of luminance increase. Analysing the first one, we can see that it has been remarkably lowered compared to the reference value indicated by the orange line. This situation resulted primarily in a sharp increase in brightness and a significant decrease in contrast, reminiscent of what one would expect from OLED televisions. The EOTF curve showed greater "caution" and only slightly brightened the entire image to 50% of the maximum brightness.

When it comes to picture quality right out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were some issues. In both HD and 4K HDR content, we noticed clear deviations in white balance. The picture was heavily skewed towards red and blue, giving the screen a distinctive pinkish hue. This effect was most noticeable in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. In such moments, the screen clearly took on pink tones, which is also evident in the attached comparative photo. As for brightness characteristics – it wasn't as bad as one might expect given such colour inaccuracies. Analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically spoil the viewing experience.

Philips, like most leading manufacturers, has been providing advanced tools for the calibration process for years. Here, we find 2- and 20-point grey scale adjustments as well as an advanced CMS (Color Management System). As you can see, this has brought extremely beneficial results and fundamentally changed the perceived image. Practically every one of the elements mentioned above has undergone a transformation and has been returned to its natural state. This is particularly evident on the "ColourChecker" palette, where the measured samples are harmoniously in their places. It must be said that the white balance has turned out exceptionally well, allowing us to enjoy a clean image free from any tint in both SDR and HDR materials. The biggest issue with OLED809, which is gamma, has been properly modelled and only occasionally shows minor errors that won't affect the overall picture. The EOTF curve, on the other hand, has been stripped of that slight brightening and now presents itself almost referentially.

After calibration, the movie mode gained a completely new quality. The issue of the pink tint, which was previously clearly visible, especially in bright scenes, has been effectively eliminated. Colours started to look significantly more natural, and the white balance no longer dominated the rest of the image. It was no longer the same oversaturated "picture from a box" – everything took on coherence and a cinematic character. Additionally, the tendency of the TV to slightly brighten scenes, previously visible in the EOTF curve analysis, has been partially corrected. Of course, within the limits of what the design allows without local dimming – it's difficult to speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one might expect from a mode named Filmmaker.

Philips OLED 809 didn't perform too well in the test for the smoothness of tonal transitions. Moving on to the part of the test where we assess the behaviour of the TV's algorithms, we will again check the function responsible for removing posterisation. In fact, such a function exists in the menu and has several options available. As you can see in the photo on the left, although its presence has been confirmed by us, it is not useful. Only at the highest setting does it effectively remove disruptions, but it blurs the entire image in the process. Therefore, it is completely unusable.

Time and again, you and we find ourselves watching materials of lower quality. In this case, the quality of the image upscaling algorithms can have a salvaging effect. We must admit that those implemented in OLED 809 work quite efficiently and improve the image quality without visible artefacts. You can only notice slight edge blurring, but it is unlikely to be noticeable during normal viewing.

LS03F is equipped with an NQ4 processor, which is responsible for improving image quality – especially in lower-quality materials. In practice, it works surprisingly well, particularly when it comes to older content and recordings with lower resolution. Activating the "noise reduction" feature delivers noticeable results. The television effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear improvement – earlier, this feature often smoothed everything too much, including details that it shouldn't have removed. In this year’s model, the smoothing still occurs, but it happens in a much more acceptable way. Textures of materials, skin, or fabric details are not as heavily muted as before – the image retains more naturalness. However, this does not change the fact that film grain is still removed by the television, which may not appeal to everyone. On the other hand, it's no longer such an aggressive intervention as in previous models. It's also worth mentioning that the LS03F may struggle with very weak signals – for example, from VHS tapes or low-resolution video. In such cases, we noticed slight clipping of the image at the edges – the so-called overscan. This can lead to situations where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

The maximum refresh rate we can set on the tested television is 144 Hz. This value can be achieved by connecting it to a really powerful PC. In the case of consoles or television, everything remains the same. For those who require high movement fluidity or dislike the characteristic judder of films recorded at 24 fps, the manufacturer has prepared a fairly advanced motion smoothing system. In the dedicated tab, we will find the “Smoothness” slider responsible for eliminating judder and “Blur Reduction”, which helps increase the sharpness of dynamic elements. The function works very well and granularly, meaning each of the settings has a real impact on the perception of motion. We also mention that it works at a refresh rate of 120 Hz, as it operates on the multiples of film or television materials. Thanks to such an extensive set, every user will find their happy medium. In the photo, we present our choice, which is slight smoothing without the soap opera effect.

Motion is influenced not only by the settings on the television but also by the response time of the panel itself. OLED televisions feature the best response time on the market, which in the case of 809 is about 0.1 ms. There are no IPS/ADS or even VA panels that significantly come close to the results of organic panels.

The new feature in The Frame for 2025 is a 144 Hz refresh rate display. Yes – in a television primarily associated with displaying works of art, you can now not only watch Van Gogh, but also comfortably play on a console or follow fast-paced sporting events. This is a significant step towards greater versatility. In the case of Samsung movies, as usual in models with a 120 Hz display and above, it allows you to adjust motion fluidity according to your preferences. You can set a more cinematic reproduction that maintains frame rate or opt for complete image smoothing. The range of options is broad, allowing you to tailor the effect to your tastes – regardless of whether the screening is meant to look like classic cinema or a performance on a modern theatre panel.

*this part of the test refers to the model LS03FAU in sizes 55 and 65 inches, which is equipped with a 144Hz display; the sizes 43 and 50 inches have 60Hz displays, and consequently perform much worse in terms of motion fluidity.

The Philips OLED 809 supports all the technologies included in the HDMI 2.1 standard, and during our tests, each one activated without any problems. Therefore, we must state that this television is perfect for all gamers, both those using a console and a computer. It's worth mentioning that the manufacturer has implemented the HGIG mode, which is a great alternative to Dolby Vision, which unfortunately on the OLED809 is unplayable due to the very high input lag.

A nod to gamers is also the inclusion of a dedicated GameBar, which allows monitoring of current gameplay parameters and quick adjustments of settings. There is also a function to activate a crosshair, which will be very useful when shooting from a sniper rifle, but from the so-called hip. Additionally, we can also find a shadow enhancement function for better visibility in shadows and a colour filter for gamers with visual impairments.

In summary, the OLED 809 is a very good and versatile device for gamers. Anyone who purchases this television for gaming does not need to worry about anything, as it is simply designed for gaming. Especially since features such as VRR, ALLM, G-Sync, FreeSync, and HDR Dolby Vision gameplay will allow for an even deeper immersion in their favourite title. Lastly, we should note that the only downside of the television in game mode is the artificial sharpening of the image, regardless of the settings, and it cannot be 'softened.'

As we mentioned earlier – although The Frame likely displays images and artwork for most of the time, Samsung recognised that a Van Gogh fan could just as easily be an avid gamer. And it must be said that The Frame 2025 has almost everything to become a fully-fledged gaming TV.

Onboard, we find support for ALLM (Auto Low Latency Mode) and Variable Refresh Rate (VRR) thanks to the implementation of a single HDMI 2.1 port. The TV handles lower resolutions at higher refresh rates effortlessly and features an expanded Game Bar – already known from other Samsung models – which allows for quick preview and adjustment of key gaming-related settings. For this, it gets extra points from us. Noteworthy is also the proprietary motion smoother, Auto Motion Plus Game, which – and this is worth emphasising – works without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically unnoticeable way regarding delays. The result? Much better fluidity in games, especially those that struggle to maintain a stable 60 frames. This solution can genuinely improve gaming comfort in more demanding titles – particularly on consoles that don’t always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already something we consider standard in Samsung TVs, so there’s not much to specifically nitpick here. However, the problem lies elsewhere. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it’s gone. This is a significant inconvenience when configuring the console for proper HDR content display in games. It's hard to understand why such a decision was made, but one thing is certain – this needs to be fixed as soon as possible. We’re talking about a brand that has set standards for gaming on TVs for years. If HGiG returns – and we hope it does – The Frame LS03F can confidently aspire to be a proper gaming TV. Not only as a decoration on the wall, but as equipment that truly enhances the gaming experience.