Philips OLED809/819 vs Hisense UR8S

Philips OLED 809 delivers a more than satisfactory HDR effect. The television is capable of generating luminance exceeding 900 nits in almost every scene, and sometimes even over 1000. This result allows for a full experience of materials with a wide tonal range. The only moment when Philips OLED 809 cannot generate higher brightness is in a scene from the film "The Meg," which features a large amount of bright white across much of the screen. However, it cannot be said that this is a weak result, as it represents a significant improvement over its predecessor. Overall, such values for OLED panels produced by LG Display, which do not have MLA technology, are very, very good. Combined with high coverage of the DCI-P3 colour gamut, they allow for an HDR experience in a remarkable dimension. Philips OLED 809 test indicated that this television supports popular HDR formats such as Dolby Vision and HDR10+.

UR8S is a higher-end Mini-LED, so you could expect plenty of brightness. Indeed, on a synthetic test pattern peak brightness reached about 2200 nits. That’s a very good result, but as always what the TV does in normal film scenes matters much more. Here the results are a bit more mixed. In bright scenes with lots of light on screen, the UR8S can deliver very strong HDR. Brightness then gets up to around 1500 nits, so the image is very intense and has a lot of punch. It’s worse with small bright elements on a dark background. The TV noticeably dims them to preserve deep blacks and avoid excessive blooming. As a result, things like single stars or small specular highlights can be only around 200 nits. And here HDR is no longer as impressive. So the local dimming algorithm works effectively, but it comes at a cost — sometimes it sacrifices the brightness of small details too much in favour of contrast.

Colours

For RGB Mini-LED TVs, colours should be evaluated a little differently than usual. If we look only at the panel’s capabilities, the UR8S performs excellently. We measured about 94% coverage of BT.2020 and virtually full DCI-P3. Those are among the highest figures currently seen in LCD TVs, and this is where the potential of the RGB backlight is most apparent. The problem is that this potential isn’t always used in real scenes. When we ran the same measurements on patterns overlaid with a film-like background, saturation of some colours started to fall noticeably. Individual zones can’t always control the three RGB components with the same precision when the scene becomes more complex. It’s most noticeable with blue and magenta. On simple test patches they can look very strong, but in tougher scenes samples of those colours clearly shrink. In other words, the UR8S has huge potential, but the TV can’t always take full advantage of it in every scene.

The best factory mode in which we conducted all our tests was "Filmmaker", which is now quite standard in televisions from this manufacturer. However, let's take a look at its characteristics before we start the calibration process. The first aspect we will examine is white balance, as despite being inconspicuous, it determines whether the image will be free from any tints. The graph clearly shows that in both SDR and HDR content, two colours dominated: red and green, which caused a strong yellow tint that was pervasive throughout the image. This is perfectly visible on the "ColourChecker" palette, where all colours shifted towards their warmer counterparts. The second thing we will scrutinise are, in our opinion, the two most important graphs in the context of image quality assessment: gamma and the EOTF curve. Both are intended to maintain appropriate brightness and contrast. The first describes the level of brightness in SDR materials, while the second depicts the rate of luminance increase. Analysing the first one, we can see that it has been remarkably lowered compared to the reference value indicated by the orange line. This situation resulted primarily in a sharp increase in brightness and a significant decrease in contrast, reminiscent of what one would expect from OLED televisions. The EOTF curve showed greater "caution" and only slightly brightened the entire image to 50% of the maximum brightness.

For evaluating the factory colours we used Filmmaker mode, which is supposed to show the image as close as possible to how the content was prepared. And if you look at the white balance alone, the UR8S performs quite well. There’s no strong tint that immediately jumps out, although as brightness increases a bit too much blue and red start to appear, with a corresponding lack of green. Colour errors are therefore visible in measurements, but the image itself doesn’t look bad.

We have much bigger reservations about how the UR8S manages image brightness. In SDR the gamma stays around 1.9–2.0 for most of the range instead of the target 2.4. In practice this simply means the image is too bright, especially in the midtones. Shadows are lifted too much, so the picture loses some depth. A similar tendency is visible in HDR. The EOTF curve sits above the reference value for a large part of the range, so the UR8S again brightens the image more than it should. This isn’t a case of the TV lacking brightness, because it has plenty, but of how it manages that brightness. As a result, HDR material can look very striking, but not always exactly as it should.

Philips, like most leading manufacturers, has been providing advanced tools for the calibration process for years. Here, we find 2- and 20-point grey scale adjustments as well as an advanced CMS (Color Management System). As you can see, this has brought extremely beneficial results and fundamentally changed the perceived image. Practically every one of the elements mentioned above has undergone a transformation and has been returned to its natural state. This is particularly evident on the "ColourChecker" palette, where the measured samples are harmoniously in their places. It must be said that the white balance has turned out exceptionally well, allowing us to enjoy a clean image free from any tint in both SDR and HDR materials. The biggest issue with OLED809, which is gamma, has been properly modelled and only occasionally shows minor errors that won't affect the overall picture. The EOTF curve, on the other hand, has been stripped of that slight brightening and now presents itself almost referentially.

Hisense offers quite a lot of calibration options, and in SDR you can achieve a really good result with them. After adjustment the white balance is practically even across the whole range, and colour errors fall to very low values. The UR8S can be set very precisely here. HDR looks a little different. The white balance can also be noticeably improved, although at the highest brightness levels larger deviations start to appear. Most interesting, however, is the behaviour of the EOTF curve. Even after correctly setting it on test patterns, the UR8S can still interpret brightness in its own way when watching films. Depending on the scene, parts of the picture are slightly brightened and others darkened compared with how they should look. This shows that the algorithms controlling the backlight have quite a large influence on the final image. Calibration therefore allows colours to be improved very well, but we are not able to completely 'turn off' the way the UR8S manages brightness in HDR.

Philips OLED 809 didn't perform too well in the test for the smoothness of tonal transitions. Moving on to the part of the test where we assess the behaviour of the TV's algorithms, we will again check the function responsible for removing posterisation. In fact, such a function exists in the menu and has several options available. As you can see in the photo on the left, although its presence has been confirmed by us, it is not useful. Only at the highest setting does it effectively remove disruptions, but it blurs the entire image in the process. Therefore, it is completely unusable.

Time and again, you and we find ourselves watching materials of lower quality. In this case, the quality of the image upscaling algorithms can have a salvaging effect. We must admit that those implemented in OLED 809 work quite efficiently and improve the image quality without visible artefacts. You can only notice slight edge blurring, but it is unlikely to be noticeable during normal viewing.

The big plus of the UR8S is its use of the MediaTek Pentonic 800 processor, and digital image processing is one of this model’s stronger points. The TV handles smoothing tonal transitions very well, especially with poorer-quality material. The feature responsible for this effect works effectively without overprocessing the picture. Even on a medium setting it can noticeably reduce visible banding and artefacts without heavily blurring details. Upscaling itself also performs very well. Lower-resolution content is displayed cleanly, edges look natural, and the image isn’t over-sharpened. The UR8S simply copes very well with weaker signals, and in that respect it’s one of its clear strengths.

The maximum refresh rate we can set on the tested television is 144 Hz. This value can be achieved by connecting it to a really powerful PC. In the case of consoles or television, everything remains the same. For those who require high movement fluidity or dislike the characteristic judder of films recorded at 24 fps, the manufacturer has prepared a fairly advanced motion smoothing system. In the dedicated tab, we will find the “Smoothness” slider responsible for eliminating judder and “Blur Reduction”, which helps increase the sharpness of dynamic elements. The function works very well and granularly, meaning each of the settings has a real impact on the perception of motion. We also mention that it works at a refresh rate of 120 Hz, as it operates on the multiples of film or television materials. Thanks to such an extensive set, every user will find their happy medium. In the photo, we present our choice, which is slight smoothing without the soap opera effect.

Motion is influenced not only by the settings on the television but also by the response time of the panel itself. OLED televisions feature the best response time on the market, which in the case of 809 is about 0.1 ms. There are no IPS/ADS or even VA panels that significantly come close to the results of organic panels.

The UR8S is equipped with a panel that has a native 180 Hz refresh rate, so right away it offers very strong potential for smooth motion. The panel itself performs really well, although some limitations typical of VA panels are still visible. Smearing is relatively low for this type of screen, but during faster motion, especially on darker backgrounds, it can still be noticed, particularly if you compare the same image to OLED TVs.

The Philips OLED 809 supports all the technologies included in the HDMI 2.1 standard, and during our tests, each one activated without any problems. Therefore, we must state that this television is perfect for all gamers, both those using a console and a computer. It's worth mentioning that the manufacturer has implemented the HGIG mode, which is a great alternative to Dolby Vision, which unfortunately on the OLED809 is unplayable due to the very high input lag.

A nod to gamers is also the inclusion of a dedicated GameBar, which allows monitoring of current gameplay parameters and quick adjustments of settings. There is also a function to activate a crosshair, which will be very useful when shooting from a sniper rifle, but from the so-called hip. Additionally, we can also find a shadow enhancement function for better visibility in shadows and a colour filter for gamers with visual impairments.

In summary, the OLED 809 is a very good and versatile device for gamers. Anyone who purchases this television for gaming does not need to worry about anything, as it is simply designed for gaming. Especially since features such as VRR, ALLM, G-Sync, FreeSync, and HDR Dolby Vision gameplay will allow for an even deeper immersion in their favourite title. Lastly, we should note that the only downside of the television in game mode is the artificial sharpening of the image, regardless of the settings, and it cannot be 'softened.'

In terms of gamer features the UR8S stacks up really well. The TV supports virtually everything you'd expect from a modern console or PC display. It has ALLM, VRR, and 4K at 120 Hz. There's also Dolby Vision in game mode, so when using, for example, an Xbox Series X you don't have to give up that HDR format. PC gamers get even more options. The panel can run at 4K and 180 Hz, and dropping to Full HD can push the refresh rate as high as 330 Hz. There's also a Game Bar that lets you quickly view key info and change gaming-related settings. The only real shortcoming is a proper implementation of HGiG. When enabled, the TV still interferes with HDR brightness mapping, so we don't get the effect intended by that standard. Apart from that, the UR8S is very well equipped for both consoles and a powerful PC.