Compare: Philips OLED809/819 vs Hisense S7NQ CanvasTV

Philips OLED 809 is quite a versatile television that appeals to a wide range of consumers. Its standout feature among all the TV models on the market is the multicoloured Ambilight backlighting. It often allows for even greater immersion and engagement in the world of film. What is most important in televisions—contrast, black levels, and colour reproduction—are all at a high standard, which is something that will always impress in OLED TVs. The tested television, while performing quite well in our tests, does have some notable drawbacks. These include the quality of tonal transitions and the jumpy operation of the dynamic tone mapping feature. In some cases, these can be slightly irritating to sensitive eyes. However, Philips OLED 809 performs really well in other aspects, particularly in two areas: gaming performance and motion smoothing. The former stands out significantly, as each of the implemented features operates without the slightest hiccup, allowing for an even more immersive gaming experience. As for motion smoothness, it matches the high level of support for gaming. Thanks to two sliders, whose effects are noticeable at every position, every user is able to find the best level of smoothing for themselves. One cannot overlook the Google TV system, which operates very smoothly and during the tests, there were no instances of any "stuttering".

Hisense S7NQ Canvas TV is a very interesting option, especially for those who are looking for something in the style of a picture-TV but don't want to spend a fortune. At first glance, it stands out primarily because the gallery mode with artwork is completely free – there’s no subscription fee, unlike Samsung's The Frame. Moreover, the box includes a light brown frame right away, which will be an extra bonus and saving for many people. Although it is primarily a TV for displaying art, it surprisingly performs quite well in other applications as well. The 144 Hz panel, full HDMI 2.1, support for VRR and ALLM – all of this makes gaming on consoles entirely possible and quite enjoyable. The Vidaa system runs smoothly, and we find all the most important apps and features here, such as AirPlay, USB recording, or screen mirroring from your phone. But there are also things that fall a bit short. First and foremost – the actual images. Compared to The Frame from Samsung, they simply look more digital here. There's a lack of that depth, paint texture, and subtle details that really impress with the competitor. Even though at first glance we’re dealing with a similar, matte panel, in practice, it performs much worse at suppressing reflections. Colours and blacks fade much quicker, especially in a bright room. This could also be the effect of lower brightness – Hisense is simply darker than its Korean rival. Additionally, there are some minor software flaws – e.g., the lack of displaying external subtitles despite the option to configure them, or the not entirely effective image smoothing function with lower quality materials. In short: the S7NQ is a good TV in the form of a "picture" that can be a great alternative for those who don’t mind the lower quality of displayed artworks but value the absence of subscription fees, an extra frame in the package, and the full functionality of a typical TV. It's not an ideal product, but a reasonable compromise for Samsung The Frame.

Philips OLED 809, as the name suggests, uses an organic matrix. Like the vast majority of manufacturers, it comes from the LG Displays factory, which is not surprising, as other leading manufacturers, such as Sony and Panasonic, also use them. The application of this type of panel allows for achieving an ideal result in the contrast and black tests. Thanks to such results, the image is incredibly plastic and free from any blooming effect of bright texts on a dark background, which has become an inherent feature of televisions with local dimming. This is enabled by the very construction of the panel, which is not made up of many layers of filters, but of organic conductive polymers, controlled by electrical impulses. Therefore, if we want to achieve black, the pixel turns off to a value of 0, rather than being covered up. The lights present in the test image are perfectly separated from each other, which is extremely difficult, and often impossible for LCD televisions. One of the strongest points of Philips OLED 809 is its ability to render contrasts. Philips OLED809 test showed that the television handles the separation of bright elements, such as headlights, from the dark background excellently.

The Hisense S7NQ CanvasTV is a television equipped with a VA panel, which on its own provides decent contrast. Our test patterns confirm this – an average score of around 4000:1. It may not be an outstanding value, but for this class of device, it's quite decent. Perhaps the result would be significantly better if the television was equipped with local dimming technology; however, this model sadly lacks that feature. As a result, blacks in a completely dark room resemble shades of navy blue or grey more than true black. This situation causes a slightly noticeable clouding effect. Overall, it's okay, but without any real excitement.

Philips OLED 809 delivers a more than satisfactory HDR effect. The television is capable of generating luminance exceeding 900 nits in almost every scene, and sometimes even over 1000. This result allows for a full experience of materials with a wide tonal range. The only moment when Philips OLED 809 cannot generate higher brightness is in a scene from the film "The Meg," which features a large amount of bright white across much of the screen. However, it cannot be said that this is a weak result, as it represents a significant improvement over its predecessor. Overall, such values for OLED panels produced by LG Display, which do not have MLA technology, are very, very good. Combined with high coverage of the DCI-P3 colour gamut, they allow for an HDR experience in a remarkable dimension. Philips OLED 809 test indicated that this television supports popular HDR formats such as Dolby Vision and HDR10+.

When it comes to the brightness of the television and how it handles bright elements while watching films, it's just average – similar to the contrast. The average brightness level of the Hisense S7NQ is around 500 nits. This is a value that allows you to feel the hints of true HDR, but it's definitely not enough to speak of remarkable effects. However, the television should be praised for its colour gamut coverage – films look very colourful and vibrant. Thanks to the use of a PFS LED (QLED) coating, the device is able to cover more than 90% of the DCI-P3 colour gamut and over 72% of the wider BT.2020 palette. For a television of this class – these are really very good results.

The best factory mode in which we conducted all our tests was "Filmmaker", which is now quite standard in televisions from this manufacturer. However, let's take a look at its characteristics before we start the calibration process. The first aspect we will examine is white balance, as despite being inconspicuous, it determines whether the image will be free from any tints. The graph clearly shows that in both SDR and HDR content, two colours dominated: red and green, which caused a strong yellow tint that was pervasive throughout the image. This is perfectly visible on the "ColourChecker" palette, where all colours shifted towards their warmer counterparts. The second thing we will scrutinise are, in our opinion, the two most important graphs in the context of image quality assessment: gamma and the EOTF curve. Both are intended to maintain appropriate brightness and contrast. The first describes the level of brightness in SDR materials, while the second depicts the rate of luminance increase. Analysing the first one, we can see that it has been remarkably lowered compared to the reference value indicated by the orange line. This situation resulted primarily in a sharp increase in brightness and a significant decrease in contrast, reminiscent of what one would expect from OLED televisions. The EOTF curve showed greater "caution" and only slightly brightened the entire image to 50% of the maximum brightness.

Let's check how the Hisense S7NQ CanvasTV performs in terms of colour reproduction in its best factory mode, which is Filmmaker. Right from the start, it’s clear that it’s definitely better than in dynamic or standard mode, but there are still a few things to nitpick. In terms of image quality from HD signals, the colours are slightly skewed – there’s a dominance of cooler blue tones and a lack of red. This makes the image seem a bit too cool.

A similar effect is noticeable in 4K content, but it’s more pronounced there. The excessive exposure of blue tones and lack of red makes the image appear distinctly cold. However, the biggest issue with this TV isn’t the colours themselves but the way brightness is managed. The unit we tested slightly increased brightness compared to the reference value. The result of this is indeed better visibility of details, but at the cost of significantly lighter blacks – which makes the entire image seem more "flat."

A similar phenomenon was observed in the 4K signal – the slightly inflated curve at the beginning of the EOTF graph indicates that the TV has a tendency to overexpose certain scenes. Fortunately, this effect can be improved through professional calibration, which we will discuss in the next point.

Philips, like most leading manufacturers, has been providing advanced tools for the calibration process for years. Here, we find 2- and 20-point grey scale adjustments as well as an advanced CMS (Color Management System). As you can see, this has brought extremely beneficial results and fundamentally changed the perceived image. Practically every one of the elements mentioned above has undergone a transformation and has been returned to its natural state. This is particularly evident on the "ColourChecker" palette, where the measured samples are harmoniously in their places. It must be said that the white balance has turned out exceptionally well, allowing us to enjoy a clean image free from any tint in both SDR and HDR materials. The biggest issue with OLED809, which is gamma, has been properly modelled and only occasionally shows minor errors that won't affect the overall picture. The EOTF curve, on the other hand, has been stripped of that slight brightening and now presents itself almost referentially.

The results we achieved after calibrating the Hisense S7NQ are really very good. Thanks to the calibration, we managed to eliminate excessive blue tone exposure and deficiencies in red with HD signals. A similar, albeit slightly weaker effect was also achieved with 4K HDR content. Brightness management in HD materials has also improved – the television no longer struggles with brightening the image "overall".

However, there are things that cannot be circumvented. The character of the EOTF curve has hardly changed, and the lack of local dimming means that the smallest elements on the screen will always be slightly overexposed. You just have to come to terms with this when choosing a television with a similar type of backlighting. Nevertheless, the final effect is very good and should fully satisfy the vast majority of users.

Equally important as colours, black and contrast in the context of image quality assessment, is its purity. The quality of tonal transitions can also be included in this category. How many of you have experienced the “banding” effect on your older screens? It is extremely annoying and often effectively hinders immersion in the series or film being watched. Philips OLED 809 unfortunately has some of those issues that are better left unmentioned. However, out of editorial duty, they deserve to be examined and assessed, which will be quite simple given their lack of complexity. As you can see, practically every scene showed a lack of fluidity between colours. And just like in the movie “Kingsman,” this is still acceptable, but in other productions, you really cannot leave a dry thread on them, especially when looking at “The Green Knight.” There, the dense fog has practically been replaced by horizontal bands and indistinct geometric shapes. There are televisions that can manage tonal transitions perfectly, but unfortunately, Philips OLED 809 doesn't belong to that group. During testing, we could see the banding effect, particularly in demanding scenes, which negatively impacts the viewing experience. Philips OLED 809 test indicates that even the options for removing posterization are not sufficiently helpful, which can be considered a serious flaw.

The fluidity of tonal transitions is one of those categories that even less advanced users can notice. If someone doesn’t know what this means – we’ll explain. It’s about whether the colours blend smoothly into each other or if their “sticking” is visible in the form of distinct bands. Good tonal transitions are those that are natural and smooth, without significant jumps in colour.

The Hisense S7NQ performs very well in this area, although it must be honestly admitted that it falls slightly short compared to Samsung The Frame. In very bright scenes, slight imperfections can be noticed, but you really need a trained eye to catch them. Overall – as with most “frame” style televisions – it still performs excellently.

Philips OLED 809 didn't perform too well in the test for the smoothness of tonal transitions. Moving on to the part of the test where we assess the behaviour of the TV's algorithms, we will again check the function responsible for removing posterisation. In fact, such a function exists in the menu and has several options available. As you can see in the photo on the left, although its presence has been confirmed by us, it is not useful. Only at the highest setting does it effectively remove disruptions, but it blurs the entire image in the process. Therefore, it is completely unusable.

Time and again, you and we find ourselves watching materials of lower quality. In this case, the quality of the image upscaling algorithms can have a salvaging effect. We must admit that those implemented in OLED 809 work quite efficiently and improve the image quality without visible artefacts. You can only notice slight edge blurring, but it is unlikely to be noticeable during normal viewing.

Equally important is how the television handles tonal transitions with a poorer signal – for example, in older films, on television, or on YouTube. Unfortunately, despite the presence of the “Smooth and Gradient Picture” feature, which was supposedly meant to improve this aspect, its functionality is really poor. It’s barely noticeable that it has any real impact on the visibility of colour transitions.

The image scaling is also disappointing. Yes, you can see that the television is trying to “pull up” the quality, but the end result is far from ideal. The image often appears slightly jagged, which is particularly noticeable in the example of tree branches in the background. Additionally, the Hisense S7NQ has a clear tendency to crop the image at lower resolutions, which could result in missing subtitles in the news or finer details in the image.

The maximum refresh rate we can set on the tested television is 144 Hz. This value can be achieved by connecting it to a really powerful PC. In the case of consoles or television, everything remains the same. For those who require high movement fluidity or dislike the characteristic judder of films recorded at 24 fps, the manufacturer has prepared a fairly advanced motion smoothing system. In the dedicated tab, we will find the “Smoothness” slider responsible for eliminating judder and “Blur Reduction”, which helps increase the sharpness of dynamic elements. The function works very well and granularly, meaning each of the settings has a real impact on the perception of motion. We also mention that it works at a refresh rate of 120 Hz, as it operates on the multiples of film or television materials. Thanks to such an extensive set, every user will find their happy medium. In the photo, we present our choice, which is slight smoothing without the soap opera effect.

Motion is influenced not only by the settings on the television but also by the response time of the panel itself. OLED televisions feature the best response time on the market, which in the case of 809 is about 0.1 ms. There are no IPS/ADS or even VA panels that significantly come close to the results of organic panels.

When it comes to motion fluidity, the television performs really well. Although the S7NQ was primarily designed for displaying static elements – such as images – the manufacturer has used a panel with a refresh rate of 144 Hz. As a result, sports or games look really good on it.

For content that is not recorded at a high frame rate, the manufacturer has provided two features that allow you to adjust the picture to your own preferences. “Motion blur reduction” and “blur” operate on a 10-point scale, enabling a choice between a more cinematic image – with characteristic frame jumps – and a smooth effect reminiscent of a “soap opera.” How to set this up? That’s a personal choice – we leave the decision to you.

The Philips OLED 809 supports all the technologies included in the HDMI 2.1 standard, and during our tests, each one activated without any problems. Therefore, we must state that this television is perfect for all gamers, both those using a console and a computer. It's worth mentioning that the manufacturer has implemented the HGIG mode, which is a great alternative to Dolby Vision, which unfortunately on the OLED809 is unplayable due to the very high input lag.

A nod to gamers is also the inclusion of a dedicated GameBar, which allows monitoring of current gameplay parameters and quick adjustments of settings. There is also a function to activate a crosshair, which will be very useful when shooting from a sniper rifle, but from the so-called hip. Additionally, we can also find a shadow enhancement function for better visibility in shadows and a colour filter for gamers with visual impairments.

In summary, the OLED 809 is a very good and versatile device for gamers. Anyone who purchases this television for gaming does not need to worry about anything, as it is simply designed for gaming. Especially since features such as VRR, ALLM, G-Sync, FreeSync, and HDR Dolby Vision gameplay will allow for an even deeper immersion in their favourite title. Lastly, we should note that the only downside of the television in game mode is the artificial sharpening of the image, regardless of the settings, and it cannot be 'softened.'

Even though the S7NQ is an "image" type television, you can actually play games on it. Really. It has practically everything (except for HGiG mode) that a modern gaming television needs. The 144 Hz panel and two full HDMI 2.1 ports allow for seamless connection of two consoles, such as the PlayStation 5 or Xbox Series X/S.

The television supports Automatic Low Latency Mode (ALLM) and Variable Refresh Rate (VRR) without any stutters or issues. It also handles high frame rates at lower resolutions without any trouble. A shoutout to Hisense for the very attractive Game Bar – it displays all available image options, and additionally, we have the ability to enlarge the minimap or turn on the crosshair (because sometimes someone might actually want to "aim" 😉).

The only missing element – as we mentioned earlier – is the lack of proper implementation of HGiG mode. This is the feature responsible for automatically setting the image in games as the developers intended. It’s a shame because it's the only thing that separates the Hisense S7NQ from being a full-fledged gaming "monster".

The results of the input lag measurements on the Philips OLED 809 are at a high level, regardless of the signal or resolution. All gamers will surely appreciate the manufacturer's efforts, thanks to which a game running at 4K120Hz with HDR has only 5 ms of lag, which is practically unnoticeable even in online games. One should not forget about the proper implementation of the game mode with Dolby Vision, which can be praised for a similar response time of 13 ms. In this case, the Philips OLED 809 receives our highest score.

Input lag in the Hisense S7NQ performs well, though it can't be said to be exceptional – especially for the standards of 2024/25. Values around 30–20 ms aren't very high and the average player likely won't notice it, but those who spend a lot of time gaming may feel a bit of discomfort.

The situation looks significantly better when playing in Dolby Vision mode – then the lag is lower and the gameplay feels more enjoyable. The problem is that there are still very few games supporting this mode and they are mainly available on the Xbox console.

Just like in games, the tested television performs excellently, but when it comes to everyday text work, it doesn't quite measure up. Its latency is very low; however, the issue lies elsewhere. The television does not support chroma 4:4:4, which results in unpleasant font blurriness, regardless of the given refresh rate. While this is not usually a problem in games, it can be quite annoying during text work due to poor readability. Additionally, the pixel layout in WOLED matrices doesn't make things easier for it.

When it comes to working with a computer, the S7NQ Canvas TV performs really well. Gaming on it is smooth thanks to the presence of a 144 Hz panel and support for G-Sync with Nvidia cards. Input lag – as we mentioned earlier – is good, though not exceptional.

And how about productivity? It’s doable. The TV has a proper implementation of chroma 4:4:4, so fonts look quite sharp. You might nitpick about some minor issues with the thinnest letters on a dark background, but let’s be honest – rarely does anyone sit a metre away from a 55-inch screen reading small text.

A widely known advantage of OLED panels is their efficiency when viewed even at sharp angles. There is no noticeable drop in contrast or colour saturation. However, a characteristic feature of panels produced by LG Display, which are not used in top models, is a tint in marine or cyan shades when viewed from a wide angle.

Viewing angles here are typical for a VA panel. The S7NQ loses quite a bit when viewed from about a 45-degree angle – colours wash out and brightness noticeably decreases. It's a shame, as after all, it's a television that's meant to display works of art – it would be nice to be able to look at them from different spots in the room, not just straight on.

For many years, the issue of the performance of OLED TVs during the day has been raised. Many people still believe that these are not receivers intended for such use. They probably have a point, particularly when it comes to screens from several years ago. Technology has advanced, and currently, there are no objections to recommending such a TV for today. Admittedly, a glossy screen doesn't sound like something that would support this claim, however, it's hard to argue against the pictures that you can see for yourself. Another point we would like to highlight is the contrast during daytime use. This, in contrast to QD-OLED panels, and even OLEDs equipped with MLA technology, is higher. This is due to the absence of excited quantum dots and micro-lenses.

Hisense S7NQ Canvas TV is equipped with a matte screen that effectively reduces reflections – quite similar to its Chinese rival, TCL A300 NXTVision. Unfortunately, both constructions fall short in this category compared to Samsung's The Frame, which offers a significantly better anti-reflective coating. In the case of the Chinese models, including the S7NQ, colours fade considerably under light, and black levels perform poorly in such conditions. The brightness of the television reaches about 500 nits – which is quite a decent value for a matte screen, but still lower than that of the aforementioned The Frame. Generally, if someone prefers matte displays, then... it looks like it looks – Samsung simply did it better.

Before we dive into the software that controls the television, it’s impossible not to mention the biggest distinguishing feature of the manufacturer's televisions. This is, of course, the multicoloured Ambilight backlighting, which is located on the back of the device and displays colours tailored to what's happening on the screen, often allowing for an even greater immersive experience. The Philips OLED 809 is powered by the Google TV system. This is an undeniable advantage compared to some other models from the manufacturer, which use the proprietary TitanOS system, significantly more closed off and limited in terms of available applications. With Google TV, we can install practically any application, both from the store and directly from online repositories via an APK file.

The Google TV system also offers many conveniences related to control. We can easily connect a keyboard with a touchpad, which greatly simplifies typing queries and navigation. Additionally, thanks to integration with Google, we can issue voice commands using the remote, which are quickly and accurately interpreted by the system.

In summary: Google TV is currently one of the most popular systems on the market. Thanks to a powerful CPU, it runs very smoothly and stably, without freezing or stuttering during testing. This is definitely the best option for those who want to get the most out of their television's capabilities and appreciate the openness and versatility of the system.

As the Hisense S7NQ is a dedicated television, we'll start the description a bit differently – from the most important aspect of this type of model, which is displaying works of art. Like all "art" televisions, it features a special mount that allows for the screen to be installed completely flat. The biggest advantage over the Korean Samsung The Frame is the fact that despite fewer artworks available in gallery mode, all of them are completely free – there’s no subscription fee required. An additional bonus that comes with the S7NQ is the light brown frame. This is a significant plus, especially if someone was already planning to choose that colour – you can save a bit of money on both the frame and the subscription.

However, when it comes to the quality of the displayed images, it’s clear that Samsung The Frame significantly outperforms here. In the S7NQ, the images look more digital, whereas in The Frame, the Art Store mode offers true scans of artworks, showing even the texture of the paint or the brush strokes of the artist. And once again, we return to the old truth – for better quality, you simply have to pay.

Fortunately, the S7NQ is not just an "art piece", but also a normal television – and in this role, it performs really well. Like most Hisense models with the VIDAA system, it offers many basic functions such as USB recording, screen mirroring, and AirPlay support. As for apps – the most popular streaming services are present here, and you can find their complete list below.

The default file player on the Philips OLED 809 is quite impressive, although it does have some drawbacks. It handles a wide range of video file formats exceptionally well, except for two less common ones. It deserves high praise for its inclusion of all the checkboxes confirming playback of various subtitle formats. The TV can manage any photo resolution, making it an excellent screen for viewing family albums or studio photos. The rest, including supported photo and audio formats, is satisfactory, and those formats the TV cannot play are either uncommon or obsolete. Moreover, it's not a problem, as we can download an app from the app store that will solve these issues.

Hisense S7NQ has no trouble playing the vast majority of popular audio, photo, and video formats. So why is the rating in this category relatively low? Well, it's because of software issues. This is another Hisense television that didn't allow us to open external subtitles in movies. Regardless of whether we're talking about the .ass, .srt, .txt, or .sub format – the subtitles simply didn't appear.

The funniest (or rather the most frustrating) part about all this is that in the menu we can find options to change the font colour, size, and background… The problem is, the subtitles themselves are not visible at all.

At the outset of this paragraph, it should be noted that sound quality is always subjective. In our opinion, the audio system that the manufacturer has equipped the Philips OLED 809 is at quite a high level. The bass is well-defined, but at the same time, it does not overshadow the mid and high tones. Looking at it from another perspective, when choosing a TV in this price range, we are more likely to already have an additional audio system. In this context, the tested television will definitely not disappoint, as it supports practically every important standard, including Dolby Atmos and, more importantly, DTS-HD Master Audio.

When it comes to sound, it presents itself... just like a television on the wall – rather flat. Despite the use of a 2.0.2 speaker setup with a total power of 36 W, we can't speak of any exceptional sound quality here. But as is often the case – buying even the simplest soundbar can dramatically change the situation.

On the plus side, it does support virtually all popular Dolby and DTS codecs. This means we can easily connect the television to a home theatre system without having to fiddle with settings or audio conversion.

Philips OLED809/819 vs Hisense S7NQ CanvasTV

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound