Philips OLED769 vs LG NANO81A / NANO80A

Philips OLED769 performs quite well, especially in movie scenes with small light points. The television surprises with its brightness, reaching around 800 nits, which is an impressive result. This means that small light sources, like street lamps at night or stars in the sky, are vivid and full of detail. However, the biggest challenge for this model is the scene with a full-screen sun glare. In such moments, the brightness drops to around 250 nits, which isn’t very impressive. This is a typical issue with cheaper OLED displays, which struggle to maintain high brightness across the entire screen.

If you're hoping that HDR on the NANO81A will bring tears to your eyes, I have to disappoint you. This TV is just too dark to show what this format is really about. With a brightness of only 250 nits, HDR really only exists on paper here. In practice, during viewing, it's very hard to tell whether we're watching material in high dynamic range or regular SDR – it simply lacks that “punch” of light in the bright parts of the image. But, to balance out the criticism, we do have one light at the end of the tunnel – and quite a distinct one at that. It's about colour gamut coverage. Here, the NanoCell filter shows that it's not just marketing nonsense. Our measurements indicated that the coverage of the DCI-P3 space is around 88%. That's a really solid result, placing this model significantly above typical budget models based on regular white LEDs without any filters. Of course, it still lags a bit behind QLED TVs or advanced panels with PFS filters, but for this price range, the colours are surprisingly saturated and vibrant. It’s just a shame that this low brightness doesn't allow them to fully “spread their wings” with the Nano filter.

The "Film" mode turned out to be the best factory setting in terms of fidelity to the original material, and it was on this setting that we based our tests. However, like other factory modes, it was not without its flaws. Let’s take a closer look at what exactly went wrong in the SDR and HDR materials.

In both cases, the white balance was disturbed by excessive dominance of green and red colours. This phenomenon created a yellowish tint that spilled over the entire image, leading to issues such as yellowed whites and unnatural skin tones. These problems were clearly highlighted on the "ColourChecker" palette, where each of the samples was shifted towards warmer shades.

As for contrast and brightness, in the Philips OLED769, we can look at two key graphs: Gamma for HD content and the EOTF curve for 4K HDR content. In the case of the first graph, the gamma value is below the optimal level of 2.4, resulting in the bright parts of the image being lightened. This means that bright elements may be somewhat overexposed, losing detail and depth. Meanwhile, the EOTF curve for 4K HDR content performs really well. The graph shows that the television effectively reproduces details in both the brightest and darkest parts of the image, translating to a realistic and dynamic representation of scenes.

For every film fan, the natural choice in LG televisions is the Filmmaker Mode. It is designed to show the image as the director intended – without unnecessary "enhancements". Unfortunately, in the case of our test unit NANO81A, the factory settings left a bit to be desired. The main issue turned out to be the white balance. Measurements revealed a distinct deficiency of blue, which in practice meant that many scenes had a slightly yellowish, even "yellowed" tint. The white wasn’t perfectly clean, which took away the freshness of the image. Additionally, the brightness management wasn't perfect either – the factory-set gamma was too low. The image often appeared oversaturated, as if it had been pulled too much from the shadows, which detracted from its naturalness and depth. Fortunately, LG, even in this relatively low price range, does not block access to advanced settings. The calibration options for this model are extensive, which is a significant plus for those who enjoy "fiddling" in the menu. We decided to approach the matter our way and see how much we could squeeze out of this panel with professional calibration.

After professional calibration, Philips OLED769 truly shines in terms of colour accuracy. The television has been completely rid of any yellow tint in both HD and 4K content. The Colour Checker test confirms that deltaE errors are minimal, occasionally exceeding 2, which means we can talk about almost perfect renderings of the director's vision.

When it comes to contrast, the situation is equally impressive. For 4K materials, there wasn't much to improve from the start, while the gamma graph has been significantly enhanced. As a result, dark and bright parts of the image are represented with greater accuracy, leading to realistic and dynamic scene reproduction.

The calibration has unlocked the full potential of this television, both in terms of colour and contrast. Philips OLED769 now offers vivid, natural images of high quality that will delight any user, whether they're watching movies or using other multimedia.

After calibration, the NANO81A is a completely different television. What LG offers in terms of image enhancement tools, even in such an affordable model, deserves major credit. We were able to completely eliminate that annoying yellowing of whites and make the colours natural, vibrant, and simply "real". In SDR content (i.e., regular television, YouTube, or older films), the picture now looks miles better – it’s clean, well-balanced, and no longer strains the eyes with strange hues. It’s clear that this panel has significant potential, which is simply wasted out of the box due to poor presets. However, we have one serious reservation that calibration cannot fully overcome – it's about brightness management in HDR mode. The LG algorithm in this model is very conservative. The TV deliberately dims the HDR image to avoid clipping the already weak blacks of the IPS panel. The developers faced a choice: either provide more light and accept that black would become light grey, or dial down the brightness to maintain any contrast. They chose the latter. Despite this, after our adjustments, watching anything on the NANO81 is considerably better.

When it comes to lower quality materials, the distortion reduction in the Philips OLED769 does well at smoothing tonal transitions, especially at the minimum setting. It's worth noting that at this setting, film grain isn't blurred, which is a pleasant surprise, as such negative phenomena often occur with other manufacturers. Overall, it's quite a decent solution. However, it should be noted that this setting doesn't work in HDR mode, where gradation issues are much more pronounced. In HDR mode, the television struggles with smoothing tonal transitions and may present more noticeable distortions and noise, reducing image quality in dynamic scenes.

As for digital processing, the Philips OLED769 performs well. The model in the picture isn’t overly jagged, and the branches in the background lack the characteristic artifacts. The television achieves this effect by avoiding artificial sharpening, which may be an advantage for some users. However, others may find this less appealing, as they prefer a more vivid, sharper image rather than a subtle effect. This effect can be mitigated by using a higher setting for the "Sharpness" parameter.

It often happens that cheap 4K panels ruthlessly expose all the "dirty laundry" and imperfections in lower resolution materials. However, with the LG NANO81A, the situation is completely different. It's a really solid performer when it comes to handling content that's far from ideal. The built-in processor does a great job with upscaling. Even older recordings look quite decent on this screen – the image is coherent, cleaned of digital noise, and simply pleasant to the eye. A big plus is the gradation reduction feature, which you can find in the settings. It is exceptionally effective in combating colour banding, which is a godsend when watching low bitrate materials, such as from some streaming services or older files from the web. However, it is worth maintaining a certain vigilance. Since we are dealing with a less powerful chip than in LG's top models, too aggressive a setting for this option can sometimes result in minor artifacts or slight blurring of details. Despite this risk, I definitely encourage experimentation with this feature – in many cases, it can save the viewing experience and make low-quality material fully watchable.

Philips OLED769 features a multi-level motion smoother called "Motion Style," which will please users who value the ability to adjust motion fluidity in films. With this function, the image can be set to appear more stuttery or fluid, reminiscent of a theatrical effect. It's a great solution for those who want to tailor the displayed content to their visual preferences. Gamers will also not be disappointed, as the television, like most OLEDs, is equipped with a 120Hz panel. This ensures extraordinary fluidity and dynamic imagery. Unfortunately, Philips OLED769 does not have the BFI (Black Frame Insertion) feature, which could further enhance the smoothness and clarity of motion. Despite this limitation, the television still offers excellent visual experiences for both cinema lovers and gamers. This is definitely one of its strong points.

In terms of motion fluidity, the NANO81A unfortunately has a bit of a hurdle. The television is based on a panel with a refresh rate of 60Hz. If you're looking for perfect sharpness in dynamic football matches or fast-paced action games, you might feel somewhat dissatisfied. With such a low native refresh rate, fast objects on the screen will always be a bit blurry.

Philips OLED769 has been designed with gamers in mind, offering full compatibility with consoles and the highest quality gameplay. The television received the maximum rating in this category, providing everything your heart desires. With HDMI 2.1 ports fully supporting ALLM (Auto Low Latency Mode) and VRR (Variable Refresh Rate), the TV ensures smooth and hassle-free gaming. ALLM automatically switches the television to low latency mode, and VRR eliminates stuttering and screen tearing, resulting in smoothness and stability in gameplay. The Dolby Vision feature for gamers is another advantage, although it only works at 60 Hz. Most casual gamers will probably not feel the lack of a higher refresh rate, however, more demanding users may have some reservations. It allows for enjoying a dynamic range of tones and realistic images, enhancing the gaming experience. PC gamers will also not be disappointed, as the Philips OLED769 offers full compatibility with Nvidia graphics cards, thanks to support for G-Sync. This technology synchronizes the TV's refresh rate with the graphics card, eliminating tearing and stuttering, leading to excellent image smoothness.

Philips OLED769 is a television that perfectly meets the needs of gamers, offering a wide range of advanced features and technologies that significantly enhance game quality and user comfort.

NANO81A is unfortunately not a device designed with esports in mind. The lack of 120 Hz signal support is a fact that users planning to purchase this model simply have to accept. Nevertheless, LG’s engineers have worked hard to squeeze the maximum potential from this 60 Hz panel, offering a set of features that genuinely improve gaming comfort. First and foremost, the television supports VRR technology (in the range of 48–60 Hz) and ALLM. This ensures that the image remains stable and does not "tear," and the device automatically switches to low latency mode as soon as it detects a signal from a console. Managing these settings is extremely simple thanks to a dedicated system overlay that allows for a quick preview of parameters without leaving the game. A very significant advantage is support for the HGiG format. This solution is crucial for owners of modern consoles, as it allows the television to correctly "understand" the intentions of game developers regarding HDR tone mapping. In practice, this helps avoid the effect of "blown-out" bright spots, such as clouds or light sources, which is unfortunately a common issue in budget LCD televisions.