Compare: Panasonic Z85A vs TCL A300W NXTVision

The Panasonic Z85A is a basic OLED model from the Japanese manufacturer that fully utilises the potential of its panel. Thanks to OLED technology, we can expect phenomenal image quality in the highest resolution – perfect blacks, excellent contrast, and great HDR effect, especially after professional calibration. Additionally, it supports a full set of HDR formats, so we can easily choose a movie in the best possible quality. Although Panasonic is usually associated with home cinema equipment, the Z85A performs just as well with sports and games. The 120 Hz panel, support for VRR, ALLM, and even functional Dolby Vision in games ensure smooth gameplay without motion blur. The sound is also commendable – although there isn't an impressive soundbar like in the model Z95A, it is still quite pleasant with noticeable bass. Downsides? Primarily the Amazon Fire TV – the operating system that still has teething problems. Many popular apps are missing, and some features are either unavailable or poorly translated (e.g., lack of support for external subtitles). Another issue is the not-so-high brightness, typical of older WOLED panels – in a brightly lit room, this can be a problem. Despite these shortcomings, the Panasonic Z85A is a great option for movie enthusiasts and gamers looking for a versatile TV with outstanding image quality and solid sound. If we can overlook certain system limitations and the less-than-optimal brightness, the Z85A still has a lot to offer. However, if full comfort of use and a richer app ecosystem are crucial for us, then it's worth considering other OLED TVs from competitors as well.

At first glance, it’s clear that the TCL A300 NXTVision aims to be more than just an ordinary television. It offers a picture display mode that – unlike competitors from Korea, Samsung The Frame – is completely free. Additionally, just like its rivals, extras are included at no charge. In the packaging, alongside the television, we find extra frames that mimic light wood and a flat wall mount, allowing the television to truly resemble a gallery piece. When it comes to everyday use, the standout feature is the Google TV system – comprehensive, fast and offering access to a massive number of apps. And if we feel like stepping out of the digital museum and jumping straight into the gaming world, the A300 can surprise us. With two HDMI 2.1 ports, 144 Hz, VRR, ALLM, and a very low input lag, even demanding gamers can feel at home here. Well... perhaps except for those sensitive to motion blur – as this remains one of the bigger issues with this model. There are also downsides. While the picture mode is free – which is commendable – the actual quality of the available graphics falls noticeably short compared to what Samsung offers in its paid ART Store. The displayed images resemble photos rather than realistic reproductions of artworks. Unfortunately, the A300 – much like the competing Hisense S7NQ – performs poorly here and additionally has some software issues. The brightness of the television itself also leaves much to be desired – it’s the dimmest of the “framed trio,” which translates to average daytime viewing and limited HDR effect. Nevertheless, the TCL A300 NXTVision is a reasonably sensible alternative to Samsung The Frame or S7NQ – especially if we are looking for a cheaper solution without additional charges for access to the “gallery” mode and with an operating system that doesn’t limit us in any way regarding the number of apps. However, it’s important to remember that this is a proposal with a lot of compromises. If we want to save a bit and don’t expect top-notch picture quality, the A300 can hit the visual bullseye. Otherwise, it’s worth looking at its competition.

The Panasonic Z85A uses a WOLED panel, and that means one thing – perfect blacks and infinite contrast. Each pixel lights up and turns off independently, so there’s no smudging or halo effect around bright objects on the screen. Even in the most demanding scenes, the picture looks simply exemplary. In this regard, there’s no room for compromises, which are still present even in the most expensive LCD televisions. Here, Panasonic shines, utilizing organic technology supplied by LG Displays, and does so in truly impressive style.

TCL A300, also known as NXTVision, uses a VA panel, so from the outset, decent contrast could be expected. On our test screens, the television indeed showed typical results for this type of panel – in the best case, the contrast reached around 5000:1, which is not a bad result for this segment.

However, it should be noted that the model is not equipped with any local dimming technology, which unfortunately is evident in practice. Black, although at times quite deep, often turns into navy blue or grey – especially in darker scenes. In short: for a television without local dimming, it’s not bad, but it shouldn't be compared to models that already have such a feature on board.

The Panasonic Z85A is an OLED television, so you can immediately expect excellent effects in films. And indeed – our tests showed that the WOLED panel can achieve around 800 nits of peak brightness in optimal conditions. This is a solid result, performing well in most demanding HDR scenes, allowing viewers to enjoy a dynamic and detailed picture. However, like every OLED, the Z85A also has its limits. In very bright scenes that fill the entire screen – like the final sequence from the movie The Meg – the television reduces brightness to around 400 nits. This is standard behaviour for this technology, so if someone plans to watch films in a heavily sunlit living room, it is worth keeping this in mind. The coverage of the DCI-P3 colour gamut at 98% also deserves high praise. This allows the television to reproduce a wide range of colours that stand out with vibrancy and depth, while details in HDR scenes are sharp and precise. In short – the Panasonic Z85A delivers a solid HDR effect that will satisfy any film enthusiast.

When it comes to brightness, the TCL A300W is definitely the dimmest TV among all frame-style models, such as Samsung The Frame or Hisense CanvasTV – and unfortunately, you can see that right away. In our measurements, peak luminance reached only around 400 nits, and on test movie screens, this value dropped to 350 nits. That’s definitely too little to feel the real "magic" of bright HDR effects. As a consolation – the TV is equipped with a PFS LED coating (which is something like QLED), which provides very good coverage of a wide colour gamut, both DCI-P3 and BT.2020. In addition, there is full support for all popular HDR formats – HDR10, HDR10+, HLG, and Dolby Vision – which somewhat compensates for the shortcomings in brightness and helps improve the overall experience of materials in this quality.

The Panasonic Z85A offers many picture modes, but the Filmmaker mode definitely stands out from the rest. It's rare for a TV straight out of the box to be so well calibrated, and the unit we had the opportunity to test truly impressed us.

However, there were some minor shortcomings. In the SDR signal, we noticed a slight deficit of red and blue, which made the picture appear cooler than it should have been. This is particularly evident in the comparison image. In contrast, with 4K HDR material, the situation was the opposite – the surplus of red made the image seem warmer than intended by the creators. In terms of brightness characteristics (gamma) and maintaining an appropriate EOTF curve, it's hard to find faults. There are slight deviations, but they are so minimal that the average viewer is unlikely to notice them.

It's also worth highlighting that our observations relate to a specific unit of the TV. Two identical models may differ from each other due to natural production variances. Nevertheless, the piece we had in hand looks really solid and deserves praise. Now it's time for our calibration – we'll see if we can squeeze even more out of this screen!

TCL A300 offers several picture modes, but without a doubt, the movie mode performs the best. Unfortunately, even though it is the best option available, it is not free from errors. Both in HD and HDR content, the image has a noticeably too warm hue – it has a slight pink tint, which is particularly noticeable in snowy scenes. Instead of pure white, we get a pinkish coating that spoils the natural perception of colours.

The management of brightness is also lacking. In the case of older HD materials, the image often seems too dark – confirmed by an elevated gamma value. Conversely, with HDR content, the effect is the opposite – the image is overly bright, as we observed in scenes from the film Pan. Such a lack of consistency also affects colour accuracy – a test with a ColorChecker showed that many samples clearly deviate from reference values.

Fortunately, TCL allows for manual adjustment of settings, so we decided to check how the television would perform after our professional calibration. The effects of this adjustment are described below.

The Panasonic Z85A offers truly wide-ranging capabilities when it comes to picture settings, so we eagerly set about calibrating it. Although we mainly focused on adjusting the white balance, the final effect exceeded our expectations. Both HD and 4K HDR content now showcases nearly perfect colour reproduction, with minimal errors that are hard to catch with the naked eye. Well-calibrated TVs are a rarity, and we must admit – it’s truly satisfying. While the gamma and EOTF curve didn't require drastic adjustments, we managed to further stabilise their characteristics across the entire brightness scale. After calibration, the Panasonic Z85A is a true gem for home cinema enthusiasts. The picture is precise, the colours are natural, and every scene looks exactly as the director intended.

After our professional calibration, the TCL A300 has literally been given a new lease on life. The image has stopped being too warm, and the colours finally look as they should – as confirmed by the ColorChecker test, where the colour samples finally started hitting their marks, at least to some reasonable degree. It was also possible to partially correct the brightness management – the image is now more balanced and less "wobbly" between different types of content. Of course, certain limitations can't be bypassed – a slightly visible blooming effect still occurs, but that's a characteristic of the technology, not something that can be eliminated even after professional settings.

Generally: after calibration, the A300 looks significantly better and gains a whole new quality.

The Panasonic Z85A handles tonal transition fluidity really well. Colours blend naturally together without noticeable disruptions or visible bands. However, in brighter scenes, such as the opening sequence in the film Kingsman, slight imperfections can be seen. This is typical for WOLED panels, which have their limitations compared to Samsung Display's QD-OLED designs due to the use of white sub-pixels. The differences aren’t colossal, but a discerning eye will catch them, especially in more demanding scenes with subtle colour gradients. Despite these minor reservations, the Z85A presents a level that will satisfy the overwhelming majority of users. Tonal transitions are smooth, and the image maintains consistency even in complex scenes. This is a solid result that will rarely cause issues in everyday viewing of movies or series.

TCL A300 NXTVision is another frame-style television that really manages well with the smoothness of tonal transitions. It's hard to find distinct bands or sharp transitions between shades of one colour – it all looks natural and smooth.

However, it's fair to say that among the three tested models (The Frame and S7NQ), TCL performs the weakest in this category. In darker and lighter scenes, you can notice slight imperfections. Nevertheless, looking at it as a whole, for a television in this range – it really presents itself solidly. It might not be the best of the bunch, but it holds a very good standard.

Now that we know how the Panasonic Z85A handles tonal transitions in 4K material, it’s time to take a look at its "Gradation Smoothing" function. It works, but unfortunately not entirely effectively. Regardless of the chosen value – whether it’s low, medium, or high level – we couldn’t achieve perfectly smooth tonal transitions in our test sequence. We recommend setting this function to an intermediate level. While this may slightly blur fine details, at least it avoids the problem of losing film grain, which can be crucial for many viewers when watching classic productions.

When it comes to image scaling, the TV performs quite well. It’s noticeable that the image is slightly sharpened, and thin lines can sometimes appear a bit jagged. However, this is standard for most TVs, and fortunately, it can be adjusted using the sharpness slider. This gives us full control – we can achieve a more vivid, blurred image or a clearer one, although it may appear more "harsh" and artificially sharp. It all depends on the user's preferences and the type of content we’re watching. Overall, the scaling is at a solid level and should satisfy most users who are using lower resolution material.

TCL A300 handles tonal transitions in high-quality films very well, but the question arises – how does it perform with weaker materials? The TV is equipped with a tonal smoothing feature; however, its effectiveness can be described in one word: “random”. In one scene, it may work and improve the gradation, but when turned off… the effect remains the same. There is a lack of consistency and predictability here.

Image scaling is also not one of A300's strong points. On the test pattern, the main character actually looked better than on the raw signal, but with thin lines – like fonts or background details – there was noticeable jaggedness and aliasing. On the plus side, the TV does not cut off the image and has no issues with overscan, but the overall quality of scaling is rather average.

The Panasonic Z85A features a 120 Hz panel, which will surely please both gamers and sports fans. Sure, it’s not 144 Hz like some gaming TVs, but in practice, the difference is really hard to notice. In games, the picture is stable and sharp, and during fast action, there’s no sign of any blurring. The same goes for sports – a player’s quick run or a car’s dynamic maneuver looks smooth and natural. The TV also has an “Intelligent Frame Creation” feature, which is a motion smoother. There are two sliders here – one controls motion blur reduction, while the other adjusts motion smoothness. With these, you can tailor the picture to your own preferences – whether you prefer a more cinematic effect with gentle transitions between frames or a maximally smooth image ideal for watching sport.

TCL A300 is equipped with a 144 Hz panel, which should instantly satisfy virtually everyone - both gamers and sports fans. Motion is fluid and the image is clear even during fast scenes. Additionally, the television offers a motion enhancement feature called "Motion," where we find two sliders on a 10-point scale. These allow you to adjust the effect to your own preferences - from a classic, filmic look with visible frames to a very smooth (though already unnatural) image reminiscent of a soap opera effect. This way, everyone can find a setting that suits them.

Panasonic is mainly associated with home cinema televisions, but the Z85A shows that it can also step into the gaming world with a truly strong punch. It's a device that can easily be called a gaming beast – it has everything needed for comfortable gameplay.

Even though it has only two HDMI 2.1 ports, both operate at full bandwidth, so we can easily connect both a next-gen console and a gaming PC. All the key features are supported: ALLM automatically switches the television into game mode, VRR provides smooth visuals without stuttering and tearing, and with properly implemented HGIG and Dolby Vision, HDR games look really good – colours are vivid, details are sharp, and dark scenes are clear. We also find a Game Bar in the form of a transparent, circular menu. It may not look as impressive as the competition's, but it's intuitive and includes all the most important settings we’d want at hand during gameplay.

In summary – the Panasonic Z85A is a device that truly surprises with its gaming capabilities. It's a television where both console gamers and PC gamers will feel at home. It's smooth, dynamic, and just good.

The TCL A300 is a television designed not only to transport us to a digital art museum but also into the full-fledged world of gaming. It offers practically everything you can expect from gaming hardware: two full-bandwidth HDMI 2.1 ports, 144 Hz refresh rate, support for VRR and ALLM.

It also deserves credit for the proper implementation of the HGIG mode – something that competing Hisense sometimes struggles with. The television handles lower resolutions (e.g., Full HD) with ease while maintaining high refresh rates, which will be appreciated by owners of older consoles or PCs.

Additionally, there's an attractive and clear GameBar that facilitates quick access to settings for gamers. The A300 is indeed well-prepared for gaming at the highest level – it’s just a shame that issues with ghosting somewhat detract from its overall appeal as a gaming device.

Since the Panasonic Z85A has also been designed with gamers in mind, the input lag had to be refined. And indeed – the results are really excellent. At 120 Hz, the lag is just 5 ms, and at 60 Hz it's 13 ms. These are values that will satisfy even the most demanding gamers, whether we're talking about fast-paced shooters or precise fighting games. The responses to our movements on the controller are practically instantaneous, and the gameplay is smooth and responsive. Importantly, the Dolby Vision mode also works perfectly here. Just a few years ago, using Dolby Vision in games often came with high input lag, but in the Z85A, this problem has been effectively eliminated.

In terms of input lag, the TCL A300 performs really well. Values below 10 ms at a refresh rate of 120 Hz are something many gamers dream of – such low lag is practically unnoticeable, both during everyday gaming and in more demanding esports titles. One could nitpick about the result of 23 ms in Dolby Vision mode at 60 frames, but it's still low enough that serious objections are hard to come by. In this category, the A300 truly excels.

Using the Panasonic Z85A as a computer monitor performs really well. The text is readable and clear, making web browsing or working with documents not a major issue. However, one must keep in mind certain limitations of the WOLED panel – the characteristic way of displaying fonts may be bothersome for more demanding users, especially those who spend long hours working with text. In terms of gaming on PC, the television performs just as well as it does with consoles. Low input lag, 120 Hz refresh rate, and proper implementation of G-Sync and FreeSync ensure a smooth and responsive image without annoying stutters or tearing.

If we plan to use the TCL A300 as a computer monitor, we may be pleasantly surprised. The television performs really well in this role. It is equipped with a 144 Hz panel, supports G-Sync, and, as we mentioned, offers very low input lag, so gaming on it with a connected PC is pure enjoyment.

Working with text is also possible, although with some limitations. The TCL A300 has slight issues displaying dark fonts and thin lines – this is due to the construction of the subpixels, which in everyday use can be a bit annoying, even though it looks better in photos than in reality.

The television supports chroma 4:4:4, but only up to 120 Hz. Therefore, we noted that this feature is available, but with a limitation – if we care about perfectly readable fonts, it's worth sticking with the refresh rate of 120 Hz. At 144 Hz, the clarity of the text may suffer somewhat.

The viewing angles on the Panasonic Z85A are really good – after all, it’s OLED. Whether we’re looking at the screen straight on or at a steep angle, the colours remain vibrant, and the contrast hardly loses quality. Of course, the Z85A falls slightly behind TVs with MLA micro-lenses or Samsung's QD-OLED panels, which currently set the highest standard in this respect. However, the differences are subtle enough that most users won’t notice them during regular viewing.

The viewing angles on the TCL A300 NXTVision are, let’s be honest, average. The TV is equipped with a VA panel, which inherently has quite limited angles, and unfortunately, this is evident here. The video below speaks for itself – even a slight deviation from the centre results in a noticeable drop in contrast and colour saturation. It’s a shame that this is yet another frame-style TV that has done absolutely nothing about it. After all, we don't always have the option to sit perfectly straight on – especially if the device is also meant to serve a decorative function in the living room.

The Panasonic Z85A leaves a bit to be desired during the day. The panel, although satin finish, mediocrely suppresses reflections, which can be noticeable in bright rooms. The reflections are not excessively visible, but there is one catch – they take on a bluish hue. In some situations, especially in strong daylight, this can be slightly annoying and distract from the content on the screen. On top of that, the maximum brightness is just under 280 cd/m². That’s simply not enough to comfortably watch TV in a heavily sunlit room. If you plan to watch in the middle of a sunny day, you’ll need to close the windows to ensure the picture looks good.

The TCL A300 NXTVision is equipped with a matte panel very similar to the one found in one of its Chinese competitors – the Hisense S7NQ. This type of surface does quite well in reducing reflections, although it must be admitted that it performs worse than Samsung's The Frame, which offers a significantly higher level in this regard. As is usually the case with matte displays, blacks during the day lose depth and appear more grey than black – and this is no different here. Unfortunately, the fact that the A300 is the darkest TV of the three tested doesn’t help either. This gives it a real problem in breaking through in heavily sunlit rooms.

The operating system in the Panasonic Z85A is Amazon Fire TV, which is still a relatively new solution in the Australian market. Until now, we mainly associated it with portable smart devices, and now it is also arriving on televisions – similar to the flagship model Z95A.

On the plus side, the system operates smoothly and responsively. It is also quite intuitive, so navigation poses no major problems. Unfortunately, when it comes to the availability of applications, it's somewhat lacking. While the Amazon store does have icons for popular services like SkyShowtime, Rakuten, or Viaplay, they cannot be downloaded. This is a significant disadvantage for those who use these platforms regularly. Additionally, some functions are poorly translated, meaning that in certain areas, you have to guess what they are referring to. However, we believe that these are just growing pains and that over time they will be improved – both in terms of translations and application availability.

As for user features, things are much better. The television supports USB recording and the PiP (picture-in-picture) function. There is also support for AirPlay, which will certainly please users of Apple devices. It also has Bluetooth, but unfortunately, you cannot connect headphones to it – it only works with a keyboard or other controlling devices. Fortunately, you can connect headphones or a home theatre system via wired connection, which resolves this issue.

In summary – the Panasonic Z85A offers a solid set of user features that will perform well in everyday use. The Amazon Fire TV system is a step in the right direction, especially when compared to Panasonic's old system. However, at this time, it is difficult to praise it unequivocally. There is potential, but the manufacturer still has a lot of work ahead to ensure everything functions as it should.

TCL A300 is a television styled as a painting, which in everyday use can successfully pretend to be a work of art hanging on the wall. It is equipped with a special image display mode, additional frames in a light wood tone, and a flat wall mount that allows you to hang the television like a real painting – without any gap from the wall.

A significant advantage of the image mode is that it is completely free. We have access to several dozen works from which we can choose one to be displayed while in standby – instead of a black screen, the image we selected remains on the wall. The quality of graphic reproduction is okay, but it must be admitted that it clearly falls short of that from Samsung's ART Store. Although access to images there is paid, the quality of the scans is significantly better – you can see the texture of the paint, canvas, and details. In the TCL A300, it resembles high-quality photos rather than realistic reproductions of artworks. Additionally, the implementation of the image mode in the system leaves a lot to be desired. For example – if we set the brightness to 10% in image mode, that same value automatically transfers to the regular viewing mode, where we could easily set the brightness to 50% or even 100%. It also works the other way around – when we set the brightness to 100% in regular mode, after switching to gallery mode, the images are displayed with the same maximum brightness, shining too intensely and losing the whole effect of a “picture on the wall.” These are minor but irritating errors that can spoil the experience of what was supposed to be visually subtle and elegant.

Moving on to more classic functions – the A300 runs on the Google TV system, which currently offers by far the largest selection of applications (full list available below). The responsive voice assistant with support for the Polish language also deserves a big plus. As standard – as with most TCL televisions – the USB recording function or picture-in-picture (PiP) mode was missing.

In terms of playback of files from USB, the Panasonic Z85A performs rather mediocrely. The built-in media player does handle most popular video formats, but it has one significant drawback – it does not support external subtitles. So, if we have older films on our drive or USB stick with separate subtitle files, we have to reckon with the fact that the television simply won't display them. This is quite a downside, especially for those who rely on their own media library rather than streaming services. Of course, this issue can be circumvented by using an external media player (e.g. via a console or Smart TV box), but it's an extra step that could be avoided if the built-in application were better developed.

The built-in player on the TCL A300 works as it should – most popular video and photo files play without any problems. It lacks support for Apple's HEIC format (which is quite common in many TVs), but most users still use AirPlay, so it shouldn't be a major issue. If someone isn't satisfied with the default player, the Google TV system offers plenty of options – you can easily install an alternative app that better suits your tastes. Nevertheless, it's worth noting that the factory solution is completely sufficient for everyday use.

In terms of sound, the Panasonic Z85A is pleasantly surprising. The television delivers enjoyable and clear audio, and can generate noticeable bass that adds depth to both movies and music. The surround effect is also quite well reproduced, making watching films or playing games more immersive. Unfortunately, there is one “but”. The television does not support the DTS:X format, which is quite popular among more advanced home theatre systems. So, if we plan to use this audio standard, it will be necessary to connect the audio equipment first to the amplifier or soundbar, and only then to the television.

When it comes to sound, the TCL A300W – like its competitors – sounds quite... flat, after all, we are talking about a super slim television. For everyday watching of news or series, this level is more than sufficient, but during movie screenings, we might noticeably miss depth and space. On a positive note, it’s worth mentioning that the television supports both Dolby Atmos and the increasingly rare DTS:X – which provides more options when connecting an external audio system. It’s also worth noting that the A300 PRO model is equipped with a dedicated, flat soundbar. And it’s no ordinary soundbar – it sounds better than most of the televisions we’ve tested.

Panasonic Z85A vs TCL A300W NXTVision

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound