Panasonic W95B vs TCL C6KS / C69KS / Q6CS

The Panasonic W95B is truly a bright screen, capable of achieving peak luminance levels of around 1400 nits. In brighter, well-lit movie scenes, this value translates into spectacular HDR effects that can leave a big impression. However, knowing our test setup, you probably see that in very demanding shots – such as the moon in the distance or the lights of a helicopter in a scene from Sicario 2 – the television doesn’t impress. In such situations, brightness drops to around 200 nits, making the HDR effect much less noticeable. This happens because Panasonic focuses on maintaining deep blacks, not illuminating the background – which shouldn’t be a concern for many users. However, it’s important to remember that in such moments, the picture starts to resemble SDR content. The coverage of the colour palette also deserves praise, as it reaches around 93% of the DCI-P3 space thanks to the use of the PFS filter (also known from QLED technology). This means that most films look very good in terms of saturation and colours, maintaining a cinematic quality to the image.

And what about HDR? Here the C6KS performs quite well and – as is becoming the theme of this review – just like in the C6K model. The maximum brightness generated by this television is around 600 nits. In bright scenes, this translates to a really solid, cinematic effect and generally, video materials look good here. However, it's important to keep in mind the specifics of the dimming algorithm in this model. When very small, bright points (e.g. stars) appear on a dark background, the television can quite significantly dim them. The goal is simple: to eliminate blooming and maintain the best possible black. It's a reasonable compromise. Most viewers will definitely appreciate deep, “true black” more than additional microscopic details, the display of which could cause the screen to appear greyed out. Such is the nature of local dimming technology in this price range, and one must be aware of this. It’s also worth noting that the TCL C69KS (C6KS) has an additional PFS coating, which is marketed under the QLED technology slogan. Thanks to this, the colours are saturated and vibrant – our measurements showed that the coverage of a wide colour gamut reaches as much as 92%.

In Filmmaker mode, the Panasonic W95B offers an image with quite accurate colour reproduction, although it is not without minor imperfections. The white balance slightly leans towards red, which can cause a subtle warm tint to the image, and the gamma curve is slightly elevated, making the screen appear a bit brighter. It's good that the manufacturer has included this mode – even in its factory configuration, it provides a fairly natural look for films. However, knowing how susceptible Panasonic televisions are to calibration, we decided to check how much the image could be improved after professional tuning.

In contrast to the more expensive C6K model, in the tested C6KS we don't find an option in the menu labelled as Filmmaker Mode. Is this a reason to cry? Absolutely not. Our tests showed that in practice, in terms of colour reproduction, the lack of this specific label makes virtually no difference. The best available Film/Cinema mode here offers an almost identical picture profile to the aforementioned Filmmaker in the more expensive model. So we get a very similar image, just under a different name. Therefore, if you were wondering whether paying extra for the C6K would give you better colours – the answer is: no, in both cases the base is the same and requires slight adjustments.

After professional calibration, the Panasonic W95B shows what it’s really capable of. Colour errors have mostly dropped below values of 2–3, making them practically invisible to the human eye. The excess red in the white balance has also been corrected, which means the image is no longer slightly tinted pink, and details in dark areas no longer get lost due to excessive dimming in the gamma. The improvement in HDR content is also noticeable – colour saturation is now more stable and doesn’t lean towards blue as distinctly as it did before. It’s truly a fantastic television for watching movies and series in the highest possible quality. While we know that Mini LED screens are not always perfectly suited for this, the W95B is a prime example that with proper tuning, a result close to OLEDs can be achieved.

Thanks to the white balance adjustment, the C69KS's tendency to distort colours has been effectively limited, leading to a very good final effect. After calibration, we will no longer see excessive warmth in SDR scenes or overly cool tones in HDR. However, it is worth noting the brightness characteristic. In SDR content, there are hardly any objections – the image looks very good, especially in older films, TV shows, or YouTube materials. Evaluating the television's performance in HDR is much more difficult. Analysis of the EOTF curve suggests correct behaviour, but its practical variant shows certain limitations. The C69KS can overly brighten the smallest elements of the frame, while at other times it can dim the entire scene. Calibration has therefore brought clear benefits in terms of colour, but certain limitations resulting from local dimming and the way it is controlled by the C69KS cannot be avoided, which we also observed in the C6K test.

In terms of image processing, the Panasonic W95B performs exceptionally well. The proprietary processor responsible for digital image processing effectively upscales lower resolution content to 4K, maintaining a high level of detail and a natural look to contours. The end result is impressive – the upscaling is truly top-notch, and Full HD content can look surprisingly good. Also noteworthy is how the TV smooths tonal transitions in low-quality materials. The algorithm doesn’t operate as aggressively as in some competing models, which helps avoid the loss of detail or the blurring of film grain.

The C69KS handles upscaling quite well. The tested 576p content looks surprisingly decent – a considerable amount of detail is preserved, and the algorithm adds a subtle ‘rounding’ effect to sharp edges, making the image appear more cohesive. However, it doesn't perform as well when it comes to smoothing tonal transitions. The television practically cannot improve them, leaving the image in a rather raw state. With older materials, this can be simply exhausting, as the lack of additional processing highlights all imperfections.

The 144 Hz panel used in the Panasonic W95B offers excellent smoothness, although in practice, given how television content looks or how new-generation consoles are limited, it’s worth looking at its performance when refreshing at 120 Hz. In this mode, the television performs exceptionally well – despite being a VA panel, which is not known for the fastest pixel response times, motion blur is minimal and difficult to detect with the naked eye.

C69KS offers a simplified motion enhancement panel in movies, allowing users to adjust the intensity of the effect using a slider. This makes it easy to tailor the smoothness to personal preferences. It also deserves credit for the ability to utilise higher refresh rates – even though the panel operates natively in 4K at 60 Hz, by lowering the resolution to 1440p, modes of 120 and 144 Hz can be enabled, on both consoles and PC. This sounds like great news, however, in practice, the image at these settings trails exceptionally badly. The effect is so pronounced that the overall experience simply appears mediocre and loses its appeal in everyday use.

Aside from the previously mentioned issue related to VRR mode, where local dimming does not work, the Panasonic W95B is a true gaming beast. The TV offers practically everything that gamers could expect – perhaps apart from four HDMI 2.1 ports, as there are only two available. On board, we find automatic low latency mode (ALLM), correctly implemented HDR modes for gamers, including HGiG, as well as support for Dolby Vision in games. The whole package is complemented by an interestingly designed Game Bar, presented in the form of circles. It may not be the most visually attractive, but it fulfills its purpose – allowing quick access to key game parameters and adjusting settings without diving into the system menu.

If we overlook the smudging and lack of native 4K at 120 Hz, the C69KS is impressive in how well it performs for gaming. You get everything you would expect from a gaming TV: Variable Refresh Rate (VRR), Auto Low Latency Mode (ALLM), Dolby Vision Gaming mode, and a consistently functioning HGiG. The TV can also operate at 120 or even 144 Hz at lower resolutions, making gameplay on console or PC smoother. Additionally, there's a clear Game Bar that allows you to quickly check key settings while gaming. As a result — despite a few limitations — the C69KS can be a genuinely successful screen for gamers.