After calibration, colour reproduction in SDR content is quite good. The white balance has been effectively improved, resulting in natural, balanced hues across different scenes. The gamma has also been adjusted, providing a more precise representation of details in the shadows and bright areas of the image. As a result, the LG UR781 TV performs well in everyday use, offering solid colour quality and clear, well-balanced images in SDR mode.
However, the situation is less favourable for HDR content. The LG UR781 TV does not support a wide colour gamut, which limits the depth and richness of colours that HDR can provide. The EOTF curve deviates from the ideal, leading to excessive highlighting of details in the bright areas of the image. Unfortunately, this approach results in significant colour reproduction errors, as confirmed by tests on the Colour Checker. Additionally, the low brightness level of the panel further negatively impacts HDR image quality, causing the effects of dynamic range to not be fully realised and colours to appear washed out.
Despite some shortcomings in HDR mode, the TV has significantly improved after calibration, especially in SDR content. The enhancement of white balance and gamma has notably increased image quality, providing a more natural and cohesive colour reproduction. Compared to its pre-calibration state, the difference is clear, and the LG UR781 TV now offers better performance in everyday use, particularly in standard dynamic range.
The Dreame S100 has proven to be a device very amenable to professional calibration. In its menu, we found a plethora of advanced options that allowed us to effectively correct factory errors. Thanks to the advanced white balance correction – both in SDR and HDR content – we completely eliminated excess blue components. The image instantly became much more natural and pleasant to view. After fully tuning the colours, the errors in the Color Checker test dropped below a Delta E value of 2-3. For the average viewer, this means that any colour distortions became almost impossible to see with the naked eye. It's really a nice surprise, as often new brands in the TV market have significant problems with the correct implementation and functioning of sliders in the calibration menu. Here, everything worked as it should. The only thing we need to criticise is the way the TV manages its brightness in HDR. Due to the specific nature of the local dimming algorithms, our measured EOTF curve shows anomalies. In places where high highlights should appear, there is a slight bump in the curve above the reference line. In practice, this results in unnatural brightening of certain, the brightest elements in movies or games. Despite this minor flaw, professional calibration brings a huge, very positive change to this model.