LG QNED87T6B vs Samsung S85H

LG QNED87T6B delivers truly decent visual experiences when it comes to HDR. During our tests on test patterns, the television achieved brightness close to 500 nits, which is a satisfactory result and allows for good visibility of details in high dynamic range scenes. Support for basic HDR formats such as HDR10 and HLG ensures proper image quality. Unfortunately, the television does not support more advanced standards such as Dolby Vision or HDR10+, which are particularly important at this screen brightness. The lack of support for dynamic metadata means that in certain scenes, the television may struggle to fully reproduce details, especially in very bright areas – this is precisely when dynamic metadata could significantly improve image quality. Nevertheless, it is worth noting the excellent coverage of the wide DCI-P3 colour gamut, reaching as much as 96.4%. As a result, the colours displayed by the QNED87T6B model are more vivid and natural, enhancing the quality of 4K content viewed with a wide colour palette.

Interestingly, the new WOLED SE panel has brought a slight improvement in brightness to the S85 lineup. In the same film scenes last year’s model sat closer to about 700 nits, while the S85H can reach roughly 800 nits. That’s not a change that completely transforms the HDR experience, but the extra headroom is noticeable, especially with point highlights, reflections or stronger special effects. Around 800 nits is a very good result for an entry-level OLED and in most films it’s enough for HDR to have the necessary punch. Bright elements can clearly stand out against perfect blacks, and that contrast is still doing most of the work here. However, you need to remember the typical limitation of OLED technology. When a very bright scene covers a large portion of the screen, brightness can drop to almost half. This is the result of panel protections that limit its output with large bright areas.

Colours

The S85H can deliver very pleasant, saturated colours and in most HDR films it looks really good in that regard. We measured around 95% coverage of DCI-P3, so the palette most commonly used in films is reproduced to a very high degree. Skin tones, greens and stronger reds still have appropriate intensity and under normal viewing it’s hard to have major complaints. Only when you look more broadly at BT.2020 do the limitations of the new WOLED SE panel become apparent. Coverage was about 70%, a bit less than WOLEDs of the previous generation and noticeably less than QD-OLED panels. In films this isn’t a big loss, since most productions rarely use such heavily saturated colours. You’re more likely to notice it in games, where developers more often opt for more intense colours.

The colour accuracy in the LG QNED, even in Filmmaker Mode, which is the best factory setting, is not without its flaws. The main issue is white balance – we noticed that the level of blue on the graph tends to drop. This results in a shift in colours towards yellow, making the image have a warmer tone than it should. This deviation affects the naturalness of colour reproduction, especially in scenes with a white or neutral background. The Color Checker test confirmed that some colours are distorted and deviate from reality. Such distortion can make film scenes appear less realistic, and details are presented in incorrect colours, negatively impacting the overall image quality.

Regarding contrast, the gamma graph analysis showed significant drops, while the optimal value should be 2.4. This means that the television may display darker parts of the image brighter in some scenes, which reduces their depth and dynamics. Additionally, on the EOTF curve, which is responsible for brightness reproduction, an unnatural drop was noted at the beginning. This phenomenon can result in less accuracy in reproducing dark scenes, which in turn affects the overall image quality. The television may not convey full black depth, causing more demanding scenes to lose realism and detail. As a result, viewers may notice that details in the darker parts of the image become less distinct.

To evaluate colours we of course used Filmmaker mode, and in SDR our S85H unit was set very well from the factory. The largest deviation appears in the white balance, where as brightness increases it starts to lose a bit of blue. In practice this means whites and greys have a slightly warmer tint than they should. However, it's not a big fault and during normal viewing it generally isn't very noticeable. Gamma also stays close to the reference value, so the picture is neither overly bright nor unnecessarily dim. The S85H's SDR picture therefore looks really good straight out of the box. A few more imperfections appear in HDR. Here the white balance shifts more with rising brightness, with blue starting to dominate and the red component clearly lacking. This also results in larger errors in some colours. These aren't yet colour errors that completely change the character of the picture, but in direct comparison with the reference the difference is easier to spot. Overall, Filmmaker mode is a very good starting point before professional calibration.

After calibration, the colours in SDR content look very good. The improved white balance translates to natural and harmonious shades in various scenes. Thanks to precise gamma tuning, details in shadows and bright areas of the image are accurately reproduced. The television performs excellently in everyday use, offering vibrant, well-balanced images and solid colour quality in HD. The biggest beneficiary here is also contrast. The gamma graph has been stripped of significant errors, giving the television a new dimension.

As for the white balance in 4K HDR, it has also been significantly improved. However, some errors still appear at the end of the graph. This may be due to the television's overly aggressive local dimming, which in some scenes affects the inaccurate reproduction of colours. It's difficult to talk about an improvement in brightness represented by the EOTF curve. The television, due to its construction limitations, has some drawbacks, and we can't overlook them. The Color Checker test confirms the issue with colour saturation – even though the television offers a wide colour palette, it fails to fully convey the director's intent.

Despite these shortcomings, the overall picture quality after calibration is significantly better than before. Adjustments in white balance and gamma tuning make the images more vivid and the colours closer to reality.

Calibration delivers really good results on the S85H. First and foremost, we were able to set the white balance almost perfectly, which removes the slightly too-warm picture tone previously seen in SDR. Colour reproduction also improves significantly, with most errors falling to very low levels, and in everyday viewing it's hard to find any visible inaccuracies. You can also improve HDR quite a bit, although some issues remain that stem from the TV's inherent characteristics. The S85H doesn't always hold the luminance curve perfectly. The darkest parts are slightly boosted, while, as you approach the panel's limits, you can see small deviations in the brightest highlights. Add to that the limited coverage of the wider BT.2020 colour gamut, which of course cannot be overcome by any calibration. Despite that, the end result is very good, and after calibration the S85H can deliver a really well-tuned, natural image.

When it comes to lower quality materials, the gradation looks really good. The feature called "Smooth Gradation" effectively smooths out the most problematic parts of the image, while not negatively affecting the film grain. For the best effect, it’s worth setting it to a low level. This solution significantly improves the quality of the displayed content, making the viewing of lower resolution materials more enjoyable and smoother.

In terms of digital processing, the image is displayed without cropping, known as overscan. Although slight fraying of the branches can be noticed against the model's background, everything looks very good. Users should be satisfied with the image quality when watching low-quality materials like standard television. The TV handles this task exceptionally well, providing a satisfying visual experience, even with lower quality content.

Samsung's S85H uses the same proprietary AI processor, AI NQ4 Gen2, as last year’s S85F, and in terms of digital image processing it performs quite well. Upscaling is one of the model's stronger points. Lower-resolution material is well sharpened, edges look natural and the picture doesn't come across as overly artificial. Just remember a common quirk of Samsung TVs: at very low resolutions you can't completely turn off overscan, so the TV may slightly crop the left edge of the picture. The "noise reduction" function, that is smoothing weaker tonal transitions, also works very well. The processor can effectively remove posterisation and other artefacts visible in lower-quality material. However, be careful with the strength of this function, because Samsung can be fairly aggressive here. When it's activated, along with unwanted artefacts, fine details such as skin or clothing texture also start to disappear.

The television provides decent smoothness when watching movies, thanks to the “Tru Motion” feature, which allows adjustment of motion smoothing from 0 to 10. De-Judder regulates motion smoothness, while De-Blur adjusts motion sharpness. Users have the option to choose between a traditional cinematic effect with subtle juddering motion (lower settings) and a smoother, theatrical image. Although the latter deviates slightly from the cinematic standard, it may be appealing to many viewers.

As for gamers and sports fans, the LG QNED87 television with a 120Hz panel will surely not disappoint. And with the use of an IPS panel, the response time is typically better than that of VA panels available at a similar price. This ensures smoother gameplay and dynamic experiences when watching sports events.

The S85H uses an OLED panel, so it performs brilliantly when it comes to motion blur. Pixels respond almost instantly, so moving objects don't produce the characteristic ghosting seen on some LCD TVs. This is especially noticeable with sport or fast-paced games, where the picture stays very clean even during rapid motion. The panel itself runs at 120 Hz. That's more than enough for movies, TV shows, sport or console gaming. It's a shame Samsung didn't include a higher refresh rate aimed at PC gamers, as more and more TVs now offer 144 or even 165 Hz at 4K. However, that doesn't affect motion handling in films or sport.

There's also the classic motion smoothing feature with two settings: blur reduction and judder reduction. So you can choose whether films should keep their cinematic 24 frames per second, or whether you'd prefer to smooth them a bit. The S85H gives plenty of freedom here, and the interpolation itself works well and, with sensible settings, doesn't generate too many artefacts.

LG QNED offers a range of features that make it an excellent choice for gamers looking for a high-performance television. The TV is equipped with four HDMI 2.1 ports, allowing connection to the latest consoles like PlayStation 5 and Xbox Series X, utilising full functionality including Variable Refresh Rate (VRR) and Auto Low Latency Mode (ALLM). Thanks to the Game Bar feature, gamers can quickly and easily manage all game settings without needing to navigate complex menus. Parameters such as VRR, ALLM, Multi View, and frame rate monitoring can be adjusted. The TV also supports G-Sync and FreeSync technologies, which is particularly important for owners of Nvidia and AMD graphics cards. G-Sync and FreeSync synchronise the TV's refresh rate with the graphics card. The 120Hz panel guarantees incredible motion smoothness and image clarity. Combined with the Black Frame Insertion (BFI) feature, which is available at 60Hz and 120Hz, gamers can enjoy an even sharper and smoother picture. LG QNED87 is a television that meets the expectations of even the most demanding gamers, offering modern technologies and features that significantly enhance comfort and satisfaction during gaming.

Samsung S85H is very well prepared for gaming, essentially regardless of whether you connect a console or a computer. The manufacturer didn’t skimp on connectors and all four HDMI ports support full HDMI 2.1. That means you can use 4K at 120 Hz, VRR and ALLM without worrying which input to plug your console into. With multiple devices that matters a lot, since you don’t have to choose between a console, a PC or a soundbar connected via eARC. The feature set itself is very complete. The S85H supports VRR, FreeSync and automatic switching to Game Mode, and Samsung also offers its expanded Game Bar, which lets you quickly view the key signal parameters and change settings without leaving the game. The only real omission is Dolby Vision, which will matter mainly for Xbox owners. That’s a typical trait of Samsung TVs. Game Motion Plus performs very well and it’s one of the features that has set Samsung TVs apart for years. It smooths motion in games running at 30 or 60 fps, but does so without as large an increase in input lag as a classic motion interpolator. In practice, for slower-paced games, racing or action titles it can genuinely improve motion perception, especially if you’re sensitive to low frame rates.