LG QNED80A6A (VA) vs TCL A400 PRO

Let's talk now about how this TV shines. If you’re expecting dazzling light effects, we need to cool your enthusiasm. The LG QNED80A is a moderately bright television. Our measurements in most film scenes indicated values around 350-400 nits. That’s not enough to speak of a full, cinematic HDR experience and the feeling of that famous “high dynamic range” that flagship products offer. However, brightness is not everything. Although the QNED80A is not a “light monster,” it makes up for it in another key category: colours. This is where PFS technology comes into play, which LG marketers hide under the name QNED/NanoCell. With this trick, the TV offers a significantly wider colour palette than classic LCD constructions. In our tests, the coverage of the cinematic DCI-P3 palette reached a solid 93-94%. What does that mean for you? That even at lower brightness, when watching films in HDR, the colours will be vibrant, deep, and properly saturated. The image is not washed out but juicy, which is a significant advantage in this price range.

The TCL A400 Pro is a moderately bright TV. Its peak brightness reaches around 600 nits. That level already allows for a real HDR effect and in many films it does deliver a noticeably more appealing picture than in SDR. However, it’s not a level that dazzles by brightness alone. The A400 Pro is not one of those TVs that bombard the viewer with a powerful flash in every dramatic scene. The biggest limitation is visible with small bright elements on a dark background. Because of fairly aggressive zone control, the TV can significantly reduce their brightness, in extreme cases down to around 100 nits. That means small lights, sparks, stars or single highlights can be much less visible than they should be. It should be added, though, that this isn’t done without reason. The A400 Pro does this to keep black levels as deep as possible and to limit the halo effect around bright objects. It’s a deliberate compromise: the TV more often opts for deeper blacks rather than maximising point highlights. On the one hand this is understandable, especially given a limited number of dimming zones, but on the other you should be aware that the HDR effect won’t always be as strong as the peak brightness alone might suggest.

On the plus side, the colours are a strength. The PFS LED filter used here, marketed by the manufacturer as QLED, delivers suitably saturated colours. Our measurements showed about 94% coverage of the DCI-P3 gamut and around 74% of BT.2020, which is a solid result for this class.

It might seem that since the QNED80A is one model, it should offer the same picture regardless of the version. However, practice shows something completely different. Analyzing the variant with the VA panel in the best factory setting – that is, in Filmmaker Mode – we noticed a specific characteristic. This TV "out of the box" delivers a picture with a clear dominance of red and a deficiency of blue. Overall, it is very warm, almost hot. Many users might describe it as an "overly cinematic" picture, leaning towards sepia. Additionally, there is the issue of gamma curve – the TV has a tendency to slightly and artificially brighten scenes (gamma is too low), which causes the picture to lose some of its plasticity. The good news is that these are not panel errors, but merely software issues. As always in our tests, we performed professional calibration, which completely eliminated these drawbacks, restoring natural white balance and correct saturation.

As usual, we carried out colour measurements in the best‑tuned picture mode, Filmmaker Mode, the one intended to be closest to the creators’ intentions. The A400 Pro, of course, also offers other picture modes, but in practice they show much larger colour errors and interfere more with the image character. So we won’t cover them in detail in this part of the review. How does the factory colour reproduction fare? In short: really very well. In fact, looking at our measurements, it’s excellent. Both the white balance and the luminance response were set surprisingly precisely. The errors were so small that during the measurements we genuinely rubbed our eyes in surprise. Such good factory settings don’t happen often, even in televisions running Filmmaker Mode. All the more reason to praise TCL, because the A400 Pro straight out of the box can produce an image very close to how the source material should look. The results were so good you could easily think someone had already given this unit extra attention and tried to calibrate it. Our one bit of nitpicking comes down to a single issue. In SDR material the image was slightly brighter than the reference for a dark room, because the factory gamma was set closer to 2.3 than 2.4. It’s not a large error and most viewers probably won’t even notice it. We should note, however, that we are talking about our specific test unit. There can always be some variation in factory colour between individual units, production batches or screen sizes. We do not assume every A400 Pro will look identical straight out of the box.

Was it worth spending time on calibration? Definitely yes. We managed to tame the initial, overly warm white balance and, most importantly, correct the gamma curve. The television stopped artificially brightening scenes, resulting in a deeper image. The biggest gains are visible in SDR content, such as when watching regular television, YouTube, or playing games without HDR. Here, the QNED80A shows its class – colour reproduction errors (DeltaE) fell below a value of 2. In technical terms, this means the errors are essentially invisible to the human eye. The image in everyday use has simply become very attractive, natural, and correct. The difficulties start with HDR content. Although we managed to improve the white balance, the EOTF curve (responsible for brightness at various levels) shows that the television still "interprets" the image in its own way. This results from the nature of the edge-lit backlighting with local dimming and the fact that LG gives the calibrator very little control over this parameter. In short: the television struggles to hide its hardware shortcomings, sometimes ignoring our commands. Nevertheless, the final image is significantly more accurate and pleasant to view than the factory settings, even if it still lacks a bit compared to studio perfection.

Despite the outstanding factory tuning, we couldn't resist checking how the TCL A400 Pro would respond to professional calibration. With such a strong starting point, we were especially curious whether we could squeeze even more from this TV. And here we have to boast: we managed to bring our sample to absurdly low colour errors. Results below 1 are something you don't see every day, even on very good TVs. Such outcomes are more often associated with professional reference monitors than with a lifestyle TV for the living room. In terms of white balance and colour reproduction, the A400 Pro after calibration simply excelled. The only thing we can pick on after closer analysis concerns the brightness response. The TV can vary the luminance level depending on the content being displayed, and quite often the picture is a little darker than it should be according to the reference. This most likely stems from the way the Mini-LED backlight and the local dimming algorithms work in this model. That said, it doesn't ruin the overall impression, because in terms of colour precision the A400 Pro after calibration reached a level that was genuinely hard to expect.

In this category, the QNED80A turns out to be a true "dark horse". It's a fantastic, affordable television for those who often watch lower quality content – for example, from traditional cable TV. The processor used here handles upscaling incredibly well, enhancing low resolutions to native 4K. The image after processing is natural, smooth, and most importantly – it is not overly jagged or artificially sharpened. In the menu, we also find a dedicated option for smoothing tonal transitions in low-quality content. This feature works really effectively, eliminating the annoying "banding" of colours during heavy video compression. However, we must remain vigilant. Remember, we are not dealing with the top-tier processor known from flagship OLED models. In more challenging scenes, the system might struggle and introduce minor artefacts or distortions. Nevertheless, it's definitely worth giving this feature a chance, because in the majority of cases, the quality improvement is visible to the naked eye.

Digital image processing is unfortunately one of the weaker points of the TCL A400 Pro. That does not mean the TV performs badly, but it’s hard to call it anything clearly above standard. The upscaling itself is acceptable: edges are fairly well smoothed, the picture does not look overly sharp or “pixelated”, and lower-quality material can be watched without major discomfort. At the same time the overall image has a slightly soft character and you don’t see the kind of precision that the best image processors in more expensive TVs can offer.

Handling of tonal transitions caused by heavy compression is much worse. TCL equipped the A400 Pro with a “Gradual Smoothing” feature that in theory should reduce visible colour banding and artefacts in lower-quality material. In practice, however, its effectiveness is very limited. It does not improve tonal transitions in any noticeable way, and at higher settings it can further smooth image detail, giving it an artificial, slightly blurred character. For that reason we think it’s best to leave this feature off. The A400 Pro copes decently with basic image scaling, but if you often watch heavily compressed material with visible posterisation, this model will not be one of the best choices.

We move on to a topic that may be crucial for many. Unfortunately, here we must point out the biggest "Achilles' heel" of the QNED80A model. This television is equipped with a panel that has a native refresh rate of 60Hz. There’s no denying it – at this price, we were hoping for more as we know that Chinese manufacturers can offer 120Hz screens for similar money. Due to this parameter, dynamic scenes in sports or fast-paced games are not the strongest point of this screen. Fortunately, LG has equipped the television with a proven smoothing system called TruMotion. It works quite well with film material (24 frames). We suggest playing around with the De-Judder slider – from our experience, setting it in the range of 2-4 provides the best compromise: motion becomes smoother, yet still looks natural, without the artificial "television theatre" effect.

The TCL A400 Pro is equipped with a 144 Hz panel, but in practice we're most interested in how it performs at 120 Hz. That's the refresh rate most consoles, as well as many sports broadcasts and high-motion sources, are limited to today. In that range the TV performs quite well. Motion clarity is really good, especially after properly configuring the motion smoothing. The 'Motion Clarity' function improves smoothness. Its settings include two sliders that let you tailor the motion smoothing to your preferences, separately for low-frame-rate and high-frame-rate content. This allows you to achieve either a more cinematic look or a noticeably smoother image. If you don't want to fiddle with manual configuration, you can use built-in presets such as Low, Medium, High, Cinema or Nature.

Since we've already established that the QNED80A is a 60Hz TV, we must say it straight: we won't be gaming here at 120 frames per second at any resolution. Does this disqualify the device in the eyes of gamers? Not necessarily, especially for those "casual" players. LG decided to sweeten this technical limitation by packing in quite a few useful features. We have support for VRR (Variable Refresh Rate) in the range of 48-60Hz and an automatic game mode ALLM, which instantly reduces input lag upon detecting a console. We manage all of this via a very convenient, purple Game Optimizer menu (Player Panel), which has become LG's hallmark. The manufacturer deserves big points for consistency regarding HDR. Although the TV does not support Dolby Vision in games on Xbox consoles, LG adds a well-implemented HGiG standard. Thanks to this, even on a screen with moderate brightness, playing in HDR is clear, and the details in shadows and highlights are accurately rendered, rather than being "clipped".

In terms of gaming features the TCL A400 Pro performs brilliantly. The TV has practically everything you’d expect from a gaming TV today: support for 4K at high refresh rates, VRR, ALLM, correct implementation of HDR formats in games, including Dolby Vision, and HGiG. That means it works well with both next‑gen consoles and PCs. Another plus is the inclusion of a Game Bar, a dedicated panel with the most important settings for gamers. From it you can quickly check basic information about the signal, refresh rate or active features, and customise the appearance and behaviour of some settings to your preferences. It’s a solution that may not change picture quality by itself, but it greatly improves the convenience of using the TV while gaming. The only thing to criticise is the number of full HDMI 2.1 ports. The A400 Pro has only two such ports out of four, and one of them also serves as eARC. In practice this means that if you want to connect two next‑gen consoles and a soundbar you may run into some limitations. In that scenario you’ll need to either swap devices or use extra equipment, such as an AV receiver or a soundbar with HDMI inputs. Even so, it’s hard not to rate the A400 Pro very highly as a gaming TV. The gaming feature set here is genuinely powerful.