LG OLED G4 vs LG QNED87T6B

LG G4 guarantees an incredibly vibrant HDR effect, placing the television firmly at the top of the rankings. The highest model in the manufacturer's 2024 portfolio, equipped with the second generation of microlens technology (MLA), has achieved a maximum brightness level of 1474 nits in real scenes. The only area where the product of the Korean manufacturer may fall short compared to LCD televisions with Mini LED backlighting is during a full-screen scene featuring a lot of white. If we were to disregard the latter scene, the average result would be even higher. It's also worth mentioning scenes with very fine details, where each one shone at full intensity, which is not as evident in non-OLED televisions. The combination of such brightness and wide coverage of the DCI-P3 color space ensures that HDR materials are more engaging than ever before.

LG QNED87T6B delivers truly decent visual experiences when it comes to HDR. During our tests on test patterns, the television achieved brightness close to 500 nits, which is a satisfactory result and allows for good visibility of details in high dynamic range scenes. Support for basic HDR formats such as HDR10 and HLG ensures proper image quality. Unfortunately, the television does not support more advanced standards such as Dolby Vision or HDR10+, which are particularly important at this screen brightness. The lack of support for dynamic metadata means that in certain scenes, the television may struggle to fully reproduce details, especially in very bright areas – this is precisely when dynamic metadata could significantly improve image quality. Nevertheless, it is worth noting the excellent coverage of the wide DCI-P3 colour gamut, reaching as much as 96.4%. As a result, the colours displayed by the QNED87T6B model are more vivid and natural, enhancing the quality of 4K content viewed with a wide colour palette.

The best factory mode in terms of colour reproduction was "Filmmaker". This is the one we used during our tests. Let's check how its characteristics looked before the calibration process. Taking a closer look at the white balance first, we can notice a significant dominance of red and green colour. As a result, the image had a warm yellow tint. This is the kind of characteristic we usually observe in "Cinema", "Filmmaker", or similarly named modes. The effect of such a colour balance was clearly visible in both SDR and HDR content, which, after switching from "Standard" mode, was distinctly yellowed. Now let's move on to two graphs that are responsible for brightness characteristics, and consequently, image contrast. The first one (Gamma), representing materials with a standard colour palette, performed decently. For most of the time, the midtones and bright whites were represented very accurately, however, it noticeably lost the darkest details which blended into a black patch. On the other hand, HDR materials, represented by the EOTF curve graph, exhibited a significant drop in contrast due to a strong boost in brightness. There was also an issue with the colours themselves as seen on the "ColorChecker" graph since they were noticeably undersaturated.

The colour accuracy in the LG QNED, even in Filmmaker Mode, which is the best factory setting, is not without its flaws. The main issue is white balance – we noticed that the level of blue on the graph tends to drop. This results in a shift in colours towards yellow, making the image have a warmer tone than it should. This deviation affects the naturalness of colour reproduction, especially in scenes with a white or neutral background. The Color Checker test confirmed that some colours are distorted and deviate from reality. Such distortion can make film scenes appear less realistic, and details are presented in incorrect colours, negatively impacting the overall image quality.

Regarding contrast, the gamma graph analysis showed significant drops, while the optimal value should be 2.4. This means that the television may display darker parts of the image brighter in some scenes, which reduces their depth and dynamics. Additionally, on the EOTF curve, which is responsible for brightness reproduction, an unnatural drop was noted at the beginning. This phenomenon can result in less accuracy in reproducing dark scenes, which in turn affects the overall image quality. The television may not convey full black depth, causing more demanding scenes to lose realism and detail. As a result, viewers may notice that details in the darker parts of the image become less distinct.

The manufacturer has been implementing extensive support for the calibration process in their LG televisions for many years. Therefore, we used 2- and 20-point grey scale adjustments along with an advanced CMS (Color Management System) and got to work. As you can see, thanks to the procedure carried out, each of the parameters has significantly improved. The use of tools has resulted in extremely beneficial effects, which include: studio colour reproduction, recovery of details in dark areas of the image, appropriate brightness characteristics, and proper colour saturation. Thus, we have maximised our approach to the reference image, or the one that the film director saw on the preview monitor. It is worth noting that the LG G4 televisions are the only ones that allow for even deeper intervention in image quality due to the capability to calibrate with 3D LUT matrices. However, this solution is recommended only for post-production or graphic studios.

After calibration, the colours in SDR content look very good. The improved white balance translates to natural and harmonious shades in various scenes. Thanks to precise gamma tuning, details in shadows and bright areas of the image are accurately reproduced. The television performs excellently in everyday use, offering vibrant, well-balanced images and solid colour quality in HD. The biggest beneficiary here is also contrast. The gamma graph has been stripped of significant errors, giving the television a new dimension.

As for the white balance in 4K HDR, it has also been significantly improved. However, some errors still appear at the end of the graph. This may be due to the television's overly aggressive local dimming, which in some scenes affects the inaccurate reproduction of colours. It's difficult to talk about an improvement in brightness represented by the EOTF curve. The television, due to its construction limitations, has some drawbacks, and we can't overlook them. The Color Checker test confirms the issue with colour saturation – even though the television offers a wide colour palette, it fails to fully convey the director's intent.

Despite these shortcomings, the overall picture quality after calibration is significantly better than before. Adjustments in white balance and gamma tuning make the images more vivid and the colours closer to reality.

The tested television did not perform well with content rich in tonal transitions, resulting in a strong posterisation effect. However, there is a partial remedy for this ailment. The manufacturer has equipped the LG G4 with a smoothing system called "Gentle Gradation," which we can apply at three levels: Low, Medium, and High. Each of these options guarantees quite high smoothing effectiveness on bright colours, though low on darker ones. We recommend primarily using the first one due to the fact that the other two interfere with directorial intentions, removing film grain.

When watching lower-quality content, the efficiency of the television during upscaling is extremely important. The image from the tested television is sharp and clear. However, attention should be paid to the jagged edges of fine details and minor issues around characters, such as the creation of a halo effect, which occurs due to the sharpening imposed by the LG G4 even when the slider is set to the lowest value, which is 0. It is worth noting that this is a change in relation to the LG G3, which did not impose such strong image sharpening, even when the appropriate slider was set to position 0.

When it comes to lower quality materials, the gradation looks really good. The feature called "Smooth Gradation" effectively smooths out the most problematic parts of the image, while not negatively affecting the film grain. For the best effect, it’s worth setting it to a low level. This solution significantly improves the quality of the displayed content, making the viewing of lower resolution materials more enjoyable and smoother.

In terms of digital processing, the image is displayed without cropping, known as overscan. Although slight fraying of the branches can be noticed against the model's background, everything looks very good. Users should be satisfied with the image quality when watching low-quality materials like standard television. The TV handles this task exceptionally well, providing a satisfying visual experience, even with lower quality content.

The maximum refresh rate that we can set on the LG G4 is 144 Hz. Naturally, this is only possible by connecting the LG G4 to a very powerful PC. Otherwise, we will be operating at a maximum refresh rate of 120 Hz, which is recommended if we primarily want to watch sports or content with high motion dynamics. For those who require high fluidity of image, the manufacturer has implemented a multi-level motion smoother called "TrueMotion". It has been divided into two separate sliders that adjust the sharpness of moving images (De-Blur) and judder (De-Judder). Both sliders can be set in the range from 0 to 10, with each increment affecting the degree of smoothing, so everyone can find their sweet spot.

The LG OLED G4 panel features an average response time of 0.78 ms (which directly results from our measurements), allowing for an incredibly clear image, unattainable by LCD televisions, which have response times of even several milliseconds. This is clearly visible in the "UFO Test" images, showing the absence of any trailing blur behind the object. Furthermore, the LG OLED G4 test showed that the television offers the ability to precisely adjust motion smoothing functionality, allowing users to choose the ideal level of image interpolation. We particularly appreciated this during fast-paced action in video games, where the LG G4 performed exceptionally well, minimising any blurriness. Thanks to OLED technology, this model eliminates so-called ghosting, ensuring that the image remains sharp even in the most dynamic sports or movie scenes.

The television provides decent smoothness when watching movies, thanks to the “Tru Motion” feature, which allows adjustment of motion smoothing from 0 to 10. De-Judder regulates motion smoothness, while De-Blur adjusts motion sharpness. Users have the option to choose between a traditional cinematic effect with subtle juddering motion (lower settings) and a smoother, theatrical image. Although the latter deviates slightly from the cinematic standard, it may be appealing to many viewers.

As for gamers and sports fans, the LG QNED87 television with a 120Hz panel will surely not disappoint. And with the use of an IPS panel, the response time is typically better than that of VA panels available at a similar price. This ensures smoother gameplay and dynamic experiences when watching sports events.

The LG G4 television supports all features that make up the HDMI 2.1 standard. During testing, each feature activated without any issues, which allows us to consider the television as designed for gaming. Its performance will certainly be appreciated by both console users and those connecting the LG G4 to a computer. It’s also worth mentioning the proper implementation of the HGIG (HDR Gaming Interest Group) mode, which ensures that games mastered to brightness levels beyond the maximum luminance of the LG G4 will correctly map tones, keeping the game image true to the original.

A nice touch is the presence of a special GameBar that we can bring up at any moment to check game parameters, but most importantly, to change them quickly. More importantly, turning on VRR technology does not degrade contrast, which is often a problem in televisions with local dimming or Mini LED backlighting. Of course, this is thanks to the OLED panel itself, characterised by pixel self-emissiveness. As a journalistic note, we will only mention a slight grey flicker, which, however, is somewhat normal when VRR is enabled.

In summary, the LG G4, like practically all OLED televisions, is an ideal product for all kinds of gaming and online competitions. With full HDMI 2.1 ports with a complete bandwidth of 48 Gbit, features such as VRR, ALLM, G-Sync, FreeSync, or HDR Dolby Vision gameplay will bring a lot of joy.

LG QNED offers a range of features that make it an excellent choice for gamers looking for a high-performance television. The TV is equipped with four HDMI 2.1 ports, allowing connection to the latest consoles like PlayStation 5 and Xbox Series X, utilising full functionality including Variable Refresh Rate (VRR) and Auto Low Latency Mode (ALLM). Thanks to the Game Bar feature, gamers can quickly and easily manage all game settings without needing to navigate complex menus. Parameters such as VRR, ALLM, Multi View, and frame rate monitoring can be adjusted. The TV also supports G-Sync and FreeSync technologies, which is particularly important for owners of Nvidia and AMD graphics cards. G-Sync and FreeSync synchronise the TV's refresh rate with the graphics card. The 120Hz panel guarantees incredible motion smoothness and image clarity. Combined with the Black Frame Insertion (BFI) feature, which is available at 60Hz and 120Hz, gamers can enjoy an even sharper and smoother picture. LG QNED87 is a television that meets the expectations of even the most demanding gamers, offering modern technologies and features that significantly enhance comfort and satisfaction during gaming.